The Man Who Sold Rope to the Gnoles
Idris Seabright
THE GNOLES had a bad reputation, and
Mortensen was quite aware of this. But he reasoned, correctly enough, that
cordage must be something for which the gnoles had a long unsatisfied want, and he saw no reason why he should not be the one to
sell it to them. What a triumph such a sale would be! The district sales
manager might single out Mortensen for special mention at the annual
sales-force dinner. It would help his sales quota enormously. And, after all,
it was none of his business what the gnoles used cordage for.
Mortensen decided to call on the gnoles on
Thursday morning. On Wednesday night he went through his Manual of Modern
Salesmanship, underscoring things.
"The mental states through which the
mind passes in making a purchase," he read, "have been catalogued as:
1) arousal of interest 2) increase of knowledge 3) adjustment to needs . .
." There were seven mental states listed, and Mortensen underscored all
of them. Then he went back and double-scored No. 1, arousal of interest, No. 4,
appreciation of suitability, and No. 7, decision to purchase. He turned the
page.
"Two qualities are of exceptional
importance to a salesman," he read. "They are adaptability and
knowledge of merchandise." Mortensen underlined the qualities.
"Other highly desirable attributes are physical fitness, and high ethical
standard, charm of manner, a dogged persistence, and unfailing courtesy."
Mortensen underlined these too. But he read on to the end of the paragraph
without underscoring anything more, and it may be that his failure to put
"tact and keen power of observation" on a footing with the other
attributes of a salesman was responsible for what happened to him.
The gnoles live on the very edge of Terra Cognita, on the far side of a wood which all authorities
unite in describing as dubious. Their house is narrow and high, in architecture
a blend of Victorian Gothic and Swiss chalet. Though the house needs paint, it
is kept in good repair. Thither on Thursday morning, sample case in hand,
Mortensen took his way.
No path leads to the house of the gnoles,
and it is always dark in that dubious wood. But Mortensen, remembering what he
had learned at his mother's knee concerning the odor of gnoles, found the house
quite easily. For a moment he stood hesitating before it. His lips moved as he
repeated, "Good morning, I have come to supply your cordage
requirements," to himself. The words were the beginning of his sales talk.
Then he went up and rapped on the door.
The gnoles were watching him through holes
they had bored in the trunks of trees; it is an artful custom of theirs to
which the prime authority on gnoles attests. Mortensen's knock almost threw
them into confusion, it was so long since anyone had
knocked at their door. Then the senior gnole, the one
who never leaves the house, went flitting up from the cellars and opened it.
The senior gnole
is a little like a Jerusalem artichoke made of India rubber, and he has small
red eyes which are faceted in the same way that gemstones are. Mortensen had
been expecting something unusual, and when the gnole
opened the door he bowed politely, took off his hat, and smiled. He had got
past the sentence about cordage requirements and into an enumeration of the
different types of cordage his firm manufactured when the gnole,
by turning his head to the side, showed him that he had no ears. Nor was there
anything on his head which could take their place in the conduction of sound.
Then the gnole opened his little fanged mouth and let
Mortensen look at his narrow, ribbony tongue. As a tongue
it was no more fit for human speech than was a
serpent's. Judging from his appearance, the gnole
could not safely be assigned to any of the four physio-characterological
types mentioned in the Manual; and for the first time Mortensen felt a
definite qualm.
Nonetheless, he followed the gnole unhesitatingly when the creature motioned him within.
Adaptability, he told himself, adaptability must be his watchword. Enough adaptability, and his knees might even lose their tendency
to shakiness.
It was the parlor the gnole
led him to. Mortensen's eyes widened as he looked around it. There were
whatnots in the corners, and cabinets of curiosities,
and on the fretwork table an album with gilded hasps; who knows whose pictures
were in it? All around the walls in brackets, where in lesser houses the people
display ornamental plates, were emeralds as big as your head. The gnoles set
great store by their emeralds. All the light in the dim room came from them.
Mortensen went through the phrases of his
sales talk mentally. It distressed him that that was the only way he could go
through them. Still, adaptability! The gnole's
interest was already aroused, or he would never have asked Mortensen into the
parlor; and as soon as the gnole saw the various
cordages the sample case contained he would no doubt proceed of his own accord
through "appreciation of suitability" to "desire to
possess."
Mortensen sat down in the chair the gnole indicated and opened his sample case. He got out
henequen cable-laid rope, an assortment of ply and yarn goods, and some
superlative slender abaca fiber rope. He even showed the gnole
a few soft yarns and twines made of cotton and jute.
On the back of an envelope he wrote prices
for hanks and cheeses of the twines, and for fifty- and hundred-foot lengths of
the ropes. Laboriously he added details about the strength durability, and
resistance to climatic conditions of each sort of cord. The senior gnole watched him intently, putting his little feet on the
top rung of his chair and poking at the facets of his left eye now and then
with a tentacle. In the cellars from time to time someone would scream.
Mortensen began to demonstrate his wares.
He showed the gnole the slip and resilience of one
rope, the tenacity and stubborn strength of another. He cut a tarred hemp rope
in two and laid a five foot piece on the parlor floor to show the gnole how absolutely "neutral" it was, with no
tendency to untwist of it own accord. He even showed the gnole
how nicely some of the cotton twines made up in square knotwork.
They
settled at last on two ropes of abaca fiber, 3/16 and 5/8 inch in diameter. The gnole wanted an enormous quantity: Mortensen's comment on
those ropes, "unlimited strength an
durability," seemed to have attracted him.
Soberly Mortensen wrote the particulars
down in his order book, but ambition was setting his brain on fire. The gnoles,
it seemed, would be regular customers; and after the gnoles, why should he not
try the Gibbelins? They too must have a need for
rope.
Mortensen closed his order book. On the
back of the same envelope he wrote, for the gnole to
see, that delivery would be made within ten days. Terms were 30 per cent with
order, balance upon receipt of goods.
The senior gnole
hesitated. Shyly he looked at Mortensen with his little red eyes. Then he got
down the smallest of the emeralds from the wall and handed it to him.
The sales representative stood weighing it
in his hands. It was the smallest of the gnoles' emeralds, but it was as clear
as water, as green as grass. In the outside world it would have ransomed a
Rockefeller or a whole family of Guggenheims; a legitimate profit from a
transaction was one thing, but this was another; "a high ethical
standard"—any kind of ethical standard—would forbid Mortensen to keep it.
He weighed it a moment longer. Then with a deep, deep sigh he gave the emerald
back.
He cast a glance around the room to see if
he could find something which would be more negotiable. And in an evil moment
he fixed on the senior gnole's auxiliary eyes.
The senior gnole
keeps his extra pair of optics on the third shelf of the curiosity cabinet with
the glass doors. They look like fine dark emeralds about the size of the end of
your thumb. And if the gnoles in general set store by their gems, it is nothing
at all compared to the senior gnole's emotions about
his extra eyes. The concern good Christian folk should feel for their soul's
welfare is a shadow, a figment, a nothing, compared to what the thoroughly
heathen gnole feels for those eyes. He would rather,
I think, choose to be a mere miserable human being than that some vandal should
lay hands upon them.
If Mortensen had not been elated by his
success to the point of anaesthesia, he would have
seen the gnole stiffen, he
would have heard him hiss, when he went over to the cabinet. All innocent,
Mortensen opened the glass door, took the twin eyes out, and juggled them
sacrilegiously in his hand; the gnole could feel them
clink. Smiling to evince the charm of manner advised in the Manual, and raising
his brows as one who says, "Thank you, these will do nicely,"
Mortensen dropped the eyes into his pocket.
The gnole
growled.
The growl awoke Mortensen from his trance
of euphoria. It was a growl whose meaning no one could mistake. This was
clearly no time to be doggedly persistent. Mortensen made a break for the door.
The senior gnole
was there before him, his network of tentacles outstretched. He caught
Mortensen in them easily and wound them, flat as bandages, around his ankles
and his hands. The best abaca fiber is no stronger than those tentacles ; though the gnoles would find rope a convenience,
they get along very well without it. Would you, dear reader, go naked if
zippers should cease to be made? Growling indignantly, the gnole
fished his ravished eyes from Mortensen's pockets, and then carried him down to
the cellar to the fattening pens.
But great are the virtues of legitimate
commerce. Though they fattened Mortensen sedulously, and, later, roasted and sauced
him and ate him with real appetite, the gnoles slaughtered him in quite a
humane manner and never once thought of torturing him. That is unusual, for
gnoles. And they ornamented the plank on which they served him with a beautiful
border of fancy knotwork made of cotton cord from his
own sample case.