The Manticore Spell

JEFFREY FORD

Even with the most powerful of wizards, what goes around comes around . . .

Although a relatively new writer, Jeffrey Ford has made a big impact fast, winning the World Fantasy Award in 1998 for his first novel, The Physiognomy, and since going on to win two World Fantasy Awards in 2003, for his story "Creation" and his collection The Fantasy Writer's Assistant and Other Stories. He also won a Nebula Award in 2004 for his story "The Empire of Ice Cream." His fiction has appeared in The Magazine of Fantasy & Science Fiction, Sci Fiction, Lady Churchill's Rosebud Wristlet, Black Gate, Polyphony, Argosy, The Green Man, and many other markets, and has been collected in the above-mentioned The Fantasy Writer's Assistant and Other Stories. Ford's other books include the novels Vanitas, Memoranda, The Beyond, and The Portrait of Mrs. Charbuque. His most recent books are a chapbook novella, The Cosmology of the Wider World, and his first mystery novel, The Girl in the Glass. Coming up is a new collection, The Empire of Ice Cream. He lives in Medford Lakes, New Jersey.

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T

HE first reports of the creature, mere sightings, were absurd--a confusion of parts; a loss of words to describe the smile. The color, they said, was a flame, a hot coal, a flower, and each of the witnesses tried to mimic the thing's song but none could. My master, the wizard Watkin, bade me record in word and image everything each one said. We'd been put to it by the king, whose comment was, "Give an ear to their drollery. Make them think you're thinking about it at my command. It's naught but bad air, my old friend." My master nodded and smiled, but after the king had left the room, the wizard turned to me and whispered, "Manticore."

"It's the last one, no doubt," said Watkin. We watched from the balcony in late afternoon when the king's hunters returned from the forest across the wide green lawn to the palace, the blood of the Manticore's victims trailing bright red through the grass. "It's a very old one," he said. "You can tell by the fact that it devours the horses, but the humans often return with a limb or two intact." He cast a spell of protection around the monster, threading the eye of a needle with a hummingbird feather.

"You want it to survive?" I asked.

"To live till it dies naturally," was his answer. "The king's hunters must not kill it."

Beneath the moon and stars at the edge of autumn, we sat with the rest of the court along the ramparts of the castle and listened for the creature's flutelike trill, descending and ascending the scale, moving through the distant darkness of the trees. Its sound set the crystal goblets to vibrating. The ladies played hearts by candlelight, their hair up and powdered. The gentlemen leaned back, smoking their pipes, discussing how they'd fell the beast if the job was theirs.

"Wizard," the king said. "I thought you'd taken measures."

"I did," said Watkin. "It's difficult, though. Magic against magic, and I'm an old man."

A few moments later, the king's engineer appeared at his side. The man carried a mechanical weapon that shot an arrow made of elephant ivory. "The tip is dipped in acid that will eat the creature's flesh," said the engineer. "Aim anywhere above the neck. Keep the gear work within the gun well oiled." His Highness smiled and nodded.

A week later, just prior to dinner, at the daily ritual in which the king assessed the state of his kingdom, it was reported that the creature devoured two horses and a hunter, took the right leg of the engineer's assistant, and so twisted and crumpled the new weapon of the engineer that the poison arrow set to strike the beast turned round and stabbed its inventor in the ear, the lobe of which dripped off his head like a lit candle.

"We fear the thing may lay eggs," said the engineer. "I suggest we burn the forest."

"We're not burning down the forest," said the king. He turned and looked at the wizard. Watkin faked sleep.

I helped the old man out of his chair and accompanied him down the stone steps to the corridor that led to our chambers. Before I let him go, he took me by the collar and whispered, "The spell's weakening, I can feel it in my gums." I nodded, and he brushed me aside, walking the rest of the way to his rooms unassisted. Following behind, I looked over my shoulder almost positive the king was aware that his wizard's art had been turned against him.

I lay down in my small space off the western side of the workroom. I could see the inverted, hairless pink corpse of the hunch monkey swinging from the ceiling in the other room. The wizard had written away to Palgeria for it five years earlier, or so said his records. When it arrived, I could see by his reaction that he could no longer remember what he'd meant to do with it. Two days later, he came to me and said, "See what you can make of this hunch monkey." I had no idea, so I hung the carcass in the workroom.

From the first day of my service to Watkin, he insisted that I tell him my dreams each morning. "Dreams are the manner in which those who mean you harm infiltrate the defenses of your existence," he told me during a thunderstorm. It was mid-August, and we stood, dry, beneath the spreading branches of a hemlock one afternoon as a hard rain fell in curtains around us. That night, in sleep, I followed a woman through a field of purple flowers that eventually sloped down to the edge of a cliff. Below, an enormous mound of black rock heaved as if breathing, and when it expanded I could see through cracks and fissures red and orange light radiating out from within. The dream woman looked over her shoulder and said, "Do you remember the day you came to serve the wizard?"

Then the light was in my eyes and I was surprised to find I was awake. Watkin, holding a lantern up to my face, said, "It's perished. Come quickly." He spun away from the bed, casting me in shadow again. I trembled as I dressed. I'd seen the old man pull, with his teeth, the spirit of a spitting demon from the nostril of one of the ladies of court. Unfathomable. His flowered robe was a brilliant design of peonies in the snow, but I no longer trusted the sun.

I stepped into the workroom as Watkin was clearing things from the huge table at which he mixed his powders and dissected the reptiles whose small brains had a region that, when mashed and dried, quickened his potions. "Fetch your pen and paper," he said. "We will record everything." I did as I was told, then helped him. At one point he tried to lift a large crystal globe of blue powder, and his thin wrists shook with the exertion. I took it from him just as it slipped from his fingers.

Suddenly, everywhere, the scent of roses and cinnamon. The wizard sniffed the air and warned me that its arrival was imminent. Six hunters carried the corpse, draped across three battle stretchers and covered by the frayed tapestry of the War of the Willows, which had hung in the corridor that ran directly from the Treasury to the Pity Fountain. Watkin and I stood back as the dark-bearded men grunted, gritted their teeth, and hoisted the stretchers onto the table. As they filed out of our chambers, my master handed each of them a small packet of powder tied up with a ribbon--an aphrodisiac, I suspected. Before collecting his reward and leaving, the last of the hunters took the edge of the tapestry and, lifting the corner high, walked swiftly around the table, unveiling the Manticore.

I glanced for a mere sliver and instinctually looked away. While my eyes were averted, I heard the old man purr, squeal, chitter. The thick cloud of the creature's scent was a weight on my shoulders, and then I noticed the first buzz of the flies. The wizard slapped my face and forced me to look. His grip on the back of my neck could not be denied.

It was crimson and shades of crimson. And after I noted the color, I saw the teeth and looked at nothing else for a time. Both a wince and a smile. I saw the lion paws, the fur, the breasts, the long beautiful hair. The tail of shining segments led to a smooth, sharp stinger--a green bubble of venom at its tip. "Write this down," said Watkin. I fumbled for my pen. "Female Manticore," he said. I wrote at the top of the page.

The wizard took one step that seemed to last for minutes. Then he took another and another, until he was pacing slowly around the table, studying the creature from all sides. In his right hand he held the cane with the wizard's head carved into the head of it. Its tip was not touching the floor. "Draw it," he commanded. I set to the task, but this was a skill I was deficient at. Still, I drew it--the human head and torso, the powerful body of a lion, the tail of the scorpion. It turned out to be my best drawing, but it too was terrible.

"The first time I saw one of these," Watkin said, "I was with my class as a boy. We'd gone on a walk to the lake, and we'd just passed through an orchard and onto a large meadow with yellow flowers. My teacher, a woman named Levu, with a mole beside her lip, pointed into the distance, one hand on my shoulder, and whispered, 'A husband and wife Manticore, look.' I saw them, blurs of crimson, grazing the low-hanging fruit by the edge of the meadow. On our way back to town that evening, we heard their distinctive trill and then were attacked by two of them. They each had three rows of teeth chewing perfectly in sync. I watched them devour the teacher as she frantically confessed to me. While I prayed for her, the monsters recited poems in an exotic tongue and licked the blood from their lips."

I wrote down all of what Watkin said, although I wasn't sure it was to the point. He never looked me in the eye, but moved slowly, slowly, around the thing, lightly prodding it with his cane, squinting with one eye into the darkness of its recesses. "Do you see the face?" he asked me. I told him I did. "But for that fiendish smile, she's beautiful," he said. I tried to see her without the smile, and what I saw in my mind was the smile without her. Suffice to say, her skin was crimson as was her fur, her eyes yellow diamonds. Her long hair had its own mind, deep red-violet whips at her command. And then that smile.

"She lived next to me, with hair as long as this but golden," Watkin said, pointing. "I, a little younger than you, she a little older. Only once we went out together into the desert and climbed down into the dunes. Underground there, in the ruins, we saw the stone-carved face of the hunch monkey. We lay down in front of it together, kissed, and went to sleep. Our parents and neighbors were looking for us. Late in the night while she slept, a wind blew through the pursed lips of the stone face, warning me of treachery and time. When she woke, she said in sleep she'd visited the ocean and gone fishing with a Manticore. The next time we kissed was at our wedding.

"Draw that," he shouted. I did my best, but didn't know whether to depict the Manticore or the wizard with her at the beach. "One more thing about the smile," he said. "It continually, perpetually grinds with the organic rotary mechanism of a well-lubricated jaw and three sets of teeth-- even after death, in the grave, it masticates the pitch black."

"Should I draw that?" I asked.

He'd begun walking. A few moments later, he said, "No."

He laid down his cane on the edge of the table and took one of the paws in both his hands. "Look here at this claw," he said. "How many heads do you think it's taken off?"

"Ten," I said.

"Ten thousand," he said, dropping the paw and retrieving his cane. "How many will it take off now?" he asked.

I didn't answer.

"The lion is fur, muscle, tendon, claw, and speed, five important ingredients of the unfathomable. Once a king of Dreesha captured and tamed a brood of Manticore. He led them into battles on long, thousand-link, iron chains. They cut through the forward ranks of the charging Igri-dots with the artful tenacity His Royal Highness reserves for only the largest pastries."

"Take this down?" I asked.

"To the last dribbling vowel," he said, nodding and slowly moving. His cane finally tapped the floor. "Supposedly," he said, "there's another smaller organ floating within their single-chambered hearts. At the center of this small organ is a smaller ball of gold--the purest gold imaginable. So pure it could be eaten. And if it were, I am told the result is one million beautiful dreams of flying.

"I had an uncle," said the wizard, "who hunted the creature, bagged one, cut out its ball of gold, and proceeded to eat the entire thing in one bound. After that, my uncle was sane only five times a day. Always, he had his hands up. His tongue was always wagging, his eyes shivering. He walked away from home one night when no one was watching. He wandered into the forest. There were reports for a while of a ragged holy man but then a visitor returned his ring and watch and told us his head had been found. Once it was safely under glass, I performed my first magic on it and had it tell me about its final appointment with a Manticore.

"Take a lock of this hair, boy, when we're done," he said. "When you get old, tie it into a knot and wear it in your vest pocket. It will ward off danger ... to an extent."

"How fast do they run?" I asked.

"How fast?" he said, and then he stopped walking. A breeze blew through the windows and porticos of the workroom. He turned quickly and looked over his shoulder out the window. Storm clouds, lush hedge, and a humidity of roses and cinnamon. The flies now swarmed. "That fast," he said. "Draw it."

"Notice," he said, "there is no wound. The hunters didn't kill it. It died of old age, and they found it." He stood very silent, his hands behind his back. I wondered if he'd run out of things to say. Then he cleared his throat, and said, "There's a point at which a wince and a smile share the same shape and intensity, almost but not quite the same meaning. It's at that point and that point alone that you can begin to understand the beast's scorpion tail. Sleek, black, poisonous, and needle sharp, it moves like lightning, piercing flesh and bone, depositing a chemical that halts all memory. When stung you want to scream, to run, to aim your crossbow at its magenta heart, but alas . . . you forget."

"I'm drawing it," I said.

"Excellent," he said, and ran his free hand over one of the smooth sections of the scorpion tail. "Don't forget to capture the forgetting." He laughed to himself. "The Manticore venom was at one time used to cure certain cases of melancholia. There's very often some incident from the past at the heart of depression. The green poison, measured judiciously, and administered with a long syringe to the corner of the eye, will instantly paralyze memory, negating the cause of sorrow. There was one fellow, I'd heard, who took too much of it and forgot to forget-- he remembered everything and could let nothing go. His head filled up with every second of every day, and it finally exploded.

"The poison doesn't kill you, though. It only dazes you with the inability to remember, so those teeth can have their way. There are those few who'd been stung by the beast but not devoured. In every case, they described experiencing the same illusion--an eye-blink journey to an old summer home, with four floors of guest rooms, sunset, mosquitoes. For the duration of the poison's strength, around two days, the victim lives at this retreat ... in the mind, of course. There are cool breezes as the dark comes on, moths against the screen, the sound of waves far off, and the victim comes to the conclusion that he or she is alone. I suppose to die while in the throes of the poison is to stay alone at that beautiful place by the sea for eternity."

I spoke without thinking. "Every aspect of the beast brings you to eternity--the smile, the purest gold, the sting."

"Write that down," said Watkin. "What else can you say of it?"

"I remember that day I came to serve you," I said, "and on the long stretch through the poplars, my carriage was stopped due to a dead body in the road. As the carriage passed, I peered out to see a bloody mess on the ground. You were one of the people in the crowd."

"You can't understand my invisible connection to these creatures--a certain symbiosis. I feel it in my lower back. Magic becomes a pinhole shrinking into the future," he said.

"Can you bring the monster back to life?" I asked him.

"No," he said. "It doesn't work that way. I have something else in mind." He stepped over to a workbench, left the cane there, and lifted a hatchet. Returning to the body of the creature, he walked slowly around it to the tail. "That was my wife you saw in the road that day. Killed by a Manticore--by this very Manticore."

"I'm sorry," I said. "I'd think you'd have tried harder to kill it."

"Don't try to understand," he said. He lifted the hatchet high above his head and, with one swift chop, severed the stinger from the tail of the creature. "Under the spell of the poison, I will go to the summer house and rescue her from eternity."

"I'll go with you," I said.

"You can't go. You could be stranded in eternity with my wife and me--think of that," said Watkin. "No, there's something else I need you to do for me while I'm under the effects of the venom. You must take the head of the Manticore into the forest and bury it. Their heads turn into the roots of trees, the fruit of which are Manticore pups. You'll carry the last seed." He used the hatchet to sever the creature's head while I dressed for the outdoors.

I'd learned to ride a horse before I went to serve the wizard, but the forest at night frightened me. I couldn't shake the image of Watkin's palm impaled on the tip of the black stinger and his rapidly accruing dullness, gagging, his eyes rolling back behind their lids. I carried the Manticore head in a woolen sack tied to the saddle and trembled at the prospect that perhaps Watkin was wrong and the one sprawled on the worktable, headless and tailless, was not the last. For my protection, he'd given me a spell to use if it became necessary--a fistful of yellow powder and a half dozen words I no longer remembered.

I rode through the dark for a few minutes and had quickly had enough of it. I dismounted and dug a hole at the side of the path, standing my torch upright in it. It made a broad circle of light on the ground. I retrieved the shovel I'd brought and the head. After nearly a half hour of digging, I began to hear a slight murmuring sound coming from somewhere close by me. I thought someone was spying from a darker part of the forest, then I took it for the whirring of a Manticore's tritoothed jaws and was paralyzed by fear. Two minutes later, I realized the voice was coming from inside the sack. When I looked, the smile was facing out. The Manticore's eyes went wide, that chasm of a mouth opened, flashing three-way ivory, and she spoke in a foreign language.

I took her out of the sack, set her head up at the center of the circle of torchlight, brushed back her hair, and listened to the beautiful singsong language. Later, after waking from a kind of trance brought on by the flow of words, I remembered the spell Watkin had given me. Laying the powder out on the upturned palm of my hand, I aimed it carefully and blew it into the creature's face. She coughed. I'd forgotten the words, so said anything that I recalled them sounding like. Then she spoke to me, and I understood her.

"Eternity," she said, then repeated it, methodically, with the precise same intonation again and again and again ...

I grabbed the shovel and started digging. By the time I had dug a deep enough hole, my nerves were frayed by her repetition, and I couldn't fill the dirt in fast enough. When the head was thoroughly buried, its endless phrase still sounding, muffled, beneath the ground, I tamped the soil down, then found an odd-looking green rock, like a fist, to mark the spot for future reference.

Watkin never returned from the place by the sea. After the venom wore off, his body was lifeless. I then became the wizard. No one seemed to care that I knew nothing about magic. "Make it up till you've got it," said the king. "Then spread it around." I thanked him for his insight but was aware he'd eaten pure gold and now, when not soaring in his dreams, was rarely sane. The years came and went, and I did my best to learn the devices, potions, phenomena that Watkin had bothered to record. I suppose there was something of magic in it, but it wasn't readily recognizable.

I was able to witness Watkin's fate by use of a magic looking glass I'd found in his bedroom and learned to command. It was a tall mirror that stood on the back of his writing desk. In it I could see anywhere in existence with a simple command. I chose the quiet place by the sea, and there before me were the clean-swept pathways, the blossoming wisteria, the gray and splintering fence board. Darkness was coming on. The woman with golden hair sat on the screened porch in a wicker rocker, listening to the floorboards creak. The twilight breeze was cool against sunburn. The day seemed endless. As night came on, she rocked herself to sleep. I ordered the mirror to show me her dream.

She dreamed that she was at the beach. The surf rolled gently up across the sand. There was a Manticore--her crimson resplendent against the clear blue day--fishing at the shoreline with a weighted net. Without fear, the woman with bright hair approached the creature. The Manticore politely asked, with smile upon smile, if the woman would like to help hoist the net. She nodded. The net was flung far out and they waited. Finally there was a tug. The woman with the golden hair and the Manticore both pulled hard to retrieve their catch. Eventually they dragged Watkin ashore, tangled in the webbing, seaweed in his hair. She ran to him and helped him out of the net. They put their arms around each other and kissed.

Now I keep my ears pricked up for descriptions of strange beasts in the heart of the forest. If a horse or a human goes missing, I must get to the bottom of it before I can rest. I try to speak to the hunters every day. Reports of the Creature are vague but growing, and I realize now I have some invisible connection to it, as if its muffled, muted voice is enclosed within a chamber of my heart, relentlessly whispering, "Eternity."

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