Moles, David - Planet of the Amazon WomenPlanet of the Amazon Women
David Moles
From Gardner Dozois - The Year's Best Science Fiction 23rd Annual Collection 
(2006)
David Moles has lived in six time zones on three continents, and hopes some day 
to collect the whole set. His fiction and poetry have been published in 
Polyphony, Say..., Rabid Transit, Flytrap, Lady Churchill's Rosebud Wristlet, 
and Asimov's, as well as on Strange Horizons.



Planet of the Amazon Women. That's what Musa called it. He makes kinés, he has a 
keen sense of the ridiculous in art and history. When he found out I was on my 
way to Hippolyta he said nothing at first, only looked at me, black eyes serious 
in his dark face; looked at me, I think, until he was sure I was telling the 
truth. He covered my hand with his. Then, as if we had both said everything that 
needed to be said, he stood up abruptly.
"Come on, Sasha," he said. "Let's go dancing."
Musa. A chance meeting in the men's dormitory of an Erewhon orbital transit 
hostel. If I had met him when I was twenty he would have been the great love of 
my life.
That is probably how I will remember him, if things on Hippolyta go half-right. 
If I grow old on the Planet of the Amazon Women, and die there.



There is something about the crew of the S.P.S. Tenacious, the picket ship that 
the Erewhon Republic has stationed in Hippolyta's system to prevent any 
excursion from the Planet of the Amazon Women, that is both comical and 
touching. They take themselves very seriously, with their crisp white uniforms 
and their military ranks and their short haircuts. (Most of them are human, and 
most of the humans are men—boys, really.) They take their job very seriously, 
too, with a certain pride that they are the only ones in this part of the 
Polychronicon interested in the problem: the universe may be dangerous and 
chaotic and very poorly organized, but the Republic, and the Navy, are up to the 
task.
They're not, of course. The universe is so much more disorganized than these 
comic-opera astronauts could even imagine. That's what makes it so touching.
"And this is the Operations Center," Lieutenant Addison tells me. "Where we 
control the sensor platforms and the particle-beam satellites. We've never had 
to use them, thank God."
Addison looks at me, and I look at the room full of complicated equipment and 
focused young men and nod as if I knew what I was looking at. Already I am 
practicing my imposture, preparing myself for Hippolyta. This is a dance, and I 
am improvising it.
Satisfied, Addison turns to indicate the next point of interest, and I turn back 
to watching Addison. He's skinny and cute and can't be more than twenty-five. He 
doesn't know what to say to a civilian who's volunteered for a suicide mission, 
but he's trying.



A century ago on Hippolyta, something called Amazon Fever killed thirteen 
hundred million men and boys. Hundreds of millions of women and girls died as 
well, slain indirectly, by the chaos that came in the Fever's wake.
No one knows now who started the Fever, or what they were trying to do: whether 
it was intentional—an attempt at an attack, or a revolution—or accidental—an 
industrial mishap, or a probability experiment gone awry, or even an 
archaeological discovery. But when it came it came suddenly, sweeping across 
Hippolyta in less than a year, in its progress less like a disease than like a 
curse. It defied drugs and vaccines and quarantines, brushing past 
exploration-grade immune enhancements as if they were so many scented medieval 
nosegays. It seemed to be transmitted not only by the afflicted but by their 
possessions, not only by their possessions but by objects associated with them 
only distantly, or symbolically.
There were even isolated cases, reported but never confirmed, of the Fever 
appearing light-years away, in people who had never been to Hippolyta. Sometimes 
a connection to Hippolyta could be proved—years in the past, long before the 
first appearance of the Fever. Other times there was no apparent connection at 
all.
A diversion that most undergraduate mathematicians encounter is the idea—an easy 
one to demonstrate, logically—that given a single contradiction, one can prove 
the truth or falsehood of any proposition. The fall of the causality barrier has 
given us all the contradictions any mathematician could wish for. This is the 
one fundamental truth—and falsehood—of the universe.
Even if most of us, like the level-headed crew of the Tenacious, deny 
it—pretending we still live in a universe where one thing happens after another.
What I suspect, though it is not something anyone can ever prove, is that in 
those apparently unconnected cases, the connection lay not in the past, but in 
the future. In a potential future, foreclosed now by the Fever itself.
It's not strictly accurate to say that Amazon Fever killed all the men. To say 
that is to use an old-fashioned shorthand, a too-simple understanding of sex and 
gender. The proximate cause of death in cases of Amazon Fever was sudden, 
pervasive tissue rejection—the result of the molecules making up the body 
acquiring a new virtual history, at the Planck scale and unevenly. It wasn't 
just men and boys that Amazon Fever killed. What it killed was anyone or 
anything whose immune system was unable to recognize cells that no longer 
came—that, all of a sudden, had never come—from an evolutionary line based on 
sexual reproduction.
The Fever killed male cats, dogs, insects, birds, fish, gingkoes, date palms, 
malarial gametocytes. Wherever it struck, it destroyed the entire basis of 
sexual difference. Most observers—who by this point were doing their observing 
by remote, from twenty light-minutes away—expected animal life on Hippolyta, 
humanity included, to go extinct in a generation.
But it didn't.



On the real-time maps the Tenacious uses there is a blank place, in the 
northeast of Aella Continent—Hippolyta's second largest, and the place of oldest 
settlement. This I can read: the swirl of weather and the slow-moving lights of 
tracked targets giving way to static survey data, a century old and more.
"How close to here"—on a projected globe, my fingers brush the center of the 
discontinuity—"can you set me down?"
Lieutenant Addison looks embarrassed.
"Not very, I'm afraid," he says. "Our equipment doesn't function well that deep 
into the causal anomaly." He gestures at the globe. "You can see we don't have 
any current data for that area. No probes, since simultaneity channels don't 
operate across the probability boundary; and even passive sensors aren't 
reliable."
I nod, a little disappointed; but it's no more than I expected, or I wouldn't 
have brought the mules.
Addison scrutinizes the globe for a moment and selects a point on the southern 
coast, a few hundred kilometers from the center of the anomaly. In the Ezheler 
lands.
"What about here, near the coast road?" he asks. "You can make your way by 
native transport from there."
"That will certainly test my disguise."
Addison looks uncomfortable. He turns back to the globe.
"Well, I—"
"No," I interrupt. "The coast road is fine."
I will have to dance a little faster, that's all.
In the thirteenth and fourteenth centuries of the Hegira, before my ancestors 
came to Islam, they flirted briefly with Hegel. Perhaps in hoping, by resolving 
the contradictions of Hippolyta, to resolve the contradictions at the heart of 
the universe, I have fallen into that old heresy: thesis, antithesis, synthesis. 
If so, so be it. As a natural philosopher, I am expected to face up to the 
universe's hard truths. As a Russian, I am expected to be a fatalist and a 
romantic. As a Moslem, I am expected to place my faith in the All-Merciful.
To deny the contradictions—as Musa understood, and as I would never be able to 
explain to Lieutenant Addison—is not an option that is open to me.



In the little cabin I have stolen from some junior officer, I strip off my 
borrowed Republic coverall. There is no mirror, but a projector shows me a 
reversed image, shadowy, as if my double stood in a darkened corridor. I meet my 
double's eyes.
"Goodbye, Sasha," we tell each other.
Goodbye to Sasha Rusalev of Odessa, ballet cavalier and natural philosopher.
I am Yazmina Tanzikbayeva now, Ezheler muleteer and coca trader.
Hippolyta was already an old world when the Fever came, old with the kind of 
impossible age that is common out here, the kind that vigorous and serious young 
civilizations like the Republic worry about and that most of the rest of us 
ignore. When Hippolyta was terraformed and settled (if it was terraformed and 
settled—there are causality violations in Hippolyta's early history, too), a 
kaleidoscope of nations made it their home: cultures from every part of the 
Islamic 'umma and outside it as well, landing here and there, merging, 
fragmenting, trading, stealing, fighting little wars, making peace—millennia of 
history compressed into a few generations.
The Ezheler are nomadic herders who live in the southern mountains and high 
plains of Aella Continent. Chronically low fertility—a factor of distance from 
the center of Hippolyta's causal anomaly—keeps them nomadic, just as it keeps 
their richer neighbors, such as the Chinese speakers in Tieshan, from expanding 
into their territory. The Ezheler are Muslims, and speak a Turkic language 
influenced by Russian and Farsi.
I grew up in Odessa; Russian and Turkish were my native languages. A set of 
Consilium neural implants and a few months of study have me speaking the 
language of the Ezheler as well as any off-worlder ever will without living 
among them.
But the thing that really drew me to the Ezheler, when I was planning this, was 
their clothes.
I dress in cotton and leather and linen and silk. I have practiced this; it 
comes back to me now, like the steps of a dance. Cotton underwear, first, 
unbleached; red cotton trousers, much coarser; soft calf-high boots; white 
cotton blouse embroidered with red; and finally, the burka, the violet-dyed 
linen veil/robe that covers everything from hair to eyes to ankles.
Most of the Muslims of Aella follow the customs of hijab, to a degree: they wear 
the khimar in public, and some wear the abaya. But the Ezheler are among the few 
who wear the full burka, and only among the Ezheler is it never removed, even 
among family.
I straighten the burka, trying to find the position that lets me see the most 
through the lace-bordered veil. My muscles are alive with false memories, a 
combination of generic feminine movements and simulated Ezheler kinesthetics 
created from Consilium ethnologists' AV recordings.
There are technologies, readily available, with which I could have rebuilt 
myself completely, from the chromosomes upward—making part of my disguise 
impenetrable, no longer deception but the truth. (Undoubtedly there are women on 
Hippolyta today whose ancestors, in the first days of the Fever, did just that.) 
I could preserve not only my disguise, but my life.
But in doing so, I would prove nothing. If it were enough to test my hypotheses 
with equations and proofs, I could have done it from the safety of my rooms in 
Petersburg. I must test them with myself.
Besides, as my old ballet master used to say, for a swan there is no art in 
being a swan.
It helps that my audience will not expect me to be anything else.



Four hours later Lieutenant Addison is belting me into the capsule that will 
take me to Hippolyta. The capsule is made for inserting Marine commandos behind 
enemy lines, or something similarly exciting and dangerous. It seems to me that 
for landing on Hippolyta, the capsule is overkill—especially since it will have 
to be abandoned, and perhaps destroyed. But Addison is feeling guilty that he 
can't take me exactly where I want to go, and his people have seemed to enjoy 
themselves so much—programming the capsule's camouflage, plotting a course to 
minimize the chance that someone will see me entering the atmosphere—that I 
haven't the heart to object.
There is supposed to be room in the capsule for a half-dozen armored Marines and 
their equipment, but except for the medical equipment, my gear isn't built to 
Republic specifications. After it has all been packed in around me, Addison, to 
shake my hand, has to lean awkwardly over a plastic-wrapped bale that might hold 
rice or dried apricots or coca leaves.
He looks around the cramped capsule one more time, the trade goods, the medical 
pods, the two mules in their cocoons, the half-felt presence of the quantum 
inference engines. Then he looks down at me.
"Well," he says, with a helpless shrug, "good luck, then."
Then he leans back, and the hatch closes, and the capsule swings out on its 
track, and at last they let me go.



The capsule is three days and fifty kilometers behind me, camouflaged and buried 
at the bottom of a dry creekbed, when I pick up the road to the coast. The coast 
road is older, harder than the narrow dirt track I have been following out of 
the dry hills: concrete laid down before the coming of the Fever and cracked now 
into broken slabs by a century of summers and winters. The grass of the shoulder 
is brown, tramped down into a footpath, and I guide the mules along that softer 
way, to spare their hooves and ankles. I can see the tracks of others before me, 
in the dirt.
A simultaneity channel links the medical pods, buried with the capsule, to 
telemetry implants laced through my body, and tells me that so far I am healthy, 
sore muscles and saddle galls aside. This is Republic technology, simple and 
reliable, and the pods will probably survive me, whatever happens. The inference 
engines, more delicate and abstract, I carry with me. They were made in 
Damascus, and their existence is largely mathematical; it is not likely they 
will be noticed by anyone who does not know to look for them. For now they are 
quiet, their transformation of local phase space still undisturbed. I am a kink 
in the braid of improbability that makes Hippolyta what it is, a bubble of 
reality suspended in the medium of the unreal.
Now that I am here, with this gritty earth under my feet, this warm wind that 
smells of sage and dry grass whistling by me, it is hard to have the same 
confidence I had when I planned this in my rooms back in Petersburg. It has 
taken all three days for me to stop obsessively checking the medical monitors 
and the inference engines, trying to find in their numbers and images the first 
symptoms of the Amazon Fever that will most likely kill me.
By the time I crest the last of a range of low hills, though, and catch my first 
glimpse of the sea on the eastern horizon, the confidence I felt in Petersburg 
has returned. I am less worried about Amazon Fever than about being unmasked.
I have been two days on the coast when I see my first Amazon.



The architecture of the caravanserai is an eclectic mix, imperishable 
prefabricated sections that predate the Fever joined to adobe and brick and 
cement, roofed with sheet metal and encircled by a waist-high fence of driftwood 
and wire. I am not the first traveler to stop here tonight. Two tethered mules 
and a horse, hobbled, graze in the shade of a stunted live-oak, tugging at the 
dry grass with a kind of resigned persistence. On the other side of the yard are 
a pair of open-topped trucks, scratched and dented, their cargo beds piled high 
with crates and bundles, the tarpaulin awnings over their passenger areas 
patched with many colors.
A woman is perched on top of one of the trucks, wearing a sheepskin jacket and 
blue trousers with sandals. She looks to be about forty, Tieshanese, with a 
strong jaw, close-cropped black hair and narrow eyes under a blue-and-white 
striped headscarf.
My first Amazon. I sketch a greeting, hand to heart, and get no response. She 
shifts slightly and I notice then that there is a long-barreled pistol on the 
tarpaulin next to her, inches from her hand. I turn away with a show of 
nonchalance, and lead my mules to where the others are tethered.



The inside of the caravanserai is dark, lit only by the hand-lanterns the 
travelers have brought; the yard smelled of the ocean, but here it smells of 
smoke and sweat and kerosene. There are about a dozen women and girls here, 
three of them Ezheler, the rest Tieshanese. Two of the Ezheler, a mother and 
daughter both named Amina, are traders like me, returning to their clans after 
visiting the market town of Haiming; the mules are theirs. The other, Maryam, 
the horsewoman, is a doctor traveling north in hopes of buying medicines.
The Tieshanese truckers keep themselves to themselves, and a suspicious eye on 
us, and their children close. The Ezheler have been known to steal children.
"We should steal something of theirs," Amina-the-daughter says. She is fifteen, 
this is her third trip to Haiming she's coming back from, and though her 
expression is invisible behind the veil I can guess at it. She knows the 
Tieshanese don't like her, and because of that she doesn't like them.
Behind my own veil, I smile. Teenagers must be the same everywhere.
I had hoped not to encounter any Ezheler on the road—hoped to ride into Haiming 
a stranger. I stay quiet, concentrating on the steps of my dance. But neither 
Maryam nor the Aminas ask me any questions, only share their coffee with me and 
give me some advice on the Haiming markets. Eventually I relax enough to ask a 
question.
"Do you know a coca broker named Mei Yueyin?" I ask.
Amina-the-mother and Maryam, the doctor, both nod.
"For a city person she is quite honest," Maryam says.
"She speaks Ezheler," volunteers Amina-the-daughter. "It's creepy."
"You shouldn't speak ill of her while you're still eating the candy she gave 
you," her mother says mildly.
For some reason I glance at Maryam, and I see that she is looking at me. I wish 
I could see her face.



Mei Yueyin works, or worked, for the Consilium Ethnological Service. She has 
been on Hippolyta for seventeen years, five of them among the Ezheler. Her last 
report, the one that mentioned she was working as a broker in Haiming, was nine 
years ago. I'm glad to hear she's still alive and still there; even with her 
ties to the Consilium cut, she's the only contact I have.
Young Amina gives me some of Mei Yueyin's candy. It's rice candy, the kind that 
comes wrapped in edible paper. While I go to check on the animals I chew it, 
thoughtfully.
I give the animals—Maryam's horse and my mules and the Aminas'—some water and 
some dried apricots. They pick the apricots daintily from my fingers with their 
mobile lips and great chomping teeth, and I'm glad to see my fingers are steady.
The medical monitors have my temperature a shade over thirty-seven; my immune 
system shows no sign yet of turning against itself. We are no closer here to the 
center of the Fever, that blank spot on Addison's maps, than where I landed, but 
the border between consensus reality and Hippolyta's causal anomaly (what 
Lieutenant Addison—inaccurately—called the "probability boundary") is fluid, 
fractal, and it has timelike components. So far, though, the inference engines 
are quiet. So far my predictions are validated.
This far out, I expect, my machines could keep me alive indefinitely—long 
enough, at any rate, to die of something other than Amazon Fever. I pat the 
shoulder of Maryam's mare and toy, briefly, with the idea of staying here.
I know I won't, though.
The Tieshanese guard I saw earlier, the one I fancifully called my first Amazon, 
is gone. Her replacements are a pair of older women who squat in the dust, 
playing dice by the light of a fluorescent lamp. One of them smiles at me, but 
it is like the careless smile of a statue. They look as though they could squat 
there forever.



The next morning the doctor, Maryam, indicates in a roundabout way that, as we 
are both bound for Haiming, I would be welcome to travel with her. I don't know 
why this startles me, but it does, and before I really know what I am doing I 
have accepted.
After the morning prayer we make breakfast together—griddle cakes and rice 
porridge, with dried fruit and coca tea from my trade bales—and share it with 
the Aminas, before seeing them on their way south. As we ourselves are leaving, 
the sun is coming up over the hills, and the Tieshanese travelers are starting 
to rise. Two of the women have daughters who are very young, not more than four 
or five, and I see Maryam looking at them—wistfully, I think, though it is not 
easy to tell through the veil.



"I was just a child when I had my daughter," Maryam tells me. We are three days 
from the caravanserai, riding side by side along a road now lined with twisting 
pines, and Haiming is only two days away, a petrochemical smudge on the 
northeastern horizon. "Fourteen. A child." She glances at me. "I was a mission 
girl, you see. When we graduated they took twenty of us up the river, to 
Themiscyra, in Erethea." She looks out into the distance, beyond Haiming's haze, 
as if trying to see into the past. "I don't have the words to describe the 
north, Yazmina." She shakes her head in frustration. "I left the words there. . 
. when I came down the river again.
"But it was very beautiful. I remember that."
She glances back at me.
"Even that far north the odds of a spontaneous conception are very low—perhaps 
one in a hundred, if that." She gives a small laugh. "I was lucky, I suppose, or 
unlucky." She turns in the saddle to face me directly. "How old are you, 
Yazmina?"
"Twenty-one." It's a lie, by seven years, but a twenty-eight-year-old Ezheler 
could never be as ignorant as I am.
Maryam turns back to the road. "My Rabiah would be twenty-two this year."
Making Maryam thirty-six. I look at her, what I can see of her through the 
burka, the straight back and thin shoulders, the small weathered hands with 
their long surgeon's fingers loose on the reins. The lie about my age feels like 
less of one, all of a sudden. There's a wide gap between my life and the life 
this woman has lived, and eight years aren't enough to measure it.
"What happened?" I ask.
She shakes her head.
"It doesn't matter."
We ride quietly for a little while, the silence broken only by the distant surf 
and the slow, plodding hooves.
Quietly, without turning—almost as if she is alone—Maryam says:
"I hope you will be happy here."
She says it in Arabic, not Ezheler. Her Arabic is classical and very pure, the 
accent of a judge or a hadith scholar.
Then she spurs her horse ahead, ten, twenty meters. It is several kilometers 
before she lets me catch up to her again.



The old road is broken only once, where the sea-cliffs suddenly give way to a 
narrow gash of an inlet, perhaps a kilometer across. To the east the valley 
extends indefinitely, its path improbably, mechanically straight.
There is nothing like this on my pre-Fever maps. Closer, though, and inland, 
where the water is shallower, the reason becomes clear. A hump of 
charcoal-colored material runs straight down the center of the valley, rising 
from the sand and water like the back of some submerged serpent.
"A ladder to heaven," Maryam says, looking out into the valley. "That's what it 
was, once." In her voice there is some emotion that I can't identify.
She turns to me, obviously sensing my mystification even through the veil.
"A space elevator," she says dryly, using the modern, bazaar-Arabic words.
Now I understand. I nod, and look down at the gray ribbon. A piece of skyhook 
cable, some fragment of the forty thousand kilometers of cable that once 
connected Hippolyta to the stars—cut when Hippolyta's equatorial ring station 
was destroyed to enforce the quarantine.
If I am successful here, people will have to come to terms with the painful 
knowledge that many millions might have been saved—if outside powers like the 
Consilium and the Erewhon Republic had, instead of that quarantine, devoted 
themselves to evacuation. But I can't help that.
We have to detour many kilometers inland before the water becomes shallow enough 
to ford.



The old city of Haiming is a long green island, topped with white and blue, set 
in the middle of a wide brown river. The Otrera flows north to south for two 
thousand kilometers, before taking a left turn, just south of here, and emptying 
itself into Hippolyta's eastern ocean. On the east side of the river, in Tieshan 
proper, the shore is lined with ironworks and concrete, and the horizon is 
smudged with smoke.
Here on the west side, the market side, the buildings are low and brown and 
poor—all of them seemingly either made of clay, and very old, or made of wood, 
and very flimsy. The effect should be depressing, but the rooftops are lined 
with flapping colored banners, the air smells of earth and river water and 
spices, and the streets are filled with people, shouting and laughing and 
dickering in Ezheler and Arabic and Chinese.
I leave Maryam at the ferry terminal, where the north-bound boats stop before 
heading upriver.
She lingers on the gangway. "This is probably my last chance, you know," she 
says.
"What do you mean?"
"I'm thirty-six," she says. "I don't have any other daughters, or 
granddaughters. That's why I'm going north."
Into Erethea. Into the blank space on the map, the center of the causal anomaly. 
Where my goal has been all along.
I don't know what to say, except:
"I'm sure you'll be successful," I tell her, "God willing."
"God willing," she echoes.
"Perhaps I'll come north myself, some day soon," I say.
She laughs, and, unexpectedly, puts her arms around me, pressing her veiled 
cheek against mine.
"You're too young, little daughter," she tells me. "Live for yourself first."
The boat's whistle blows, and she draws back. She takes a pen and a bit of paper 
from one of her bags and scribbles a name and an address. She hands it to me, 
and I read:
Dr. Aysun Orbay, 23 Marpesia 4, Themiscyra.
"My friend," she says. "In case you are too foolish to listen to me."
Then the boat's whistle is blowing again, and she is gone, leading her horse up 
the gangway.



A Tieshanese mule trader named Zhou Xiling buys my animals at what would be a 
vicious discount, if I'd ever paid for them. Mules, their hybrid histories 
stripped from them, breed better on Hippolyta than they do anywhere else, or the 
Aminas would never have had their two beasts; but in Aella's southern highlands, 
far from the center of the anomaly, they breed no better than human beings do. 
In this relationship women like Zhou, who can import stock from farther north, 
have all the power.
I lift the bales of coca onto my shoulders. I am not tall—Maryam, for instance, 
was taller than I am—but I am taller than most of the women in East Haiming's 
streets. As I carry the bales to the coca market, the crowds give me a wide 
berth.



Mei Yueyin has hardly said twenty words since I identified myself to her in the 
coca market. She stalks a little ahead of me—walking quickly, as if she would 
like to leave me behind, or at least make her unwilling association with me less 
obvious.
It's no use, though; I'm the only Ezheler on the bridge to Haimingdao, and I 
can't help but draw stares.
The bridge is wide, and lined with ancient gingko trees; the sidewalk under our 
feet is strewn with their fallen leaves, golden green and soft as flower petals. 
Eddies from the passing motor traffic stir the humid air, and the swirling of 
the leaves is like some exotic danse de caractère.
"What's that?" I ask, pointing ahead to the island, where at the southern end 
the blue and white of the city gives way to a broad green hill dotted with gray 
structures. At its crest the low evening sun winks off something gold.
Yueyin glances in the direction I've indicated.
"That's where they buried all the men," she says.
She doesn't want me here.
I don't know what gave me away. Something about my voice, my walk, something 
about the shape of my body, even merely hinted at through the folds of the 
burka. Perhaps nothing more than the fact that of all the women on Hippolyta, 
Mei Yueyin is the only one to have seen a man with her own eyes.
I stop, suddenly.
Yueyin continues a few steps, then stops and turns.
"Listen," I say, in Arabic. "I'm not here to get you in trouble. I'm not here to 
threaten you. I'm certainly not here to drag you back, if that's what you're 
worried about. I just want a little information. And if you won't give it to me, 
I'll do without."
She gives me a long, level stare. In her face, something softens for a 
moment—then hardens again.
"You're here to threaten everyone on this world," she says. "You do that just by 
being here."
Then she turns away, and starts walking again.



After that, I didn't really expect Yueyin to hide my identity from her partner, 
and sure enough, when we reach her house—an aged but clean two-story block 
tucked behind a vine-covered wall, in some neighborhood of narrow alleys on 
Haimingdao's east side—her first words to her partner are:
"Liwen, we have a visitor. He's from Earth."
She says this in Arabic. The pronouns of spoken Chinese have no gender.
"Yazmina Tanzikbayeva," I say.
"That's not your real name," says Yueyin.
"It is now," I tell her.
Yueyin's partner is tall, probably taller than I am, and thin, with high 
cheekbones, and braided hair that goes to her waist. There is a little girl in 
her lap, six or eight years old, who looks shyly up at me—whether Yueyin's or 
her partner's I can't tell; at this age she is all eyes and elbows and knees. 
They are playing some game with colored tiles like dominoes.
"Peace be with you," the woman says. "Welcome to Hippolyta." Her Arabic is 
strongly accented, much more than Yueyin's.
"My partner," Yueyin says. "Fu Liwen. She's a rocket engineer for the Tieshanese 
government."
A rocket engineer.
I miss the little girl's name, and the rest of the introductions. I give 
distracted answers while Yueyin mechanically makes tea and Liwen sends the 
little girl upstairs.
A rocket engineer.
"You know they haven't forgotten you, out there," I tell Liwen, as Yueyin sits 
down. "There's a battleship at L2, waiting to kill any of you who try to leave." 
Calling the Tenacious a battleship feels like a lie. But to Liwen's 
industrial-age rockets, the Republic's little picket, with its quaint collection 
of lasers and particle beams, is just as deadly as a Consilium stabilizer-swarm.
Liwen shrugs. "I understand how they feel," she says. "If we leave Hippolyta, 
hundreds of billions might die. If it were the other way around, if we were out 
there, and the men were trapped down here—we would do the same thing."
"But you're building rockets anyway," I say.
"Because I don't want my daughter to grow up in a prison," Liwen says, taking a 
sip of tea. She puts down the cup with a determined finality. "Sooner or later, 
they will forget. And when they do, we'll be ready."
To kill hundreds of billions, I think. But I don't say it. The truth is that I 
don't think this—the fear of the Consilium and the Republic—is likely, that the 
Amazon Women would carry with them whatever makes Hippolyta what it is, and 
spread it. I think the universe is much more likely to make Hippolyta like 
itself, sooner or later, than the other way around. If I didn't think that I 
wouldn't be here.
But I could be wrong.
I'm glad it's not my decision.
"Take off your veil," Yueyin says, suddenly.
"What?"
"You're not Ezheler," she says. "You're not even a woman. I want to see who I'm 
talking to."
It's not a simple as that, of course. I have to take off the burka, pulling my 
arms out of the sleeves and lifting fold after fold of cloth over my head. Even 
though I still have my blouse and trousers and boots, once the burka is 
completely off—a sad puddle of violet cloth on the couch next to me—I feel 
naked. I understand suddenly why the women of Hippolyta continue to wear hijab, 
why it was so horrifying when the men of the thirteenth- and fourteenth-century 
secular governments tried to abolish the veil by force.
I feel stripped.
And, what's more disarming, I feel like Sasha Rusalev again.
I see that Liwen is studying me, her gaze lingering on my hands, my face, my 
throat. There is nothing intimate or erotic about that look, only a kind of 
focused concentration, and in a flash I understand it for what it is: the 
careful, clinical attention of a naturalist, trying to record in her memory this 
one specimen of a species she will never see again.
Yueyin is studying me, as well.
"Younger than I thought," she says. "And handsome." It sounds more like an 
indictment than a compliment. "At first I thought you were here to live out some 
colonialist harem fantasy, but now I don't think so." She pauses, and then asks: 
"Gay?"
"Yes. And before you formulate your next hypothesis, I'm not here because I 
think Amazon Fever will make a woman of me, either."
Yueyin shrugs. "It does happen. Once since I came here, two or three other times 
in Eth Service records. Mystics who don't believe in gene therapy or 
reconstructive surgery. The Fever kills them just like any other man. But you're 
not a mystic, are you?"
Now it's my turn to shrug. "I'm a natural philosopher, and I was trained in the 
Caliphate. Sometimes the line is hard to draw."
"Let me guess," Liwen says in her accented Arabic. "You think you have a cure 
for Amazon Fever."
"More or less," I tell her.
"That also happens," Yueyin says. "Every decade or so the Republic will land an 
automated lab with a cage full of male gerbils, to test the latest medical 
miracle."
"The Fever kills them, too," Liwen says.
"That's because the Fever's not a medical problem," I say. "It's just a symptom 
of a causality violation effect."
"You say that as if it meant something," says Liwen.
"It does to me." I take a sip of tea, and then as I set the cup down, an analogy 
comes to me. "Look," I say, pointing to the cup. "The Consilium—the 
Phenomenological Service, I mean—they think the universe is like the water in 
this teacup. The leaves are Hippolyta's causal anomaly. And the Fever is what 
happens when you put them together—the Fever is the tea."
"And the blockade is there to keep the tea from diffusing any further." Liwen 
lifts her own teacup and swirling it around. "You are here to take the leaves 
out."
I start to answer, but Yueyin cuts me off.
She looks me in the eye. "If you could cure the fever," she says, "you'd be 
destroying the basis of Hippolytan society. Not just the society, but the whole 
ecology. There's only one male organism on this planet, and he's sitting on my 
couch."
"I said the Phenomenological Service thinks that way. I didn't say I do."
"You're not with the PS?"
"I'm not with the Consilium at all. I'm sponsored by the London Caliphate's 
Irrationality Office, but for all practical purposes, I'm on my own."
Yueyin looks skeptical. "What are you here to do, then?"
I sigh. "This is where the metaphors start to break down. Say the universe is a 
cup of water. Perhaps the anomaly is like a bundle of tea leaves—in which case 
the Fever, the diffusion, is irreversible. No one knows how to reverse entropy 
on that scale. And if it isn't contained, it will spread.
"On the other hand, perhaps the anomaly is like a pebble dropped in the cup. 
Perhaps the Fever is only a ripple on the surface of the water, dissipating the 
energy of the splash. When the energy is gone, so are the ripples."
"In which case we're doomed anyway." Yueyin says. "But I don't believe it."
"Tell me," I say. "Spontaneous fertility in the Ezheler lands—at the edge of the 
anomalous region—is it increasing, or declining?"
"There's no hard evidence either way," says Yueyin, looking uncomfortable. 
"Anecdotally—"
"Anecdotally, it's declining. Isn't it?"
She looks away. "It might be."
"Look," I say. "I'm not here to destroy your society. I'm here to liberate it. 
You said you don't want your daughter to grow up in a prison."
Yueyin says, "We don't want her to grow up to be some man's wife, either."
I shake my head. "This is not just about you. Hippolyta is one world. There's 
half a trillion women out there." I wave an arm at the ceiling, trying to 
encompass the whole Polychronicon. "Don't you think they deserve a chance to 
have what you have?"
In Liwen's face I see understanding dawn. "You are not trying to eradicate 
Amazon Fever," she says. "You are trying to control it."
"I still don't understand," Yueyin says.
"I told you this was where the metaphors break down," I say. "I can't describe 
it with teacups."
"Without teacups," Liwen says.
"Without teacups?" I take a deep breath. "I'm hoping to use a Caliphate 
mathematical technique to establish a metastable equilibrium that allows convex 
regions with real and virtual histories to coexist in four-dimensional 
space-time, while remaining both topologically distinct and contiguous in 
five-space."
Yueyin rolls her eyes. "Never mind what you're doing," she says. "What does it 
mean? To us?"
"It means, if I succeed, that your daughter will be able to choose how she wants 
to live. Your daughter"—I gesture outward again—"and everyone else's."
"Why should we believe you?"
I shrug. "Does it matter? I'll be out of your way tomorrow in any case. I'm 
going north, to Erethea." I take a sip of tea. "If you want to stop me, I'm sure 
it won't be difficult."
Liwen says something to Yueyin in Tieshanese. Conversations in the Chinese 
languages always sound like arguments to me, but in Yueyin's reply I hear not 
just disagreement, but scorn—and yet, a sort of resignation.
She gets up, then, and goes upstairs.
"You can sleep on the couch tonight," Liwen says. "I will get you some sheets. 
The bath house is out back, if you want to clean up."
"Thank you."
"I am sorry about Yueyin," she says as she tidies up the tea set. "What you have 
to understand is that for her, it is not enough that on Hippolyta we, women, can 
live without men. That Hippolyta is a place where men cannot come is also 
important." She glances at the piled cloth next to me and smiles. "For Yueyin 
the Fever is the perfect hijab."
"And for you?" I ask.
She shrugs. "Yueyin, she chose to come here. As for me, I am happy here—but it 
is where I was born. If I had been born elsewhere, probably I would be happy 
there."
She is quiet for a moment, as if debating whether to say more.
"I think you do not know what you are getting into," she says.
"What do you mean?"
"You are right, the Fever is just a side effect of some kind of causality 
violation. Whatever its origin, the center is up there, in Erethea."
"That's why I'm going," I tell her.
She sighs and looks down, tracing invisible pictures with a finger on the 
tabletop.
"I have been up there three times," she says. "Not all the way." She looks up. 
"How can I explain it? You know the tombs you saw on the way into town, at the 
south end of the island, the Men's Cemetery?"
I nod.
"You will find Men's Cemeteries, tombs like that, all over the south. But not in 
Erethea. In Myrine—that is the first big city, up the river—in Myrine all they 
have is a cenotaph. Nobody knows what happened to the bodies. In Themiscyra they 
do not even have that; when they talk about men it's like they're talking about 
a metaphor, or a myth."
I smile. "Maybe that's healthier."
A laugh escapes Liwen's lips, and she shakes her head.
"Maybe it is," she says. "Tell me—why are we worth dying for?"
"I don't expect to die."
"But you know it's a possibility."
I look away. This is the question everyone danced around—my teachers, my 
apprentices, the Physics Guild, the Irrationality Office, the Republic's 
military attaché in London. I distracted them with good manners and mathematics, 
and let them fill in their own answers, from altruism to neurosis.
"In the early days of Western psychology," Liwen says, "for someone to be 
attracted to one of her own sex was considered a symptom of an inability, on her 
part, to distinguish between the Self and the Other. Like an infant who does not 
yet understand the difference between her toys and her own limbs—and puts both 
of them in her mouth. If that were true. . . then altruism might be very close 
to narcissism."
I look back at her.
"Yueyin was right not to believe me," I tell her. "I'm not here because I want 
to help you. I'm here because I'm the kind of person who can't look at a knot 
without wanting to untie it."
"There is a verse from the Tao Te Ching," Liwen says. "It is ambiguous, of 
course, especially in Arabic, but one reading would be: 'The perfect knot leaves 
no end to be untied.'"
"I wouldn't be here if I thought this knot was perfect," I say. "If what's 
happened on Hippolyta can happen once, it's probably happening all the time—it's 
just that most causal anomalies don't have measurable effects. And when one 
does, the Phenomenological Service—or someone like them—covers it up, locks it 
away. If I want to untie that knot—Hippolyta might be my only chance."
"And for this you are willing to die."
"If it comes down to it, yes." I shrug. "We live in an acausal universe. Isn't 
that enough justification for anything?"
"Another verse might read: 'Who distinguishes herself from the world may be 
given the world,'" Liwen says. "'Who regards herself as the world may accept the 
world.'"
She finishes her tea, and stands up.
"You are crazy," she says, looking down at me. "I respect that in a scientist. 
Good night."
"Thank you," I say. "Good night."



The ferry, the Jing Shi, has a smell that is somehow both sweet and cold, like 
metal and poison. The exhaust from the two big engines smells like burning 
plastic.
I hoped to talk more with Mei Yueyin about Hippolyta's geography and 
demographics, to get more of a sense of the causal anomaly's macroscopic 
effects, but when I awoke this morning, she was already gone. Probably just as 
well.
I place my brown hands on the sweating white-painted rail, feeling the engines' 
vibration, and look out across Haimingdao Channel at the complex of lights and 
smokestacks and tanks and buildings, the tall gantries that will lift up Liwen's 
rockets.
Lift them, and launch them to certain death at the hands of Tenacious and its 
particle-beam satellites. I wonder what Lieutenant Addison and his sober-minded 
brother officers would see in all this.
They'd admire the mad bravery of it, I expect. The madness whose mirror Liwen 
saw in me. And then they'd shoot to kill.



North. The Jing Shi advances stubbornly against the stiff current, like a 
peasant grandmother bent under a bundle of sticks. I'm sick, according to the 
medical monitors—my temperature's a degree above normal, and my white blood cell 
count is elevated.
It might be the onset of the Fever. It might just be something I picked up at 
Yueyin's dinner table.
The inference engines are agitated, murmuring to themselves, but they seem to 
think my little bubble of reality, pushing back Hippolyta's intrusion, is 
intact. I speak to the ship's nurse and get a bottle of antipyretics, fat white 
pills with a sour taste that stays in the mouth a long time after they're 
swallowed.



At Myrine the rivers come together, the Ortigia from the west emptying into the 
Otrera. The Jing Shi will continue northeast up the Otrera to Themiscyra, but it 
will stop overnight here, taking on fuel, exchanging one cargo for another.
I spend the day ashore, taking a rattling electric tram from the port into the 
oldest part of the city.
In a street café I watch the sparrows that hop from ground to table to chair, 
alert for crumbs. All are female, of course, their heads small, their plumage 
uniformly brown.
Myrine is cleaner than Haiming, and quieter, though still bustling with 
prosperity. The streets in this neighborhood, narrow, built for pedestrians, 
with their quaintly modern pre-Fever buildings, are cheerful and filled with 
color, crowded with small bright shops and their customers, young women and 
girls with brown or blonde hair, chattering in a Turkish-German creole that I 
can almost understand.
The shaded square the café looks out onto is an island in the middle of all 
that, an island of muted colors and quiet. In the center of the square is the 
Men's Cenotaph. I am not sure what I expected—some phallic obelisk or pillar, 
perhaps, topped with a muscular and well-endowed statue in classic European 
style?
What there is, instead, is a circular arrangement of dark slabs and broken 
walls, very stark, radiating grief. From a distance the stones look as though 
they might be inscribed with names. But close up, the letters dissolve into 
abstraction.



I return to the Jing Shi at evening, boarding in the bustle of new passengers 
coming aboard. Most of them are Tieshanese, immigrants or expatriates; a few are 
Erithean, those who don't have the money for the trains or the fast hydrofoils, 
and who don't mind a little adventure.
One of these is a young woman who shares my cabin, an economics student from 
Antiope—one of the cities beyond Themiscyra, in east Erethea—going home for the 
holidays. She is thin and muscular and dark. At night she takes off her khimar, 
revealing hair that is black and tightly curled and very short, like Musa's. In 
certain lights she looks like a boy.
The bunks have curtains, but I do not close mine—the two small portholes let in 
little enough fresh air as it is. Neither does my student. She doesn't know what 
to make of me, hidden behind my burka, with my Ezheler accent and my rough-spun 
saddlebag that smells of mules and spices. To her I am exotic and dangerous and, 
I think, a little exciting.
As a European I am the product of a culture—a history, oral and written—which 
constructs my particular sexuality in a certain way. In the early days of that 
history the love of women was by many considered an inferior but still 
marginally acceptable substitute for the love of men.
Perhaps for some it still is, but not for me. And, even if it were—probably 
there are a few women on Hippolyta, here and there, who lie awake at night 
dreaming of the men they have never seen. But to expect this boyish student to 
be one of them—how stupid would I need to be?
At night, by the dim glow of the emergency lights, I look across the cabin at 
the back of her sleeping head, and I try to remember what it felt like to run my 
fingers through Musa's hair. Whatever the young woman in the other bunk wants, 
her desires and mine are at right angles.
I am glad of the burka. Beneath it I am not sure whether I want to laugh or cry.



Alarm!
I leap up and slam my head painfully against the ceiling. The inference engines 
are howling for my attention —
No.
There is only silence.
I ask the engines for a deliberate report, making them take their time about it. 
Everything is smooth and quiet, quieter than it's been since I landed, to the 
limit of the inference engines' precision. The bubble of reality around me seems 
to have expanded to the horizon. It's almost as if I weren't on Hippolyta at 
all.
Did I imagine the alarm? The inference engines' logs admit to nothing.
We're still a day from Themiscyra. I settle back into my bunk, not needing the 
medical monitors to tell me how fast my heart is pounding. My head aches, not 
just where I struck the top of it but all the way through. Beneath the burka a 
rash has raised itching red bumps on my forearms and the backs of my hands, on 
my ankles and the tops of my feet. I feel the student's eyes on me and turn my 
face to the bulkhead.



In the morning the inference engines are still annoyingly calm; smug, 
even—unwilling to admit the existence of any boundary between Hippolyta's 
divergent history and my own.
The medical monitors, on the other hand, are gone.
Coincidence? Or did the ferry cross some threshold in the night, some line drawn 
across space or time or probability, cutting the monitors' simultaneity 
channels?
My head hurts. I should have a theory, but I don't. I borrow a pencil from the 
purser and doodle graphs and formulas for a little while, but Hippolyta is not 
something that can be solved with partial differential equations, and before 
long I lose interest. I spend the day sitting on a bench on the deck, in the 
shade, watching the eastern shore crawl slowly by: six, eight, ten shades of 
green, with here and there the white or yellow or blue of a house peeking out. I 
drink lukewarm barley tea, and every three or four hours I take one of the 
antipyretics I cadged from the nurse.
What could I do—turn around? I knew when I came that there was no way back. If 
the inference engines have truly broken down, run up against some flaw in the 
equations, then even returning to Tieshan, or beyond into the Ezheler lands, 
would not save me. And if it did, I would still die someday, still not knowing 
the truth.
I feel as though I am on the verge of understanding something. That soon it will 
steal up to me, like a wild animal in a field, if only I sit here quietly 
enough.



Themiscyra. The city comes on us at dusk, the trees backing away from the banks, 
revealing fields, pastures, gardens, roads, buildings. There are other boats on 
the river; their wakes slap against the ferry's hull, and a distant noise of 
traffic begins to rise, in counterpoint to the rhythm of our engines.
As I fall asleep lights are coming on, all along the bank.



The purser shakes me awake.
"All ashore that's going ashore," she says, smiling.
I shiver and try to smile back, forgetting for the moment that she can't see my 
face. By the time—after I stand, with help from the railing, and with some 
effort get my bag onto my shoulder—that I remember this, and turn to thank her 
out loud, she is gone.
The city is all around now. The boat has docked in the shadow of a bridge, wide 
and solid, metal perhaps colorful by day but now black over black water, hiding 
the night sky. I am almost the last passenger to shuffle down the gangplank and 
onto the quay, turning only at the end to look up and down the river. Both banks 
are lined with lights, ribbons and arches and towers in a hundred architectural 
styles, shining crystalline against the night, reflecting in the dark water, for 
all the world like Petersburg or Baghdad or Ho Chi Minh Ville—except that a 
tower is just a tower, here, and an arch is just an arch. It's larger and more 
prosperous than I expected. A wide pavement runs along the bank, crowded with 
women of every age and color and language.



It's true that, in some sense, the idea that a history could differ so many 
billions of years ago as to completely change the evolution of multicellular 
life, and yet produce this present—a present in which these women, indisputably 
human, walk through the streets of this city, like any human city I have known, 
speaking languages I learned from men—is, to an approximation of many, many 
decimal places, simply impossible.
But the impossible often has an integrity that the merely improbable lacks.
I've come this far; too much is irreversible now.



I stop a slim, dark young woman with Central American cheekbones and 
professional black and white clothes, and in Arabic I ask her if she can tell me 
which way is north.
"That way," she says, pointing. "Up the stairs."
Ahead the bank rises steeply, and there is a broad stone staircase that leads in 
flights up the slope next to the bridge.
I realize I have been hoping she would point up or down the river. Something of 
this must be showing in my posture, because the woman smiles apologetically, and 
gives a helpless shrug.
"Where are you going?" she asks.
I look up and down the river, and back at the boat, and up the stairs, and back 
to the woman.
"I'm not sure," I tell her. "It's my first time in Erethea."
"There's a visitors' center in Khawlah Road," she offers. "Up the stairs, then 
left—that's Ste.-Jeanne Street—then right at the first roundabout. It's got 
signs in five languages; you can't miss it. They can find you a hotel."
It's as good an idea as any.
"Thank you," I tell her.
"Peace."



Up. The stairs are small, built to a shorter stride than mine, and in other 
times I might have taken them two or three at a time. Now I shuffle under the 
weight of the bag and the fever—the Fever, I mean; I can't pretend any more that 
that isn't what it is. The chills come in waves. The air is warm, little less 
warm than down in the delta, and gravid with the nearness of the river, but I am 
remembering my second year of university and a walking trip in the foothills of 
the Pamirs, hunched against a bitter wind, my boots slipping on the first ice of 
autumn, my steps measured in centimeters and in the mounting fear that the next 
one will send me sliding into the kilometer-deep abyss beside us; measured in 
the certainty of death.
Somehow I survived that. Somehow I survive this, too, and come out at the top of 
the stairs, shaking with exhaustion and with the latest wave of chills. I come 
out, and have my first glimpse of the sky.
"God." The word is involuntary, forced out of me through chattering teeth.
Beyond the street lights, beyond the ordered stars of the towers it rises, a 
slender ribbon of moonlight-silver becoming burnished gold where it rises above 
the shadow of the horizon, tapering almost to invisibility but refusing even in 
my blurred and shaking vision to disappear. At its apex, at right angles, it 
meets another ribbon, a ring of gold.
A space elevator, and an equatorial ring station.
The ring is an arch that extends from horizon to horizon. There is no 
possibility that I could have missed seeing it before. I would have seen it from 
the Tenacious. I would have seen it from Haiming. From any point on Hippolyta it 
would have been the brightest thing in the sky.
(Somewhere in the back of my mind, the mental model of the causal anomaly that I 
have spent ten years constructing suddenly expands wildly, acquiring three, 
four, five extra dimensions. . .)
My resolution dissolves. I tear my gaze from the impossible ring and suddenly I 
am running, back toward the river, away from the sky. Behind me, women's raised 
voices, startled or angry or concerned.
The burka constricts my vision to a narrow slit. No peripheral vision. The 
bridge. I'm on the bridge. I can't find the stairs.
I turn and look back and the ring is still there.
Hallucination. Delirium is one of the symptoms of Amazon Fever.
"Delirium is —" I brush up against someone, and I turn to explain "— one of the 
symptoms —" Who am I talking to? I can't see anything through this damned veil. 
I stumble, and look down into the face of a sturdy blonde matron, dressed in 
red, looking exactly like the Queen of England, when we danced The Once and 
Future King for her at Glastonbury.
"I was Lancelot," I tell her, no longer sure whether I am speaking Arabic or 
Turkish or Russian. "It was magnificent." I spin around, managing just one 
half-turn of a pirouette à la seconde before losing my balance.
The Queen takes my arm, frowning with concern. "You need help," she says, 
earnestly, and I don't need to know what language she's speaking to understand.
"It's this damned veil," I explain, apologetically. "I can't see a thing through 
it." I pull away from the woman's grip and start gathering the folds of cloth, 
trying to pull the burka over my head. "Why the hell didn't you stop wearing 
them when we died?"
I know that's unfair, the Queen of England wasn't wearing a burka—what was she 
wearing? A round hat, with flowers. I try to apologize, to tell her how much I 
like her hat, but the cloth is muffling my voice and I give up. "I give up!" I 
let the cloth drop, and turn to the Queen to let her know I give up.
Lights, in the corner of my eye, through the lace. I'm in the street.
"I'm in the street!" I yell. "These fucking veils!"
There is a screeching of tires. Someone grabs my arm, and I remember something 
from elementary school.
"The rate of pedestrian traffic fatalities in Kabul, in the fourteenth century 
of the Hegira —" I start to say, and all of a sudden, before I can finish, I am 
on my back, flat on the ground, the wind knocked out of me. Smell of bruised 
grass. City lights above me in the night. Women's voices, all around me.
"Is she hurt?"
"Someone call an ambulance!"
The lights rush in on me, expanding to fill all the world.



I can hear them, though I am blind.
"Temperature forty point five," the hospital's doctor says, sounding as though 
she's talking into a microphone. "Heart rate one-ten. Blood pressure. . ."
"Perhaps it's some kind of autoimmune reaction." Another woman's voice, a 
familiar one. Beautiful Arabic, like a scholar.
"Maryam?" I croak.
Her hand on my forehead, strong and cool. "Dr. Orbay called me," she says. "They 
found her address in your bag. Hush now, Yazmina. I'll take care of you."
The hospital's doctor is talking over her. ". . .one-fifty over eighty. If 
you're right. . ." I imagine the doctor shaking her head. "There's not much we 
can do here except try to get her stable. Maybe they can do something for her 
off-planet."
Through my closed eyelids I see the arch again. An accelerator ring, a 
jumping-off point for starships. Hippolyta's was destroyed at the start of the 
quarantine. But there it is. Not a place, so much as a gateway.
To where?
I think of Lancelot again, halted at the door of the Grail Chapel, granted a 
glimpse of what he would never touch.
The nurses strip me, wash me, wrap me again in what are probably soft felt 
blankets, though they feel like steel wool against my fevered skin. I wait for 
some reaction to my anatomy—shock? outrage? disgust?—but it never comes.
A needle pricks my arm.
I can almost sleep.



I was wrong to define my own history as real, Hippolyta's as unreal—to define 
mine as Self and Hippolyta's as Other. That is what the inference engines were 
trying to tell me.
There is no past that is not in some sense a lie. We see the past through the 
distortion of memory and imagination. We collaborate in its conscious distortion 
through history and propaganda. We see the laws of cause and effect violated not 
only each time a starship bends space-time but also each time we view the 
incomplete records of the past with our teleological modern eyes, imbuing them 
with presentiments of the future that is our own present, a thing which itself 
we never see or understand except as imperfect fragments. We tell ourselves that 
we search for truth when what we are concerned with is in fact nothing more than 
plausibility.
I called Hippolyta's history virtual, but that is semantics. Whether the causal 
anomaly created that history, or whether it only connected us to something that 
always existed, somewhere, somehow—is probably not even a meaningful question.
The women of Hippolyta have a story they tell about themselves, and it does not 
include men.
That I exist is enough to prove the story false.
That Hippolyta exists is enough to prove the story true.
I am the flaw in the calculation, the hidden assumption that invalidates the 
proof.
That is why I am dying. To balance an equation.



"Hush," Maryam says, in Arabic, as she lays a damp cloth across my forehead. I 
must have said some of that aloud.
"Not long, now," I whisper. When the end comes, it will come quickly.
I wonder what would happen if Liwen were to launch her rockets from here. Would 
Lieutenant Addison and the Tenacious still be waiting? If not—if the rockets, 
launched, would find themselves in some other space-time altogether, rotated 
through some set of higher dimensions—what would that mean? That Hippolyta is as 
much a Gordian knot from this side as from the other?
If the knot is ever untied, it will be untied from this side.
"Little daughter," Maryam says. "Hush."
And does that other side exist? Did it ever? How would I prove it?
I try to remember the name of the prophet in the Qu'ran, the one whose sister 
the Jews and Christians called Maryam. The name of the woman I met in the 
Erewhon transit hostel, the maker of kinés. She brought the Bani Israil out of 
Egypt, but died on the banks of the Jordan. If I was to take a name it should 
have been that one, and not Yazmina.
Maryam puts her hand in mine. I try to remember if she knows that I am a man.
"Hush, little daughter," she says again.
Son, I try to say, but the word is already slipping away from me.