WORLD-WIDE LOCKOUT!
It was a future where law compelled four
billion people to be always on the move. But for Kil Bruner it was the best of
all possible worlds. He held Class A citizenship, and
his Key made every good thing in this rigidly controlled world available to
him.
But one night a strange visitation snatched
his wife Ellen away from him right before his eyes. And no one would help him
find herl
"Files" ignored his pleas, hunted
him instead, condemned him to move every twenty-four
hours. Somewhere in the maddening unknown, Ellen was being held captive, key
to a secret so fantastic that its seekers would destroy the earth in order to
learn it. Kil then knew that his dangerous mission was more than personal—it
was universal dynamite !
Turn this book over for second complete novel
CAST OF CHARACTERS
KIL BRUNEI!
His Class A Key unlocked everything but the
mystery of his wife's disappearance.
ELLEN
BRUNER
The only superhuman power she wanted was to
go on loving Kil.
TOY
His search for manhood ended in blazing
glory. MALI
He
would be absolute dictator on Earth if he would have to explode it . . . and
start again!
DEKKO
He had many faces but only one purpose.
McELROY
A Police Chief as elusive as the rebels he sought.
MANKIND ON THE RUN
GORDON
R. DICKSON
ACE
BOOKS A Division of A. A. Wyn, Inc. 23
West 47th Street, New York 36, N. Y.
MANKIND
ON THE RUN
Copyright ©, 1956, by A. A.
Wyn, Inc.
All Rights Reserved
THE
CKOSSROADS OF TIME
Copyright ©, 1956, by A. A. Wyn, Inc. Printed in U.S.A.
CHAPTER
ONE
The south-bound rocket, intercontinental, out of
Acapulco, Mexico, for Tierra
del Fuego at the tip of South America, flamed skyward
east of the city, briefly ripping apart the soft tropical night with sound and
fury. Its glare dwindled and vanished, leaving only the little firefly lights
of small flyers, dropping down into the shallow bay before the Hotel Bel-monte.
On the terrace of the hotel's open-air dining area, cut from the rocky cliffs
and facing the ocean, Kil Bruner turned from the noise of the departing rocket
to see his wife, Ellen, dabbing furtively at her eyes.
"You're crying?"
he said. "What is it?"
Ellen brushed hastily at
her eyes with shaky fingers.
"Don't—I'm
not crying," she answered. "I'm just happy, that's all. Happy on our anniversary." She turned her head away.
Don't look at me, please, Kil. Look over on the terrace, darling. Is the diving
boy coming yet?"
Kil
scowled blackly, and slowly removed his gaze to the terrace, which extended to
the mouth of the gorge on which the hotel was built. He was not by nature a
biddable young man. His first articulate word, according to his mother, had
been no. "That boy would say no," she was in the habit of saying,
"if—" and there words always failed her. She had died in the same
London-Capetown rocket crash that had killed his father, but her tall,
rebellious son had continued to live according to her pronouncement with the
imagination-provoking gap at the end.
In the case of Ellen, however, it was a
little different.
So
he did look over the terrace, past the rocky gorge into the small bay where the
flyers nestled close on the water in parked ranks, like sleepy water fowl under
the moon. Beyond them, the silver-dark ocean spread wide to the horizon; and
far out, a whale blew, its plume of exhausted breath going up like a tiny,
white finger, frosty for a second in the moonlight before it disappeared.
Closer in, the terrace murmured darkly with
shadowy
forms,
lounging and moving about. To the right, spotlighted by the pure bottled
daylight of sunbeam lamps from the top of the old hotel, the dining area's main
floor murmured brightly. Men in tunics and kilts, or trousers clipped tight at
the ankle, talked and laughed with women in slacks, shorts, or skirts of all
lengths. Here and there, the Key on someone's wrist gleamed even among the
gleaming colors of the crowd. And in the gorge below, the water, mounting the
tide, crashed and foamed high against die rocky walls. The orchestra played
dance music.
"Kil—" it was
Ellen's voice. "You can look back now."
He
turned again to her. Her face, like some small flower, seemed almost freshened
by the brief summer shower of her tears. Out of the brightness of the sunbeams
illuminating the dance-floor, back in the shadow of moonlight where they sat,
her face was beautiful, small and perfect, oval and delicate, blue eyes under
soft blonde hair.
"Don't
look like that, Kil," she said. "It's nothing. Really it isn't."
She put out a hand to touch his arm. "Happy fifth
anniversary, sweetheart. I love you."
"Well," he said
gruffly. "I love you."
She looked at him, sadly affectionate. Her
fingers went up to rub gently away at the frown on his forehead. "My dark
and angry man," she said.
He
made an effort to smooth his expression out. In the mirror of her eyes he saw
himself as something different.. He was tall and lean,
angular of face, black-browed, and scowling with habitual impatience. "I'm
ugly," he had told her once, five years ago, with harshness. "But
it's a beautiful ugliness," she had answered. Seeing himself reflected now
in the magic crystal of her love, he almost believed it.
"What was it?" he
insisted.
"Nothing . . . nothing . . ." she
repeated; but her eyes seemed to glisten again for a second, in the moonlight.
"I'm just sad about leaving, that's all."
Automatically, reflexively, he glanced at the
Key on her wrist and, from it, to the Key on his own. Above the Class A designation on the dials, and below the code numbers, the
calchronometer of each showed twenty-seven hours remaining of the six months
permitted them in one location.
"We've hade our period
here," he said.
"I know." But her
face was still unhappy.
"Nobody
gets more than that," he said. "Why does it always bother you so
much, Ellen?"
"Because
I want a home!" she burst out suddenly. "Because I want to settle
down—oh, darling, don't ask me about it tonight. Look, Kil. Look, there's the
diving boy coming now."
His
attention forced away, Kil looked over toward the terrace, following the
direction of her pointing finger. The diving boy, or rather, his
simulacrum—the plastoid automation imitation of a diving boy who once had been,
back before Acapulco and everyplace else were more than just names on a map—was
coming down the steps. Brown and compact, in trunks, and very lifelike, it
descended to the lowest level of the terrace, climbed over the stone balustrade,
and dived from view. A second later, its head popped up through the foamy water
in the mouth of the gorge and it swam across to begin its climb up the face of
the cliff opposite.
"Ellen,"
Kil spoke to her profile, "there's been something on your mind
lately—these past few weeks. What is it? Something about
this next job? I don't have to take it, you know. If you don't want to
go to Geneva, just say so. They need memnonic engineers everywhere; you know
that. Just say where you'd like to go."
"Kil!" She reached blindly for his hand without turning her head. "It's
not that. It's—nothing, really."
"Then
why won't you tell me about it? If it's nothing, you ought to be able to tell
me what it is. Why all this dodging around the question? You'd think I was an
Unstab who couldn't be trusted to hear—"
"Kill,
please!" whispered Ellen, tightly. "People are staring at us. Look
at that policeman over there."
Startled,
Kil turned his head and looked out over the little wilderness of adjoining
tables. Twelve or fifteen feet away, his glance suddenly locked with that of a man sitting alone at a small
table and gazing in their direction. The man wore no local uniform, but the
insignia of the World Police, a bloody hand grasping the naked blade of an
unsheathed sword, was on the front of his white tunic. As Kil's eyes met his,
he looked away. Kil turned back to Ellen.
"What of it?" he
demanded. "I've got a right to know."
"Wait!"
She squeezed his hand fiercely with her own. "Wait until the diving boy's
through."
Tight-jawed
and grudgingly, Kil sank back into his seat and let his gaze shift toward the
gorge. The simulacrum had reached the top of the cliff now. The music of the
orchestra stopped abruptly and a rolling of drums burst forth, shatteringly
loud on the eardrums, echoing between the narrow walls of the gorge. The small,
brown figure approached the edge of the cliff.
Kil
stole a glance at Ellen. Her eyes were closed, her
face tilted back a little and held still as if against some arrowing inner
pain. She seemed to hold her breath. Watching, Kil felt the sudden explosion of
instinctive alarm bells within him.
"Ellen!" he
cried.
He started to reach out for
her. And the world stopped.
It
was no small stopping. Everything ceased: everything froze. On the top of the
cliff, the diver, bright-lit from below by the red glare of a fire of paper
that had been kindled in the gorge, checked suddenly, leaning out at an impossible
angle over emptiness. The sea became rippled glass, with a whale spout hanging tiny, and half-finished on the horizon. In the dining area,
people stood and sat like arrested marionettes. The drummer poised his sticks
in mid-roll and all sound stopped.
Locked
in stillness, like everything else, Kil strained to turn his head, to move in
any way, but couid not. And then, from somewhere among the shadows on the
terrace, there was movement.
At first it was something half-seen out of
the corner of Kil's paralyzed vision. And then, as it came closer, it resolved
itself into a straightly upright old man, as tall as Kil, with wide-set eyes in
a smooth face; an old man dressed simply in kilt and tunic. For a second this
alone registered with Kil, who could not understand the reason for the basic
feeling of wrongness with which the sight of the man struck him.
Then it hit home. A difference that set this stranger off from all the four
billions of other human beings that roamed the earth.
The old man wore no Key.
He came up to the table
where Kil and Ellen sat.
"Now,
Ellen," he said. It was a deep, tired voice, a voice weary with years.
Behind
him, Kil heard the soft whisper of her skirt as Ellen rose. She came around the
table slowly and stood looking down for a long moment into Kil's eyes.
"Ellen," repeated
the old man. "Ellen. Come now."
There
was no doubt about the tears in her eyes now. She bent swiftly and kissed Kil
on his immobile lips. Then she turned; and the old man led her away, down into
the shadowy, motionless crowd on the terrace, and out of sight.
For
a little while there was nothing. And then, like a sigh sweeping in from the
sea, life and motion came back to everything and everyone. The fire flickered
again and a wave, poised high against the cliffs of the gorge, fell back with a
crash of water. The drummer's sticks finished their rolls; the diver dropped.
He
splashed into the water and a moment later reappeared, his head breaking the
surface, small and sleekly dark in the firelight. Applause mounted. Couples
moved out on the floor, and the orchestra began to play a dance tune in
counterpoint.
And
at his table, Kil, able once more to move and speak, but facing an empty chair
and an untouched drink, sat like a stone.
Sat like a stone. . . .
CHAPTER TWO
". . . on good authority. News of the past six hours mirrors no increase in general stability, ■rather a slight falling off of sixteen thousandths of one per cent, according to the latest estimate of Files, published forty minutes ago by World Tolice Headquarters at Dttluth, Lake Superior Region. This is a variation quite within normal limits and the Police are not unduly concerned.
"Around the globe, there has been a minor outbreak of colds in North Berlin and the area has been quarantined, although local health control groups expect to have the matter well in hand within twelve hours. Present residents of the area have been advised that if they ivill present their Keys at any transportation checkpoint, they ivill automatically be reset to allow them an extra twelve hours stay within the area. In Tokyo, a riot flared briefly in the Slum Area as one faction of Unstabs met in pitched battle ivith another. I^ocal authorities quickly restored order, but they have requested the World Police to investigate
"At Police Headquarters in Duluth, an official denial was issued today in answer to the rumor that Files has advised a tightening of residence limits for any single location. The rumor, as it reached this news office, predicted that residence limits for all Stabs, Classes A, B, and C, would be cut in half; and all Unstabs reduced uniformly to one week's time in any single area. 'Not only has Files not volunteered a recommendation for such a change,' said Hagar Kai, present six-month head of World Police, today, 'but we have advanced the question on a hypothetical basis and Files has responded negatively.' The World Union of Astrophysicists is meeting in Buenos Aires today; and elsewhere in the world—"
The
polite, indifferent murmuring of the news announcer, from the vision box
recessed in the wall of the manager's office, crept forth to coil itself about
the exhausted silence that had fallen among the three men. The local police
chief sighed and shrugged.
"What
can I say?" He was heavy, Teutonic in appearance, but he spoke Basic with
the swallowed consonants and slurred vowels of an Oriental "You say
something happened—"
"It
did!" cried Kil. He thrust his wrist with the Key on it under the
uniformed man's nose. "Read it! Do you think I'm having delusions? Do you
think I'm psychotic? Unstab?"
"No,
no. I can see. You're Class A," replied the chief, wearily.
"Then why won't yon
believe me?"
"Because
it is a lie!" shouted the manager of the hotel, excitedly. He was a slim,
little, dark man and he literally pushed himself up on
his toes with the violence of his argument. "I was there. Dozens of
people were there. Nothing happened. Nothing stopped. I say so. Everyone else
says so. If his wife left she must have just—" he threw both arms wide to
the walls of the office "—walked off!"
Kil
turned his head and looked at the small and noisy man and, inside him there was
a queer urge to commit murder. The Police chief caught its reflection in his
eyes and put a calming hand on his arm.
"Look," he said.
Reluctantly, Kil turned
back to him.
"Look,"
said the Police chief, again. "You have to admit your story's fantastic.
All right, maybe it happened. We're not savages who're going to yell impossible
at the first strange word we hear. But you know I can't help you. I shift areas
every six months, too. Violations of local ordinances—they're my job. You know
whom to see."
He stopped and gazed
steadily at Kil, Kil stared back.
"You mean the Police," he said.
'The World Police. Right." The chief paused, still staring
earnestly at Kil. "They've got the organization. They've got Files."
Kil felt emptiness wash through him. He stood
up. "All right," he said harshly. "I will." He turned and
went out.
Outside, the first clear, bright light of
tropical morning took him by surprise. The night, since Ellen had disappeared,
had seemed endless; he was almost a little shocked to see the daylight now, as
if the world was committing a callous indecency to go its way in ordinary
fashion when his own small part of it had been so shattered and overthrown.
Feeling cold and somewhat empty, he stepped forward onto the rollers and from
the rollers onto the moving roadway. He let the great, free transportation
system that had shaped his life since childhood, carry him down the hill and
away.
At the Los Angeles-bound magnetic line, a
long, slim, fifty-passenger craft floated in air within the large magnetic
rings of its cradle. Ahead of it, the line of rings stretched along its route,
up and over the edge of a mountainside, distance making them seem to close into
a tube as they dwindled in perspective. As he stepped through the ship's
entryway, Kil reached out automatically to present the face of his Key to the
checkbox there. There was no sound from the Key but its calchronometer reading
popped over to show a full six months before another move would be required.
The
mag ship had been all but full of passengers when he came up and he had little
more than taken his seat when the fasten safety belts sign lit up. The door sucked shut, the ship floated gently forward out
of the cradle and began to pick up speed between the spaced rings. The ground alongside blurred and spun away. At a little
under a thousand miles an hour, the mag ship streaked for Los Angeles, the torn
thunder of its passage echoing among the mountains in its wake.
It
was close to seven o'clock when Kil reached Los Angeles. An intra-continental
rocket was leaving for Duluth in the Lake Superior region at seven forty-five.
Kil had some coffee and then boarded it. Forty minutes later, acceleration
slammed him back in his seat, the earth fell away
beneath him an enormous distance, then drifted slowly back again as the rocket
glided down to Duluth. He stepped out at Duluth Terminal at three minutes after
eleven, local time.
He
had never been to the Lake Superior Region and World Police Headquarters
before. The breeze of the lake was cool and brisk, although it was late May. To
save time, he caught an air cab at the entrance, dialed dispatcher information
and explained his problem.
"Complain
Section Aj493," said the cab speaker. It took off, flitted for some fifteen
minutes between tall buildings, was halted for beam-check at an entry point,
and then allowed to continue, flying low and following a rigid route to a low,
white building overlooking the lake itself.
"Complaint
Section," announced the cab, landing before the entrance and opening its
door. Kil read the meter, took a roll of credit units
from his packet and tore off a strip of the soft metal tabs. The meter gulped
them with a click and thanked him. He got out and went inside the building.
Within
the front door, he found himself in what looked like a large, low-ceilinged
auditorium, all broken up into small booths and compartments. The first row of
these facing him, was nothing more than half-cubicles, like open visor-phone
booths, each one having a panel containing a speaker slot and microphone. As
Kil stepped into the nearest one, and pressed liis Key into the waiting cup, a
little light went on at the top of the panel.
"State
your complaint," said the speaker slot. "It will be electronicaly
sorted and you will be directed to the proper human interviewer for detailed
interview."
"My wife is
missing," said Kil.
"Missing
person," echoed the slot. The panel swung back, revealing a hallway with
rows of numbered doors. "Go directly to the interviewer in room 243. Use
your Key. Room 243 is the only door that will open to it."
Kil
walked through. Behind him, the panel swung shut, to await the next
complainant. He went down the hallway, reading the door numbers until he came
to 243. It was a door like all those that he had been familiar with since childhood,
perfectly blank except for the Key-sensitive cup in the center of it.
He
lifted his Key and pressed it into the cup. The door swung noiselessly back
before him and he stepped into a small room, where a good-looking blonde girl
sat behind a desk banked with coder keys. She smiled professionally at him.
"Sit
down," she said, waving him to a single chair facing the desk. "My
job's to take down the details of your complaint and find out what officer you
ought to be assigned to for action. Name?"
"Bruner, Kil
Alan," he answered.
"Occupation?"
"Engineer,
Memnonics."
"Stab?"
"Class A."
"Let's
see your Key." She leaned over and inspected it, reading off Kil's
individual number, the number under which Kil was known to the computer memory
of Files. Kil watched her tap it out on her coder keys. He had not thought of
it until now, but suddenly he realized that her keys must connect directly
with Files itself, and that his case would be passed
on and decided by Files. And, abruptly, at the thought of this living, human
problem of his and Ellen's, going for decision before this great electronic
monster, used to it as he was in all aspects of his life, he felt a sudden
panic and a shrinking.
But the girl was going on
with her questions.
"Last residence? Last job? Name of missing person? Stab rating
of missing person? Her occupation? Last seen? Describe
in detail . . ." The questions continued in the girl's low pitched,
dispassionate voice, and her fingers danced remotely over the coder keys as if
they were something as detached from the human equation as Files itself.
Finally,
the questions and answers came to an end. The girl pressed the decision button
and sat back. On the flat desk screen before her, numbers began to click out,
one by one, appearing at regular and emotionless intervals. When the screen was
filled and the numbers had stopped, she sat reading them, for the first time
showing a hint of puzzlement in her eyes. She looked curiously at Kil, then
back at the screen and pushed a key down twice, two hard, quick jabs of her
forefinger.
The
numbers flicked off the screen and flicked back on, unchanged.
"What's wrong?"
asked Kil. "There's no mistake, is there?"
"Files
doesn't make mistakes," she said. But it was a mechanical
answer and the look of puzzlement remained until, with a conscious effort, she
cleared the expression from her face.
"You
go from here to another office." She looked at Kil. "The man you'll
talk to there will be a Mr. McElroy. I'll send a wand along to show you the
route."
She
pressed a stud on her desk, a narrow slot opened in the wall of the cubicle,
and one of the guiding devices she had mentioned rolled out. It was nothing
more than a slender antenna sprouting from a small box-like receiver mounted
on a floton—not a wheel, but a sort of underinfiated sausage-shaped bag which
could manage to go almost anywhere, short of up the side of a vertical wall.
The girl reached down and made a setting on the box.
"Follow
the wand," she said. Kil rose, then turned back to thank her, but she was
looking at him with such a strange, curious expression in her eyes that he
turned away again without a word and followed the wand into the hallway, for
the first time since Ellen had gone, disturbed by something beyond the
immediate problem of finding her again.
The
wand trundled ahead of him, leading him down the hallway, off a branching
corridor to a disk elevator. It rolled onto the first descending disk to come
level with the floor of the corridor. Kil stepped hurriedly on beside it, and they dropped down to the next level.
Emerging
into a new hallway, the wand went on, guiding him through a complicated route
that ended eventually before a plain door, no different from many others they
had passed. Kil faced his Key into the cup and the door opened to show a
square, middle-sized room, whose only remarkable feature was a window opening
on the lake, on a level less than a dozen feet above the surface of the water
itself. This, a desk and a few chairs, broke up the monotony of the place.
The
room was empty and Kil, his gaze drawn irresistibly to the window, felt a
sudden wild and powerful wave of feeling sweep through him, staggering him. The
sight of the lake had at one sweep brought back his memory of the sea in the
moment when Ellen had left him. He swayed, putting out a hand to the antenna of
the wand, to steady himself, and at that second, the door of the room opened
behind him and a man's voice spoke to him.
"Mr. Bruner?"
Kill
took his hand from the. wand and turned to confront a short, dark, wiry-looking
man perhaps a dozen years older than himself, in grey kilt and tunic with a
small oval framing the Police emblem on each piece of clothing. The man did
not wait to hear Kil acknowledge himself, but walked around Kil with a springy,
athletic stride, to seat himself behind the desk.
"Sit
down," he said, waving Kil to a facing chair.
Kil
sat.
"You're
McElroy?" he asked.
"That's
right. Now—" McElroy leaned forward, putting both elbows on the desk. His
thin, dark features were intense. "Suppose you run through it once more
for me. Just what happened when your wife left you?"
Kil
told him. McElroy listened without interrupting, elbows on the desk, hands clasped, his head a little on one side and eyes
noncommitally on Kil's face.
When
Kil had finished, McElroy nodded, straightened up and put his slim hands flat
on the desk.
"Yes,"
he said. He looked across at Kil with an expression in which curiosity and
sympathy were somehow mixed. "You know," he said softly, "we
can't help you."
Kil stared at him, stunned.
"Can't help me?" The words seemed
to be perfectly nonsensical noises with no meaning whatsoever. "No."
McElroy still regarded him.
"But
you know where she is! I mean—Files will know the next time she checks her Key.
And you—"
"Yes.
We can get the information from Files." McElroy still spoke softly.
"But we won't." He seemed to be walking on eggs, verbally, tiptoeing
around some delicate subject.
"It's
that business of the stopping!" said Kil suddenly. He stared furiously at
the other man. "You don't believe me."
"No.
Yes," said McElroy. "I mean it could have been true for you. You
could have been hypnoed."
"I'm a bad hypnotic subject!"
"Still—with drugs? No, that's not the trouble. The trouble is,
it's not our job."
"Not
your job! You're public servants. You're—" "No!" said McElroy, with such hard, sudden violence in his voice that it
checked Kil. There was a small second of silence, then
the Policeman went on in quieter tones. "We're set up to keep the peace.
That's our job. To be the strong right arm of Files.
That's why they started us, a hundred and fourteen years ago." He raised
his eyes, suddenly, bumingly, to Kil. "What do you know about it? You're
Class A."
"What's
Class A got to do with it?" demanded Kil, his ready anger flaring up to
matching heat. A thought occurred to him. "Aren't you?"
"Yes,
but I know!" said
McElroy. "I've been in this business since Files recommended me for training
school at thirteen. You don't. No Class A does. They're the cream of the crop,
with six full months before they have to move from one location to another.
What if you were Class B and had to move every three months? What if you were
Class C and had to move every month? What if you were Unstab?"
"What's that got to do with it, I say?" snapped Kil.
"I'm not Unstab."
"No,"
said McElroy, settling back in his chair. "You're not Unstab. You live
almost the way they did in the old days. You don't sneak glances at your Key
every fifteen minutes to see how many hours—hours, not days, are left before you have to catch a rocket or a mag ship and
move again. You don't lie awake nights hating the world, hating Files, hating
us, hating everything until you end up dreaming, staring into the darkness and
dreaming, of somehow getting your hands on a CH bomb just so you can blow us
and the rest of the world, and even your own sick and tortured self to hell and
end the whole damn sorry mess!"
McElroy
ended suddenly on a high note of violence. The silence after his words seemed
to rock and swirl like torn-up water.
"You
sound like an Unstab yourself," said Kil, looking steadily at him.
"I'm
not. If I were I couldn't be in the Police, of course." McElroy ran a hand
wearily through his hair. "I'm just trying to make you understand. You
class A's live in a fool's paradise. Just because you've been able to adjust
to the world, you forget the other nine-tenths of humanity who haven't. You
forgot there ever was a Lucky War—"
"I
don't!" Kil cut sharply in on him. "I had it pounded into me when I
was young, just like everybody else. I know about the fifty million dead in
twenty-four hours; and how it was just by the smallest chance the cobalt
fallout didn't finish off the whole race. I know. What of it? What's that got
to do with what happened to Ellen?"
"Your wife left of her own free
will."
Kil stared at him.
"What do you mean?"
"I
mean," said McElroy, patiently, "that forgetting this idea about
things stopping, as being unimportant one way or another, you've told us only
that your wife stood up and walked out on you. If requested to do so, well
interfere where crimes of violence are concerned. In the case of unexplained
disappearances we'll investigate because these might have something to do with
an attempt to break the peace. Neither applies in your case. A check on your
wife would only be a violation of her privacy."
"But
she didn't want to gol I tell you she was crying when she left me!"
"This
old man—did he grab her, use any kind of physical force?"
"No, but-" McElroy shrugged.
"You
see," he said. "All she's done is leave you
of her own free will. She's perfectly within her rights as an individual to do
that. No, there's no grounds for us to interfere, to
divert trained time and energy from our more important job of keeping the
world from blowing up. I couldn't recommend a check on your wife, and I
wouldn't if I could."
"Wait—"
cried Kil, remembering suddenly. "The old man. He
wasn't wearing a Key!"
McElroy
sat for a second, looking across the table at him. The policeman's eyes had
hardened. They were even a little contemptuous.
"That's impossible."
"I saw it!"
McElroy softened. He sighed.
"And
you saw everything stop while nobody else did." He stood up and walked
around the desk. "No. If you don't mind my offering some advice, register
a divorce. If you don't hear from her in six months, it'll be final and you can
put her out of your mind. If you don't hear from her in six months, you should put her out of your mind. This is all new and a shock to you; but this
sort of thing happens a lot nowadays. One partner gets tired of the
other—"
"No!
She would have told me!" burst out Kil. "We didn't have anyone but
each other, don't you understand? My parents are dead, and she was raised by
grandparents who died before I met her." He glared at McElroy. "Don't
think I'm stopping just because you tell me to. I'll appeal this to
Files."
"If you want. But," said McElroy, going toward the door, "you'll just get a
reaffirmation of what I've told you. I'm just giving you Files decision now.
You see," he laid his hand on the inner knob of the door and pulled it
open. "That's why you were referred to me. That's my job—turning people
down."
And
he went out. The wand rolled forward from its position in a corner of the
room, up to Kil's chair, and stood waiting.
CHAPTER THREE
The Policemen in charge of the gate passed Kil
out with a nod, and he emerged into a little paved area occupied by some
loungers and a rank of air-cabs. Gratefully, he went across to the first of the
waiting line of cabs, stepped through its door and literally fell into the
seat. On the panel before him a red light glowed suddenly into life; and the
mechanical voice asked: "Destination?"
"Nearest Class A hotel," answered
Kil.
The
cab stirred, on the verge of rising; but before it could take off, a small
hunchbacked man came darting out of the crowd around the gate and grabbed at
the door handle. The cab's safety checks arrested it. It settled back on the
ground.
"Chief!" yelled the little man.
Kil
turned and looked into a narrow, pointed face under straight black hair,
grimacing at him through the cab's winclow. He leaned over and pressed the button that slid the window aside.
"What?" he asked.
"Chief!"
cried the small man. "Chief, you need a runny? I'm a good one for any need
you got. Go anywhere; handle anything."
"No!"
growled Kil, stabbing the button and sending the window back again. "Take
off!" he ordered the cab.
The
cab lit up its passenger's
responsibility, unblocked
its safety checks and rose skyward. Kil saw the pointed face draw away below
him and the cries of "Chief! Chief!" dwindle in
the distance. Kil leaned back against the cushions of the cab and closed his
eyes.
Exhaustion
chilled him like a clammy hand, a giant's hand enclosing, and the world swam
about him.
Later, he hardly remembered getting out at
the hotel and taking a room. Once he touched the bed, he sank into sleep like a
man drowning in its dark waters. When he woke again, it was night, The automatics of the room had opaqued the window against
the stars and the city lights; and the only illumination came from the faintest
of glows in the ceiling corners, where the room's sunbeams maintained a
night-light intensity. Kil sat up, diumbed the window to clear, and lighting a
cigaret, sat smoking and staring out at the nightime city.
The streets and biuldings stretching away up
the shoreline of the lake shone with their own lights. Only off to his right,
in an area close to the traffic terminal, did the lighting falter and give way
to patches of dimness and shadow. This would be the Slums—Slums of the World,
as they were occasionally called—the area which, in any city,
normally house the greater portion of the Unstabs currently in residence
there. The buildings in the area were not, of course, shims in the old sense of
the word. In construction and quality they were in every way the equal of the
hotel Kil was in right at the moment (its class rating did not refer to the
quality of a hotel, but the Stab rating of the majority of people using it). It
was not the physical environment of these areas that caused them to be called Slums, but the mental.
Full of psychological misfits and outcasts and downright criminals, their
internal lawlessness winked at by World Police and local authorities as well,
the Slums were a breeding place of vice and violence. Away in the opposite direction,
in brilliant contrast, the clearly defined area of the World Police
Headquarters was a blaze of light. It ran up the shoreline of the lake until it
was lost in the distance, the public, unofficial areas of the city clustered
inland from it and following along the outskirts.
Kil
finished his cigaret, punched it through the spring-lid of the bedside
disposal, and got up. As he dressed, the hard purpose within him, melted
temporarily by sleep, formed itself icily once again. The World Police had let him
down. All right, there were private services.
He
looked them up in the city directory and took an aircab to the building that
housed them. The watch built into his Key told him that it was already thirteen
minutes after eight, but this did not disturb him. The services and business in
all large cities worked clear around the clock, or else traded hours with other
establishments in the same line, so that there was always someone on hand to
handle whatever might come up. This had come about naturally where everything
was, by necessity, more or less geared to the great worldwide transportation
system, itself a twenty-four hour a day proposition.
The
detective services occupied two floors of the building; but on the wall
directory near the building's entrance, only a cluster of numbers on the upper
of these two floors was lit up, signifying the fact that they "were open
for business. Kil went up in the disk elevator and tried them, one after another.
Disappointingly, the first three had nothing but automation receptionists,
adequate enough for taking down details and explaining services and rates, but
not liable to provide the immediate action Kil wanted. The fourth door, however,
into which he faced his Key, opened to reveal a thin, nervous, stooped man who
bounced to his feet, and came hurrying around his desk to introduce himself as
Cole Marsk, freelance operative.
Marsk seated himself and listened jerkily,
but attentively, as Kil told his story. The detective was a man of small gestures;
scratching his chin, twitching papers on his desk first out of, then back into,
position before him. His face, however, lengthened; and he bit his lips as Kil
finished.
"Ah/'
he said. "Ah. That's too bad. Yes—" he swung
about to look out of the office window, the pivot of his chair giving a
ridiculous little squeak in the silent office as he did so, and another as he
turned back again. "Yes, that's too bad."
"How soon can you get
going on it?" demanded Kil.
"Well—now,"
answered Marsk, not looking at him, "that's it. One of
these missing person cases. Of course I'd like your account; but there's
really nothing I can do."
"Nothing?" Kil stared at him. The detective fidgeted and squirmed under his gaze.
"Nothing. I'm sorry—" Marsk hurried ahead, almost tripping over his own
words, "—cases like this. What you need, you see, is a large organization.
I'm Class C, myself—oh, not that I'm ashamed of it, but I can't afford an
organization. Some of the big outfits might take your job. But no, they
wouldn't. Risky."
"What do you mean,
risky?" exploded Kil.
"You
know, it might involve them in a civil suit for in-fringment of privacy, in a
case where the individual didn't want to be located."
"But that's senseless.
She's my wife!"
"Yes. Still—"
Marsk coughed, and avoided Kil's eyes.
"You
mean to sit there," growled Kil, "and tell me I can't hire detectives
to find my own wife?"
"Well—not
those with heavy investments in the business," said Marsk. "And those
without assets like that can't afford the organization. I'm just one man, myself.
That wouldn't do you much good. You've got to check a good large share of the
big population centers simultaneously. Even then, it might take years, or your
wife might never be found."
Kil
slammed his hand down furiously on the arm of his chair and, jumping to his
feet, strode toward the door.
"Wait—wait—"
cried the detective, running after hin» "Wait a minute. Maybe I can help
you some other way."
Kil checked and swung about. "What
way?"
"I
could give you some advice—some directions." A small cunningness crept
into the thin man's eyes. "Of course I'd have to charge for it."
Kil's
hands twitched. He had a sudden, almost uncontrollable desire to pick the
other man up and break him open in search of some solid answer. He controlled
himself.
"All right," he said. "What is
it?"
"One thousand; in
advance."
"One thou—" Abruptly Kil came to a
belated recognition of the sort of man he was dealing with. "I'll give you
a hundred," he said. "Two hundred."
"All
right, two hundred," said Kil, harshly. He watched as Marsk ran to the
desk and punched a stud for a facsimile draft. Kil walked over and made it out
for two hundred units. Marks triumphantly punched the stud again, and the
facsimile disappeared, flashed instantaneously to Central Banking, to be
deducted from Kil's account.
"Now talk," said Kil.
"All
right I will." Marsk's voice was defensive. "You don't think I was
thinking of holding back anything? I may be Class C, but I'm still Stab. The
truth is, not even the big agencies can help you. Oh, they might, but the odds
are against it. Even the ones with agencies and operatives in most of the
larger spots can't really cover all the transportation centers; and that's
where you do your locating when you want to find somebody."
"You
charged me two hundred'to tell me this?" Kil could feel the deep, slow
kindling of his rage beginning to burn inside him.
"No,
no—that's just part of it. I just wanted to let you know the agencies couldn't
do it. But maybe there's some people who can—" Marsk broke off suddenly
and his eyes roamed jerkily about the room.
"What
is it?" demanded Kil.
"A
looper—nothing—" murmured Marsk. His voice picked up strength again.
"I was going to say—the Unstabs."
"The Unstabs!"
"Yes—not
so loud," Marsk rubbed his hands together and then dried the palms of them
on his kilt with a soothing motion. "I'm Class C. I don't have anything to
do with them. But you learn things in this business. You go see a man called
the Ace King."
"The
Ace King?" Kil
stared at the detective. "Who's he?"
"I
don't know who he'll be. It's a title, not a name. It'll depend on who's in
town at the moment. Hell be either a King or a Crim,
though."
Kil regarded him
suspiciously.
"What is this, double
talk?" He leaned forward. "Kings,
and CrimsP"
Marsk
laughed high in his nose, a whinnying sound. "That's the way they
talk," he said. "They've got names for themselves, for the three
classes. Kings for Class One—" "What three classes?"
Marsk
stared at him, uncertain whether to laugh or be astonished.
"You
know—the three classes—just like our three Stab classes. You know about
them?"
"How
should I know?" said Kil, harshly. "I don't have anything to do with
Unstabs."
"Class
One, Two, and Three," Marsk said, still looking uncertainly at him.
"Class One is on three week permit. They're top,
like our Class A's—like you with six months. They call themselves Kings. Then
there's Class Two, on two-week. They're middle, like our three month Class B's.
Call themselves Crims. Then the last are one-weeks.
Like our Cs. Thev're called Potes."
"Why?"
"Why—?" Marsk
floundered, at a loss.
"Why're
they called—what they're called? How'd they get these names?"
"Why,
King—I don't know. Because they're top, I suppose," said Marsk. "Oh,
I see what you mean. Well, Class Ones are those who've rated just under the
stability line on the yearly checks. They're perfectly decent, most of
them." He looked at Kil half-challengingly. "Most of them lead
perfectly regular lives, unless they get a bad stroke of luck, or something.
The Class Two's are those who've shown bad Stab ratings and either a criminal
record or criminal tendency. That'd be where their name Crim comes from, of
course. Then the Threes, the Potes—" again Marsk made his jerky-eye
recon-noiter of his office. "What about them?"
"The
Potes are potentials," said Marsk. When Kil still looked blank, the thin
man made an angry gesture with one hand. "Potential
dangers to the world peace! You know!"
"No," replied Kil,
bluntly.
"They're
the ones who could—who
could build a CH bomb or find somebody else who could build one, or locate
Files and wreck it . . ."
"What
do you mean, locate Files?" interrupted Kil. "Files is right here at Police Headquarters."
"Is
it? Oh, is it?" There was a momentary flash of weak anger from the thin
man. "You class A's are all the same. You're on
top of the world, so you never wonder about it. Well, for your information,
here at World Police Headquarters is one place Files isn't. It's been hunted
for plenty of times, believe me, in the last hundred
years. And it's not here. Nobody knows where it is, except maybe some of the
top men in the Police."
Kil
had the highly trained memory of the typical mem-nonic engineer. He went back
through it to his secondary school classes in Civics.
"Five
square miles," he said, "of computer, power plant, record space,
integrators and power lines. You don't hide that in your kilt pocket."
"Then
you tell me where it is!" Marsk's eyes were bright. "Why if I could
find that out, I could be rich tomorrow. I—" he checked himself. "You
go see the Ace King, like I said."
"I
still don't understand it," said Kil, stubbornly. "Why
Ace King?"
"Because
he's the top—the head man!" cried Marsk. "There's only one in each
Slum. He runs everything."
"They
have to move like everybody else, I suppose," said Kil. "What if
another comes along while he's there?"
"Then one goes, or one gets closed
up." "Closed up?"
"That's
what the Unstabs say," Marsk gave a little, twitching smile. "It
means they kill him. Don't look so shocked. That's why they're Unstab. What do
you suppose started that riot in the Tokyo Slum yesterday—or don't you listen
to the news?"
Kil
shook his head and returned grimly to the important point.
"Anyway, this man can help me?"
"If
he wants to," said Marsk. "An Ace King can do anything —except locate
Files." He looked earnestly at Kil. "I'll throw in some free advice.
Keep your mouth shut as much as possible while you're down there. And hold
onto your temper with both hands. The Police crack down on them if they hurt
one of us; but you're Stab, and they hate Stabs, particularly Class A. Just
don't give them an excuse to get rough, and you ought to do all right."
"Thanks," said Kil, getting up.
"I'll remember."
"That's
all right," Marsk rose with him. "I'm Stab, too. After all, they
aren't our kind of people; though some of them aren't too bad. But we Stabs
have to stick together, after all." He followed Kil to the door.
"Just go into any bar or night club down there and ask the bartender for
the Ace King. And then sit down someplace where you'll be sort of out of the
way until he sends for you."
Kil nodded. And went out.
"Good
luck!" said the voice of Marsk as the door closed between them.
It was not hard to get to the Unstab Area,
the Slum, which was, in fact, nothing more than an unmarked and arbitrary
number of blocks, south of the city terminal. Riding in on one of the roadways
and shivering a little in the sudden dullness of the night breeze, Kil wondered
why he had never been to one before. There had been no particular reason to
go; but on the other hand, for a Stab, there was never any reason to go. Neither Unstab people, nor Unstab amusements would be liable to
hold any particular attraction for a Class A. Still, there was nothing of the ghetto about the area. The
Stabs and the Police had not gotten together to force the Unstabs into these
small pockets within the community. It had been the Unstabs themselves who had
chosen to huddle off away from the rest. The remainder of the world was just
as open to them as it was to the Stabs; as their Slums were to the Stabs. Yet
there was little straying from either section of the social group.
Of
course, it was a known fact that the Unstabs resented Stabs.
There
were no signs marking a boundary. But the minute Kil crossed into Unstab
territory, he was made aware of the fact by a number of little things. For one,
as he had noticed from his hotel window earlier, patches of dim light and even
of actual shadow could suddenly be seen ahead on the heretofore brightly lit
street, down which the moving roadway was carrying him. For another, the fixed
sidewalks bordering the roadway and extending over to the front of the
buildings along the street, began to be peopled by occasional lounging figures,
not groups stopping and chatting as they might have elsewhere in the city, but
solitary individuals leaning against store fronts and watching those who passed
with an air of wariness or calculation. The shops themselves had a dingy air;
as if, without being actually unclean, which was almost an impossibility
in modern times, they had somehow managed to reflect the strange dustiness and
disorder within the minds of those who occupied them. Few people seemed to be
about; and yet the public buildings murmured with life behind dark or shielded
fronts. Signs in muted colors identified the entertainment spots. And it was
into one of these, a bar, that Kil left the safety of
the moving roadway to enter.
To
his surprise, and in contrast to the glowing sign out front, the door that
opened to his Key revealed a place seemingly dead and all but deserted. As he
stood just inside the entrance, blinking in the sudden and unaccustomed gloom,
it became slowly apparent that this first impression was a mistake, fostered by
darkness and silence. The place was thinly but evenly populated.
It was also larger than he had thought. To
his left a short
semi-circle of bar bellied out from the wall. To his right, a closely huddled
pack of booths and tables faded off into the obscurity of a further wall that,
for some reason, was broken up into little niches and crannies housing single
booths in deep shadow. A scattering of dim forms sat here and there at the
tables and there was a slim, irregular line of patrons around the bar.
With
all this, it took only a short moment for Kil to understand what had caused
him, instinctively, to check his entrance a few feet inside the front door. He
had stepped not only into darkness, but also into that same silence, noted earlier,
the peculiar pregnancy of which is in itself a warning. And now, in the whole
place, there was not a whisper, not a rustle, not a clink.
They
sat or stood, he saw now with clearing eyes, all staring at him. There was a
tribal unanimity in their motionless-ness, an ancient tribal hostility toward
the stranger. They waited, it seemed, for him to make the first move; and he,
half-hypnotized by the impact of their numerous eyes, stood fixed and
incapable.
Abruptly
the silence was shattered by a wild, drunken whoop. A tall, blond boy of less
than twenty, with a mop of unruly hair, staggered clear of the bar and stood
facing Kil, half the length of the room between them.
"Well, big S!" he shouted. "Big S! B . . . ig, dir . . . ty S!"
Kil did not move. The silence in the rest of
the bar continued unbroken. The boy stood weaving, silent now, but not turning
back to his drink. Abruptly, the paralysis holding Kil snapped. He turned himself
slowly toward the other drinkers watching him from the bar. He went down along
it to an open space opposite the bartender and leaned across the bar to face
him.
The bartender said nothing.
"I'd like," said Kil, "to talk
to a man known as the Ace King."
"A
juby rig," said the man to Kil's right, suddenly. "I'll pipe."
The bartender looked at the man and then back
to Kil. His eyes were unfriendly.
"A stick," he said. His voice was
harsh and heavy, coming from a harsh and heavy face.
"If
he is," said the man on Kil's right, "who do you think you're coving
with the gabby low?" He turned to Kil, a tall, cadaverous man with a dark
Latin-looking face and something sardonic and distant in Iris eyes. "Who
sent you, Chief?"
"Cole Marsk."
"Never
heard of him."
"He's
a private detective. I wanted him to do some work for me," said Kil.
"He said he couldn't, but to see a man called the Ace King."
The tall man turned to the
bartender.
"Spin the dosker,
Joel," he said.
The
bartender reached down below the bar and did something with his hands. He
watched intently for a moment, then raised his head.
"Marsk's on," he said. "He's
piped before."
"I'll
pipe on then." The tall man turned once more to Kil. "Stay here until
I come back for you. Sit at one of the tables there and keep your mouth
shut."
He shoved his drink away
and started toward the door.
"Hey,
don't forget my per," yelled the bartender after
him. "If it's a juby rig I want my five."
The tall man laughed
derisively.
"You'll
get five in a fist," he threw back over his shoulder without pausing.
"Give him a drink and don't poison him. I'm piping this."
He
went out the door. The bartender turned a bitter face back toward Kil.
"Well,
what'U it be, Chief?" He spat the words out. Kil held on to his own
temper with an effort.
"Nothing,"
he answered. He turned and strode across the room to a table in the shadows. He
sat down. Away, at die far end of the bar, the mop-headed boy pivoted
unsteadily to face him.
"Big, dirty, S!"
"Clab it!" shouted the bartender, turning on the youth. Muttering, the boy twisted back to his
drink; and the rest of the customers, as if all actuated by a single circuit,
turned likewise, ignoring Kil.
Kil
sat and waited. Occasionally new people came in to the bar and others went out.
The clientele changed faces without changing either numbers or types. Kil
could have been invisible for all the attention paid him. He sat in stillness,
feeling the waiting drain the tension from him, leaving him almost empty. For the
moment, the hot coal of his purpose smothered and dimmed under the smoky pall
of a dull and heavy apathy. He sat in a timeless vacuum, waiting for the tall
man to return. Then, finally, after an interminable time, he came gradually
back to conscious awareness, pricked by a faint whisper that was just reaching
his ear.
"Chief
... oh, Chief . . ."
Kil
slowly raised his head and started to twist about to the table behind and to
his left, which sat in one of the little wall niches in deepest shadow.
"No,
Chief!" hissed the whisper, urgently. "Don't turn around. Keep
looking the way you are. And don't move your lips when you answer."
Kil
complied. He let his head droop as if tired; and with his face half-hidden,
whispered back through still lips.
"Who're
you?"
"Dekko,
Chief."
"Dekko?"
"Dekko. I called you at the Stick gate yesterday. You remember. "You were
climbing into a cab and I asked if you wanted a runny."
Slowly there swam back into focus in Kil's
mind the picture of a narrow face, pointed-chinned and with straight black
hair, which had grimaced at him through the window of the cab.
"You're that little man," said Kil.
"Well? What do you want?"
"Work
for you, Chief. You need a runny. I'm a good one." Kil considered the
answer for a second. "What's a runny?" he whispered.
"A runner, Chief. I can run you anywhere. You got a problem. I can help. I got a talent;
and I know all the wires."
"I don't," hissed Kil,
exasperatedly, "understand half of what you're saying."
"That's
it. You see, Chief?" The answering whisper was triumphant. "You don't
know anything about anything. You're a lost juby in riggertown. If you hadn't
been piped to Crown One, they'd be all over you in this place by now. How you
going to get done what you got to get done without a runny to slip the wires
for you? You'd get shook out every time you turned around until there wasn't nothing to shake out no more and then some Crim would come
along and close you up.
"I don't think so," replied Kil.
"I'm just down here to talk to this Ace King man. After that I'll be
getting out."
"That's what you think, Chief. I watched
you go into the Sticks and I read you coming out. You got a problem and it goes
under the line where the wires are. I know. I tell you—"
The whisper stopped abruptly, as if the
speaker had choked it off in his throat.
"What do you know—" Kil was
beginning, when out of the comer of his eye, he saw the tall, cadaverous man
reentering the bar. He watched the other stride toward him until he stood over
Kil at the table.
"All
right, Chief," said the tall man. "Come on
with me. Ace'll see you and I'm taking you to him."
Slowly,
Kil rose to his feet. The tall man turned and led the way out of the bar. As he
stepped away from the tables, Kil turned a little sideways and threw one quick
glance back over his shoulder.
The
table in the niche behind him was empty. Several tables down, a fat and drunken
old man dozed above his half-finished drink. Otherwise the space surrounding
where he had sat was deserted. There was no sign of the little man called Dekko
anywhere in the place.
CHAPTER FOUR
The tall man led Kil through several streets and
finally down a dark alley to a building's side entrance. Within, there were
several doors to be opened by the tall man's Key, and several short hallways to
pass before they stepped at last into a long room stripped bare to the basic
metal and plastic of its wall, ceiling and floors. The room was empty of
furniture except for a desk at its far end, behind which a small man sat
staring fixedly at them as they came in, and a chair before it. Behind the
little man at the desk, another, younger man, in white tunic and kilt edged in
gold, leaned against the opaqued window that filled that end of the room, looking
pallid and almost macabre against its blackness. "Here he is, Ace,"
said the tall man.
"Thank
you, Birb. Ono, go stand by the door, will you?"
As the man lounging against the window moved forward and around the desk, the
man known as the Ace King kept his eyes fixed on Kil. "So this is the
man," he said, in a dry, hard voice that had a nearly feminine waspishness
to it. "Well, come here and sit down, you."
Kil strode forward. The room was longer than
it seemed. The bare walls and bright, unrelieved lighting gave it a hot,
unnaturally clear and sharp appearance, like an
hallucination seen in deep fever. As he reached the chair and sat down, Kil saw
that the Ace was not sitting behind his desk, after all, but standing; and that
he was much smaller than he had at first appeared. He was a square, dry-skinned
man in his early fifties, swaddled almost, in long trousers of thick, purple
cloth clipped into black boots and a black, turtle-necked long sleeved tunic.
His lined face was leathery, his eyes small and hard.
"What's your name?" said the Ace.
Kil told him. The Ace stood looking at him.
"Well?"
snapped the little man, at last, "Well? What did you want to see me
about?"
Kil remembered Marsk's advice and took a firm
grip on his temper with both hands.
"I
want to find my wife," he answered. "She's disappeared. A private
detective named Marsk said you might be able to help me."
"Oh,
he did? Well, I've never even heard of him." The Ace frowned down at his
desk and made a minute adjustment in the papers laid out in militarily precise
order there. "However, since you're here, I might as well listen. What
happened? I suppose you had some little lover's spat."
Kil
felt himself go hot, and his eyes burned. With an effort, he held his voice
down, though the words came out before he could stop them.
"Don't
let the situation go to your head," he said. "I'll tell you what
you're going to need to know."
There
were a couple of audible breaths from the back of the room and Ace jerked his
head up. The expression on his face as he stared at Kil did not change; but he
went momentarily and horribly pale. After a short moment, his color came back.
"Go ahead," he
said in a neutral voice.
Kil
told him. In the retelling of it, he regained his calmness; and by the time he
was finished he was once more in control of himself. As for Ace, he seemed
almost friendly, as if the small passage-at-words had never been.
"Interesting,"
he said, when Kil had finished. "A strange story."
Kil looked sharply at him, to see if there
was any further sarcasm in this, but the man's face was clear.
"Well?" demanded Kil. "Well-what?" "Can you find
her?"
"Well,
now," said the Ace. "That depends." He came around the desk and
perched on a corner of it, looking down into Kil's face. "You come here to
ask a service, you know," he said, softly. "You come here to see me
because none of your Class A, or Class B, or Class C friends can help
you."
"Friends?"
echoed Kil. "I want to hire somebody. Can you do it? How
much?"
The Ace stood up again and went back behind
the desk. He sat down and it became immediately apparent that the chair to his
desk had been abnormally cushioned, because he was nearly as tall seated as he
had been standing.
"How much? Yes, how much?" he said. "That's right, you wouldn't want
favors. But I feel generous, you know. There's actually several ways you could
pay for my assistance."
"Check? Cash?
It doesn't matter."
"No, no, you don't understand. Nothing like that. I said several ways, several different
kinds of payments." "Such as?" demanded Kil.
The Ace put his fingertips on the desk and
leaned forward.
"Perhaps
you know something that might be useful to me. It's an axiom of mine that
valuable information is like diamonds, often stumbled upon unexpectedly. And
since the price for what you want is high . . ." He let his voice trail
off.
"How
high?"
"Quite high. I might even say—by your standards—very high. There's
people to be paid all over the world. You see, what we do is pass the
word; and everybody in our areas the world over keeps his eyes open. So the
price for the one who first discovers your wife has to be enough to make it
worth the trouble of his looking. Then the local Ace in the area where she's
discovered will want a slightly greater amount and naturally, you pay me the
most of all."
"How much?" said Kil.
"But
I'm just talking about money! Suppose you were able to pay some other way,
entirely say, by providing me with information. Let's look on the optimistic
side first." He held up two fingers of his right hand. "If you can
help me with either one of two questions, we'll find your wife for nothing. I'll pay for it."
Kil stared at him for a
long moment.
"All right," he
said at last. "Ask ahead.".
"That's
nice," said the Ace, leaning back. "That's very agreeable. Now, for question number one. There is a man in whom we're
all very interested. Is he a man? I think so. Yes, I think we can take that much for granted. Perhaps, talking to your
letter-Class friends you've heard of him. Perhaps even met
him. The Commissioner?"
' The last words were said in almost an idle
tone, so lightly and so casually that Kil, staring at the short Unstab, had
trouble for a moment believing that he had heard correctly. "Who?"
he asked.
"The Commissioner," repeated the
Ace, blandly. "I don't know anyone by that title."
"Now,"
said the Ace, "I can hardly believe that. He's one of your own
people."
"What do you mean,
one of my people?" snapped Kil.
"What people have you? The Class A's, of
course."
"I don't know what you're talking
about," said Kil.
"All
right," the Ace sighed. "I'll be plain about it. You Class A's need
the Police to stay where you are—on top of the world. You can't control the
Police very well with a new head going in every six months, so you have a
secret head man who goes by the title of Commissioner—an unofficial head. I
want to know who he is."
"You're crazy!" said Kil,
incredulously.
"You won't tell me?"
"I don't know; there is no such
man."
"All
right," the Ace's voice had hardened. "It seems you don't want this
wife of yours back as much as you say you do. But I'll give you another chance.
What do you know about Sub-E?"
"Sub-E?"
The
Ace sat and stared at him for a long, long moment without speaking.
"You
know," he said at last. "You might just be telling the truth- You
might just be the complete fool you seem to be, after all."
"Now,
look!" Kil started up in his chair and felt hard hands slam him down
again. He twisted his head to look behind him and saw the tall, cadaverous man,
Birb, standing over him.
"You
look," said The Ace, and Kil turned his eyes back to look at him.
"You come in here and demand to see me, with your insufferable Class A nose in the air. You say you're going to tell me all I'll need to know—as if you were the one to be
giving orders around here. As if I was dirt under your feet
because you're Class A and I'm Class One. Never mind the fact that I've
got more intelligence than you ever dreamed of having! Never mind that I could
buy you and sell you a thousand times over and never even notice the cost!
Never mind—" The man's eyes were showing their whites all the way around
the pupil and a little moisture flew from his working lips into Kil's face
"—that I'm a busy man and your lousy little wife means nothing to me. You
came in to see me. So let's talk business. Let's talk money, since you obviously
haven't got anything else. How much will it cost to find your wife? How much
will it cost in money? Two hundred thousand, that's what it'll cost!"
Kil blinked at the rigid
little man, stunned.
"Two hundred thousand?" he managed,
finally.
"Two hundred—hundred thousand! That's the price! That's the regular price!
If you'd gone to any other Ace but me, they'd have asked you if you had that
much money before they bothered to talk to you. But I wanted to be kind. I
tried to be decent. I know memnonic engineers aren't rich; and I tried to think
of some way you could pay otherwise."
"Listen!"
said Kil; but the words pouring from the Ace's mouth overwhelmed and flooded
over his interruption.
"But
no matter what I did, no matter what I tried, you continued to insult me, to
try to take advantage of me! You planned this. You thought you could walk all
over me because you're Class A and I'm Class One! You thought maybe you could
bully me, scare me into working for you for nothing. Well, you've come to the
wrong man for that! I've got position and authority. I've got power and I know
it. If you'd been halfway decent I'd have found some way to help you. Two
hundred thousand is twenty years' income to you, but it's nothing to me. I
might even have paid part of it out of my own pocket just to be kind, to help
you. But no matter how I tried, how I leaned over backwards to help you, you
just trampled on me some more. Well, now you can go to hell! You can go to
hell! You and your slut of a wife who's probably off with some other man right
this very min—"
It was a wide desk, but Kil went over it in
one jump. His hands closed around the Ace's throat, the desk chair flopped over
backwards and they crashed to the floor together, the little man underneath and
squalling like a cat. Through a dark blur of rage, Kil was conscious of blows
landing on him from behind, of hard hands pulling him away from his enemy; but
he held on grimly, until something broke in splintering pain against the back
of his head and a black mist closed around him.
When
it cleared a second later, there was water dripping from his face and he was
being held upright between Birb and Ono. The Ace was facing him, his
turtle-necked tunic torn and his face congested above it.
"Take
him out," he said, breathing hard and speaking softly. "Take him out.
Teach him to hit mel"
The two men dragged Kil away.
They
went back out the route by which Kil had entered, and emerged into the alley.
The sudden dimness, after the bright lights of the office and the corridors,
was startling. At the far end of the alley the sunbeam-illuminated street was a
distant rectangle of white light with black patches of shadow that were
doorways pacing off the distance down the side of the building toward it.
"Hold him, Ono,"
said Birb.
There
was a subtle shifting of hands and Kil found himself held in a full nelson by
Ono, while the cadaverous man moved around to face him.
"All right, Stab," said Birb.
It
was like the tail end of a bucking log in the rapids of a mountain stream
catching him in the stomach. Kil doubled over, gasped
for air and began to struggle. Other blows came switfly and heavily. Body, head, neck, face, groin. There was a drumming in his
ears and a haze of pain rose to blind him.
"Drop
him." It was the voice of Birb again; and, although he had not been
conscious of falling, Kil felt the hardness of the alley pavement rough against
his cheek.
"Boots, Ono, and I'll—"
Suddenly,
from nowhere, the universe rocked to a soundless flash of light and one of the
two men above Kil screamed like a wounded horse. There was a scrambling sound
in the alley and a series of long, hoarse gasps. Kil felt arms pulling him to
his feet. Blindly he groped, his eyes still seared and
sightless from the flash. Hands took his arm and pulled 'him, staggering,
along.
"Can
you run, Chief?" asked a voice. "Come on, hang onto me. We got to go
fast."
It was the voice of Dekko.
CHAPTER FIVE
The apartment was just like any apartment in the
class of buildings which could be registered in with three weeks or more time
to go on your Key; by which piece of evidence, coupled with the fact that by
manners and language he was obviously Unstab, Kil came early to the conclusion
that Dekko was Class One; by title, at least, the equal of the little man known
as the Ace King. The apartment itself consisted of a sleeping room and lounge
with lavatory off to one side and a small dining area, furnished with delivery
slots, leading from the building's automatic kitchen. There was the usual furniture
in the form of tables, beds, chairs, a vision box in
each room and a large, wall-sized one-way window in the lounge. The first two
days, when it was all Kil could do to drag his aching body on occasional trips
between the bed and the lavatory, Kil had spent most of his waking hours lying
on one of the beds and watching the bedroom screen. He occupied himself with
news broadcasts, mainly, except for the occasions when the discomfort of his
battered frame became too insistent a drag on his attention. Then he would
switch over to one of the pain-relieving hypnotic patterns and give himself ten
minutes of conditioning. The patterns were not too successful. He was a bad hypnotic
subject and had known it since grade school. But at the same time he had a
slight block against chemical palliatives, hating to surrender any level of his
awareness to a drug; and he had turned down Dekko's offer of barbiturates.
The news broadcasts were the best
distraction. He had never really listened to them before, and would not have
listened to them now except that music or the regular light entertainment of
the boxes left his mind to free to wander— and it wandered in only one
direction. Ellen. Her going and her reasons for it had worn a deep, circular
rut in his mind, around which he endlessly chased a question mark. The very
instinct for self preservation steered him away from it now. And the news
broadcasts helped. He was astonished, now that he listened, to discover that
there was so much amiss in the world. While there were no big disasters—for
which, of course, everyone could thank science—the number of small turbulences
and revolts and accidents was so great that they were totalled up in kind and
reported as statistics. There were statistics for everything. It seemed all you
had to do was choose the appropriate percent of the population to which you
belonged; and your individual group trouble was there waiting for you. The only
exception seemed to be the Class A's like himself. Not
like himself, he corrected the thought in his head.
He
wondered about Dekko, who was gone most of the time. He slipped in and out of
the apartment like a sneak thief, making brief appearances to see that nothing
was wanting for Kil, and immediately vanishing again. He either had someplace
else to sleep, or slept nearly not at all.
*
The
afternoon of the third day, however, Kil had dragged himself, grunting, from
the bed to the lounge, and was sitting there, enjoying his first view of sky
and city through the window, when the door to the apartment clicked open and
Dek'-ko's voice spoke cheerfully behind him.
"Hi,
Chief.
How's it mending?"
Kil
turned his head and watched the small man approach.
"Better," he
said.
Dekko
closed the door behind him and came gliding across the
carpet to drop in a chair opposite. He had a curious way of walking, almost on
his toes, so that he moVed with deceptive swiftness and a seemingly effortless
stride. Seated, he was less imposing. His black hair was combed straight back
above his abnormally wide forehead and sharp nose. The slight hump in his back
thrust his shoulders and neck forward, so that his sharp chin seemed about to
dig holes in the scarlet tunic covering his chest. His waist was small, but the
forearms and calves that the tunic and kilt left uncovered were corded with
surprising muscle. He grinned at Kil.
"You stood up pretty well to being shook
out," he said.
"Is that what you call it?" grunted
Kil.
"Sometimes,"
said Dekko, his black eyes bright. "About time we talked things over,
Chief."
Kil
stirred restlessly, sending a twinge through his still-stiff middle.
"Look,"
he said. "Can we do without the Chief? It makes me feel like something dug
up out of a museum. The name's Bruner, or
Kil if you like that better."
"Do
mel" said Dekko. His eyes were black, bright, humorous points in his
face. "Kil, then; though it's not usual for a
runny."
Kil examined him.
"Tell
me something," he said. "What is usual for a runny? Does a runny
usually do the sort of thing you've had to do for me?"
Dekko went off into a perfectly silent fit of
laughter. He sat *in the chair with his thin shoulders shaking. "Do me,
no!" he said. "I'm a free-lance." "I don't get it."
"Ordinary
runnies," explained Dekko, "got to check out with their Ace, wherever
they are. A free-lance like me doesn't give a damn for Ace or anybody. That's
the difference."
Kil bent a little toward him in curiosity.
"How do you get to be a
free-lance?"
Dekko flashed a mouthful of perfectly even
teeth.
"You need something special." He smiled at Kil. "And
don't
ask me what I got. That's a trade secret. All you need to
know is that I can deliver where maybe an ordinary runny
can't." "
Kil shook his head and leaned back.
"I
don't think you can, in my case," he said. 'You don't know what I'm up
against."
"Sure.
Wife's gone," said Dekko. Kil jerked upright again in surprise. "How
did you know?" Dekko held up three fingers.
"Three
people you told your yarn to. I saw you go into the Sticks and I read you for a
problem. I saw you come out the Stick gate and you still had the problem, so
you told the Sticks and they didn't help. I checked you across the city and
into a hotel; I checked you out of the hotel to see a two-bit named Marsk. I
checked you into the area to see Ace. That's three. Some Stick, Marks, and Ace.
Now you tell me who told me."
"Marsk,"
said Kil, without hesitation. "But what's a Stick?" "A Nightstick-a World Cop." "What's a
Nightstick?" Dekko laughed again.
"The
way I heard it," he said. "Once there was
cops that carried clubs called nightsticks. Nobody was supposed to stand still
on the streets in those days. If you did, some cop with a nightstick'd come up
and tell you to move on. Get it now?" He peered at Kil.
"Oh."
said Kil. "You mean this business of the World Police making sure
everybody moves on from the area he's in, when his permitted time is up?"
"That's
it: Sticks."
Kil
nodded and went back to his own problem. "What makes you think you can do
something for me when nobody else can? And what's your price, anyway? I can't
pay two hundred thousand dollars."
"Who
asked it? That's Ace price," said Dekko. "With me you don't pay a
price because you're not buying, you're hiring. I cost a thousand a month; and
I'm worth it. To answer that first question, though, I don't know whether I
can get your wife back or not. But I know stuff nobody else does; and I've got
a wire."
Kil shook his head bewilderedly. „
"I
don't understand half what you're saying. What's this wire business?"
"The Societies. I'm Thieves Guild and a couple of other
things. We
can try running a wire to the O.T.L. and check through them."
"What's—"
said Kil and stopped. "I'm sorry to keep asking what things are, but this
is all Greek to me."
"Sure,"
answered Dekko. "You're an A. Stab. And A. Stabs don't know anything, in
spite of what most of the riggers think. Just sit back and listen and I'll
explain it."
Kil nodded.
"Forget
Ace—any Ace," said Dekko. "Aces are all little frogs in little
puddles. There's only two big outfits in the world
today. One's the Sticks The other's made up out of the
Societies."
"Societies—"
frowned Kil. "Now, it seems to me I heard
something about a Society once.'
"There's thousands of them," said Dekko. "They're
secret, most of them. Most harmless, but some aren't. People, you see, need
something, with Files making them shift every few weeks or months. Files has
set things up this last hundred years so no groups can get together and want to
fight other groups. That's fine to keep the peace, but its
lonely for the single ones. You never know anybody for long. Wife, maybe, and
kids while they're growing up and living with you; but when you got to keep
moving, you fall apart easy. You can't even get to liking the place you live,
or your job, because in just a little while you're going to trade it all for a
place and a job just like it—but different—maybe halfway around the
world."
"But look here—" began Kil.
"Let
me finish. So along comes a Society, any old Society,
and you join up. You get accepted, you wear something that shows you're
accepted, and you know what to look for on somebody else. You hit a new place
and start looking around. You see somebody wearing the same gimmick you've got;
you go up to him and you're in. You got a friend, maybe not a real close
friend, but its not like being a stranger all the
time, so much."
"But
why secret?" asked Kil, when Dekko stopped.
"Makes it stronger. Usually you pledge yourself to all sorts of things: treat anyone else
in the Society like a brother, whether you know him or not. Some go further. In
some Societies, if a fellow member asks for anything you got, you got to give
it to him, no questions asked." Kil shook his head.
"I
can't understand why I never heard of all this before," he said.
"You're A. Stab.," repeated. Dekko. "A. Stabs, are the only
ones that don't need all this stuff because they're the only ones that're
adjusted. They fit this crazy world of Files."
"Sometimes," said Kil, thinking of
Ellen.
"Yeah,
sometimes," agreed Dekko. "Now listen, there's more to it than that. There's all kinds of different
Societies, but there's "only one O.T.L. Now don't ask me what the letters
stand for, because I don't know. Maybe even the O.T.L.'s themselves don't know.
But O.T.L.'s about forty years old and it sits right at the head of all the
other Societies. All the important ones got members who're members of O.T.L.
O.T.L. can do anything, except find Files. They can probably find your
wife." He paused, a little significantly. "Ever think she might be a
member of something herself?"
"A member?"
"Of some
Society."
"No, of course—I don't think—" Kil
dwindled off on a doubtful note.
"It sounds like it. That old man coming
up—"
"Wait!"
cried Kil. "I think I've got something. I mentioned it to that man McElroy
at the Police Headquarters, but he didn't believe me. Is there any Society that
doesn't wear Keys?" He stopped before something strange and brilliant and
unfathomable in Dekko's eyes.
"Society
without Keys?" said Dekko. "Are you psycho, Kil? How could anyone
live, Society or no Society, without a Key, even if the Police'd let them? You
were—what makes you think there's something like that?"
"The
old man who took Ellen away hadn't any Key on his wrist."
"You were looking at the wrong
arm." "No," said Kil stubbornly. "No, I wasn't."
"Then you hit a blind spot.
Listen," Dekko leaned forward earnestly. "Everything in this world's
got a door, right?" "Yes," admitted Kil, grudgingly.
"And
every door's got a cup? And you can't open that door without a Key to put in
that cup. If you didn't have a Key, it'd be like being in a city when your time was up. You couldn't
open anything. You couldn't get in to eat, or sleep, to get clothes, or draw
money or anything. That's why Files was set up the way it was. Anyone who
overstays their time in any one spot got to move or die. If there was any way
around it, there wouldn't be any point to Files."
"The
transportation system's open. You don't need a Key to take a rocket, or a mag ship," said Kil.
"What
good's that to you? So you can go to another city. But that city's closed, too.
Listen to me, Kil, if you don't have a Key, there's a billion doors closed
against you. You're locked out; locked out of all the
world!"
Kil shook his head
stubbornly.
"I saw it," he
said.
"Sure,
think that if you want," Dekko straightened up. "How
about it? You want to try stringing a wire to the O.T.L.? Do you want to
hire me?"
Kil nodded.
"You're hired,"
he said. "How do we start?"
"Pasadena,
California; then the Thieves Guild, first," said Dekko. "You got to
join, you know. Then some other Society, one of the big ones.
Then, if we can do it, the O.T.L."
Kil got stiffly to his
feet.
"All
right," he said. "I guess I'm good enough to travel." Dekko went
off into another of his silent fits of laughter.
"Why,
Kil," he said, when he had sobered again, "you don't just walk out
the door and out of riggertown like that. Don't you remember? Ace was having
you shook out when I came along and shorted out a pocket sunbeam in the eyes of
those two crims of his. The word's still out for you. We're going to have to
change the way you look and a lot more about you if we want to make it to the
Terminal without trouble."
"We do?" said Kil. "Well,
let's get busy at it, then."
"Do me!" Dekko grinned at him.
"You got a lot to learn."
During
the next three days Kil came around to admitting this himself. But first came the matter of changing his appearance. The primary
change Dekko insisted upon was bleaching Kil's hair to a silvery white.
"But
you'll just make me that much more conspicuous," Kil protested.
"You've
got the wrong id§a," Dekko explained, patiently. "You want to look
just like everyone else? You want to fade into the background? Sure, that's
fine for people who aren't being looked for specially. But when you got someone
who knows what you looked like to start off with, you want them to look at you
now and then say, no, that couldn't possibly be the juby we're after."
"I still think-"
"No.
Now listen. I got a hump on my back. One guess how
people remember me? If I could get rid of that hump I could walk up to most of
them tomorrow and they'd scratch their heads trying to remember what I remind
them of. Now, you— you change your hair to white. You stand out in a crowd like
a streetside sunbeam. But they take one look at you and that's all they
see—they see a freak with white hair and a young face. The fact your face is
like what they're looking for makes them all the more positive it's not you.
Their mind works backward. It starts making excuses for the fact that you look
like you. Ends up they're ready to swear you don't look like what you actually
look like at all. It's like hiding something in plain sight. They
say, that can't be it. It's not hidden."
Kil gave in, with
misgivings.
The
next part was more complicated. Dekko insisted on teaching him how to walk,
talk and act like an Unstab.
"Now,
there's got to be something inside you," he instructed. "That part
of it you should be able to do all right because you got something inside you; this business of your wife. But remember that—that's
the difference between Unstab and Stab. An Unstab's got something inside him,
chewing on him all the time. So just start thinking of your wife from the
minute we step out the door and keep it up."
Kil nodded.
"That won't be hard," he said.
"Now,
about the way you act. Unstabs don't just wander through the area not looking
at anything. They're out to make something, or keep what they already made.
They watch all the time, everything. Keep your eyes going and act suspicious
of anybody."
"Right," said
Kil.
"You
got one point in your favor. You can look at someone as if you want to cut
their guts out. Now, that's good for the average rigger you'll bump into
because it fits down here. But if you run across anyone who saw you before you
saw Ace, watch your face, because they'll remember that expression as
something special to you."
Kil sighed.
"I've been trying to
control that all my life," he said.
"Well,
now it's important. Now, about the talk—the gabby .low.
This area here is riggertown; and everybody in it's a rigger—or thinks he is.
When one rigger takes another for something, that
makes the second rigger a juby. Anybody who doesn't know riggertown or gets
rigged is a juby. Anybody who's Stab.* is Big S. . . ." and so on.
Finally,
the fifth day after Dekko had brought him back to the apartment, they were
ready.
"You
go first," Dekko told him. "Now, you know the route to the Terminal. It's eight to one no one'll even look twice at you. But if
there's trouble, just stall. I'll be about forty yards behind you and I'll come
up and take care of it. I'll say that again. Wait for me. Clear?"
"What
about you?" asked Kil. "What if someone
recognizes you?"
Dekko laughed noiselessly.
"Nobody's
seen me. Those two Crims of Ace's were blind before they knew what hit them.
Let's roll it."
They
went out. After all this, the trip to the Terminal was anti-climactic. No one so much as looked at Kil.
CHAPTER SIX
It was different travelling, Kil found, after his
recent experience with the Unstabs. That and the training session Dekko had
put him through had had the effect of rendering him suddenly and almost
painfully aware of the Unstab point of view. For the first time he knew what it
felt like to be conscious of accepted society as something apart from himself.
He felt it and something deep and rebellious within him resented it. He looked
around at his fellow passengers, once the rocket had reached peak altitude and
started its long glide toward the west coast, with naked eyes. Each individual
struck him, for the first time, as a living enigma, a walking puzzle box of
thought and flesh. What would this man do, or that woman, if Kil were to walk
up to them this minute and tell them what had happened to him? Which ones were
UnStab? Which ones were members of some Society or other? Which ones were,
perhaps, World Police out of uniform or on some secret duty? The normally
homogeneous structure of society seemed to Kil suddenly broken, shattered into
a million fragments—into four billion odd fragments—each one, one of the
world's four billion odd population. And Ellen lost among them. Lost . . . lost
. . . lost. . . .
They
came down at the foot of the mountains in Pasadena, in the AiToyo Seco, where
there had once been a famous stadium. And he and Dekko took a cab to
headquarters, of the Thieves Guild.
This,
it turned out, was a large, rambling, temporary structure made of twenty-year
plastic, high up on the side of the mountains. Inside the front door was an anteroom and a surprisingly beautiful blonde woman in
early middle age. She and Dekko spoke together for a moment in low tones beyond
Kil's hearing. Then she rose from the desk where she had been sitting and
walked across the room to a door which she opened with her own Key.
"Go
ahead," she said. "He's in." And she stood aside to let them
pass. Following Dekko through the door, all un-
prepared,
Kil caught his breath and stopped dead with an exclamation.
Sitting
facing them in an oversized chair was a huge man with a completely bald head
above a sad oriental face. He sat as if weary with the weight of his great
body; and "all the furniture of the room about him, like the chair he sat
on, was built oversize, outsize, larger than human. The effect was not so much
to strike the stranger with surprise at something so bizarre and unusual, as
to make him feel that these overlarge proportions were in fact the true ones,
and that it was he who was diminished, reduced, brought down to childhood's
size again. Like children, Kil and Dekko approached the giant; but if this was
not without its profound effect on Kil, it appeared to affect Dekko not at all.
"Kil," said
Dekko, stopping before the chair. "This is Toy."
The
obsidian eyes in the wide yellow face turned to focus on Kil.
"Yes,
that woman's my wife," said Toy, without preamble, in a bass as heavy as
himself. "I'll tell you that to satisfy your curiosity right from the
start. She's my wife and she ioves me. I don't know why. Any normal woman would
have left me long ago."
Kil,
startled and embarrassed by this unexpected attack, found himself
suddenly wordless. He stared at the giant, caught too suddenly and unpreparedly
to be angry. Dekko smiled.
"Fishing, Toy?"
he asked.
"Only
observation," replied Toy. "How many people do you think have come
through that door or some similar door, and seen me, and not wondered about her?" His eyes went back to Kil. "Excuse me.
It's my one bitterness. Like King Midas who turned everything he touched to
gold. Everything I touch," his huge right hand curled around the end of
his chairarm and the tough plastic bent like cardboard, "turns to
fragments."
He let go of the chair arm.
"Excuse me again," he said.
"You've come at a bad time. I've been pitying
myself. What can I do for you?" Dekko nodded at Kil.
"Him," he said, succinctly.
"Him?"
echoed Toy. The black eyes took in Kil for a long moment. "You look as if
you had a problem, young man. How do you like it—this world, this ant-swarm,
this mechanized midden heap, this modern age of ours? Does it suit you? Can you
find accomplishment in our better mousetraps, art in our improved plumbing,
glory in our conquest of bloodless mathematics, and adventure in our
antiseptic, well-lighted and airconditioned vice dens? What purposeful lives we
lead in our inoculated trottings to and fro about the world. Don't you
agree?"
"It looks like you
don't," said KiL
"Me?"
said the giant. "I'm an anachronism. No, by God, I flatter myself. I'm a
living fossil, a most excellent specimen of Tyrannosaurus Rex, claws clipped, teeth capped, and set to holding hanks of yarn for
old ladies with knitting on their mind. I'm a superb body in an age when bodies
have gone out of style. What a successful chieftan, what an outstanding hero I
would have made at any time up to the last few hundred years, before the world
became so cluttered up. What a Khan, what a Varanger, what a Viking. Just think, I could have been a Greek legend, like Hercules, or a
Roman Emperor of the Legions like Maximilian. No, forget fame. Think just what
a happy cave man I would have made. I can break the neck of a bull with one
twist of my arms; what an excellent provider of meat for my tribe. I can
handle a bow with a three hundred and fifty pound pull and send an arrow more
than a mile. What a pillar of strength in time of trouble. And modesty forbids
that I tell you about my capabilities with a stone axe. You may possibly find
me a trifle bitter; and you're correct. In a world of future-happy people, my
future is all in the past."
Dekko shifted restlessly.
"How about it?" he said.
"Nothing. If she passed
you, it's all right. What's your name, young man?" "Kil Bruner,"
said Kil.
"Kil,
there's only one requirement for entrance into the Guild. Once you're in, the
Guild protects you and you're expected to help anyone in the Guild. None of
this nonsense about what's mine is yours; and all you have is mine. But there's
one condition. And that is, you have to think over the reasons for your
entering for fifteen minutes, without speaking and without moving, while I
watch you. If you still want to enter at the end of that time, you're in."
"That's all right," said Kil.
"Good.
Come on, then." With astounding lightness, Toy rose to his feet; and now,
standing, his great size was all the more apparent, for he was built thick and
broad, with squat body and relatively short bow legs. His head towered more
than a foot above Kil's. Kil looked at Dekko, but Dekko did not move, except to
gesture in Toy's direction. Kil turned and followed the giant.
Toy
faced his Key into the cup of a further door that let them into a smaller room.
It was not a bad size as rooms go, but Toy filled it. It was bare of
furnishings except for two chairs, one built to Toy's outsize dimensions, another
of normal proportions. The large chair sat off to one side; and the smaller
faced a far wall on which was a large clock whose second hand crept slowly
around the face.
"Sit down," said
Toy, taking the large chair. "And think."
Kil
settled himself. He was aware of the giant lolling back and regarding him, but
Toy was not directly in his line of vision and Kil made no attempt to look at
him. Instead, he sat back and looked at the clock.
The
second hand was moving around the dial, with the inexorable slowness of all
second hands. It made no sound, and there was no sound elsewhere in the room.
Toy moved not at all, and even the sound of his breathing was inaudible to
Kil's ears. Kil watched the clock.
He
had not really intended to think. He had accepted and dismissed this minor
ordeal in the same moment. It was merely, he thought, a matter of sitting still
for fifteen minutes, and that would be all. He found it was not that simple.
Slowly,
the seconds began to stretch out. Though he knew that in fact no such thing was
happening, it seemed that the second hand was beginning to slow its crawl. His
body, at first comfortable, began to protest against its forced inactivity.
The sound of his own breathing, the sound of his heart beating, grew larger in
the stillness until they seemed to thunder in his ears. Little itches and
cramps came and went and multiplied in mounting protest until they threatened
to force him to move in spite of all his will.
He
saw the danger now. Grimly, he set himself to combat it, and the clamoring
hordes of the body, defeated, drew back and relapsed into silence. Before his
fixed eyes, the hands of the clock had marked off only a little more than four
minutes.
And
now, with the body out of the way, came a new assault upon his self-control.
The mind, which had been lying quietly inactive during these first few minutes,
now began to stir itself with little fears and doubts.
Why
was this test? What was he doing here? Was he actually taking the right way to
solve his problem? The rising tide of his thoughts swept him inexorably to the
heart of his troubles. He had not intended to think about it, but now his mind
ran free like a hound unleashed; and he realized suddenly that this was the
true test, that the will power that had gained him his victory over a rebel
body could be no help with this. The doubts and fears came thick and fast. His
vision seemed strangely blurred as if he were on the verge of passing into
unconsciousness; and through it he could see, in contrast to his racing
thoughts, a second hand on the wall clock that seemed almost to have stopped.
Now,
to add to this, he became suddenly and painfully conscious of the eyes of Toy
upon him. He could not turn his head and see those eyes; but he felt them boring
like twin scalpels probing the buzzing wasp's nest of his brain. The pressure
rose intolerably within him and he knew, suddenly, that unless he found some
avenue of escape for it, soon, the tension would become too much for him and he
would speak or move, would jump to his feet and run from the room.
Desperately,
he searched within himself for some final source of strength. For Ellen, he
thought, I've got to—for Ellen. And
then he found, in the thought of Ellen herself, what he was looking for. It
rose up before him like a vision of cool water to his feverish soul, and he
sank down into it, gratefully.
For it was for Ellen, of course. Out of the
harsh and senseless tangle of a paradoxical world with its Unstabs, its
Police, its Societies, its problems large and small, the fact of his love and
his longing for his wife rose as one clear and simple truth. Whatever else
might be right or wrong, this was right. It was right that he should want her.
It was wrong that she should have been taken away from him. And it was right
that he go after her, by any means, by all means, until he found her. Whatever
else he might do that was wrong, this that he did, was
right. Ellen . . . Ellen . . . and the little, bittersweet memories of her
came back, a touch in the darkness, beside him in the night time, a distant,
half-heard bustle of movement elsewhere in their apartment as he worked, and
drew him into them, away from the room and Toy and the clock and everything. .
. .
"Kil."
Kil came back with a start
and sat up.
"What—" he said.
"The fifteen minutes up?"
"Forty
minutes are up," answered Toy. There was a curious look on his face, a
strange look of mixed sympathy and interest. "I'd have liked to wait
longer; but we've got Dekko to consider. Before we go back, though, is there
anything you might like to tell me?"
"No," said Kil,
slowly. "No, I don't think so."
"Maybe
I'm wrong," said Toy, "but I get the impression that you may be
one.of those few lucky people who've found something worth fighting for. It's
what I've looked for all my life and never found," His voice had gone
bitter again. "It's impossible to cut yourself on the sharp edge of
existence nowadays. If I could just find something like you—well, never mind.
But if you ever need help that I could give, you might ask me for it, if you
feel like it. And I might even give it."
"Thanks," Kil
looked at him.
Toy
grunted, and got up, and led the way back to the other room. Dekko was waiting
there for them; and he looked at Kil curiously as they appeared. Toy went
across to a cabinet in the wall and took from it a wrist band.
"Let's see your Key," he said. Kil
gave it to him; and the yellow faced man's large fingers deftly detached it
from its old wrist band and pinched it into the new one he had taken from the
cabinet. He held it close to the Key on his own wrist and lifted both to Kil's
ear together. A tiny, high-pitched hum could be heard coming from both instruments.
"That's
it," he gave the Key back to Kil, who slipped it back on his wrist.
"That's our identification. Any two Keys of Guild members brought together
will hum like that. Also, before they hum, there's a vibration you'll feel in
the skin of your wrist, so that you can make identification without attracting
undue attention, if you want."
"I'm a member now?" asked Kil.
"You're a
member," said Toy. "Anything else?"
"Yes,"
spoke up Dekko. "We want an in to one of the big Societies. How about Black Panther?"
Toy sighed.
"So
that's why you've come to me." He nodded, almost as if to himself.
"There's a branch of the Black Panther meeting tonight."
Kil looked at him
curiously.
"Do you belong?"
he asked.
"No, but my wife does. She's a very
useful woman." There was a hint of something like sadness in the giant's
voice. "You'll have to wait until dark. Then she'll take you." He
looked at Dekko oddly. "Sometimes I wonder about you," he said.
"Every man to his own trade,
Chief," said Dekko, unperturbed.
"Yes—" Toy nodded. "Go out the
way you came in. She'll take
care of you."
And so they left him.
Toy's
wife found them a room in the building and suggested that they rest until
evening. Shortly after nightfall, she came for them and led them out to a
garage. The cool coastal air blew about them as they got into a small personal
flyer and the roof above them rumbled back to reveal the stars. As soon as they
were in, Toy's wife closed the transparent canopy of the flyer, and opaqued it,
taking a pair of depoling glasses from the flyers glove compartment to insure
her own vision, and putting them on.
"Sorry
about this," she smiled at Kil below the twin darknesses of the lenses.
"Until you're accepted, the route to the meeting place has to be secret.
We'll be there in about fifteen minutes."
They
took off; and a quarter of an hour later the flyer came down with a soft thump,
to roll for some little distance along a smooth surface. Then the womah stopped
it and opened the canopy.
"Here we are, all
out," she said.
She
took his hand to lead him, and Kil felt a tingle travel through his spine. From
that moment on, he remembered nothing of his initiation into the Panthers,
except for the vague feeling of having been wandering through a jungle. . . .
Slowly the jungle faded about him. He came back to himself, standing in the
draped and shadowy corner of a large room where people moved languidly about.
Some sort of cocktail party seemed to be in progress. He crossed the room and
got a drink, which he took thirstily. Then he went in search of Dekko, or Toy's
wife.
Toy's
wife was nowhere to be found, but he discovered Dekko in conversation with a
thickset, gray-haired man in black tunic and kilt.
"I
don't know," the gray-haired man was saying. "Nobody
in the Duluth area at the moment that I know personally. It doesn't
matter, I can give you two a visa, so they know you've been checked here
recently, sir." He broke off, turning to Kil, as Kil came up.
"That's him,"
said Dekko.
"Oh
yes; Jacques Shriner, Mr. Bruner." The gray-haired man offered his hand,
beaming out of a plump and ruddy face. "If you two'11 come back to the
office, I'll make out the visas."
He
turned and led the way across the room to a small door. Facing his Key into the
cup, he let them in and care-fuly closed the door behind them. They found
themselves in a small business room furnished with a desk and microfile
cabinet. Shriner went across to the desk and produced a coupie of small,
plastic disks, which he made out with their names and the date, signing each
with his own name and thumbprint.
"Not
that you need these—your arm marks are sufficient," he said, lifting his
own arm, and Kil saw on it scratches like those of a cat, and suddenly felt the
sting of scratches on his own arm. "But just in case—"
"Thanks," said Dekko.
"Not
at all," replied Shriner. "Enjoy yourselves in Duluth. He beamed them
out of his office.
They
crossed the room again to a further door that Dekko appeared to know about. It
let them into a small, circular hallway where a bored-looking attendant stood.
From this hallway, several exits led in different directions.
"Which one, Chief?" asked Dekko.
"Any
one," replied the attendant. He was dressed in conventional dark slacks
and a dramatically slashed tunic with a hoop collar, but there was an unusual
glassiness about his appearance that drew Kil's attention. It was something
just on the edge of visibility, like an almost perfectly transparent
soap-bubble sort of film, just above the surface of his limbs and body. Then he
turned so that Kil saw a heavy gasgun hanging at his side; and suddenly Kil
recognized the glassiness as body armor of the magnetic shield type. He was
confirmed in this recognition as the attendant waddled a few steps forward.
The metal mesh supporting the shield under his clothing must be cruelly heavy.
Dekko,
however, appeared to pay no attention to the attendant and his illegal
equipment; but turned and vanished down the nearest tunnel entrance. Kil
followed. A short distance on they passed through a door and into a sort of
cave that ascended steeply.
"What's
all this about Duluth?" asked Kil, when they had gone some ways up the
cave.
"Close
to the top," answered Dekko. "Like any business, you got to know what
the competition's doing. It's Stick headquarters, so headquarters of eyerything
else isn't far off. For us, that means the O.T.L."
The cave had leveled off now. They went on a
short distance, opened a final door and stepped out on a strip of shelving
pebbly beach. Overhead, gulls swooped, crying; the early morning sun washed the
ocean shore in white light. For a minute Kil felt shock to discover that his
period of hypnosis had lasted so long. Then this feeling was lost forever in
something greater that crept over and buried it like an avalanche on some
solitary mountain climber—for he saw the sea.
Water—water.
Water and Ellen—Ellen as she had been the night she had gone away; and the
ocean then stretching wide and silver-dark to the horizon. Like a man in a
dream, Kil turned and took one step toward the curling waves.
"Kil! Kil!" And then Dekko had him by the arm, holding him back. For-a moment he
began a half-convulsive struggle to free himself. Then the spell snapped and he
turned his back on the wide sea.
And Dekko drew him away.
CHAPTER SEVEN
They took the noon rocket back to Duluth and found
themselves a set of rooms in an unclassified hotel outside the Slums. That
night they went to the Northern Star, Duluth's largest entertainment center.
Kil had already gone out during the afternoon to draw from his account and
replenish his dwindling cash reserves. He drew three thousand for himself and
an additional thousand for Dekko. It occurred to him that the little humpback
was still unpaid; and probably, therefore, in need of cash
himself.
This
could hardly have been the case. When he got back to the hotel, he found that
Dekko had spent what could only have been a sizable amount on some evening
clothes. These were not throwaways of plastic like their ordinary, daily dress,
but trousers, tunic and short jacket of pressed silk. Their color was a heavy
yellow, shot with black; a startling combination. And not only that, but the
jacket was squared and stiffened with a high, hooped collar and boxed shoulders
that all but disguised the fact of his hump.
Kil stared.
Dekko smiled. It was a different expression
from his former grin, tight-lipped and a little sardonic.
"We're
working a different territory from here on," he said. "I got you an
outfit, too."
Kil followed his pointing finger and went to
a closet recess. On the wire, he saw a kilt and tunic also of silk, scarlet
tunic and scarlet and black checkerboard design, pleated kilt. A silver weapon
belt holding a little dress gun and a silver-handle poniard went with it. A fourragère looped from one shoulder of the tunic, and a heavy ring, with a
square-cut emerald hung by a thread from the wire.
Kil scowled blackly.
"You expect me to wear this?" he
demanded. "Ill look like a damned pruce."
Dekko shook with silent laughter.
"Put it on," he
said. "And get the dye out of your hair."
Growling,
Kil got into the rig. When it was on, complete to the emerald ring on the index
finger of his left hand, he examined himself in the mirror. The effect was not
as bad as he had expected. He was undeniably overdressed, but a certain sort of
genius seemed to have guided Dekko in his selections. Kil looked not so much
affected as dissipated, in a dark and reckless way. His own harsh features took
the curse off the prettiness of the costume.
"I
still don't see why this—how much did it all cost?" he asked.
"Seven
hundred and eighty for both," replied Dekko. "You can pay me."
He looked at Kil. "Know anything about using a gun or a knife?"
"No."
"Good.
Then you won't be tempted." Dekko accepted the money for the clothes and
his own month's stipend. "Keep it on you now that you've got it on. I want
you to get used to it."
They
wore their new clothes down to dinner. It was not as bad as Kil had expected.
People stared at him, but not with the accompanying snickers he had expected.
By eleven that night, when they got to the Northern Star, four hours wear and
as many drinks had him all but reconciled to the figure he cut. He and Dekko
paused at the edge of a crowded dance floor and Dekko consulted a waiter.
"All right, we got a table,' he said,
turning back to Kil.
Kil
allowed himself to be drawn over to a table on the far edge of the dance floor.
They sat down.
"Now what?" he
looked at Dekko.
"We wait. Put your arm
on the table, out in sight."
He
had already done so himself. The white lines of his own
scars were almost invisible in the shifting lights of the dance floor. Kil
sighed and followed suit. His scratches, now scabbed over, stood out blackly against
the tan skin. Dekko ordered drinks and they sat, sipping.
Before
them the crowd swirled as dancing couples went by. Kil sat stiffly, expecting
momentarily that some one of the spinning, weaving swarm before him would stop
and speak. But it was not from the dance floor before them that recognition
finally came, but from behind them. Abruptly, Kil felt a soft, warm breath on
his cheek and slim fingertips reached around his shoulder to stroke gently the
scratches.
"Oooh," sighed a soft voice. "Panther."
Kil
turned to look up into the flushed, pretty face of a dark-haired girl in a
brief green gown. Her shadowed eyes glistened with a strange excitement and the
scent of perfumed wine was on her breath. Slowly, she lifted her arm, sliding
it around his chest until he, looking down, saw the faint white scars of healed
scratches also on her skin.
"Will you be there
tonight?" she asked, softly.
Dekko
said nothing; and after a second Kil realized it was up to him to ask.
"Where?"
"The Hill—at one this
morning.
Come to the cave beyond the pool in the jungle." "The cave—"
"I'll
wait for you—at the cave—panther—" Her hand slid back and away from across
his chest. She slipped out of sight and into the crowd.
Kil,
looking over across the table at Dekko, caught the little man's smile.
"All right," Kil said, harshly.
"She said the Hill. How do we find out where that is?" "I
know," said Dekko.
Dekko
did know. A little over an hour later they caught an air-cab to the older area
of the city, up on the hillside above Duluth. The cab set them down in front of
an ancient building, sealed up and with the appearance of having been shut for
some time.
"How do we get
in?" Kil wanted to know.
Dekko
did not answer. He was prowling along the side of the building. After a
momentary hesitation, Kil followed him. The small man was testing the plastic
seals of the ground floor windows as he went—apparently without success. But as
Kil passed a window Dekko had already tested, the faintest of whispers came to
his ears.
"What is real?"
Kil stopped.
"Only," he said, the words coming to him from some dim memory, "the jungle is real." "Brother, come in." "DekkoI"
called Kil, softly.
Dekko
turned and came back. The plastic seal was already swinging inward, and they
stepped through the opening into darkness.
"Arms," said the voice.
A single shaft of white light stabbed down
out of nowhere. There was no perceptible diffusion; merely one small area of
brilliance, and all the rest in darkness. They extended their arms into the fight
and revealed their scars. The light winked out.
"Enter into the jungle."
It
was the same illusion over again, and this time Kil could have thrown off the
suggestion, but instead he allowed himself to slip part way under. For a while
he roamed the jungle. . . . When a certain time had gone by, he pulled himself
back to reality.
Again,
as he came out of it, Kil found himself in the atmosphere of something like a
polite cocktail party. The only differences from last time were that the place
was larger and the guests more numerous. He threaded his way among them,
indifferent except for one moment when, passing a curtained alcove, he caught
sigJit of the dark haired girl who had sp6ken to him at the Northern Star. She
sat on a divan, leaning back with her eyes closed, obviously still under the
hypnosis; and there was a look of loneliness and waiting on her face. A feel of
guilt and shame touched Kil; he turned quickly away.
Finally, he found Dekko. The little man was
seated all by himself in a corner, holding a drink. His eyes flickered with
shrewd alertness as Kil came up.
"Got it!" he
said, as Kil sat down beside him.
"Got what?"
For answer, Dekko pointed through the
shifting crowd to a tall, tanned girl with auburn hair. "O.T.L.," he
said, briefly.
Kil
stared in surprise. Of all things, he had not expected a girl. And she was
beautiful. Just how beautiful became apparent in a moment when, swinging around
to talk to someone else, her full face came into their line of vision. It was a
face as flawless as the body to which it belonged, slim-featured and serene.
"Her
name's Melee Alain," Dekko spoke softly in Kil's ear. "She's the one
I dressed you up for."
"Dressed me—"
"Sure. What kind of bait do you think
I'd make?" and Dekko rocked for a second with his silent laughter.
"She's our wire to the O.T.L. She knows where they meet and she can invite
us to wherever it is. That's what you've got to get her to do."
"I do?" said Kil. "I'm no good
at that sort of thing."
"You've
got to be. It won't be hard as you think. Listen, she's a Class Two."
"Class Two?" Kil stared. "That girl? Criminally Unstab?"
"That's
right. She's as much a Crim as those two of Ace's. She's got tangled circuits
up top. That'll help us."
"How
can anything like that help?" Kil was staring at the beautiful face in
horror and disbelief.
"She likes men. But she likes men who're
different. The oddballs. The
unusuals. I'd be good as a hunchback, but I happen to know she's already
had a hunchback. You, now, she's never met anything like you before."
"What do you mean?" Kil was
halkangry.
"What
I say. You're hard and tight—and different. Also, you've got something on your
mind; she'll want to know what that is. If you take my advice you'll never tell
her. She's the kind of woman that wouldn't like hearing about another
woman."
"Oh,
hell," said Kil, looking across at her. "I can't do this."
"She's
your wire to the O.T.L.," said Dekko. "You want her, or don't
you?"
Kil
clenched his jaws together. The little muscles crawled in his cheek.
"All
right," he said. He got up abruptly and began to walk across the room.
Melee
Alain saw him coming. She lifted her eyes from the seated woman she was talking
to and looked at him with a long,
direct, and level glance. He came up to her.
"Hello, Melee,"
he said.
She
looked at him searchingly. Her head tilted back and her eyes widened slightly.
They were green eyes flecked with little gold lights; they and the lips of her
perfect mouth, parting a little, seemed to draw him almost physically to her.
It was in that moment that Kil realized instantly and fully the danger of her.
There is nothing so compelling as to be openly desired by a beautiful woman;
and Melee's desires wore no false gown of modesty.
"Now don't tell me I've forgotten your
name," she answered in a low voice. Her eyes invited him to join her in
the polite fiction.
"Kil Bruner," he told her.
"Kil," she said. "Yes,
Kil. How could it have slipped my mind—a strong name like that?"
She put her hand lightly and firmly on his unsleeved arm. "Shall we go
someplace where we can talk, Kil?"
"I'd like to."
She drew him across the room and through a
little door into a small lounge.
"I
reserved this," she said, closing the door carefully behind them.
"It's not set for anyone else's Key." She led the way to a couch.
"Sit down, Kil."
He
seated himself beside her tentatively, feeling large and awkward like a captive
bear. For all her height, she moved with a casual suppleness; and now she
leaned forward to a low table before them, pressing studs inset on its obsidian
top.
"Drink?"
"Tequila," he said.
A
section of the table top slid aside and the drinks rose up before them. She had
chosen a tall mixed drink of some kind. She took it and leaned back into an
angle of the couch, looking at him.
"You're quiet," she said.
He
drank the tequilla all at once, bit into his slice of lemon and tossed it back
into the dish. He scowled at it.
"This
isn't going to work," he said; and started to stand up. She caught at his
arm and held him back. He turned to look at her.
"You're a strange man," she said.
She continued to hold him, staring into his eyes.
"Don't you want to make love to
me?" she said, at last.
"Yes,"
he replied, truthfully enough. He was thinking that the fault was not in her
attractiveness. The seductiveness of her burnt like a fierce
flame" in the closeness of the small, shaded lounge. The trouble
lay in the fact that he was not a good liar—and he was having trouble believing
what Dekko had told him about her.
"Then what is it?" When he still
did not answer, she continued to study him. "You know, when I saw you
coming across the floor to me, I felt something odd about you. But you seemed
to be so full of purpose. I half-expected you to pick me up and carry me off
right then. And now—you don't like this place, is that it?" she said with
a sudden flash of intuition.
"It's not that," he said.
"You don't like me throwing myself at
you, this way." She bit her lip, frowning. "Forgive me, Kil."
Her face suddenly cleared and she drew her legs up beneath her to sit curled in
the angle of the couch. The change was astonishing. It was as if the fierce
lamp.of her beauty was suddenly shaded, reduced to a soft and gentle glow. She
looked small and innocent, almost shy. "What would you
like, Kil?"
He
looked squarely into her eyes. This, at least, he could answer honestly.
"To see you again," he said.
"Away from all this,
you mean?"
He nodded.
"I'm
staying out at Bar Harbor. Do you know where that is? Near
Brainerd, Minnesota. It's a resort area. I'm at a place called the Twin
Pine Lodge. You could come up for a few days."
"I
will—" he hesitated. Now there was no choice but to lie. "I'm tied up
in a business deal right now. That little man I was talking to before I came up
to you—"
"Oh,"
the monosyllable was disappointed. "Can't you put him off?"
"No, but if I could bring him along, for say a day or two?" She laughed in wonder, staring at him.
"There cant be
anyone like you!" she said. He shrugged, turning away. . "Well,
then—"
"Oh,
bring him, of course," she said. "You must be some crazy, wild sort
of efficiency expert. And I must be infected with that same thing from contact
with you. By all means place us both on your schedule for the next few
days." She moved suddenly over against him, all soft and warm and
appealing. "But kiss me, Kil."
He
bent toward her lips; but the impalpable presence of Ellen was suddenly between
them. He stopped.
"No," he said, harshly.
Her face twisted suddenly as if she was going
to cry.
"Oh,
get out!" she cried, with something between a sob and a laugh. She pushed
him away. "Get out of here—but come to me tomorrow at the Lodge."
He got up and went to the door. His hand was
on it, when her voice stopped him. "Kill"
He
turned to face her. She was looking at him with something on her face that was
very like hatred.
"You'll kiss me," she said.
"I'll make you kiss me." He went out.
CHAPTER
EIGHT
The town of Brainerd was the terminal for the Bar
Harbor resort area. Dekko and Kil took an airbus for the short hop there from Duluth, and a cab out to the resort area. Twin Pines Lodge,
the cab's information service informed them, was a commercial resort with a
capacity of about eighty people, situated on picturesque Gull Lake. It took
them there.
They
found themselves deposited before a wide stretch of lawn enclosed by an antique
pole fence. Behind the fence, the lawn ran up a slope to a long lodge building
on the crest of a low hill which hid the lake from them. Two large and
symmetrical Norwegian pines flanking the Lodge's entrance explained the
resort's name. A gateman—rather surprising fixture—halted them at the entrance
in the pole fence to say that the resort's accommodations were already fully
occupied. On Kil's mentioning Melee, however, he called up to the lodge
building and -turned again frpm his phone set to tell them that reservations
for them had been made; but since the resort was crowded, he would have to put
them in a single cabin. He took them in and guided them to a row of small cabins.
"Cabin eighteen,"
said the gateman.
He
left them in it and departed. Kil had half expected to find Melee there and
waiting for him. But she was nowhere to be seen. The small building was
ordinary enough, equipped with its own food delivery system and the usual
conveniences. They proceeded to settle down in it.
It was still early in the day. Dekko slipped
out to look the situation over, and Kil found himself
somewhat restless with time on his hands. He thought of going up to the lodge
to look for Melee and decided against it. He stepped out and took the opposite
direction, along past the cabins, toward the lake.
At
the last cabin in the row, the door was opened and a deeply tanned, skinny man
with a full gray-brown beard sat crosslegged on its threshold. He did not turn
his head as Kil approached, but his eyes picked up the younger man and followed
him until Kil was directly in front of him. Then:
"Good morning," he said, in a
surprisingly bass voice.
Kil stopped.
"Hello," he answered, a little
uncertainly.
"That's
a very interesting Key band." There was humor in the bright eyes above the
beard. "Almost the duplicate of my own."
"What—"
Kil frowned, then suddenly understood. He reached out
his wrist and the seated man lifted his own Key to touch it to Kil's. There was
a tingle that ran suddenly around Kil's skin under the band.
"As
I thought," said the seated man. "Sit down, won't you? I'm Anton
Bolievsky. And not at all as eccentric as I look, by the way.
Won't you sit down?"
Kil
looked around him. There was a leveled off tree stump near the doorway to which
a cushioned top had been fixed. Kil seated himself on this.
"Thanks," he said.
"Don't
thank me," replied Anton Bolievsky. "I've been hoping you'd come by
this way ever since I saw you get here. You're an unusual sort of man to run
into here. Mind if I ask your name?"
"Oh,
sorry," said Kil. "Kil Bruner." v
"Kil—Bruner." Bolievsky nodded thoughtfuly. I'll remember that."
Kil looked at him curiously.
"You're
a member of the Thieves Guild?" he asked. "Kil," said the other.
"I'm everything. Doctor, lawyer, Indian Chief; you've met our friend Toy,
of course?" "Yes." Kil nodded.
"Well, there you have it. Toy represents
the emotional failure of our age. I represent the intellectual failure. Master
of all trades and a good, honest jack at none of them." He cocked his head
at Kil. "You don't believe me?"
"Well,
I—" Kil found himself feeling a sudden curious attraction to this man. The
directness of him raised a sympathetic vibration in the metal of Kil's own
direct self. "What do you mean, he represents emotional failure?"
Bolievsky smiled in his
beard.
"He's
one of the mythological characters of our modern fairy-tale. The
giant Apathy, ruler of the kingdom of I Give Up. Toy has gone hunting
for dragons without finding any. And since he can't be St. George, he won't
play. We've got other failures in that line, but Toy's far and away the most
spectacular of them."
"I
suppose he can't help it," said Kil, thoughtfully, "being born twice
as big as anyone else and so forth."
"Don't
you ever think it," Bolievsky shook his head. "That's just his
excuse. He doens't want to help it—and that's a major sin in any man, not wanting something
enough. Our most common fault nowadays. We want this,
we want that, but not hard enough to go out and get it. We want a world without
Files prodding us from spot to spot, but not enough to really get down to work
and do something about it. And meanwhile the people who want something or other
selfishly, for themselves, and want it hard enough, go out and get it just
because of the type of attitude that Toy personifies."
Kil
found himself smiling for the first time since Ellen had disappeared.
"And you're an exception?" he said.
"Oh—"
Bolievsky smiled wryly. "I'm much more deeply damned. As I say, I'm an
intellectual failure. In-te-lec-tu-al fail-ure."
He rolled the words out. "I don't know what I want. I have yet to decide
on a career, which is somewhat startling when you stop to consider that I'm now
sixty-three years old. I have an excellent mind and a great deal of energy. My
health is good and I eat like a horse. I have a doctorate in philosophy and
degrees in history, economics, chemistry, physics, psychology and biology. I
have read widely in other fields, and speak and read—or at least read—twelve
dead languages. I have dabbled in mysticism, ancient religions, politics, yoga; in short, in everything animal, vegetable and mineral,
I am the very model of a modern intellectual. Will you believe me," said
Bolievsky, earnestly, reaching out and laying a long, thin hand on Kil's knee,
"when I tell you that I sometimes wonder about the purpose for which I was
put into this world?"
"No," said Kil.
"But why tell me all this?"
"Because you have a strange air about you. As if you might possibly be one of those
rare human animals who does know what he wants. Do
you?"
Kil laughed.
"And what if I
did?"
"Why
then," said Bolievsky, letting his hand drop from Kil's knee and drawing
himself up stiffly, "you're the most likely candidate for Superman. Laugh
if you like. Listen!" He held up one finger. "Once upon a time when
Man was galloping about in a bearskin, hitting small animals over the head with
a club and climbing trees to get away from the big ones; drying in the sun,
soaking in the rain, and freezing in the snow and wind, and all the time
wondering where his next meal was coming from, he sat down and made a list of
his wants: Here—" Bolievsky reached back around and inside the doorway,
and came out with a pen and sheet of paper. "Like this."
He wrote rapidly. When he was finished, he
handed the sheet to Kil. Kil looked at it. On it was a list, with the title:
LIST OF NEEDS AND WANTS by Ima Caveman
Something to kill large animals Something to kill bad enemies A bearskin that
doesn't wear out A cave that is (a) warm when it cold out *
(b) cool when its
hot out Something to take care of evil spirits Something to fix me when I'm
hurt or sick All the food and drink I'll ever need
Something to make people good Something just in case they are bad anyway
Kil laughed again, and handed the sheet back.
"What about it?" he asked.
"Just
this," said Bolievsky, and wrote again, on the same page. So that now' it
read:
LIST OF NEEDS AND WANTS by Ima Caveman
Something to kill large animals weapons
Something to kill bad enemies nuclear weapons
A bearskin that doesn't wear out plastic clothing
A cave that is (a) warm when its cold out heating and air
(b) cool when its hot out conditioning
Something to take care of evil spirits education
Something
to fix me when I'm hurt or sick modern medicine All
the food and drink I'll ever need
modern production
methods
Something to make people good religion
Something just in case they are bad anyway
organized society
He handed it back to Kil. Kil read it.
"You see," said Bolievsky. "We present-day, dressed-up
cavemen have answered our full list of wants. Now we have answered it. The day of the caveman's millenium is at hand. Or should be. What do you think?"
"I think," said Kil, dryly, "that maybe we aren't cavemen
any longer."
"Exactly!" cried Bolievsky.
"By satisfying the caveman, we have destroyed him. He was nothing more
than a bundle of wants to start off with. Enter the Superman—the successor to
the caveman, who has discovered a new want. Now," he said, peering at Kil,
"perhaps a superman like yourself would
condescend to tell an old destroyed caveman like myself what that want might be?"
Kil smiled, shook his head and handed the
sheet back. He got up from the stump.
"I haven't got the slightest idea,"
he said. "But if I think of something, I'll let you know."
"Yes—" said Bolievsky, in a
disappointed tone, gnawing at his beard and staring at the paper in his hand.
Kil
turned and walked off. After he had gone a few steps back toward his own cabin,
a thought struck him. He turned and came back.
"There's one thing you might think
over," he said. "Doesn't that list of yours strike you as being
pretty selfish in all departments?"
Bolievsky threw a startled
glance at the sheet in his hand.
"By God," he said. "You're
right. It does!"
Kil
left him staring at his list and went back to the cabin he shared with Dekko,
doing a little thinking himself as he went.
Several hours later, Dekko showed up. He came
in quietly, shut the cabin door behind him, and from his pocket produced a
small instrument not much larger than the Key on his wrist. With this he made a
tour of all three rooms without speaking. When he was finished he came back to
Kil, who had been watching him from the couch where he had been sitting and
reading.
"All right," said
Dekko, sitting down. "This is it."
Kil laid his scanner aside.
"This is what?"
he asked.
"This place. The O.T.L. It's all O.T.L.: a semi-permanent
set-up. They rotate people like Stick headquarters. Everybody here is a
representative from some Society, or Group, or Organization. And by the way, I
think your girl friend knows we're up to something."
"My
girl friend?"
"Melee."
"What
the hell do you mean?" snapped Kil. "You were the one that thought up
the idea of getting acquainted with her in the first place."
Dekko took time out to
grin.
"Sure.
Her, then. Anyway, I could be wrong about her
suspecting, too. Well, it doesn't matter. I still think we can make out all
right. There'll be something doing at the Lodge tonight, and we're going to
listen in on it. Then we'll figure out where to go from there. It'll mean
taking a few chances, though." He looked questioningly at Kil.
"Whatever's
necessary," said Kil, grimly.
"Good,
then. We've got to wait until dark. Catch a nap if you can."
Dekko
walked into his own bedroom and dropped on the bed there. Two minutes later,
when Kil passed the doorway on the way to his own room, the smaller man was
already heavily and silently asleep.
Kil
awoke to find Dekko shaking him. He sat up, muzzily. The window of his room was
a square of darkness and Dekko himself was a dim, indistinct figure bending
over him.
"No lights," said
Dekko. "Come on."
Kil
sat up, swung his legs over the edge of the bed and sat there, scrubbing some
life back into his sleepy face. Partially recovered after a moment, he pushed
himself to his feet and lurched out of his room, down the short hall and into
the cabin's living room, dusky in deep shadow from the thin fringe of dying
daylight in the western sky.
Dekko
was sitting at a low table, working with small things in the darkness, either
by virtue of cat-like eyesight or just plain feel; it was not clear to Kil
which. After a while he finished, gathered them up and stood up himself.
"All right," he
said. "We're set. Come on."
He
led the way out of the door into the night that had now fallen. Slowly, in the
darkness, they moved uphill and shortly they came up close under a set of
large, one-way windows, now opaqued, in the west wing of the lodge.
"Wait
here," said Dekko. He moved up about five feet to a corner of one of the
windows. There was a soft, almost inaudible sighing sound, and a pin-prick of
light appeared in the darkness of the opaqued window. Dekko backed off towards
Kil, knelt down and drove a short, thin, black rod into the earth, in line with
the window.
"Now," he said.
Dekko
leading, they moved back into the cover of a small clump of pine.
"Down," said Dekko.
They went down on their stomachs on the hard
turf and Dekko set up before them a small box on tripod legs. He plugged two
cords into the box, cords which terminated in hooded spectacles, each with a
small button attached to the right temple.
"Button
in your ear," whispered Dekko, slipping his pair of the spectacles on. Kil
followed suit and found himself suddenly plunged into the most absolute
darkness. Fiddling with the frame of the spectacles, he discovered a small
lever; and this, when he shifted it, unopaqued the lenses before him so that
normal vision of the night came back to him.
"Now
here," whispered Dekko, "is the doby prize. Four hundred alone, this
little looper cost you."
Very
gently, he produced a cube-shape no larger than a ring box. Gently, he opened
it. By the illumination of some fluorescent pigment in the walls of the box,
Kil saw what seemed to be a sleeping fly with a band of dull black about its
thorax.
"Special
resistant strain," said Dekko. "This area will have been sprayed, but
the looper should be good for about an hour. Now we check—"
His
fingers moved over the box on the three tripod legs. The band of dull black on
the fly seemed to glitter briefly with obsidian lights. And the fly stirred.
With insect drowsiness it fluttered its wings, cleaned its forelegs and
abruptly took off, disappearing in the dark.
Dekko
gestured with one finger to the spectacles and Kil, reaching up, moved the
little built-in lever to its original position. Abruptly, he almost reeled with
something like vertigo as he found himself weaving through the night air some
two feet or so above the ground. The dark mass of the Lodge loomed up over him.
The pinprick of light attracted and he flew toward it.
The
hole in the window grew as he approached. He flew to it, clung to the pane
below it, and squeezed through into brilliance. He found himself only inches
above the floor in a large room filled with a long conference table at which
people sat. Soundlessly, he flew up and clung to the ceiling. The scene reeled,
what was up, now becoming down; and
Kil
found himself gazing down at the heads of those at the table.
The
group seated about did not fill the table. There was space for perhaps as many
more again. Those that were there, therefore, were clustered around one end at
which sat a slim, brown-headed young man with a striking resemblance to Melee.
"—as
of the twenty-third," this young man was saying. "I don't like this looseness in the
organization. Rumor of Sub-E has leaked to the Unstabs and whoever leaked it
was from one of our inner group of Societies."
"Question,"
said a short man with a hard, round face above a grey tunic. "You're sure
of that?"
"The
original mention of Sub-E was in the report of a junor codist of the World
Police, who received a reference to it from Files while coding for a solution
on a series of unexplained, supernatural sort of phenomena which has been
coming to Police notice during the last few years. He did not check back
immediately, for some reason and when he did, all information on Sub-E,
including the name itself, had become unavailable under the self-censoring
circuit. His report was copied by one of our agents inside the Police and
handed directly to me."
"I'd say the responsibility might be
yours," said the hard-faced man.
"No you wouldn't," replied the
young man pleasantly. "No you wouldn't, Carson, at all."
There was no change of expression either in
his voice or his face, but a slight pause followed his words, and the
hard-faced man said no more.
"The agent?" suggested somebody
else.
"Perfectly
trustworthy," answered the young man, turning his attention to this new
speaker. "Not conditioned, unfortunately, since he's liable to regular
check as Police Personnel. But I had a cover made on his movements and he
didn't have any chance at all to pass off the information, up until the time I
mentioned it to a meeting of this council, six months ago."
"Question?" said a dark-skinned
woman sitting farther down the table. "What is this self-censoring circuit
business? It's the first I've heard of any such thing."
"Police-restricted
information," said the young man, smiling at her. "As far as we can
gather, it seems to be some sort of ultimate control system whereby Files can
censor itself in the case of information which it computes as having a high
probability index of danger to the public welfare."
"Isn't
there someone in the Police who can throw out that censoring circuit and get
the information?"
The young man shrugged.
"You
know—" he said. "The Police have always insisted that even they don't
know where Files is located. As far as the men we've got in their ranks can
tell, they're telling the truth. W know that the leads from the coding machines
go to a central cable which drops directly down, vertically into the ground,
for fifteen hundred feet before it goes through a completely spy-proof shield
and we lose it completely. Where it comes up, and if it comes up, is anybody's
guess."
"We
ought to be able to find out somehow," murmured a tall, thin man further
up the table.
"We're
working on it." The young man leaned forward a little over the table.
"None of you should forget that while we've got some sympathizers and
adherents among the Police, we're not in possession of all their top men and
all their top secrets, by a long shot. For one thing, the Commissioner
continues to slip through our fingers."
"The Commissioner!" It was the hard-faced man again. "Are
you even sure there is such a man?"
"Perfectly
sure," replied the young man, coolly. "He handles all the long range
policy planning and has authority even over the official six-months
heads when each one is in office. But outside of that fact and.the scrap of
information that he's known to the Police themselves as Mc'Elroy—"
—Out
on the hillside, under the stars, Kil started so hard (hat the spectacles
almost slipped off his nose—
"—we
don't know anything about him. Except, of course, that he's a
fantastically capable man."
"Too
capable for you to handle, maybe," said the hard-faced man, "by
yourself this way. If—"
"No, Carson," said the young man,
gently. "Just because I give credit where credit is due, don't jump to a
false conclusion. You all know my capabilities, I think. And none of you doubt
them, do you?" His glance covered the table, from which there was silence.
"What I was saying was just that this McElroy is a capable opponent. In
fact—" his smile broadening, the young man tilted back his head and
looked up at the ceiling where the fly was. To Kil, it seemed as if his eyes
were staring directly into Kil's own. "In fact," the young man
repeated, "he may be the very person who's spying upon us at this moment. Take him, men!"
Warned
too late, Kil ripped frantically at his spectacles. But they were hardly
halfway off before two heavy bodies landed simultaneously upon him. Fighting
furiously, he was conscious of something tremendously hard that collided with
his head and then—darkness.
CHAPTER
NINE
Kil came back, to light, and warmth and
consciousness. The
bright glare of a well-lit room dazzled his eyes and his head was aching
furiously. Even as he awoke, however, this last faded artd disappeared, leaving
only a dull, uncomfortable feeling, as if the ache had not so much been done
away with, as tucked away in the back of his mind somewhere and hidden from
conscious discovery by his nerves.
"That
should do it," said a voice; and Kil, looking up, saw it was the
brown-haired young man who so resembled Melee, speaking. He was putting aside
on a table a small atomizer half-full of colorless liquid. "How do you
feel now?"
"Better,"
muttered Kil.
He
looked around him. He was in the same conference room he had been watching, but
only a few of the people he had seen through the medium of the fly were there.
Among these was Melee, who had not earlier been present at the conference. She
regarded him from a little distance, with no readable expression.
"Where's Dekko?" asked Kil,
thickly.
"Your friend?" said the young man.
"He seems to have got away—for the moment, anyway. We ought to have him in
an hour or so." He looked at Kil, humorously. "You're something new
even among Melee's boy friends. What did you expect to gain by spying on
her?"
Kil,
about to retort in astonishment, caught a particular intensity in the young
man's gaze and checked himself in time from reacting.
"Well,"
went on the young man. "Since this is a family matter, I think maybe the
three of us would be better off talking it over in private. So if you'll come
with me, Melee, and," he turned to Kil again, "you too, we'll go to
my study."
Kil
got somewhat shakily to his feet and followed brother and sister out of the
room.
They
went down a short hallway and into a small, square, comfortable room. The young
man closed the door behind them and made some adjustments in a small,
clock-like mechanism attached to it.
"There,"
he said, coming further into the room and throwing himself loosely into a
chair. "Sit down, Melee. You too, Kil. Oh, by the
way, Kil, Mali is my name. As you probably guess, Melee and I are twins. Now,
let's get down to the truth of this. Just what were you after?"
"Kil!" said
Melee, suddenly.
"Hush
now, baby," interrupted Mali, gently, in the tones of a father talking to
a fretful child. "Let him tell me."
"I want to find my
wife," said Kil, bluntly.
Melee's
face suddenly went pale; and Mali's eyebrows went up.
Kil
told him, fully and honestly. After he had finished, Mali stared at him for a
long moment in silence and then turned to his sister.
"Weil,"
he said. "What do you think of this? Or did you know it before?"
With
a sudden furious movement, she whipped her head away from him, and stood
staring into a far corner of the room, without answering.
"Now,"
he said, in that same gentle tone, "I wasn't criticising. You shouldn't
fight me, baby. Come here."
He held out his hand Slowly
she looked back at him. Slowly she walked over to his chair and he took her
lightly by the wrist.
"My
sister," he said, softly, turning to Kil, "is very insecure. She
needs constant reassurance."
Seeing
her as she stood there, nakedly docile, Kil suddenly realized the terrible
quality of truth in Mali's words. And Dekko's assesment: "She's got tangle
circuits up top," came back to him.
"She
doesn't believe anyone—even me sometimes. But she should," went on Mali,
tenderly. "I've looked out for her since she was a little girl, haven't I,
Melee?"
"Yes,"
she murmured, almost inaudibly, her face downcast toward the carpet and looking
at neither one of them.
"Ever
since our father died; and we were children. I've never let anyone hurt you,
have I Melee?"
She shook her head, still
staring at the carpet.
"No," she
whispered.
"You know you can trust me, then, don't
you?" She nodded.
"Then
you let me handle this in my own way." He let go of her wrist and sat
looking at her. "Go back and sit down, baby. I'll take care of
everything."
She
walked away to a distant chair and sat down apart. She turned back to Kil.
"I
don't know if I believe you or not," he said. "But it's easy enough
to check your story. I can check quite simply with the Acapulco local police,
Marsk, and the Ace you say you talked to. This Dekko—we should have him
shortly. As far as McElroy's concerned—" he paused and looked at Kil, for
a long, calculating moment. "Well, we'll see if your story checks."
"And
if it checks," demanded Kil, "what?" "Why, I'll decide
whether you're telling the truth or not. And if you are, I might help
you." "You?"
"I. The O.T.L. That's what you say you were after here, wasn't it? Help from the
O.T.L. to find your wife?"
"Can you speak for the whole
O.T.L.?" said Kil, bluntly.
Mali smiled.
"Yes,"
he said. "Yes, we have a little convention here. We pretend that I'm just
one of a governing board for handling the O.T.L. and the member societies as a
unit. But it's just that—a convention."
Kil considered him, grimly
and a little skeptically.
"You think a lot of
yourself."
"That's right,"
replied Mali, evenly. "I do."
Kil shrugged and went back
to the main topic.
"You
said you might help me. If you do, what kind of price do you charge?"
"That'd depend." Mali looked at
him. "It might be we'd want you to join us." Join your
Mali nodded. His eyes and face gave
absolutely no clue
to whether he was serious or not. *
"You
said you were a memnonic engineer somewhere in that story of yours," he
said. "Because memnonic engineers are necessarily Class A's, we seldom get
one in a Society."
Kil scowled at him.
"I thought this O.T.L. of yours was an
organization of the heads of other Societies, only."
"Who told you thai?" countered
Mali. "I just heard it."
"Then
you heard only part of the truth. There's more to it than that."
Kil abandoned his curiosity
in that direction.
"What
about—you haven't told me how you might be able to find my wife," he said.
"Well,"
answered Mali, "we'd do pretty much what your Ace said he could do, only we'd do it more efficiently and with a great many
more people. The Societies are a fine instrument in the right hands. I could
have more than two million people keeping their eyes open for your wife inside
of twenty-four hours. Maybe fifty million in the long
run."
"And I'd pay you for
that by joining this outfit of yours?"
Mali nodded.
"Just what would that
mean?"
"Not a lot,"
answered Mali. "We'd merely want to be sure of you and your loyalty, which
in this case would mean you'd be examied under hypnosis to definitely establish
the facts about you for your dossier. And at the same time you'd be given
loyalty conditioning."
"I'm not sure I like that second."
Mali shrugged.
"We're
like any other outfit today. I don't suppose you've objected to hypno
conditioning when you were working on something involving a trade secret of one
company or another."
Kil frowned.
"That's not the same thing."
"Well—"
Mali got to his feet. "Think it over. Melee will show you a room in the
Lodge here where you can stay for the rest of the night. Consider yourself
under something like house arrest until we find out about you."
Kil rose also.
"I'd like to know just how much truth
there is in what you say." he said. Mali smiled.
"A
lot of people say that to me." He nodded. "Good night," he said
and went out the door.
Kil
stood staring after him. The voice of Melee at his elbow made him turn.
"This
way, Kil."
He followed her out by another door. Down a
somewhat longer hallway, this time, they came upon a moving ramp rising to the
second story of the lodge. She led the way up this and along the corridor above
to a door which she opened with her Key.
"Here," she said.
She stood aside to let him enter, then followed him in, closing the door behind her. Kil found
himself in a comfortable bedroom, a little larger than its equivalent would
have been in an overnight Class A hotel, and somewhat
more luxuriously furnished. He turned about to Melee and found her close to
him, so close indeed that her breasts brushed against him as he turned.
"Well—thanks," he said. "I'll
see you in the morning, I suppose."
She looked up into his
face.
"Kil,"
she said, uncertainly. "Kil, offer me a drink, or something, will you? Don't make me go just yet."
"A drink?" He swung about and saw the transparent door of a liquor cabinet,
recessed in one wall. "Oh well, what would you like?"
He went across to the cabinet. To his secret
relief, instead of following him, she crossed the room in the opposite direction
and sank down on a couch.
"A little cognac," she said.
"Have one with me, Kil."
"All
right." He
answered with his back still toward her.
He
opened the cabinet, selected a pair of glasses and splashed a little of the
amber cognac into each of them. He closed the cabinet door and carried the
glasses back across the room.
"Here you are," he said, sitting
down in a chair opposite her. She accepted the glass from him, holding it in
slim fingers. Abruptly, she shuddered and drank quickly, emptying it almost at
once.
"Please,
Kil," she said, holding it out at arm's length. "Another."
Kil scowled, but took the glass and getting
up, went back to the cabinet for a refill. He brought it to her and she looked
up at him as she accepted it, almost abjectly.
"Don't
look so angry, please," she said. "Talk to me, Kil. Say
something."
'Talk—about what?" he
asked.
"Tell
me about your wife. What does she look like, Kil?" He rubbed his nose.
"Well, she's small," he said.
"She's got blonde hair. And
blue eyes. And a soft voice." *
"Is
she pretty?" A momentary shadow passed across Melee's eyes. "Much
prettier than I am?"
Kil shook his head, looking at her.
"No," he said, slowly, "you
know she wouldn't be."
"I
don't," she answered, staring not at him, but away across the room.
"No, I don't. I never do. How would I know?" Her hands twisted on the
glass. "There's millions of women in the world—maybe all of them prettier
than I am." And she shuddered again.
"Drink
the cognac," said Kil, a little more softly. Her eyes came gratefully
around to focus on him.
"Drink
with me, Kil" She extended her glass and, a little self-consciously, he
touched it with his own. And then, seeing that she once more intended to gulp
all her drink at once, he tossed all of his own down. It burned fiercely in his
throat and gullet.
"There,"
he said. "Now—" Abruptly, a tremor passed through him and the room
seemed to cant suddenly to one side. A wave like
dizziness, but somehow different, rippled his vision and through its
distortion, as the carpeted floor came swooping up to meet him, he could just
see Melee. She was setting down her glass and watching him, with her lips just
beginning to curve, as he fell, in a smile of strange and secret triumph.
CHAPTER
TEN
Kil awoke suddenly and sat up on the edge of his
bed. Through the unopaqued window of the room to which Melee had brought him
the night before, the morning sunlight streamed and lit up his undressed
condition and the rumpled state of the bed. There was sweat on his forehead
and a clutching, all-obsessive feeling that something was terribly wrong. What had happened? But nothing came to him, only the empty,
scooped-out feeling of something drastic that had taken place. He jumped to his
feet and took three quick strides to stand in front of a mirror across the
room. His own image looked back at him as lean and uncompromising as ever.
Foolishly, he felt his arms and legs and the nerves in them reacted to his
fingers' pressure in honest fashion. His body reported all well. Only a slight
soreness behind one ear, where he might have hit his head in falling after he
was drugged, and a slight headache, lopsided in that area, interrupted the
general sense of physical well-being. But he felt hollow inside.
He walked over to a closet set in the wall
and, opening it, found clothes—the ones he had worn the night before as well as
several plastic throwaway outfits that looked to be his size. Out of automatic
instincts and habits of cleanliness, he reached for one of these latter, but an
odd repugnance made him draw his hand back and he dressed instead in his tunic
and kilt of the previous day.
Dressed, he tried his door and found it
unlocked. He stepped through it and out into the corridor. Some thirty feet
along this corridor, he came on a door ajar, about where he remembered the
study to have been. He went in.
It
was not the study.after all, but a larger room, a lounge of some sort with a
wall-wide window beside which sat a breakfast table as yet uncleared. Melee
stood by the table, looking out at the trees and the grounds of the lakeward
side of the resort. From this height, the blue windings of the lake could be
seen beyond the tops of the trees. A small breeze blew from it, through the
wall-window, which had been rolled back, and the soft, clean air of morning
came to Kil's nostrils.
At the sight of her, standing with her back
to him, a deep feeling of desire stirred unexpectedly in Kil and he went forward
until he stood at her side.
"Morning," he
said.
She
turned slowly to face him. On her lips was an echo of the triumphant smile of
the night before, but it faded as she regarded him, changing into something
eager and half-fearful.
"Kiss me," she said.
Kil
put his arms around her and drew her to him. He kissed her, feeling the hot
coal of desire that was new within him burst suddenly into blazing heat. Abruptly,
she wrenched away from him.
"Damn you!" she cried. "Oh,
damn you!"
Her
fists were clenched and her face was screwed up in pain. When he moved toward
her again, she evaded him.
"What is this?" demanded Kil,
sharply.
"It's not you!" She beat with her
fists on the back of a chair. "It's not youl I thought I wouldn't mind, but I do. I do!"
"What do you mean?"
She faced him.
"I
said I'd make you kiss me." Her eyes glittered with tears. "And I
have. But now I don't want it that way—that way—"
"What way?", said Kil, staring at her.
"Via," said a
soft voice behind him, "the hypno route."
Kil
turned to see Mali standing in an open doorway leading to an adjoining room, a
scanner in his hand. As Kil watched, Mali came all the way into the room, shutting
the door behind him. He put down the reel on a coffee table and pressed a
button. The other door closed and the window slid noiselessly back into
position, sealing the room.
"Melee
jumped the gun," said Mali, coming up to him. In the bright morning light,
the head of the O.T.L. looked young and diffident, like a polite schoolboy.
"She didn't wait for the checks on your story to come through. They have
now, by the way. You're quite a truthful man. But as I say, she saw to it that
you were conditioned last night." He turned to look at Melee, but she
stayed rigid, her back to both men.
"Conditioned!" said Kil.
"Yes, and
there's something strange about it, too," continued Mali, in the same
casual tone from which his voice never varied. Almost, he could have been
discussing the weather planned that week for the district. "You took the
commands readily enough. You've probably noticed that your reactions toward
Melee are considerably greater now than any you may have toward your wife. Or any other woman for that matter. And you'll also discover
a comparable loyalty to the O.T.L. as a group and to me, myself,
as an individual. But the search didn't work out at all well."
"The search!"
Kil felt the cold fingers of horror crawling
down his spine. Hypnotic search was a highly tricky, rigidly restricted psychiatric
technique used on the dangerously disturbed Unstab, or proved violator of the
world peace. "You had the guts to—illegally—and you tell 'me about it!"
"It's
quite safe," replied Mali, with a gentle wave of his hand. "Your
loyalty won't permit you to give me away. Will it?" He smiled; and Kil,
feeling the emotions surging within him, discovered that this was only too
true. "I can talk as freely in front of you as I could in front of—a dog,
say. Though that's putting it a little harshly."
Kil
stared at him, realizing with an empty horror that he could not even hate the
man.
"Yes,"
said Mali, reaching for a bunch of grapes that still lay in the fruit bowl in
the center of the breakfast table-"But to get back to the subject—want a
grape? No? The search uncovered nothing; just as if there had been nothing to
uncover. And I know differently. Don't I? Does your new loyalty have any
suggestions that might help me with this problem?"
"I
don't know what you're talking about," said Kil, numbly. He sat down
heavily. Mali gazed at him, curiously.
"To
a certain extent, that's probably correct," he said, agreeably, eating
grapes one by one from the bunch. "You fill a rather odd position, Kil,
whether you know it or not. For some reason—by some accident or design—you've
become the focal point of our struggle at the present moment."
"What struggle?"
"What
struggle?" repeated Mali. "Why, the same struggle that's been going
on since the world began: to see who's going to be the one to control things.
There's at least two— and I think three—of us busy at it right now. And you're
in the middle. It's sort of as if you were a chess piece being manipulated in
turn by three opposing players, all of them hidden from each other. We all try
to figure out from what you do just who it was made you do it, and what his
reasons were for exactly that move."
Kil shook his head
disbelievingly.
"Oh,
yes," said Mali. "Yes indeed, Kil. The two most important men in the
world today are McElroy and myself. It wasn't just
chance that led you first to him and then to me. It couldn't be. I'm the most
powerful individual on Earth and McEIroy is the—most elusive, certainly. Yet
you trot from him to me with no more difficulty than going from one store to
another. How did you manage that? Can you tell me?"
Kil felt the compulsion on
him to answer.
"Dekko," he said
reluctantly.
"Hmm,"
said Mali, holding the grapes forgotten in one hand, "as far as that goes,
I'm pretty sure that Dekko of yours belongs to McEIroy. He's another mystery. But a minor one. You're the big one, you and—" he broke
off suddenly, staring out the window. After a moment, he turned back to Kil.
"What
do you know about The Project?" he demanded. "And
Sub-E?"
Kil lifted his head in
amazement.
"Nothing," he
said.
"And yet," said Mali, looking at
him olosely, "your wife's certainly a member and knows all about it."
Kil felt a sudden small stir of excitement in him. "A
member? What—?" he said. .
"Exactly. What?" Mali leaned toward him, his eyes oddly compelling.
"The Project's an organization that has something called Sub-E. And Sub-E
is maybe the secret of their ability to do things that are physically
impossible, like hiding from myself and the Police, on this Earth where there's
no place to hide. Does that jog your memory? Answer met"
"Don't the Police
know?"
"No.
The Police do not know. Any more than I know.
And I have to know. I could crush the Police like that, tomorrow, Kil,"
and Mali closed his hand before Kil's face, "and they know it. But they
know I don't dare try it as long as this question mark exists, this other power
that may have a weapon in it's Sub-E that I can't
match. Now answer me, does this, all this, make you
remember anything?"
"No," said Kil.
Mali
drew a deep breath and straightened up. His eyes went away from Kil and focused
on the middle distance as his attention turned inward. Kil saw a valuable
moment slipping away from him.
"I don't believe
you," he said.
Mali's attention came back
with a jerk.
"Don't believe what?" he said.
"What you said about
being able to crush' the Police."
Mali
smiled at him. He became conscious of the grapes still in his hand and threw
them down on the table.
"There's only six million of them, Kil," he said. "And
the world is sick of them, and Files, and a Key on every wrist. Your little
group of A. Stabs are the exception, and there's
nothing wonderful in that. Under almost any system there's bound to be found
some people who are suited to it. What it boils down to is we've been living in
a temporary state of emergency for a hundred years. The wonder is that it
hasn't cracked before now."
"War!"
said Kil. He pronounced the word with the deep, almost instinctive intonation
of shock and horror typical in a man of'his time.
"No
such thing," replied Mali, swiftly. "Skirmishes,
maybe, but only to help along the shift in balance of power. The organized
Societies are inevitably bound to follow a situation of Police control and
supplant it."
"Why?"
"Because,"
said Mali, quite earnestly, "they offer man what Files has taken away from
him: a social structure, a solid social structure to build his own life
inside."
Kil
shook his head, not knowing exactly why he was disagreeing, but disagreeing
reflexively.
"Believe
me," said Mali, looking at him. "Files was a
mistake. They thought then that man couldn't go on living and developing with
the threat of atomic annihilation constantly hanging over him. They forgot that
men have built on the sides of a volcano before. More important than the
volcano is the building. We all need it—something solid to tie to—a place to He
down. And that's what none of us have now, under Files and the Police, all four
billions of us, wanderers over the face of the globe."
For
a moment, Mali's easy voice rang with a true note of idealism.
"So that's why you do these
things?" said Kil.
Mali laughed and slipped back into-his
customary manner.
"No," he said. "In my case,
conviction followed conversion. No, Kil, you probably think I've got delusions
of grandeur, a Napoleon, an Alexander complex. It's a lot more prosaic than
that. I just happen to be capable and started, out wanting little things. Then
as I got those, I wanted bigger and bigger things, more and more, until now. .
. ."
"Until now you want the world."
"Why not?" asked Mali.
Kil shook his head, again,
stubbornly.
"Why not just ignore
the Project?" he said.
"Because,"
answered Mali, quietly, "they seem to be capable of doing all sorts of
impossible things; and not the least of these is the fact that they seem to be
already free of Files. They don't wear Keys—" he checked himself suddenly,
his eyes pouncing on Kil. "What is it?"
"Nothing," said
Kil, hastily.
"Must I appeal to your
new sense of loyalty for an answer?"
"The—"
the words struggled from Kil's throat, "the old man had no Key."
"The old man who took your wife off with him?" Mali considered Kil, no longer smiling.
"Now why, I wonder, didn't that come out under the Search.
The Project may have—" He let the words trail off. Abruptly, he turned.
"Keep
thinking, Kil," he said. "Somewhere in you there's enough information
buried in five years of association with your wife to tell us where the Project
hides itself. We'll get it eventually. If you think of anything more that might
be useful to me, come and find me. Meanwhile, stay on the grounds."
He walked out through the
door, and was gone.
Kil
stared after him for a short moment; and then turned to Melee. She had also
turned and was facing him with one of her strange, unreadable expressions.
"Let's
go for a walk," she said. "Come on, Kil. We'll go down by the lake
and get away from this place and everything."
He nodded, scarcely listening. His mind was
whirling with thoughts of Ellen and the old man who had worn no Key on his
wrist.
Almost in a daze, he followed Melee, as she
once more opened the window and stepped through it to the turf below. Side by
side and saying nothing, they cut across to the gravel path slanting downhill
from the lodge, and followed it around its curve past the row of cabins.
They
passed the cabin in which Kil and Dekko had been lodged the day before. The
ghost of that yesterday seemed more than twenty-four hours old as Kil looked at
it. Almost it seemed as if it might have been weeks back that he and Dekko had
rested here, waiting for night so that they could go up to spy on the Lodge.
Thinking of the little man reminded Kil.
"What happened to Dekko?" he asked
Melee.
"He
hasn't been caught yet," she answered absently, walking along with her
eyes fixed on the path. A momentary concern and sympathy for the slight
hunchback stirred briefly in Kil's mind and was drowned immediately by his
conditioning.
They
passed the other cabins and drew level with the one that housed Anton
Bolievsky. As before, the old man that looked so young was sitting cross-legged
in the doorway.
"Good
morning," he said, as they came up. Kil stopped. Melee continued on as if
she had not heard.
"Hello," said
Kil.
They looked at each other.
"Your particular aura of
purposefulness," said Anton, "seems dimmed,
but not extinguished. You are a very fortunate young man."
"What do you
mean?" asked Kil.
"Merely trying to put into words a
feeling I get," replied the other. "You remember our talk
yesterday?" "Of course."
"It made me think. Did
it make you think?"
"Kil!"
called Melee, impatiently, from the bend in the path where it headed into the
belt of trees that hid the lake.
"I—I've
got to go," said Kil. "Maybe we can get together for a talk,
later."
"Yes," said
Anton.
Kil
turned and hurried off, wondering at himself. Melee had already gone on again
down the path and disappeared into the woods. He hurried ahead, caught a
glimpse of her silver tunic through the green branches, and increased his pace.
The path wound about, now that it was among the trees, and she was nowhere to
be seen. Twenty yards further on, however, he came suddenly around a sharp turn
and literally ran into her. She was standing with her back to him, staring out
over the lake; but as they collided, she turned swiftly and clung to him. And
he saw with astonishment that she was crying, silently and fiercely.
"Melee—" he said.
"Oh, Kil," she
moaned. "Why do I do these things? Why?"
But
then her words were lost to him; for, even as he put his arms instinctively
around her, he looked over her shoulder and saw the lake. Water . . . water . .
. for the third time a body of water spread before him. And as it had been before,
when he looked out McElroy's window on Lake Superior, and when he came up from
the meeting place of the Panthers and faced the Pacific, the world weaved
around him. And the deep and crying need for Ellen, only Ellen, rose
irresistibly within him. Stronger . . . stronger . . . stronger by far than the
time before, which had been stronger than the first time, stronger than any
hypnotic condition that ever had been or could be, it called him. Ellen . . .
Ellen . . . Ellen. . . .
Dimly,
he was conscious of a flash of silver tunic before his eyes and a woman's
scream. And then he was free and running, running, running. . . .
CHAPTER
ELEVEN
The first few hours were blurred. After that,
when he at last came fully to himself again, he was riding down an ancient
highway in an all-purpose bug, its squashy flotons humming merrily as it buzzed
along at somewhere around a hundred and ten kilometers an hour. The driver was
a wiry old botanical technician whose love for his bug was unbounded and
voluble.
"I've
carted her all over the world with me. Trade her in, says the home office.
Trade, hell, I told them. I got
nothing else that belongs to me, on the go all the time. Hortense, she's mine.
I had her in India and up and down the Andes in South A. Up and down the Sierra
Madres, too. That wasn't bad. It's timber that stops you. Trees so thick you
can't see through-going to Duluth, you said?"
"What? Oh-. Yes. . .
." said Kil.
"Thought
that's what you said. My folks come from Duluth, originally. Well, not Duluth
proper—around Two Harbors. Of course I don't remember
it myself, but I recall my grandfather telling me about how the lampreys came
in there and spoiled the fishing, just about cleaned out all the lake trout.
Ever see a picture of a lamprey? The way he described them—"
Kil
leaned back against the foam cushions of the bug, letting the words flow around him and nodding whenever it seemed expedient.
His mind felt exhausted, drained of feeling. He tried to force it to
concentrate on his situation, to think about the future, but the effort .was
beyond him at the moment. He gave up, rocking with the cab of the bug and
half-listening.
"—world going to hell. Just another old crank talking, you'll probably say. But I know. I'm
off away from people four—six months at a stretch. Always on
the move. Wouldn't make any difference to me if I had a Key or not. Love
the work, be doing it anyway. And its just like
anything where you don't see someone for a long time. You notice the differences.
And I've seen them."
"Seen them?"
murmured Kil.
"Seen
them—hell, yes." I've seen them! Jittery, wall-stupid, jumping from city
to city as if their tails were on fire—hey boy, you're going to sleep, sit
up—and not knowing Sunday from shaving lotion about anything you can't get by
pressing a button. Last time I was down below Chilpancingo, I saw an orchid, a
cattleya—one of the common ones, but I took a fancy to it
and sealed it in some transparent plastic. Happened a month or so later I was
in Mexico—Mexico City, that is—I brought Hortense into a parts place to get the
floater rollers degummed. Man in charge happened to see the cattleya. Regular native type, too. 'Migawd,' he said—
or something to that effect—'What've you got here? Something
valuable? Because if it is, you better let me lock it
up while the rollers are being cleaned.' Something valuable! Lock it up!
His great-grandmother would have known what it was, all right." ^
"Yes." said Kil.
"Everybody walking around like they were in lockstep. Sure, Files, they say, and the Police. Don't
you think it, boy. You know with four billion people
in the world, we've got more open country than we had fifty years ago? People've
hypnoed themselves into believing the world's all city.
Free Transportation. They can go anywhere on Earth they want. And where do they
go? From hotel Bungo in Bongo-Bongo to hotel Zenobia in
Zanesville. And they say—'hoiv nice,' they say, 'This little suite has just the same number of windows that we had in the one in Bongo-Bongo. My, what a nice permanent feeling it does give one.' " The old man's voice, which had soared into a
savagely mincing falsetto, dropped back to his ordinary tones again.
"Hell, people used to save all their lives just so they could get out and
see what the rest of the world looked like. And these—" words failed him.
"No good—no use—"
muttered Kil, wearily. "Give up."
"Did
I say that?" the old man caught him up sharply. "No such thing! While
there's life, there's hope; and don't you forget that. Just that people don't
budge until they have to, that's all. Most of them just put off doing something
about a bad situation until the last moment. What it needs is someone to come
along and yank them out of their plastic and concrete. Take them out and rub
their noses in the dirt and open their eyes to the good green earth again.
Hell, boy, we still got sunsets and thundershowers. And the Grand Canyon, the
Amazon, the Sahara, Mount Everest and the Bering Straits. They haven't torn
down the Acropolis or the Pyramids. Just nobody goes to look at them for the
same reason that people never stepped across town to look at Grant's Tomb. They
could go there anytime they wanted to, so they never got around to it. If I had
my way—here's Duluth coming up now, boy. Where do you want me to drop you
off?"
Kil roused himself with an effort.
"Oh—the
terminal," he said, thickly. "I'll have to reset my Key."
"Whatever you want. Going on up the lake, myself," said the old man. He rolled the bug
across the wide expanse of the outcity traffic circle and parking area; and let
Kil off at curbside before the doors of the terminal. "Good luck,
boy."
"Why—thanks," said Kil. "The same to you."
The botanician laughed.
"I got it already. So
long."
He
geared the bug and rolled off. Kil turned and entered the door behind him.
A
mag ship had just unloaded at the terminal and there were lines in front of all
the check stations. Kil stood and waited his turn until he could thrust his Key
into a check box. Finally it came, there was an almost soundless click and the
figures 182 days, 9 hours, popped into sight on the dial of the Key, that being
his authorized six month period minus the five days and fifteen hours he had
already spent in Du-luth during the previous six months. He was turning away
from the check box when he felt a touch on his shoulder. He turned to confront
a World Policeman in working uniform.
"Kil Bruner?'" asked the Policeman.
"That's right," answered Kil.
"I've
got an order for an emergency request stability check on you. Will you come to
Headquarters, please?"
Kil
stared. The man's words rang in his ears without meaning-
"Request emergency check?" he
echoed. "Me?" "Yes, Mr. Bruner."
"But
I—" Kil scowled. "I haven't done anything to require an emergency
check."
"Sorry, sir, all I
know about is the order."
Bewildered,
Kil followed the Policeman out of the Terminal to a Police aircar. On the way,
he became conscious suddenly of glances here and there from people they were
passing. Possibly these same people would have stared at anybody they saw in
the company of a Policeman; but Kil felt all at once that the eyes of the world
were upon him and condemning him, sight unseen.
In the car he asked the Policeman.
"Have they been
looking for me long?"
"I
wouldn't know, sir," said the Policeman, gazing out the window.
The rest of the ride was a silent one.
The
aircar passed in through one of the gates and settled down finally before a
long, low building. Kil got out and the Policeman escorted him inside. Within,
the building was very like the Complaint Section he had been in previously,
except that there was a row of close cubicles facing him instead of open
booths. The Policeman led him down the row of cubicles until he came to one
with an open door.
"In
here," said the Policeman. "You face your Key into the cup in the
upper right hand corner of the coder panel."
Kil flushed angrily.
"I
know," he snapped. "I've taken my test every year since I was
six."
"Yes
sir," answered the Policeman, indifferently. Kil went into the cubicle,
shutting the door behind him.
He
sat down before the bank of keys and held his Key to the cup. Above the coder,
on the wall before him, the screen lit up as Files awoke to his presence in the
testing room.
"Kil Bruner" the words formed on the screen. "You have been requested to come here for an emergency stability check. The test you are about to take will be evaluated by the circuits designed for that purpose. As soon as the test is concluded, a recommendation toill be made both on this screen and on the monitor screen outside if any adjustment in your Class Designation should be made. It will then be up to the Police to act or not on the recommendation as they see fit/'
Kil
paid little attention. He had read these words yearly for nineteen years.
Almost, he could have repeated them from memory, these and the words that
followed them.
Before you on the coder are Keys for yes and no answers, multiple choice ansivers tip to a limit of six choices; and an alphabet keyboard for direct coding. If you wish to answer a question in your own words, use the alphabet keyboard.
There was a slight pause. The screen cleared
and then lit up again.
Check begun:
The two words were replaced by the first
question.
You are a memnonics Engineer?
Kil selected a button and pressed it.
"Yes."
Do you like your work? "Yes."
Have you ever preferred any other kind of work? "No."
The
questions and answers continued. Kil answered automatically, for these were
the standard questions asked in every check. Files was
authenticating the data on him that it already had on record. Soon enough, the
questions began to break into new territory and narrow down on his present
situation.
The Police have taken note recently that you have been occupying yourself in an unusual manner. Have you any explanation for this? Please answer at length, using alphabet keyboard.
Kil
moved his fingers down from the yes and no buttons, and typed.
"I've been trying to
find my wife."
How did you become separated from your wife?
Kil
felt weary. He rubbed a hand slowly across his eyes, and typed.
"Files already has that information."
That is correct. Do you wish to add to or alter your previous account of your wife's disappearance? "No."
You are concerned about your wife's disappearance? "Yes."
Do you consider, flashed
the screen, that your search for her is more important than the time and funds you are expending in pursuit of it?
"Yes." Kil jabbed savagely at the
button.
'Have you considered the ill effect on your work, of this search? With a sudden sense of shock, Kil remembered the manufactory of coding
equipment at Geneva, where he should have arrived ready for work the day
following Ellen's disappearance. He had never stopped to think of it; and now,
with the time elapsed, they would have found another
engineer for their current problem. He set his jaw somewhat grimly.
"Yes." he punched. "Yes."
If you were to be informed by authorities that your wife could not be found, would you persist in searching yourself? "Yes."
If you were informed by the World Police that your continuing search was at variance with the general welfare, would you persist?
"Yes."
Do you consider finding your wife to be more important than a possible defiance of the authority of the World Police? "Yes."
Do you consider finding your wife to be of more importance than the preservation of general peace?"
Kil hesitated. The screen flashed again.
Would you persist in searching for your wife if Files were to inform you now that by doing so you were endangering the continuing peace of the world?
Kil stiffened in his chair. This was the
question. His hand went out to hover over the no button, then stopped. There was no point in
putting it off. Files would keep after him with cross questions. Besides, he
was not ashamed of the truth. His finger punched down.
"Yes."
The screen cleared and flashed on another
line. Check concluded.
The lights in the cubicle went on. The two
words on the screen were replaced by three lines.
Findings of the emergency request Stability check show Kil Bruner, Key 3, 526, 849, 110 to show indications of instability and liable to criminal defiance of authority. Recommend reclassification to Unstab. Class Two.
The screen cleared itself and faded to an
unlit grey. Kil rose to his feet and stumbled out.
"Give me your Key," said the
Policeman, who had been waiting outside the cubicle.
Kil
was too numb to notice that the other no longer said "sir".
CHAPTER
TWELVE
Kil stood in the terminal to which the Police
aircar had returned him. His Key felt strange on his wrist; and he looked at
it. Twenty-one days, read the calchronometer. The sight of the numbers brought
on something like a feeling of panic. To a man who had been all the days of his
life with his Key fastened to him, to be reclassified downward was like dying
in a small fashion. A partial death-sentence. He had a
feeling, none the less powerful for being illusory, that part of his time to
live had been taken from him. He stood, irresolute.
About
him, the hurrying crowds of the terminal swarmed and passed. And, gradually as
he stood there, the sense of his difference—now—began to take hold of him. Now
and then, one of those passing glanced at him curiously; and he shrank,
internally, from that same glance, as he had shrunk earlier when the Policeman
had escorted him across the floor to the aircar. As before when he had imagined
that their looks assumed the fact that he was a hunted criminal, now he felt
irrationally convinced that each one looking at him knew that he had been reclassified, knew that he was now Unstab.
And—because
he was himself—a harsh and bristling anger rose within him, against them,
against the hurrying multitude, against all Stabs. It came home to him then
with a shock that this was what it must be that drove the Unstabs away from the
Stabs, into the Slum areas, where they would be at least among their own kind.
In the Slums, there would be no need to imagine contempt. You were among
equals. And, hating himself for doing it, but realizing the necessity with the
thought, Kil turned slowly and headed for the moving roadway that would carry
him back to the area from which, with Dekko's help, he had escaped only a few
days earlier.
From the Terminal, it was not far. In fact,
the Terminal all but
touched the Slums. Kil rode in and registered in the first hotel he came to. It
struck him as he did so, that he was getting low on money again. He tried to
remember, offhand, how much remained in his registered account, but the memory
would not come to him without effort and he did not want to make the effort. He
put the matter aside.
He
was deadly tired. His body seemed a heavy, useless burden for his wary will to
drag forward. He went directly up to his room after registering and fell
asleep, though it was still only mid-afternoon.
He
awoke with a start about sunset. The last, thin, red rays of twilight were
coming in through the unopaqued window of his bedroom, making it a place of
strange rusty, dying light and tricky shadows. For a moment, he could not think
what had brought him so suddenly out of sleep, and then became conscious of
someone in the room with him.
He
turned his head. Someone was sitting in a chair pulled close beside his bed. In
the gloom, Kil made out the facial features with difficulty.
It
was the old man. The same who had taken Ellen away from him.
"Hello Kil," said
the old man.
Kil
stared at him. The thought came to him that he should leap out of bed and grab
this intruder and hang on to him tightly, hold him as ransom for Ellen's
return. But his body seemed asleep and separate from his mind. Even his emotions
seemed lulled and slumbering.
"Kil," said the old
man, "you can't go on like this."
Kil
moved his hps with effort. The words came out like a sigh.
"Why
not?"
"You're trying the impossible,"
said the old man, gently. "You can't ever find us. You only hurt yourself
by searching. Look at you, worn out in body and mind, broke from your Class A status to an Unstab classification. Give up, Kil."
"Not," whispered
Kil, "until I find Ellen."
"You
can't, Kil. Ellen's gone 'where you can never find her. It's like hungering
after someone who's dead."
"No!" whispered
Kil, stubbornly.
"Yes, Kil. You don't understand. Somehow, a mistake happened.
Something went wrong. Somehow you saw Ellen walk off with me. That's the only
reason I'm here now. To you, like everyone else there, it should have seemed
that she just vanished, suddenly, without a trace."
"What—happened—?"
"We
stopped time there for a moment, Kil. Or rather, we speeded it up a great deal
for ourselves, alone. You shouldn't have been able to see us go; but you
did."
"She—"
Kil struggled with the great effort of pushing the words past his lips.
"She didn't want to go."
"But
Ellen knew she had to. Kil—" the old man put his hand on Kil's shoulder.
"Ellen always knew the time had to come when she'd have to leave you. She
never really belonged to you completely. Think of her as of something you
loved very much that was merely lent to you for a while and then taken back
again."
"No," whispered Kil. "We didn't marry that way. It wasn't
something temporary."
"It was for
Ellen."
"I don't believe
you," whispered Kil.
"It was."
"No,"
Kil struggled to make the thin thread of sound come stronger from his lips, but
could not. "And anyway, it wasn't for me. It's too late now to tell me it
was supposed to have been temporary. I should've been told at the start."
"Ellen couldn't tell
you. The secret wasn't hers to tell."
"What secret? The Project? Sub-E?"
The old man leaned forward
suddenly in the dimness.
"What's
that?" he said, sharply. "Where did you hear that?"
"Is it?"
"Answer me, Kil!"
"No,
you answer me. First. Why should it always be your
way? What do I owe you? You took Ellen."
"I didn't take her,
Kil. She went of her own free will."
"She
didn't want to go." A deep fury stirred slowly and distantly in Kil, held
down by the same thing that was sapping his strength.
"She was unhappy at saying goodby to
you," said the old man, "but she wanted to go. She knew she had to
go." "It's not true."
"Yes,"
insisted the old man. "It is true, You must
believe that, Kil, and stop this hopeless search of yours. You're hurting
yourself—and you're hurting Ellen."
"She—knows?"
"Yes," said the
old man, grudgingly.
A
great and powerful feeling of joy that was somehow separate from that part of
him that was being held in thrall, flamed up in Kil.
"Let
her come and tell me herself, then," he whispered. "Let her come and
tell me to stop trying to find her."
"She can't come."
"You mean you won't
let her come."
"She mustn't. She
knows she mustn't."
"Because she doesn't dare. Let her come to me and she'd stay with me.
Wouldn't she?"
"No,"
said the old man. "No! For your own sake, Kil, you mustn't believe that.
She's gone from you and from this world of yours, I tell you, as surely as if
she were dead."
"She's
not dead. She's living and I'll find her. Do you hear? I'll find her if I have
to take the world apart stick by stick and stone by stone. I'll find her if I
have to blow the universe apart and hunt for her among the pieces. Do you hear
me? Do you hear me? DO YOU HEAR ME?"
And
suddenly, all restraint vanished, Kil was sitting up
in the bed and shouting with the full power of his voice. His cries clashed and
echoed in the empty room.
And the old man was gone.
Quickly,
Kil began to dress. When he was through, he walked to the door of the suite and
turned the apartment's sunbeams down and out even as they were waxing against
the falling night. He paused a moment, looking into the shadows.
"I love you, Ellen," he said
softly.
Then he went out.
It
was full evening by the time he stepped out on the street. The lights of the
area were on, throwing the sky into a deeper blackness above him. He took the
moving roadway toward the part of the area where he had first gone, back in
the beginning when he had come looking for the Ace King. And, as he went, he
opened a door in his mind that had been some time closed, and set the dusty
machinery that he found there, once more to work.
Kil
was a memnonics engineer. His particular field was the formulating of memory
systems for specialized jobs; but before he had qualified for this, he had gone
through all the necessary elementary and advanced courses in memory training
that were prerequisites to the six years study of discriminative techniques in
memnonics. The associative functions and the formulae of procedure were as much
a part of him as the muscle training that enabled him to walk surefootedly upon
the earth. Now he turned these mental tools to the task of ferreting out the
secrets of whatever had taken Ellen from him. Mali had said, that, buried
somewhere in the memories of the last five years, when Kil had been married to
Ellen, were clues that would lead him to her. Mali
could not find these clues, even under hypnotic search. But he, Kil, could find
them. If they were there, he could find them. Because it wa§
his mind; and no one could know it like himself. He could not only remember,
but having remembered, he could study the memory, discovering in it things he
had not noticed the first time, until it was squeezed dry of every elemental
drop of information within it.
There
had been a breeze from the mainland, from the hills of Kowloon, that day in
Hong Kong, when he had first seen Ellen. She had been standing on the balcony
of the Hotel Royal and she . . .
. .
. The sights and sounds and smells of memory rose like incense in the back of
Kil's mind. Silently, he tiptoed his conscious
attention out of the room of his past, leaving it to work its wonders in its
own way; and closed the door upon it.
He
looked up. The more recent memory of the bar front he had seen on* his first
trip to this Unstab district clicked sharply into identification with the bar
front coming at him, down the street. He waited until the roadway brought him
opposite, then stepped off on the departure rollers to the side, walked across
the short strip of unmoving cement, and pressed his Key into the door cup. It
opened; and he entered.
The
bar had not changed. Nor the people inside it. Individual
faces were different, but the collective face was the same. As Kil came in,
most of the drinkers glanced up; but this time, only momentarily. Dekko's
lessons had been effective upon Kil. The faces returned to their glasses and
the pause in the conversation was buried and forgotten in a fresh wave of
murmuring voices.
There
was a new bartender behind the bar. Kil walked up to him. Neatly, out of one
compartment in his ordered memory vault, Kil selected slang terms necessary to
the occasion.
"Yeah, Chief?" said the bartender
as he came up. "What?"
He
was a man of average height with slightly lumpy features. Almost insolently at
ease, he leaned on the bar.
"Dosker
me someone," said Kil. He reached in his pocket for a roll of dollars,
tore off five of them and slid them across the bar. "The name is Dekko."
The
bartender rolled the strip of soft metal tabs up into a tight cylinder and
stuck it in his tunic pocket.
"Just Dekko?" he
said. "No nut to that bolt?"
"Dekko," said
Kil.
The
bartender moved a little down the bar and fiddled with something underneath.
"Not on," he said, after a moment. "Any other towns you want to
dosker? Give you five for twenty."
"No," Kil shook his head.
"He'll be showing. How much for a local look?"
"How long a look?" "For
the next week—seven days."
"Fifty for the spotter, twenty-five for the contact, and
twenty-five for me. And the Ace'll take twenty per cent. One-duece-and-big-O."
Kil took out a roll of twenties and tore off
a hundred and twenty dollars worth. The bartender gathered them in.
"Who's Ace now?" Kil asked.
"Garby.. Been on three days."
Kil
felt a small relief. He had been bracing himself against contact with the Ace
he had run from before, even though Dekko had told him that such men very
seldom stayed in one area even the full length of the time allowed them by
their classification. He turned as the bartender leaned down behind the bar
and in a low voice put out the call for Dekko that Kil had just paid for. Kil
felt satisfaction. Inside of a few minutes all the public places in the Unstab
area would be notified that there was a reward for spotting the little man and
notifying Kil of his whereabouts.
He turned back to the bar
again.
"Coffee," he said to the bartender.
The lumpy features showed amazement. "You mean a stim?"
"Just
coffee," repeated Kil. The bartender stared for a second, but then turned
and dialed his selector. After a second, there was delivery beneath the bar
and he lifted a cup and thermopot up in front of Kil.
Kil
paid and, taking the two items, walked back to a table in one of the dark
little recesses along the further wall. He sat down.
He poured his coffee black, ignoring the
cream and sugar bulges on the container's side. Sipping at the dark, hot
liquid, he set himself to think.
CHAPTER
THIRTEEN
"Well, do us, riggers! Looks
like we hit the doby prize!"
Kil
came back to himself with a start and looked up. Three men had just come in the
door of the bar and were staring at him. Two of them were Unstabs he had never
seen before, but the third was the tall, blond, drunken boy who had yelled
"Big SI" at Kil the time before in this bar.
Only now the boy was sober.
He
came toward Kil, the two behind him, following. He reached Kil's table and
leaned on it with both hands.
"Hello S." he
said. His eyes, blue and bright and small in comparison with the rest of his
otherwise goodlooking face, carefully scanned Kil, clothes and expression.
"Or are you still S., Juby?"
Silently,
Kil tilted the Key on his wrist so that the other could read the classificatipn
on its face.
"Twol"
said the boy. "Well, Twol Big S. into Two goes once. I suppose you think
that makes you one of us riggers, don't you?"
Kil
still said nothing. His mind was working swiftly and calmly, but a hot coal was
fanning itself into burning anger inside him.
"Well,
it don't!" said the boy, thrusting out his jaw and pushing his face so
close to Kil that Kil could see the white, curling hair in his nostrils.
"You're still S. to me, Juby. And you know what we do to S.'s down here.
We shake them out."
"Juby,"
said the boy. "Juby, I'm talking to you. And I want an answer."
Kil threw the coffee in the boy's face; and
followed that with the cup itself at one of the two others. He flipped the
table in front of him, over against them and jumped to his feet. Then, taking
advantage of the confusion, he threw himself at them.
He punched low, feeling a thrill of savage
satisfaction as his fist sank into the blond boy's groin. Kicking out blindly,
he connected with the ankle of one of the others; and that one went down, abruptly,
hitting his head on the floor with an ugly, thick, cracking sound. I've killed
him, thought Kil without emotion, seeing the man sprawl limply and lie still.
But then he had no more time to think, because the third man was on top of him.
The third man was small and hard. He
literally tried to climb up Kil's tall body, chopping viciously with the side
of his right hand as he did so. Kil, all fear lost now in the pure white flame
of battle, wrenched him free and swung wildly at his face. The fist missed, but
his elbow did not, and the man went down, blood spurting from nose and mouth.
Staggering,
with a tingling elbow, Kil felt a sudden heavy blow low on the back of his
head, which drove him forward, tottering, until a nearby table blocked his
progress and kept him from falling forward on his face. He rolled to the right,
just as the heavy body of the blond boy drove past him and crashed into the
table where Kil had been. Kil swung with all his strength at the averted jaw of
the boy, but the blow missed and skidded off the other's shoulder as he turned
to face Kil.
Kil
threw himself forward, head low. He butted the blond boy high on the chest and
they both crashed to the floor, rolling over and over among the chair and table
legs, both struggling to get their arms free to fight and at the same time keep
their opponent's arms imprisoned. Kil could feel the blond boy's legs trying
for a scissors grip around his waist. A fragment from a near-forgotten history
of flatboating on the Mississippi nearly three hundred years before came to
him. Bite his ear, he thought. And with grim relish, he did. The
blond boy screamed like a hurt animal and by mutual consent they rolled apart
and staggered to their feet.
The
blond boy was frantically pawing through his clothing. Abruptly, he stopped
and ran across to the man who had knocked himself out on the floor. Flinging
his hand into the recumbent one's tunic, he pulled out a thin cylinder about
fifteen centimeters long, which suddenly, in his hand, sprouted a narrow, wavy-edged
blade three times its own length. With this weapon, longer than his own
forearm, he advanced on Kil.
There
was a soft ringing from behind the bar. So incongruous was it in that tense
atmosphere that for a moment, everything halted. Kil even tunned his head to
look; and the blond boy's face swung momentarily and inquiringly in the same
direction.
The
bartender was nodding his head and listening to something inaudible from below
the bar. He looked up suddenly at the blond boy.
"Clab it!" he
said. "He's dyked."
The
blond boy breathed heavily through his nostrils and swung back to Kil.
"Clab
you!" he threw over his shoulder at the bartender. Beside him, the man
with the smashed nose was helping the man who had knocked himself unconscious
to his feet. The blond boy glanced at them. "Cover me," he said.
"I tell you he's dyked!" shouted
the bartender.
The
blond boy fumbled in his tunic and this time found a twin to the cylinder which
had sprouted a knife blade in his hand. He tossed it back in the direction of
his two friends. "Hold 'em. I'm going to viv this Juby even if he's been
dyked by Ace himself."
The man with the smashed nose produced his
own cylinder and extended its blade. The other man, looking rather sick, picked
up the one from the floor and extended it. They moved in to stand with their
backs to the blond boy, facing outward to the crowd with their blades ready.
The blond boy looked at Kil and grinned in a white, unnatural way, moving the
tip of his blade in small, slow circles.
"Ever
been vived, Juby?" he said. "Well, now's your time
to learn."
"Do
me!" cried the bartender in exasperation. He swung furiously about to look
up and down the bar. "Singles! Where's a Singles?
Pull that dyke for me. It's worth a hundred."
A
slim little middle-aged man at the end of the bar slid off his seat, patting
his lips dry with a napkin.
"I'm
a Singles," he said. From under his chair he drew a slim, limber-looking,
highly polished cane about five-sixths of a meter in length. It looked rather
like the sort of swagger stick affected by ornate dressers, with evening
clothes. With mincing steps, he approached the three men holding knives and
stopped a little more than his own length from them.
"All right
viv-boys," he said. "Fun's done."
The two friends of the
blond boy stirred uneasily.
"Hey,
Fabe," the man with the smashed nose said to him, "let's
slip. It's not worth the fun."
The
blond boy, however, had turned slowly to face the middle-aged man; and his face
still held that unnaturally white look.
"What's loose in your guts?" he
said to his friend. "There's three of us."
"But there's no room, Fabe," said
the third man.
"Do
me!" murmured the blond. "Who needs room?" He snarled suddenly
at the other two. "Who do you want to take—him with me, or me by
yourselves?"
Reluctantly,
the other two turned toward the little man. As if this had
been a signal, the stick in the little man's hand suddenly blurred into a
spinning fan of motion as he twirled it in a humming circle whose center was
his wrist. Like a gauzy blur of motion, it floated beside him, in front
of him, flatly over his head. Quite calmly, he walked forward and the three men
with knives jumped to meet him.
What
followed was too fast for Kil to see in detail. There was a series of sharp,
cracking sounds and one of the knife men broke and ran for the door, while the
other screamed hoarsely and staggered across the room with his hands pressed to
his face and blood seeping from between the fingers.
"I'm blind!" he
screamed. "I'm blind!"
He
collapsed sobbing in a corner. No one paid any attention to him. The blond boy
lay still on the floor, face down. Hardly able to believe it was all over, Kil
walked slowly forward.
"Thanks," he said
to the middle-aged man, who shrugged.
"A
job," he answered. He was wiping the metal ferule at the end of his stick,
with a handkerchief. "You got the hundred, or do I get it from
Drinks?"
Kil
reached in his pocket for the money; and, after he had handed it over, turned
his attention to the blond boy.
"I'd
better get that knife of his while he's out," he said, stooping over.
The Singles stopped him
with the end of his cane.
"What
for?" he asked. With his foot, he rolled the blond boy over indifferently.
The blue eyes were still wide open. They would never close themselves now. The
whole right temple above them was caved in as if by a small, blunt hatchet.
Kil
stared at the slim, almost toy-like stick in the man's hand with horrified
amazement. The man smiled agreeably.
"It's
not the single-stick," he said. "It's what you do with it. Any Juby
can use a knife." He turned and walked back to the bar. Kil followed him.
The bartender leaned across and spoke to Kil.
"Why
didn't you call help earlier?" he said. "If I'd known you were
willing to pay, I could've tagged Singles for you right away. From the way you
talked, I figured you could take care of yourself."
Kil shrugged. Reaction was setting in and he felt too shaky
to venture an argument. »
"Xou
got dyked by Uncle George," went on the bartender. "Somebodv wants to
see you."
Kil blinked.
"Uncle George? Who wants to see me?"
"How'd
I know who want's to see you?" said the bartender. "Uncle George's a
dyker—a bond dyker. Somebody got in touch with him and got you dyked for five
thousand worth of trouble money. That's enough to buy you out of anything but a
small scale war in this district. You go to your hotel. Uncle George'll meet
you there."
Still
somewhat dazed, Kil turned away and went slowly to the door and out into the
street. He took the roadway toward his hotel.
He
reached the hotel without incident. The glass front door opened to his Key and
the lobby was deserted. He crossed to the desk. The human clerk was off duty
and the simulacrum behind the counter informed him that there had been no
messages, or anyone to see him. It stood, a very fine, dapper imitation of a
man; but Kil could see, without leaning too far over the counter, the cable
that protruded from the desk and attached to its ankle, the cable connecting it
with the automation brain of the hotel. For some reason, although he had seen
this _sort of thing thousands of times before in his lifetime, it was subtly
disturbing tonight to realize the falsity and inhumanity of the imitation
before him. And there came back to him, suddenly, something he had heard
casually a long time ago: that Unstabs were said to have an unreasoning dislike
of automation and anything connected with it. And he wondered for a second if
this were symptomatic of some new decay in himself. Then he put the notion
from his mind.
The disk elevator was at its ceaseless motion
at one end of the lobby. He stepped aboard one of the disks and let it carry
him up. At his floor he got off and went down the empty hallway to his room.
The door was closed and he faced his Key into the cup. It swung open and he
entered.
And
stopped.
Across
from him, seated in one of the room's armchairs, was a strangely familiar
figure. He had seen it once before slumped over a table in the bar he had just
left, on a certain occasion as he was following the tall Unstab named Birb out
the door to meet Ace. It was the figure of a paunchy man on the brink of old
age. He was swathed in heavy tunic, slacks and cape, and his face had a red,
doughy consistency as he smiled at Kil.
"You're
Uncle George?" asked Kil, all but sure of his visitor, but brought to
caution by the experience he had just passed. Uncle George opened his mouth and
laughed. "Sometimes," he answered, "but not always." And
the voice was the voice of Dekko.
CHAPTER
FOURTEEN
Kil stared at him. The disguise was so good he
found himself doubting his ears.
"Dekko?" he said,
at last, wonderingly.
"Me,"
said the voice of Dekko, as sharp and wise as ever and coming with incongruous
effect from the soft aging-man's face. The wrinkled hands went up under the
double chin, fumbled and pulled. The whole face seemed to crumple and pull
upward; and Dekko skinned off an amazing flesh-tight mask that varied from
tissue thinness in spots to thicknesses of an inch or-more in others.
"Sit, Kil, while I seal this place."
He got
up and moved quickly across the room to the door. He produced what seemed to be
a small duplicate of the clock-like mechanism Kil had seen on the inner surface
of the door to Mali's study, and pressed it against the crack between door and
jamb, where it stuck.
"That'll scramble anything," he
said with satisfaction. "And there's no loopers.
I checked. Find yourself a chair, like I said,
Kil. We got some talking to do."
Kil
dropped into a chair. Dekko came back and sat down opposite him.
"How'd you get away?"
Kil asked.
"This,"
Dekko poked his finger at the mask. "It never pays to run, Kil. It's
always better to stand still and look like something else. I made it over the
fence and changed in a ditch. Then walked, not ran to the nearest Terminal. So
now it's Uncle George until the pressure goes down."
A note of wryness in the last words make Kil look more closely at him.
"I got you into something more than you
bargained for, didn't I?"
"Yes and no," Dekko smiled.
"I'd always wanted to take a crack at the O.T.L.—oh, found out what it
means, by the way. Organizational Tacticians' League.
That's a mouthful to mean nothing, isn't it? Yeah, I always wanted to try them.
Nobody's fault they turned out tougher than I thought."
"But
now," Kil looked at him steadily, "you've come around to tell me you
can't have anything more to do with me."
"No," Dekko shook his head. "Can't abandon a client. Ruin my business reputation. Just got to figure a way to get Mali off our necks besides finding
your wife, that's all."
"Mali
told me he thought you might be one of McElroy's men," said Kil, bluntly.
Dekko grinned merrily.
"Maybe
I am, Kil, maybe I am." His voice and face were perfectly opaque to any
clues hidden behind them. "Now don't try to fish me. I won't do you any
good, to start with. And to finish, I got my own reasons for what I do. All you
got to know is that I'm on your side."
"What can you do for me now?" said
Kil.
"I
can keep you alive," retorted the little man. "How close were you to
being viv meat less than an hour ago?"
Kil nodded.
"That's right—thanks."
"Nothing. Now let's forget it and get down to
business."
He hunched forward in the chair. "From
what I can scrape up, your wife is hooked into something big. Right?" "Yes," said Kil.
"It's
something called The Project; and something else called Sub-E. Check?"
Kil nodded. Dekko looked thoughtful.
"I'll
tell you one thing, Kil," he said. "I didn't hear about those two
myself until just back a ways—me, who has to know everything for my job's sake.
Now just what would you suppose they'd be?"
Kil shook his head.
"I
don't know." He considered for a moment the possible effect of the
information on Dekko, before adding. "Mali wants to make sure it isn't
something that can stop him. He's planning to try and take control of Files and
the world away from the Police."
"Oh?
What all did he say?" asked Dekko, and Kil told him everything that had
been done and said from the moment of his capture until his escape. When he had
finished, Dekko twisted his lips humorlessly.
"That
twist," he commented. "He's as bad as his sister. They're both
scrambled eggs."
A
memory of something he had seen flashed out of the storehouse of Kil's trained
mind.
"You're
wrong about that part of it," he said. "I got a look at his Key. It's
class A."
"Down
one for you," replied Dekko, promptly. "Don't you know about that
part of it? Mali couldn't run that O.T.L. of his without some way to beat the
residence check. In that outfit, they trade Keys."
Kil stared.
"Trade Keys? They can't do that."
"Why
not?" said Dekko, "if they got someone willing to trade with them? There's all kinds of kick societies. Some of them trade
more'n Keys. But to get back to it here—there's this Project and the O.T.L.
wants it. They think they got a wire to it through you to your wife?"
"Yes,"
Kil drew a deep breath. "And I think perhaps they're right."
"She's in it, you mean?"
"Ellen?
Yes—I think so." On sudden impulse, Kil found himself telling Dekko about
the latest visit from the old man. When he was finished the little man nodded
gravely.
"It
all ties in then," he said. He nodded as if to himself and then looked
sharply at Kil. "That brings us to what I've got to tell you. You've got
an invitation."
"Invitation?"
"To a talk with Mali. No wires. Everything out in the open."
Kil looked at him in astonishment.
"How—"
he said; and fumbled. "I thought you were hiding out from Mali."
Dekko laughed silently.
"Do
me, Kill" he said. "Mali didn't have to meet me face to face to let
me know this. He just spread the word around where he knew I'd find it."
"What word?" Kil was still bewildered.
"The word that he wanted to talk with you. He's made up his mind he can't make you help
him unless you want to. So he'd like to try offering you enough to make it
worthwhile for you to help him."
"No!" said Kil, violently.
"I'll see him—"
"Hold
on, Kil," Dekko checked him. "Anything wrong with
getting him off your neck if it's possible? And he may offer you
something you'd want."
"He can't offer me Ellen. That's all I
want."
"No,
but maybe he could offer to help you get her back. That'd be worth something,
wouldn't it?"
"Maybe," said Kil, yielding only
slightly.
"All right. Let's sit back again and add up what we've got. Now, as I see it—"
Dekko's dark eyes narrowed thoughtfully, shrewdly, his thin, hungry face
contrasting almost ludicrously with the fake paunchiness of his disguised body
below it, like a knife blade protruding from a suety lump of fat. "We've
got a three way pull for power here. We got the Police trying to hold the lid
on, same as always. We got the O.T.L. trying to push the lid off and' climb up
on top where the Sticks are now. And we got this Project bunch with plans
nobody knows, but something powerful everybody wants, sort of sitting pat in
the background. How's that sound to you?"
"Yes.
That's it," said Kil. "At least, that's the way it looks to me,
too."
"Now,
your wife's mixed up with this third bunch, this Project. That's clear. And
Mali thinks maybe you can find her and by sticking with you, he can locate the
Project when you do. All right. Now, two questions.
How does Mali think you can find her when you haven't been able to so
far?" Dekko stared sharply at Kil.
"I
told you that. He thinks that in the five years we were married I picked up
enough information from Ellen without realizing it, to lead us to the Project,
or tell us what it is."
"What do you think?"
"Maybe,"
said Kil, grimly. "Anyway I'm trying." He made an attempt to explain
something of the memnonic techniques involved, but they were clearly outside
Dekko's sphere of knowledge.
"Let
that part slide," said the little man, at last. "I'll take your word
for it. Maybe you can do it. Now, the question is, if that's the situation, is
it a good idea to see Mali after all?"
"I
might learn something from him," said Kil. He rubbed his chin. "The
hell of it is, right now I don't know. I haven't any idea of what I ought to be looking for in these memories."
"Nobody else knows either, looks
like," said Dekko. "That's true."
"Well,"
Dekko got to his feet and slipped the face mask back into position. At once, he
seemed again a stranger, and it was hard to believe the familiar voice coming
from such a patent unknown. "You catch some rest. It'll take a little
while to wire a contact with Mali. I'll see if I can't get him back here by
noon tomorrow. All right?"
Kil
nodded and stood up.
"Don't
take any chances you don't have to," he said.
"Do
me!" The pudgy features grinned at him. "You think I lived the last
thirty years on luck?"
Dekko—or
Uncle George, rather—went toward the door. Kil followed and opened it for him.
"Wait—" said Kil, suddenly, as the
little man was about to leave. "You said two questions. What's the
other?"
"Oh,
that—" Dekko looked up at him. "Just, that if this Sub-E the
Project's got is so much a thing as everybody thinks it is,
how come the Project hasn't been using it for its own wants before this? Or is
it?"
It
was, Kil realized, a good question. A very good question
indeed.
CHAPTER
FIFTEEN
Kil awoke feeling rested, but puzzled. Dekko's
last question of the night before was still swimming annoyingly around in his
head. It was something that had not occurred to him at all before; but now it
clung to the focal spot of his attention. Why indeed, if this mysterious
Project had the power everyone seemed to giving it credit for having, hadn't
it taken an active hand in the goings on, before this? Why had the old man only
reasoned with him, Kil, instead of taking definite action to stop him? Was it
because of Ellen? -
The
more Kil pondered it, the more the unreasoning conviction began to grow on him
that the situation as he saw it was only bits and pieces of something much
bigger out of sight. Something of which the Police, the O.T.L., the Project, himself, Ellen,
Dekko, and all the rest were only parts. He had the feeling of being
advanced and withdrawn according to some obscure master plan, by a sort of
monster fate. He searched through a strange shadow land of mighty and hidden
purposes. Even now, sitting here in this hotel suite, there seemed to come to
him a weird sense of contact, of interlocking purpose with people elsewhere,
everywhere, in the city, in the world, in the . . .
In the . . . ? His mind groped into
nothingness.
He
was still reaching out for he knew not what, when Dekko arrived. The little man
looked at him with sharp curiosity.
"Morning," he said. "What's on
your mind?"
"I don't know," Kil said slowly. He
sat up in the chair and noticed abruptly that Dekko was once more undisguised.
"What happened to Uncle George?"
"I'm
part of your deal with Mali for a talk. Simple enough.
Anything new crop up since last night?"
Kil shook his head. "Mali's coming here
to see me, is he?"
"Any
minute—" the doorbell chimed. "Right on the dot.
I knew he was just behind me." Dekko got up and went across the room to
open the door. Mali came in, followed by Melee. It was a shock to Kil to see
her with him. She did not speak to Kil, but looked at him with silent eyes out
of a face that was all the more beautiful for its unusual paleness.
"Hello,
Kil," said Mali, cheerfully. He ignored Dekko. "Nice
of you to agree to see us."
"Sit down," said Kil.
They
took chairs. Mali, directly before Kil; Melee, a little back as if she would
hold herself outside the sphere of their conversation. Mali smiled.
"You
surprised us all by running off," he said. "How on earth did you
manage it? Breaking conditioning like that is supposed to be just about
impossible."
His
voice was warm and eager, his face almost admiring. It was as if he was
congratulating Kil on some extraordinary and laudable accomplishment, in the
spirit of true sportsmanship.
"I found out I could get away,"
said Kil, "so I did."' Mali shook his head.
"It
certainly shook things up. I wish I'd known you could do that beforehand."
"You
aren't going to tell me," said Kil, looking straight at him, "that
you'd have acted differently?"
"I
might have. I had to try you out, you know. I can apologize if you want. Not
that it means much in this affair."
"No."
Kil shifted a little impatiently in his chair. "Well, what's this you
wanted to talk to me about?"
"Dekko didn't tell you?"
"Suppose you tell me."
"Of course. Oh, by the way. I just thought I'd ask you about the conditioning. The loyalty to me, for example. How it could
be there one minute and then all gone the next.
It
is—all gone, I suppose?" And Mali's eyes fixed suddenly and unshakablely
on Kil's.
As a
matter of fact, it was not. Kil suddenly recognized the quicksand into which
Mali's casualness had been leading him. At the direct question a remnant of the
conditioned emotion threatened to rise within him, but he thrust it violently
back.
"All gone," he
said.
"And—your
affection for Melee? All gone?"
In
spite of himself, Kil looked at the girl. She gazed back at him with a look
neither of appeal nor command, but of something like sadness. An odd pity
stirred inside him and he felt the edge of the quicksand crumbling away under
his feet.
"I don't love her," he said coldly;
and Melee's eyes dropped.
"Yes.
Well—" there was now a slight dryness to Mali's tone. "Well, I just
thought I'd try that avenue, though I didn't have any real hopes of it leading
to anything. Now, to business. I'm willing to
cooperate, Kil, if you are."
"What kind of
cooperate?"
"I
mean what I say. I want that Project and I think you're the man to help me get
it. Not that I'm convinced it's any real danger to me, but I believe in playing
safe. Help me; I'm willing to make it worthwhile for you."
"Go on," said
Kil.
Mali
put his hands on his knees and leaned forward. The personality of the man came
through to Kil like a compelling force.
"The shift in power from the Police to
me is inevitable, Project or no Project. As I told you, in the combined
Societies, I've got a group of over fifty million adults—that's one out of
every eighty humans on the globe. And they each influence up to a half a dozen
more outside the Societies. That's an overwhelming minority, the way the world
is set up today. So you can take it as a virtual certainty that you and your
wife will eventually be living in a world that I control. Now, I can determine
whether your life in that world will be pleasant or unpleasant; or whether
you'll be allowed to exist in it at all. And I'll guarantee the pleasantness if
you'll cooperate."
He stopped. Kil waited a minute.
"Is that it?" he said.
"Except to be specific. What I'm offering you will be equal rights
and privileges with any member of the O.T.L., when the time comes. That means
the best possible life, once we're in power. And security."
"And that's it?"
"That's it." Mali
sat back.
"All
right," said Kil. He leaned forward in his turn. "You say it's
inevitable that your group takes over. I don't think so."
Mali spread his hands,
wordlessly.
"In
the first place," went on Kil. "You say you've got fifty million
people behind you. I'll take your word on that, though just for the sake of
argument. What makes you sure you're going to hang on to them? What if you didn't?"
"Kil,
what's to stop me?" asked Mali. "It's not just the Societies. People
in general are sick of Files and the Police. Everyone knows that. And I don't
need five million, let alone fifty, to overthrow the Police. Only it's going to
turn out, after I've done it, that those who belong to my Societies are the
favored ones under the new setup. Who won't hop on the bandwagon then?"
"And
what if someone starts building CH bombs with no Police to stop them?"
Mali laughed.
"Kil—"
he said, gently. "You don't think I'm fool enough to do away with Files
and the Police in actuality? No, we just change the names. Put our own
personnel in the Police posts. Relax the residence limits a little and say that
we can't give up our Keys all at once because Society's geared to them."
He laughed again. "You're an amateur at this business, Kil. Don't you know
that real revolutions never work? Only the fake ones.
Turn the whole world topsy-turvy and everybody gets hurt. But if it's well
planned, you can ^make a minor adjustment up at the top levels without
disturbing the machinery at all."
He smiled at Kil.
"Consider my bandwagon," he said.
"I'm considering the Project's," replied Kil.
Mali sobered all at once.
"What do you mean by
that?" he asked.
"Just
that I think it's pretty sure the Project's got a bandwagon, too," said
Kil. "That name of theirs implies action of some kind. And what I've seen
of them makes it look like an organization—a pretty successful organization,
since you haven't been able to lay your hands on it, with all your fifty
millions. Maybe the Project plans to take over the world. Have you thought of
that?"
"Yes,"
said Mali, slowly. "I thought of it. I was hoping you hadn't."
"I
have," Kil watched him closely. "And as long as there's that
possibility, it strikes me I might be better off with them, especially since my
wife seems already well connected with them."
"Yes,"
Mali's voice was calm. "Maybe you might." He slid a hand into a
pocket of his kilt and lay back. "But I don't believe you, Kil. You aren't
really considering which is the wisest move for you.
You've never actually had any idea of joining me, because actually you're a man
of unreasoning prejudices and loyalties, and the fact that your wife belongs to
an opposite side outweighs any logic I could show you. So-"
"A
looped" shouted Dekko, suddenly. "Look out! He must have rode in on one of you. Get him!"
He
flung out his arm, indicating a small beetle clinging high on the wall in one
corner of the room. At the same time he swept up an ashtray in his other hand
and threw it. It smashed squarely on the insect and both dropped.
"Come on!" cried Dekko, pulling Kil
from the chair. "Run!" He yanked Kil in the direction of the door to
the hallway of the hotel, through which Mali and Melee were already scrambling.
The four of them tumbled out into the hall.
"There
the$ are!" yelped Dekko, as two heads wearing the riot helmets of a World
Police raiding squad appeared around one end of the corridor. Mali's hand came
out of his tunic pocket with a small gun which spat silver streaks in their
direction. There were several loud explosions at the end of the corridor and
chunks were blown out of the walls. The two heads ducked back.
"This way!" hissed Dekko in Kil's
ear. Kil hesitated.
"The elevator!"
There
was the sound of slow, heavy footsteps in a momentary silence, and slowly
around the end of the corridor, two new figures came into view. They were a
couple of other Police, in laborious movement with guns in their hands and the
glassy sheen of magnetic shield body armor about them. They almost bumped
shoulders as they rounded the corner and blundered hastily apart as the two
shields touched for a fraction of a second and arced viciously.
"Not
the elevator! They can cut power. Come on!" And, taking advantage of the
reeling Policemen's momentary confusion, Dekko pulled Kil down the corridor at
a run in the opposite direction and around the safety of another comer, as Mali
and Melee leaped for the elevator.
They
passed the fire escape tube, an old-fashiond staircase set in a cylinder of
asbestoid concrete and running vertically through the center of the building.
Kil's hand was on the handle of the heavy door that would give entrance to it,
but Dekko still pulled him on.
"Here," he said, a little farther
on. He yanked open a small, waist-high door in the wall, revealing two small
disk elevators, one rising and one falling, side by side.
"Delivery,"
said Dekko. "You take the up. Go up two floors and wait. I'll go down a
floor and draw them off to the street. Wait five minutes and then go down the
fire stair."
Kil
nodded. He half-jumped, half-wriggled into the next rising
disk. The space was adequate, but cramped, and a slight claustrophobia
suffocated him as he rose up the dark shaft. A few seconds later a glimmer of
light around the edge of a door warned of the floor above. He let it pass; and
went one floor higher before getting off.
On
the floor where he emerged, the silence was almost shocking. The carpeted
hallway with its softly glowing walls seemed to slumber in a peace unbelievably
remote from the recent violence two flights of stairs down. Hurriedly, Kil went
along the hall back to the door entering on the fire escape tube. He opened it
with caution and stepped through into a different, echoing silence. The slight
scrape of his shoe soles on the concrete seemed to shout the news of his
presence there. He tiptoed to the stairwell and looked down it, straining his
ears.
For
a moment, he saw and heard nothing. And then abruptly—he could not tell whether
it had been above or below him—there was a sudden blast of shots and cries,
cut off as suddenly as they had begun, as if by the momentary opening and
closing of a door. Then silence once more.
Kil
breathed deeply and leaned against the railing overhanging the stairwell. Some
little number of slow seconds went by; and then, slowly, one by one, the sound
of footsteps on the stairs above began to descend toward him. The par-pause, pat-pause, of someone coming very slowly and
hesitantly down.
He
glanced down the empty spiral of the staircase and then at his Key. The five
minutes Dekko had told him to wait was not yet up. He envisioned one of the men
in body armor coming down to him, then changed his
mind. The steps were too light. He backed into a corner of the landing and
stood waiting, staring up the curve of the stair, where it bent out of sight
beyond its own railing and the floor of the curve above him.
Pat-pause, pat-pause, pat-pause. A head bobbed into sight around the curve of
the railing and turned toward him, continuing down. He stood caught in the
paralysis of shock. It was Melee.
She
did not say anything, or change her pace, but continued to descend toward him
at the same slow rate. Her hands were pressed together at a point just below
her throat and above her breasts. Her slim, white hands were pale against the
soft green of her tunic, and her oval face above them was pale, pale under her
auburn hair. She looked at Kil with wide, shocked eyes.
"Melee—" he said, huskily.
She opened her mouth as if to answer him, but
she said nothing. She stepped carefully down the last two steps and came slowly
to him across the landing. As she reached him, her knees buckled and he caught
her, easing her to the landing and himself with her,
so that he sat on the top stair, holding her against him. She lay with her
head against his chest, still holding her hands pressed tightly to her. Her
eyelids fluttered, and she gazed at him with a wondering look.
"Kil—?"
she said. It was more a small whimper than a word.
"Melee," he said.
"Are you hurt? Let me see."
He
pulled her hands away. There was a singed hole in the tunic and a little spot of red. It was high on her chest and did not look serious,
but when he tried to open the tunic, she stopped him.
"No," she
murmured. "Ugly now. I don't want you to
see."
"Melee, we've got to
fix it!"
"No,"
she shook her head slowly, rolling it from side to side. "All
gone inside. Don't."
"Wait here," said
Kil, trying to stand up. "I'll go get help."
"No.
No good." She held to him. "Stay with me, Kil . . . Kil?"
He sat back.
"I'm here."
"Doesn't . . . hurt. .
. ."
"Good. That's good,
Melee."
She
choked; and though she held her lips tightly, a little blood came through. She
made a protesting sound. Kil fumbled for a handkerchief and wiped her hps.
"Ugly,"
she said again. Tears stood suddenly in her eyes. "You never . . . want to
kiss me, now."
He bent his head and kissed
her lips.
"Oh
. . . Kil . . ." the tears spilled over and ran down her cheeks.
"Wipe . . ." she said. "Please . . ."
Kil
dried her eyes gently with a clean
section of the handkerchief.
"Hush," he said.
"Don't talk."
"Love you . . . Kil. . . ."
"Shh,"
he said. He kissed her again, and smoothed back the hair from her eyes. A
wetness 6n the hand he pressed against her back, holding her, drew his
attention. He lifted it up momentarily, looking at it over her shoulder. There
was blood on it. He put it back. "Hush," he said, again. v
"Never
liked . . . Mali much . . ." her face twisted with hurt for a second.
"Tried . . ." She was silent for a moment. "My brother . .
." But she did not finish.
Her
eyes closed. After a litde while they flew open suddenly.
"Kil—" she said. "Don't
go—"
"I'm not leaving," he said.
"Ill stay right here."
She
breathed out as if in relief and her eyes closed again. She did not say
anything more. After a while her mouth relaxed and a little more blood ran
out. Carefully he wiped it away and saw that she had stopped breathing. He
continued to sit there, holding her; and when the Police came at last and found
them, they took him without any trouble.
CHAPTER
SIXTEEN
The Police psychiatrist tapped with his pen on
the surface of his desk. The small,' hard noise of it was sterile in the
silence of the office.
"Mr. Bruner," he said, "you're
resisting me."
"Why shouldn't I?" demanded Kil.
The
psychiatrist sighed and put down the pen and rubbed one hand wearily across his
eyes. With his face relaxed, he looked younger than he had, a lean young man
with hair receeding sharply from the temples. He put his hand back on the desk
and leaned forward again.
"We
do what we have to," he murmured, almost to himself. "Mr. Bruner,
were your physical relationships with your wife—"
"Go to hell!" said Kil.
The
psychiatrist nodded slowly and relaxed back into his chair.
"Yes,"
he said. "Why not? This isn't the kind of job I'm
supposed to do, anyhow." He got up briskly and suddenly, as if he had just
come to a decision. "Wait here," he said and went out.
Kil
waited. He had been in deadlock with the psychiatrist since the Police had
brought him here to Headquarters, four hours ago. A little more time would make
no difference.
The
psychiatrist did not come back. What did come were two Policemen who escorted
him to another office, a larger one this time. Inside, the psychiatrist waited
for him; and another man, a heavy, balding man in advanced middle age with a
thick, reddish complexion. Both men showed the bright eyes and flushed faces of
anger. Both were standing and they turned on Kil as he entered.
"Get
out," said the heavy man. The two Policemen left, closing the door behind
them. "So you're Bruner."
"Yes, said Kil.
"This
is Hagar Kai, Mr. Bruner," put in the psychiatrist, "present
six-month head of the Police."
"I'll
handle this!" said the Police head. "You don't seem to realize what
you're up against, Bruner. We've just caught you red-handed in conspiracy and
armed violation of the Peace. Do yoy know what that means? Do you?"
"No," replied
Kil.
He
looked at Hagar Kai. A strange thing was happening to him. Kai's anger, the
unjustness of the accusation, above all, everything he had been through that
day, now culminating in this, should by all the ingrained patterns of his
nature have evoked his furious resentment. It had always been that' way with
him.
But now there was nothing. Kil's emotions lay still and cold. He saw through the rage and bluster of
the Police head as through a clear pane of glass. The man was bluffing. What's
more he was making himself look ridiculous in the process.
"No,' I don't
know," said Kil.
"Well, you'll find out."
"Suppose," Kil said. "You tell
me what you want."
"Some
straight answers, that's what we want!" Hagar Kai thumped the desk before
him with his fist; and then, when Kil's expression did not change at this, let
the hand drop* limply at his side. "It's no use, Alben," he said,
turning to the psychiatrist. "He doesn't want to help himself."
The
psychiatrist said nothing. Hagar Kai turned back to Kil.
"I
wouldn't bother with you if it wasn't for the fact your friend with the gun,
and the hunchback, got away," he said, harshly. "As it is I'll give
you one more chance to tell us. Where's McElroy?"
Even
Kil's new self-control was not capable of taking this without staggering. He
stared at Hagar Kai.
"McElroy?" he
repeated.
The
Police Head stared at him apoplectically. "Don't you know?" said Kil,
foolishly. "Where is he?"
A
small light of understanding began to illuminate the murky confusion in Kil's
mind.
"So
McElroy is the Commissioner, after all," he said.
He shook his head at Hagar Kai. "How should I know where he is?"
Hagar
Kai threw up both hands in a gesture of exhausted patience and dropped heavily
into a chair behind the desk.
"I
still suggest," the psychiatrist said, "that you try explaining to him, first."
"All right. All right!" Hagar Kai rested his arms on the desk and
glared up at Kil. "Although he knows more about it than
I do. Here it is, Bruner. We know you were working with McElroy—"
"What?"
"Now,
don't bother to deny that. He put you on the payroll of his section when you
came to see him about your wife. I say, we know you were working for him. He
was engaged on a special case and thought you might help. Now—"
"What case?"
"You
know as well as I dol" snarled Hagar Kai. Kil looked narrowly at him.
"Not—" he said,
"the Project?"
"Damn
it, Alben!" exploded the Police head, swinging around upon the psychiatrist.
"I told you he knows all about everything!"
"If he doesn't, he's learning
fast," retorted the psychiatrist, drily. "With your help*
Caught
short, Hagar Kai checked himself and threw a startled
glance at Kil. He turned back to the attack.
"What do you know
about the Project?"
"I've heard about
it," said Kil.
"And what else have
you heard about?"
"Sub-E," said Kil, "the Societies, the O.T.L." He paused. "The
Commissioner."
"There!"
cried the Police head. "You admit knowing about McElroy."
"I
don't know anything about McElroy!" retorted Kil. "I just happened to
hear that he was known as the Commissioner. And while we're at it, as a
citizen I'd like to know why you, as the responsible man in the Police, have
been letting someone else without legal authority take over part of your
powers."
"The
Police was set up in a way that kept its hands tied," replied Kai,
harshly. "We're all held down to six months in one post, too. Besides
there's the restriction that no one man can hold the post I'm in more than once
in his lifetime: You can't run an organization under those conditions." He
stopped suddenly, staring at Kil. "What do you mean as a citizen? You're
under arrest. You haven't any citizenship rights."
"Now, hold on,
Kai—" began the psychiatrist.
"Shut
up, Alben. It's my responsibility and my authority. Well, Bruner, do you want
to go on with this farce of pre--tending there's things I can tell you about
this situation?"
"Please," said Kil, grimly.
"All right. I'll make it short and sweet. McElroy left
his office here to work with you. All we got from him were messages, the last
of which was to pick you up for a security check. You know the results of that. Now we've got information that the Societies are planning a
revolution—and we've lost contact with McElroy. He doesn't check with us, and
we've no way of locating him. Maybe, even, he's sold us out to the Societies.
We won't know until we find him. And the quickest way to find him is have you
tell us where he is."
"I tell you," said Kil, "I don't
know. From that first day when I spoke to him here, I've'never seen him
again."
"You're
a liar. But you're going to tell us the truth." Kai leaned forward and his
eyes glittered. "The world is ready to blow up and if you think I'm going
to let due process of law stand in my way at this late hour, you're badly
mistaken. There's ways to get information out of men like you and here at
Headquarters is as good a place as any to put them to use. You had your chance.
Now I'll do it my way. I'm going to have you—"
"All
right, Kai!" broke in the psychiatrist, suddenly. "That's enough. If
you're planning anything like that for this man, you should've left me out of
the room where I couldn't hear it. I can't let you do this.'
Hagar Kai swung on the
other like a cornered bull.
"Can't?"
"Won't." The psychiatrist's face was pale except for two spots of burning color
on his lean cheeks. "If yoxi're going to make this man disappear while you
work information out of him, you're going to have to make me disappear, too—and
I'll leave it up to you to take on the Psychiatric Association when I don't
show up at home for dinner tonight."
They locked eyes.
"Alben, you young fool," said Kai,
hoarsely. "I knew your father. I've known you for thirty years. I—"
The
psychiatrist said nothing. He stood immovable, his eyes unwavering and
uncompromising.
The Police head slumped into his chair.
There was silence in the office. Finally,
after a long minute, the manhamed Alben spoke.
"Sorry, Kai," he said. "But I
think he's telling the truth. And even if he is isn't—
there's no exception to justice."
"Go on, get out of here, both of
you," said Kai. "No, wait—" he raised his head and gazed
burningly at Kil, "not you. If I can't go outside the law, I can at least
give you all the law allows. Did you ever hear of Class Four?"
"Class Four?" echoed Kil. "Unstab Class Four?"
"Yes."
Kil shook his head. "No. There's only three classes, Stab, or Unstab."
"You're wrong," said the Police
Head, in a heavy voice, "there's an Unstab Class Four. For
active enemies, violators of Peace."
In
spite of himself, Kil felt a queer shrinking inside him. "How much?"
he said. "How much time do you have in that?"
Hagar Kai looked at him.
"Twenty-four
hours," he said. "Every twenty-four hours you move. Three hundred and sixty-five different locations every year.
You'll sleep in a transient hotel every night. Your food, and drink and
clothing, will be handouts from the Police, one day's supply at a time."
The
words dropped on Kil's ear like stones, one by one, into a deep well.
"You
can't do that!" cried Kil. "My wife—I've got to look for my
wife—" he caught himself suddenly.
"Look
where you like," said Hagar Kai, "as long as you never look for more
than a day in any one place. And I wish you luck, Bruner." He sat leaning
forward and watching Kil. Kil stood silent, seeing the man's purpose now and
refusing to be drawn. The silence stretched out in the office.
Five
minutes later, they put him out through one of the gates to Headquarters. Two
Policemen had stripped the old Key from his wrist and escorted him there. Now,
as he stood in the open street, they handed him a new Key and a meager roll of possessions, one change of clothing, some toilet articles
and three small food packages.
"Put
the Key on," ordered the younger of the two. He was a round-faced boy barely out of his teens, and this sort of thing was
obviously new to him. He spoke with a gruffness and glare that did not succeed
in covering up the embarrassment and a sort of horrified sympathy in him.
Automatically,
Kil took the Key and roll. He stood looking at them for a moment in his hands, the couple of pounds of small things that were now
his total estate and his life. For a long
moment he looked at them; and then he handed them back to the young Policeman.
"No thanks," he said, gently.
"I don't think I'll be wanting these after
all."
And
the world seemed to fall like a cloak from his shoulders, as he turned and
went.
CHAPTER
SEVENTEEN
On the third day after that, Dekko found him.
Kil had come to a halt finally a little back in the Cascade mountains,
where they run into British Columbia, Canada. The aircab that had brought him out from
Vancouver glittered a little foolishly on the rocky hillside in the thin, brilliant
sun of early mountain morning, as if it could not quite reconcile itself to
being so far from civilization. Kil sat apart from it, before
a little fire of dry branches—for the morning was cool—staring unseeingly at
the almost invisible flames.
Suddenly
a speck in the air grew to a recognizable shape of another aircab and this came
on, as an eagle sheered away suspiciously, to land on the slope beside Kil's
vehicle. Kil looked up, but did not stir, as Dekko got out and came toward
him.
The
little hunchback stopped on the far side of the fire and looked down at him.
"Now, what did you do
that for?" he said.
Kil-
smiled a little, opened his mouth as if to explain, then closed it again. He
shrugged. It was too big. Perhaps the time would come finally when he could
answer that question; but not now.
"Where've
you been? I've been chasing you for two days now without being able to come up
with you. What've you been doing?"
Doing?
He had been traveling, in constant motion on rocket and mag ship, from Duluth,
to Mexico City, Buenos Aires, Rio, Capetown, Timbuktu, Algiers, Madrid,
Amsterdam, Oslo . . . the list ran on indefinitely. He had not been hungry—
except for a little while on the first day. And he could not remember sleeping,
although he must have dozed from time to time in his rocket or mag ship seat.
Now, he was neither tired nor hungry, only withdrawn in a strange way, as if he
had turned in on himself. People, he remembered, had mostly not noticed that he
was Keyless. When they had, they had been shocked, horrified, fascinated. . . .
He shrugged again, in
answer to Dekko's question.
"Listen,
you don't have to give up!" The small man's voice was filled with an
unusual, urgent concern. "We can fix it. I can fix it. You can go back and
they'll have to give you your Key again. What if it is Class Four? Once you've
got it, I can fix things up so you won't know it from Class A. There's nothing
I can't get. You mustn't give up."
That roused him.
"I'm not giving
up," he said.
"I
got food and something to drink in the cab. You got to eat. Clean up and shave.
I got some clothes in there, too. If there's anything else you want, just ask
me. I can get anything for you. Anything."
"I
don't want anything," said Kil. "I just
want to think. Go on back."
Dekko sat down obstinately
opposite the fire.
"I'm not leaving until
you come with me," he said.
"Then
sit quiet," said Kil. He got to his feet and motioned Dekko down as the
smaller man started to scramble up, also. "It's all right. I'm just going
off a few feet. Sit still."
He walked away across the rubbled shelf of
rock and sat down again at a distance of some twenty yards. The fresh breeze
coming up the river gorge blew coolly around him, but he felt it as something
remote and unimportant. He no longer needed the warmth of the fire. His mind,
narrowing down now to the essentials of his search, was dispensing with
ir-relevancies.
He
was remembering a great many things. He had reviewed in his mind the years he
had lived with Ellen and what he looked for was almost, but not quite, there.
He had moved among the world of people as a spectator, and looked at it; and
what he wanted was almost, but not quite, there. He had seen, talked to,
experienced, Stabs and Unstabs, Dekko, McElroy, Ace, the blond boy, Toy, Bolievsky,
Mali,
Melee, and
an old botanical technician that loved his bug. And the answer was almost, but
not quite, there.
The
answer, he realized quite quietly and suddenly, was in himself.
He
felt a long sigh of accomplishment slip through him. He lifted his eyes to the
mountains, and to the eagle, circling slowly against the blue unclouded sky.
And he let his mind, like the bird, go free.
He
stood apart from himself and imagined himself looking down on his seated body,
sitting on the mountainside, with Dekko and the fire a short distance away. And
then he stepped his point of view away and up, so that he looked down at
himself still, but from the edge of a clifftop several hundred feet above. He
saw himself, with his mind's eye, from the new viewpoint—small and motionless,
with Dekko, small and motionless beside the fire, pale in the daylight.
Again,
he stepped away, so that he hung in air above the level of the tallest peak and
saw the mountainside upon which he sat, and a speck that was he, and Dekko and
the fire together, so small that they could not be made out separately. Again
he moved away; and the whole continent lay spread
below him.
The
sky was black above him, little patches of cloud were
white and distant below, as they looked seen from an intercontinental rocket
at the peak of its arc above the earth. One more stride upward into the
blackness and the face of the Earth from Pole to Pole hung before him with the
bright line of the dawn creeping westward across the ocean.
He stepped back and saw the stars.
He stood back from the Milky Way.
From the galaxy.
From the island universe.
From the total universe.
From . . .
And then he was through.
CHAPTER
EIGHTEEN
Kil got up and walked across the rocky ledge to
Dekko and the fire. The sun was westering toward the early mountain twilight,
for a good part of the day had come and gone as Kil sat apart. The decaying
light lay obliquely along the upper walls of the gorge and the lower walls were
already in shadq^v. The fire burned ruddily and fitfully in the light air; and
its bed was ringed with charred, unburnt half-ends of dry limbs, where it had
been replenished many times. Dekko had fallen into a doze; and he sat cross-legged
and hunched over, his hump pronounced and his sharp chin digging into his
chest. Kil looked down on him, feeling a sympathy, almost a tenderness for the
smaller man, not unmixed with a certain amusement.
Kil
leaned over and shook one shoulder gently. Dekko woke at once, his head
springing up.
"Oh—Kil—"
he said. He shook his head as if to shake the last shreds of sleep from his
brain. "What's up?"
"I am," said Kil.
"I'm ready to go."
Dekko scrambled to his
feet.
"Fine,"
he said. He shivered, rubbed his hands and held them to the fire.
"Cold," he said. He took his hands away and energetically began to
kick the burning embers apart, spreading them to die on the bare rock.
"Now—" he said.
"Now,"
said Kil, "I'm ready to take you up on your promise."
"Promise?"
"Didn't
you say you could get me anything I wanted?" "Yes—" Dekko stared
curiously at him in the dimming light. "Just about anything, that is. What
do ybu want?" Kil smiled at him. "Get me a submarine," he said.
Dekko stared at him.
"A
submarine? A sub? You mean a submersible."
"No," Kil shook his head. "I
mean a submarine. Something capable of going down a thousand
feet or more."
Dekko continued to look at
him for a long moment.
"You need some food and a good night's sleep," he said
at last. '
Kil said nothing.
"A
submarine?"
"That's right."
"What
for?" demanded Dekko. *
"I
know where Ellen is." "Where?" asked Dekko sharply.
"I'll show you. Can you get the submarine?" Dekko started to say
something, checked himself, and ended briefly by saying, "I can try."
They took their aircabs back to Vancouver and
Dekko buried himself in a call booth. After some little while he emerged,
looking grimly at Kil.
"This is going to cost
money, you know," he said.
"I suppose," said Kil.
Dekko,
however, did not ask him for any. A deep-going craft had Ijeen located, it seemed, at One of the coastal geologic survey stations down the coast near San Luis-Obispo; off Pismo Beach, in fact. It could not be
bought, rented or leased; but because of some intricately woven connections between
Dekko and certain people on present duty at the station, it could be borrowed for a" day or two.
"We'll have to move it
overland," said Kil.
"That's
all right," replied Dekko. "It's a ducted fan drive. Air or
water—though its going to be slow ¿n the air." He stared at Kil with renewed curiosity. "Where are we taking it?"
"Later," said
Kil. "Ask me' that again, later."
He
returned Dekko's gaze, calmly, and the little man, looking confused, dropped
his eyes.
They
took a magship down the coast and an aircab out to the station. It stood,
bright-lit and empty-seeming, in about four fathoms of water far enough out
from the beach so Üiat
the booming of the surf
came with a curious faintness to their ears. The moon was overcast and hidden,
and as Kil and Dekko stood at last on the walkway running around the inside of
the enclosed dock, the unshielded glare of the lights made a wall of blackness
out of its open door, night-empty to the sea.
"There she sits," said Dekko.
Kil
looked down at the swelling, metal whale-back of the sub, moving imperceptibly
as it floated in the dock, restrained by its magnetic tethering field. The
little slap-slap of small waves against its sides made short, impatient protest
in the stillness.
Kil nodded.
"There's no one around
here now, is there?" he asked.
"Not
them," said Dekko. "Nobody wants to know anything about this.
Why?"
"I
just wondered," Kil looked at him, are you sure you want to go along with
me?"
Dekko blinked at him.
"Me?"
"Yes."
Dekko
said nothing for a long minute, his eyes, bright and unrevealing as polished
obsidian, on Kil.
"Kil,"
he said, at last. "You've been talking strange ever since we left the
mountains. You don't look out of your head, but—why wouldn't I want to go?"
"Because of what it means to you,"
answered Kil, softly, "because of what it means to me. Because
if we go from here on together, we have to be honest with each other."
"I don't read you,
Chief," said Dekko.
"Kil,"
said Kil. "Kil, not Chief, Dekko. And you do understand
me. This is important to you. Is it important enough to be honest with
me?"
"I'm always honest."
"With yourself, yes. Now,
with me."
"I think you're fishing for
something," he said.
"No." Kil shook his head. "I
know. I just thought it would be easier for you if you came to it'by
yourself."
Dekko favored him with a hard, bleak stare.
Dekko said nothing,
only continued to match him with that bright, unwavering gaze.
"All right, then," said Kil, sadly, "take it off."
"Take what off?"
Kil sighed.
"The mask," he
said.
Slowly
the stiffness seemed to leak out of Dekko. He opened his mouth a little, then closed it again. Slowly his fingers came up under his
chin as they had that day when, dressed as Uncle George, he had sat opposite
Kil in the Un-stab hotel room. The fingers hooked and pushed upward. And the
face of Dekko crumpled and moved before them.
He
spread his shoulders and straightened, slowly. Slowly, almost magically, his
torso seemed to stretch and expand. The hump on his back bulged. There was a
slight pop and it deflated all at once as the man stood up to his full height,
short now, but no longer little, and no longer
crippled-appearing as mask and hair came off together.
McElroy looked at Kil.
CHAPTER
NINETEEN
Dawn
was breaking again over the
wide, ever-cold waters of Lake Superior when they reached it at last in their
slow-flying craft. Indifferently, the white, clear light, too new_for warmth,
illuminated the slaty, rolling waves and the hills above the bouldered shore.
McElroy, at the controls, sent the sub down through the yielding surface of the
lake: down through the gray water, down through the green water, down through
the black water. The great, tumbled blocks of stone scattered down the
shallower slopes as if by some weird and silent, long-forgotten aquatic
landslide, became more scattered and finally disappeared, leaving only a bare
but rugged country of drowned ravines and hills, looking gray and palely
startled in the centuries-forgotten light of the searchBeams from the fleeting
sub. Who goes? Who breaks our ancient slumber, the wakened, silted hills seemed
to cry, as with sound and glare the alien sub shot past and its distorting
shadow flickered on oozy slopes and cliffs.
"Which way?"
asked McElroy.
"To the right,"
said Kil. "about one o'clock."
McElroy altered direction
slightly and they sped on.
"Eight
hundred feet," he said reading the depth gauge. And a
little later, "eleven hundred."
They
had come at last to a level, wide and empty plain. Their searchbeams probed its
featureless expanse for a hundred yards before them.
"Where?" asked
McElroy.
"Keep
going," said Kil. •
They
continued on over the monotony of the bottom plain. Here there was nothing to
mark distance or direction, only the occasional outcropping of basalt, swelling
up out of the silt like the flank of some gigantic, mudded hog. Only onrfe,
startlingly, across this sterile-seeming plain, there wandered info the
searchbeam's funnel of illumination the unexpected apparition of snouted ten-foot
sturgeon, waving his forked tail in slow astonishment at encountering a
traveler even larger than his own large self.
"How do you know where you're
going?" asked McElroy.
"Partly
feel—partly logic—" said Kil. He smiled a little. "That doesn't
explain it very well, does it? Maybe somebody else can do a better job of it
than I can."
"Do you know what we're looking
for?"
"Yes," said Kil, slowly. "I
don't know just what it'll look like—" he broke off suddenly, gazing out
through the front observation window of the sub. "There, I think."
They
had come at last on a rising mound, all but identical with the basalt heaves,
except for the fact that this was more circular, more regular and more vast. Silt covered this, too; but for one short minute
they were treated to the impossible sight of a slim woman-figure, unprotected
under all those vast tons of water except for ordinary kilt and tunic, who
waved when she saw them and turned to the mound. Immediately an opening, large
enough to admit the sub, yawned before them. She slipped through and
disappeared, waving them on.
They
followed her in to a vast lock which was drained of water with a sudden rush,
leaving them foolishly stranded in a shallow basin. Kil went back through the
sub with a rush; and when McElroy followed him in emerging from the hatch a
moment after, he was already holding the girl tight to him, the girl that had
waved them in through the lock. They stood as lost as lovers are, on the metal
flooring of the lock, while the heavy air around them reeked of the flat and
fishy smell of the lake bed—and noticed none of it.
After
a little while, they let each other go a little, though they did not really
step apart, and they both looked at McElroy.
"Your wife, I suppose," said
McElroy, dryly. "Yes," said Kil. "Ellen, this is—I don't know
your first name."
"David," supplied McElroy. "David McElroy, my. wife
Ellen."
"I
know about him," said Ellen. Under the brilliance of the overhead sunbeams
and in the damp air, her blonde hair and blue eyes alike seemed touched with
little diamond highlights. "We all know about him. How are you,
David?"
McElroy shrugged, as if the unaccustomed
mantle of his first name sat uneasily upon him.
"No different than usual—Ellen," he
answered. His voice sharpened. "Where's this Project Group of yours?"
"I'll
take you to them, in a moment," said Ellen. "We're all here, waiting
for you—and Kil." She glanced up at her tall husband. "Kil, why did
you bring him?"
"Things
have to come to a head," said Kil. He looked at her, suddenly softening.
"Don't worry for me," he said, gently.
"But I don't know what they'll do."
Her voice was abruptly a little pitiful. "Chase called them all in—from
all over the world. We've never been all together like this before. We're just
people, after all, like anyone else. We can make mistakes, too. Oh, Kill"
"Who's Chase?" McElioy's voice cut
hard across the conversation. Ellen turned to him.
"My great-grandfather, .Bob—Robert Chase. He's the only one of iis we call by the last
name. He's—well, he's old; and he's Project Head." She looked up at Kil.
"You've met him, darling. It was him, at Acapulco and—"
"In that Unstab hotel in Duluth. I know," finished Kil, for her.
"Are they waiting for us?"
"Yes. But I wanted to speak to you for a
moment by myself, first. Kil-" her eyes were a little fearful, "you
understand, we'll be together from now on. It'll be
all right, whatever they decide."
Kil took his hands from
her; and his face hardened a little.
"No," he said.
"But
you're one of us now, Kil. You're part of the Project. You have to go along
with what the majority decide."
He looked at her with eyes
like agates.
"Which side are you
on?" he demanded.
"Oh, yours, Kil! I'm with you!" In her agitation she caught his arm and clung to
it, as if to deny any shadow of a barrier between them. "You know
that." She even shook his arm a little, angrily. "It's what it may
mean to you. It's just that they'll expect you not to fight them."
"Why?" he said,
looking down at her.
"Because
you're one of them, one of us."
"Am I?" he asked. His voice
deepened; and he stared at her, unwaveringly. "What I am, I made myself. I
broke my own prison. I threw away my Key, alone. I sat by myself on that
mountain and what I found, I found myself, without their leave and without
their help. I did what I did for you, and for me. I bought my freedom and I'm
not going to trade it back again."
"But
this hasn't anything to do with you! It's about the rest of the world."
"Isn't
it my world? Aren't the people in it my people, as ' much as theirs?"
"No. No!" she clenched her hands
together. "We have to work together that's all."
He
looked at her with a strange light in his eyes. "There's no have to any
more," he said. She looked up at him and shook her head slowly, pain on
her face. "Oh, Kill"
"There's
not even any have to between us, any more."
"Kill"
she cried. "Don't say that! Don't ever say that. I'm always with you,
against them, against anyone, against everything!"
His face softened. He put his arm around her
shoulders again; and she clung to him. "I know," he said.
"You'll
forgive me if I don't undersand any of this," put in McElroy. Kil looked
over at him.
"It's
just that we've reached an end to force," he said. "You'll see."
He looked down at Ellen. "I think we better go now."
Ellen
let go of him and stepped back. She turned and led them across the wet and
shining floor to a disk elevator set against one of the rising walls. They
stepped together onto one disk and dropped downward.
They
passed several levels, opening on the corridors of what seemed to be dwelling
quarters, and finally stepped off before a small, but solid door, the only exit
from the equally small hall or alcove in which they had alighted.
"The
auditorium," said Ellen, nodding at the door. She went forward and opened
it. The voice of the old man she had called Chase, speaking in measured
accents, came through to their ears. Ellen beckoned; and Kil, with McElroy,
came up and went through the door.
He
found himself on the small, semi-circular floor of what looked like an
overlarge lecture room. The flat side of the floor was backed up against a high
wall, from which projected a small stage, perhaps six inches above the floor,
on which stood a lectern and, behind it, Ellen's great-grandfather. Around the
rest of the room rose steeply, tier on tier, an amphitheatre of crowded seats,
all filled by listening people.
CHAPTER
TWENTY
There were, in that room, between three and four
hundred people, ranging from the very young to the aged, though the young
predominated. Meeting their combined gazes with a discernment that would have
been entirely foreign to him a few weeks earlier, Kil was able to sort out
perhaps six generations, of which those of Ellen's age were clearly in the
majority. There was a curious openness about the faces of the younger ones that
puzzled Kil with a sense of haunting familiarity, before he suddenly realized
where he had seen something like it before. It was next-of-kin to the wide-eyed
interest of very young children and animals, those who had not lived long
enough in the world yet to make the acquaintance of Fear.
Chase,
the old man, had stopped speaking as they entered; and he turned to look at
them as well. His eyes picked out Ellen and Kil, swung to McElroy, and back to
Kil again.
"Why did you bring this man?" he
asked.
"Because I thought he ought to be
here," said Kil.
"Why?"
"Because I've been trying to find
you—" broke in McElroy, quickly. "There's an emergency—a matter of
life and death for everyone in the world. I had to find you."
Chase's eyes glared at him for a moment, then softened.
"We
all know you, David," he said gently. "By
reputation, if nothing else. You're a good man; but—what can we do for you?"
McElroy came two swift steps forward toward
the lectern. He spoke directly to the old man in a tense and eager voice.
"Listen—"
he said, "I know why you were set up here. You were set up at the same
time Files was set up; isn't that right? Files was
only a temporary solution to the problem of keeping people from blowing
themselves up. You were to find a permanent one; isn't that right?"
Chase stood looking down at him for a moment.
A look of pain crept across his face. Finally, he nodded. "Yes," he
said.
"Well,
now's the time," said McElroy. "Files is
licked. The Police are licked. We're up against something now Files can't
check. It's up to you."
Again
the look of pain crossed Chase's face. Slowly he shook his head.
McElroy stared.
"No?"
he cried, like a man who has just heard his own death warrant read aloud.
"David—"
said the old man, with effort, "we haven't anything for you. You don't
know—"
"I
know you've had a hundred years!" said McElroy, furiously.
"David,"
said the old man again, "you don't understand. A hundred years ago. we knew, here in our Project, that occasionally a rare
individual was able to do things in apparent contravention of physical laws.
Today, after all those years since they gathered us and isolated us here to
work for a solution, we only know those same things are being done not in
contravention, but outside the ordinary laws of physics."
"What do you mean?"
"It's—not
easy to explain. When these things happen-when we make them happen—there's no
transfer of energy. The causes and effects operate below the level of energy;
that's why we call this Sub-E, Sub-Energy. We've discovered a new field of
science. We've found out that the physical laws can be merely the
manifestations of a philosophy of the individual mind. Through the system of
that philosophy the physical universe can be partially manipulated. But by each person only for himself. For example, I can walk through walls; but I couldn't take you by the hand and lead
yo"u through them. That's both the blessing and the curse on this Sub-E of
ours, because on account of that aspect of it, it can't ever be used to hurt
someone else—but by the same token, it can't be used to help them,
either."
McElroy leaned forward, his face etched with
passion.
"Then teach people how to use it for
themselves!" he said.
"If we only could!" answered Chase.
"If we only knew how! But that's just what we
don't know. For those who already have the ability, we can do a lot. We can
teach them and train them to large and complicated uses of their talent. But to
kindle the fire of it in a cold mind—that's the thing we've never succeeded in
doing, even with some of our own people in the Project that've been with us
from the beginning. Rarely, an adult individual gets it—suddenly and without warning from nowhere, the way Kil—" he looked
at Kil, "—did. Children always get it—they seem to accept it instinctively
if they're raised as ours are, with adults who have it. But those already grown
up can't—" he stopped and lifted his hands hopelessly.
"Can't? Why not? What
does it take anyway?"
"It
takes," Chase stumbled, "an act of will, of faith somehow. You've
got to believe you can do what you want to do, without reservation. Children
can believe that way because they build their world on faith. Adults—"
again he stopped; and shook his head.
McElroy stayed planted
before him.
"You
must!" he said between clenched teeth. "You must—" Chase shook
his head.
"We
can't," he answered. "David, do you think we want people to have this
any less than you do? It's just that we haven't found the answer, where it
lies. And all we can do is go on looking for it."
"But
there's no more time—" McElroy broke off, biting his lower lip. Chase
looked intently at him.'
"Why
not?" he asked. "Why not more time?"
McElroy
opened his mouth; then hesitated. He closed it again. Behind them the door
through which Kil and he and Ellen had just entered swung open once more.
"Won't
you tell them, then, Dave?" asked a new voice, from beyond it. "Then
I'll have to."
All
the eyes in the room swung about, to look. The door was ajar; and, as they
watched, slowly and ponderously through the opening, entering one by one with
due care not to touch each other, came two figures completely encased in
glittering magnetic armor. Oxygen tanks hung from their backs, the voice of the
one that spoke coming from a speaker chest-high on the smaller of the two, a
slim and pleasant looking young man. Beside him, the larger,
a gigantic man, held, in addition, the heavy, awkward shape of an
oxygen-catalyst flame thrower, the one unstoppable weapon capable of cooking a
man, even inside the magnetic armor. For all its brutal size and weight
the big man held it casually in one hand. For the big man was Toy; and the
smaller man was Mali.
Silence
held the room. Fantastically, the audience was not disturbed or alarmed. The
odd, fear-free faces of the seated people rested on Mali and Toy only with
surprise and curiosity until Mali, who had been running his eye along the front
row of seats, pointed to one old man.
"Try him," he
said.
Toy
swung the muzzle of his weapon up and pressed the trigger. Kil saw sudden fear
leap into the eyes of the man and understood suddenly that this must be one of
the original project members who had never achieved Sub-E. But, even as he
tensed to jump forward, Ellen was quicker. In the same second, she had stepped
in front of the old man. The white, spurting flame struck her, wrapped her, and
flared ceilingward, holding her for one brief second in its roaring heart like
some new, slender phoenix, fire-triumphant, burning yet unconsumed. Then Toy
released the trigger, the flame and roaring Vanished; and Mali chuckled in the
sudden stillness.
"Just
testing," he said, lightly. "You can throw that away now, Toy."
The
giant tossed the thrower from him. It fell loudly and heavily on the polished
dark floor of the amphitheater and rolled twice to a stop.
"Who're
you?" demanded Chase. The old man's face was white with horror and anger.
"The
one Dave didn't want to tell you about," Mali smiled at him. "My
name's Mali, and I head the combined Societies. I
followed Kil here." He nodded across the space that separated them.
"Hello, Kil."
Kil looked grimly back at
him.
"Melee's dead,"
he said, bluntly.
For a second, a thin film gauzed over Mali's
eyes. They seemed to go blind and opaque, like the eyes of a man who turns
inward to gaze at his own soul.
"Yes—on
Tuesday, wasn't it?" he murmured. "I turned around for just a moment
in the corridor—and she was gone-just last Tuesday—"
A
shiver trembled him for a moment. Then his eyes
cleared and he looked back at Kil and smiled.
"You've
been a good guide," he said. "We planted a small tracer set in the
bone behind your left ear during the Search. Didn't you feel anything there
when you woke up? We've never been far behind you since."
"I want to know what
you're doing here?" snapped Chase.
Mali looked at him.
"I've
come to collect this last piece of my world," he said. "Collect your
world?" Chase stared at him, dumbfounded. "My world," replied
Mali. He looked at McElroy. "Eh, Dave?"
McEIroy's eyes were ice
behind which banked fires burned.
"Yes," he said,
expressionlessly.
"I don't understand
you," said Chase.
"Do
you see this?" asked Mali. He moved his hand to his waist. The magnetic
field covering his fingers flowed into the magnetic field about his body; and
the fingers closed on a small, tan box at his belt, the thumb resting on a
little button atop the box. "If I push this down, it'll send out a signal
that will result in certain—mechanisms being put into action at various points
about the .world. And once that's done, you won't have to worry any longer about
the people who don't have Sub-E."
Chase stared at him, puzzled.
"This is nonsense," he said.
"No. Remember the Lucky War? Remember
what Files and the Police were set up to guard against? Well, you waited too
long to take over from them. That's what Dave here was trying to tell you.
Whether the world lives or dies is up to me." '
Chase's wrinkled eyelids
slowly drew up and back. His eyes opened and his face stiffened. Slowly, as if
with great effort, he turned his head from Mali to look at McElroy.
"David," he said,
"this can't be true—"
"Why
not?" said McElroy, in a dead voice. "Why do you think I—the Police
would admit we're licked? Why do you think he's so sure of himself?" He
stood slightly spraddle-legged, shoulders hunched a
little, head thrust forward, his gaze burning on Mali.
"But—"
Chase turned back to Mali and his voice struggled. "You couldn't. It'd be
wholesale murder—you wouldn't—"
"Why
wouldn't he, Chase? Why wouldn't he?" said McElroy, his gaze still fixed
on Mali. "They are CH bombs?"
"Of course,"
answered Mali. "Didn't you know?"
"Not in details,"
said McElroy.
Chase was staring at Mali
in horror.
"What
right have you got—to even think," he said, "of murdering four
billion human beings?"
"As
much right as the next man," retorted Mali, looking up at him abruptly.
"What's four billion anyway, but a number? What's it to you? Tell me, are
you four billion times as shocked as if I'd told you I was going to murder just
one manr
"You're a devil," said Chase hoarsely. "No—you're the
devil!" - '
"I'm
a man!" said Mali. He smiled a little and softened his voice. "Just
like you, Chase."
"But the only ones who could come
through something like that would be us—the ones with Sub-El Would
you want to kill yourself, too?"
"Of course not," answered Mali.
"I'm safe for the moment here in my armor. It's just a matter of staying
safe for a month or so afterward. And then, after the radiation's gone; and the
wind's blowing the stink out of the dead cities—I can start the world over
again in my own way with my own people that I've got tucked away in a safe
place."
He looked up at the old man. The empty
silence grew between them.
"So you see," said Mali, softly.
"It is my world. I own it— and all of you. Or would
you want to be the one to defy me and make me push this button?"
"It's too late,
Mali," Kil said.
Mali looked at him
quizzically, and smiled.
"Too
late?
Why, Kil?"
"Because
I've found the answer these people have been seeking for a hundred yars,"
he answered. "I know how to make it available to anyone—Sub-E."
The eyes of all the room
were upon him.
CHAPTER
TWENTY-ONE
There were two in the room that he must convince.
In the little suspension of time, the
momentary breath-caught silence that followed the second of his announcements,
it seemed to Kil that time gathered itself like a breaking wave, poised for a
second above the frail craft, the Santa Maria of
his discovery and conviction. The winds that thrust him forward were all of the
spirit. The ocean that dragged him back was all man's centuries of stubborness
and slowness to believe. Mali was looking at him from the middle distance with
an interest as cruel and sharp as a crouching cat's.
"What new fairy tale's this, Kil?"
he asked in his soft voice.
"No fairy tale,"
he said. He turned to Chase. "The truth."
The old man stared at him as if stricken with
a senile paralysis. His firm old face sagged a little, looking numb and grey.
"Kil—" he said, shakily,
"Kil—" gradually the shock seeped out of him and life flowed back.
His face tightened up again, became stern and hard.
"Lying won't help us
here," he said, harshly.
Kil saw through the harshness to the sudden
fear of a wasted lifetime lying beneath it.
"You
found it too, Chase," he said. "Many times.
You just didn't recognize it, that's all."
"Kil—what
is it?" demanded McElroy. His voice burst in on the conversation with
sudden, staccato insistence.
Kil looked over at him for a moment.
"The children," he said.
"That's the only way anyone can achieve Sub-E; the way the children do
it."
"I don't see what you mean," said
McElroy, shaking his head, "You—"
"I did it," said Kil. "I
scrapped everything I believed and started over again, like a child, without
any ideas of my own. I was willing to do that, to get Ellen back. I would've believed
the moon was made of green cheese and the stars were pumpkins—" he looked
down at her beside him "if that would've helped me find her again."
"Yes indeed—fairy tales," murmured
Mali slumberously; but his eyes on Kil were anything but slumberous.
"No," replied Kil, again. "Faith. What Chase saw—the complete faith of a
child—coupled with something he didn't see, the urge of a child, the want of a
child, the complete necessity of a child to learn to do what its parents do. No
one works harder in' their life at anything than they do at growing up. Adults
forget what it was like—when they came once, helpless strangers into an alien
world of giants with unknown languages and customs."
"Faith," said McElroy, sharply.
"And effort. That it?"
Kil looked at him without
answering for a moment.
"Part of it," he
said at last.
McElroy's eyes held him unyieldingly.
"What's the other
part?" he demanded.
The room trembled on the question. Across the
short distance that separated them, Kil was aware of Toy staring at him with a
strange curiosity in his black eyes.
He turned a little away from those eyes.
"There's something new in the world
today," he said. "A new time coming for us all—" a sadness thickened
his voice as he said it; a sadness neither for the good nor the bad of the
past, but the'familiarity of it, the part of his life it had been. And he could
see from the faces in the audience that his emotion had somehow got through to
them, too; so that, without understanding, they felt the sorrow as well. Their
quick empathy caught him up and drew him on, so that he went on to say more
than he had intended. "Already, the old ways are dying. Soon they'll be
dead and buried, in histories and monuments. And to the people in the new times
they'll be unreal, we'll be unreal, like something out of a book, or old woven
figures on a medieval tapestry." He looked aside at the bare and gleaming
wall of the amphitheater, feeling with unfocused eyes out of the new depths in
him, a vast inexpressible, irrational sorrow, like the remembered sound of
violins in the twilight winding the lost chords of memory around his throat to
choke him into silence.
Ellen
reached out and put her hand on his forearm; and the human .touch of her
brought him back to his purpose. He looked again at the people in the room,
thrusting the thought of Toy from him.
"A
new time," he said, crisply, "A new era—and Sub-E's only a by-product
of it. It's the whole of which Sub-E is a part. The complete
maturity of the individual, with everything that implies. The ultimate power, in Sub-E, for the individual to protect himself
against anything but himself. And the ultimate sense of responsibility
in a fully developed empathic nature, to hold back from hurting others."
Mali laughed, almost
relievedly.
"And
this is what the John Q. Citizens of our time are on the verge of? Kill"
He shook his head and laughed again.
"But
you don't tell us how; how to get to it!" said Mc-Elroy, violently.
Slowly
Kil turned to him. The shorter man's face was forged into a mask of intent and
determination. Now was the time.
"For every person, it's different,"
said Kil. "Everyone has to find it for himself by facing up to the
weaknesses in himself and strengthening them. My weakness was that I didn't want to concern myself about the world. I
wanted it to trundle along by itself and not bother me; and I was set to do
just that until—" he glanced at Ellen, "I found there was something I
wanted more."
"And mine?" asked
McElroy.
"Don't you know?" said Kil.
McElroy frowned, the sharp effort of his
concentration cutting deep the short line between his eyebrows. "No—"
he said, "no—" Mentally, Kil crossed his finger.
"Think,
Dave," he said, gently. "Chance brought you into the world more
intelligent than most people. Impatience with their slower minds drove you from
them. But loneliness drove you back. And your full conscience blocked the
selfish path for you, that Mali's taken to personal power. So you took it on yourself
to work for and protect people. That way your conscience and loneliness were
both satisfied. But if the day comes at last when you're not needed any longer,
then you'll have to face yourself all over again, won't you? You'll have to
find a new purpose, a purpose—"
He
let his voice die, for something was happening to the other man. For a long
moment, as Kil spoke, there had been no change. And then abruptly, the spark of
awareness in McEIroy's eyes seemed to go back, to dwindle and recede, back and
back until it appeared to have gone off into some great personal infinity, on a
pilgrimage from which there would be no finding its way back, except by the
light of the lamp it searched for. For a long, remembered moment, an empty man
stood before them all; and then, slowly, McElroy came back once more to look
again out of his own eyes.
"Yes,"
he said; and sighed—a sigh that had some of Kil's earlier sorrow in it. Then,
like a tired, but satisfied man he straightened up and smiled at them, a queer,
sad, impish smile that had something of the lost Dekko in it. And he held out
his hand, cupped, toward the audience.
"Sub-E,"
he said; and abruptly—in one fractionary moment, one infinitesimally brief bit
of time—there sparked in his palm a tiny bit of fiery matter that was bright
and hot as only a part of the sun could be; and then was gone again.
And so, the first one was convinced.
A long, pent-up breath soughed out through the room.
"Oh, God—" said Chase, shakily.
"Amen," said McElroy, lifting his
face to the old man. But Mali looked across the room to Kil and chuckled.
"And now you'll convert me, Kil?" he asked.
Kil slowly shook his head.
"I'd
give a great deal to," he said. "You've got the guts, and the
intelligence. If you'd face the fact that you're em-pathically blind, open up
that tight ego of yours—"
Mali laughed out loud.
"And
give up the world, no doubt," he said, "for a little extra insight?
No thanks, Kil. I'm not that much of a fool, to make that bad a bargain."
"Yes,"
said Kil, sadly. "I didn't think you would. You belong to the old days,
Mali, the days that're already dead, when selfishness was a survival factor.
It's twisted you so badly that you couldn't even love the one person in the
world it was possible for you to love: your sister. You could only dominate
her, warp her natural need for affection into nymphomania—and be the cause of
her death."
For
a second, Mali's face became a white and perfectly sculptured death-mask with
rage. Beside him, Toy turned his head to look suddenly at the smaller man,
searching Mali's rigid featuers with an abrupt., demanding interest, like a
dog, tense by a fox's hole, who suddenly thinks he sees the blackness stir
inside. But then, slowly, Mali's face relaxed and the color came back. He
smiled again.
"Sticks
and stones," he said, lightly. "No, you won't convert me, Kil. Or
anyone else."
"Yes
we will," replied Kil, quietly. "We'll go out from here, now; all of
us in the Project, one by one or two by two together, and talk to people in
the world as I've talked here. We'll show them the way to search themselves for the road to personal maturity;" he
paused, then added, "and Sub-E."
Mali stared at him.
"You
think I'd let you do that?" he said. "Make one move, Kil, in that direction, and I press my button. And what can you do about
that?"
"I can't do
anything," said Kil.
Mali smiled,
a grim statue's smile.
"But," said Kil,
"there'll be someone—"
Mali stiffened.
"Who?"
Kil turned away. Murderer! his mind shrieked soundlessly at him. Murderer! He clamped his jaw tight against the sickness in his heart and spoke.
"There'll
be a man," he said. "There'll be a man somewhere who's come to see
you clearly at last for what you are, and what you're doing to the world and
him. A man of dreams—" Kil's back was almost to Mali now. He spoke to the
audience, but without seeing them, "a man of frustrated dreams, who's
hunted his destiny for years, just wanting the one opportunity, the one chance
to fulfill them. And now, when his eyes are cleared, he'll see at last the
chance of it; the chance of making himself at last what he's lived to be and
never been. And then he'll stop you, Mali."
Behind Kil, Mali's voice
cut sibilantly across the silence.
"Are
you a complete fool, Kil?" he said. "To dream of
martyrs? And how can a martyr stop me?"
"I
don't know," answered Kil, without turning. "I don't know. But when
an idea becomes greater than a man; and a man is great enough to see that the
idea is greater than himself, then there's nothing to
stop him; not personal extinction or anything else. Because when you finally
come to it, there's no point in living unless you have something to live for.
The years of a lifetime are brief, after all. A man can fritter them away, or
miser them up, or sometimes if he wants he can spend them all, all at once and
together in one great purchase—" Kil looked out at the audience, "of
a dream."
Behind him, Mali laughed
loudly.
"Dream!" ,he said. "And dreamers!" Kil turned about
to face him; and he went on. "Dreamers, Kil, are psychotics, people with
poor, twisted, unnormal minds. I take good care they don't come too close to
me.
"Are
you sure?" said Kil. "How can you tell about men with dreams, Mali?
You've never had any. So how can you say what this dream of his can mean to one
man who carries the hope of the race in his hands, when he sees this moment of
his, this short, soon-lost moment of his come up? How can you tell what will
happen then?"
Toy
took a sudden, ponderous half-step forward and Mali, without looking, gestured
him back. Mali's eyes were still on Kil and they glittered feverishly.
"How can I tell?" he echoed.
"Because I know what dreams are made of. They're
made of air, less than air, of nothing. Only that."
"Only that?"
asked Kil. "When they're inside a man?"
Mali
laughed again; and his laughter rattled wildly about the walls. He threw his
arms wide, leaving the box at his waist open and unhidden, except by the
impenetrability of his armor.
"Attack
me, then!" he cried. "You're the dreamer, Kil. Draw first, hero, and
stop me; stop me now before I reach down and send this world you want so badly,
to hell! Attack me! Conquer me! Conquer me with your dreams!"
In
that second, while the world waited, Kil turned at last, meeting the eyes of
Toy who stood like some great bulldog-man, pillar-legged beside Mali. The
shielded candle-flame of hope within Kil leaped out, caught, and flared up
afresh on the answer in those black eyes. Across the short space their gazes
met in final, open understanding; heart bared to heart, the chalice and the
sword.
And so the second one was convinced.
So
in that same moment it was accomplished, what Kil had set out to do; and the
giant swung about and stooped. Like a mother lightly snatching up her child,
Toy caught Mali to his breast. His great arms locked beneath the outflung arms
of Mali, hugging the smaller man to him, holding the slippery, intangible
surface of Mali's body armor fast against the slip-periness of his own, locking
the box and button away behind walls of muscle, from the frantically scrambling
fingers.
And both mens armor flared—into white and fiery violence. Arcing on
contact, forced and held together by the enormous strength of Toy, the equal
and opposed magnetic fields flashed into violent electronic flame, shooting out
in all directions so that an eye-searing nimbus of sparks coruscated from the
clasping figures.
Locked
together, they stood, two men straining in unheard struggle, motionless as statuary
in a furnace, cooking in their armor. Now black smoke rolled upward on the tips
of red flame as the overloaded insulation of the body circuits went, mixing in
with the pale brilliance of the magnetic aurora.
Silent
in the roaring midst, body to body, face to face, slayer and slain swayed in a
deadly embrace. For a fractionary moment in the second of their dying, Toy's
face showed clear of the ruddy smoke, his great head flung back, his eyes closed, his face a white offering to the god of his
purpose. There was a calmness on his features, a look
of peace, like that of someone who wins at last to his heart's desire. And then
the burning insulation parted, the inner shields touched and coalesced in a
sudden, flaring explosion of inconceivable heat that burnt them both like paper
dolls and left the auditorium drifting with white smoke.
"This
was fate," croaked Chase, "on our side. This was fate or great luck.
This was—" his voice died as Kil's eyes raised to
look at him. Kil's face was ravaged with pain and sorrow and his voice came
emptily from the flat wasteland beyond all cries and whimpers.
"This
was this," said Kil, with his fingers still on the carbonized shoulder
before him, white with life against its blackness, "This was Toy. He was
a man."
i
EPILOGUE
The warm air of the mountain meadow rocked in the
drowsy heat of a June afternoon, and the weathered driver of the all-purpose
bug, emerging from the hillside's small belt of pines into sunlight and the
sound of shrilling crickets, stopped in surprise beside the young man and woman
standing there. He thumbed aside the window and looked out. "Hey!" he
said.
"Give
us a'ride?" asked the girl.
"Sure." He stared hard at the
craggy face of the tall young man, his own brown visage deepening into sharper
lines and wrinkles with the effort of memory. His eyes, burned blue by the sun,
considered them as he rolled the door of the bug open. "Don't I know
you?" he asked as they climbed up into the seat beside him."
"You gave me a ride to
Duluth once," answered the young
man, closing the door. "I'm Kil Bruner.
This is my wife, Ellen."
"Pleased
to meet you," said the old man, looking at the aquamarine eyes and blonde
hair of the girl between them. "Sure, I remember now." He geared the
bug and they started forward with a jerk. "What're you two kids doing way
up here?"
"Talking
to people," said Kil. He held up one tanned, bare wrist for the old man to
see. "About their Keys. . . ."