i

Amara was once the beautiful Princess of Egypt. Now, 4000 years later,
she and her coffin are merely prized exhibits of the Charles Ward
Museum. If you were to look at her today, you would see only a brittle
bundle of bones and dried skin. But looks can be very deceiving, as
Barney, the museum's night watchman, finds out. . . .

Barney is the first to make the shocking discovery that the mummy's
coffin has been broken open. But he doesn't have a chance to do anything
about it. Amara is once again freed from the cramped confines of her
coffin, free to walk the earth, free to stalk her prey. Free to kill.
Nothing can satisfy her bloodlust. And no one can stop her. You cannot
kill what is already dead.

"Grade-A Laymon. Will leave even jaded readers gasping!" --Publishers Weekly

"Raw, uninhibited horror at its classic best. Five stars!" --SFX Magazine

I've read everything of Laymon's I could get my hands on. Absolutely a
longtime fan." -Jack Ketchum

ii Rave Reviews for Richard Laymon and To Wake the Dead

"This exuberantly entertaining horror novel is grade-A Laymon.... [It]
hurtles from start to finish."

--Publishers Weekly

"Richard Laymon is an award-winning author and after reading this book
it is easy to see why.... To Wake the Dead is a very scary novel, so
frightening that readers will go to bed with the lights on."

--The Midwest Book Review

"Pedal to the metal, hi-octane horror. Spectacular!"

--SFX Magazine

"A brilliant and terrifying excursion into fear."

--Tapestry Magazine

iii More Praise for Richard Laymon!

"I've always been a Laymon fan. He manages to raise serious gooseflesh."

--Bentley Little

"Laymon is incapable of writing a disappointing book."

--New York Review of Science Fiction

"Laymon always takes it to the max. No one writes like him and you're
going to have a good time with anything he writes."

--Dean Koontz

"If you've missed Laymon, you've missed a treat."

--Stephen King

"A brilliant writer."

--Sunday Express

"I've read every book of Laymon's I could get my hands on. I'm
absolutely a longtime fan."

--Jack Ketchum, author of Peaceable Kingdom

iv "One of horror's rarest talents."

-Publishers Weekly

"Laymon is, was and always will be king of the hill."

--Horror World

"Laymon is an American writer of the highest caliber."

--Time Out

"Laymon is unique. A phenomenon. A genius of the grisly and the grotesque."

--Joe Citro, The Blood Review

"Laymon doesn't pull any punches. Everything he writes keeps you on the
edge of your seat."

--Painted Rock Reviews

"One of the best, and most reliable, writers working today."

--Cemetery Dance

v Other Leisure books by Richard Laymon:

THE LAKE

ENDLESS NIGHT

BODY RIDES

BLOOD GAMES

NO SANCTUARY

DARKNESS, TELL US

NIGHT IN THE LONESOME OCTOBER

ISLAND

THE MUSEUM OF HORRORS (anthology)

IN THE DARK

THE TRAVELING VAMPIRE SHOW

AMONG THE MISSING

ONE RAINY NIGHT

BITE

vi RICHARD

LEISURE BOOKS

NEW YORK CITY

vii LEISURE BOOKS * November 2004 Published by

Dorchester Publishing Co., Inc. 200 Madison Avenue New York, NY 10016

If you purchased this book without a cover you should be aware that this
book is stolen property. It was reported as "unsold and destroyed" to
the publisher and neither the author nor the publisher has received any
payment for this "stripped book."

Copyright © 2003 by Richard Laymon

All rights reserved. No part of this book may be reproduced or
transmitted in any form or by any electronic or mechanical means,
including photocopying, recording or by any information storage and
retrieval system, without the written permission of the publisher,
except where permitted by law.

ISBN 0-8439-5468X

The name "Leisure Books" and the stylized "I" with design are trademarks
of Dorchester Publishing Co., Inc.

Printed in the United States of America.

Visit us on the web at www.dorchesterpub.com.

viii To Wake the Dead:

As long as I have been on Earth, which is longer than Microsoft Word 5.0
but not longer than the English language, I've been involved in only two
traffic accidents. They occurred a little more than a year apart, and
the circumstances were eerily the same; I should not have survived
either incident, and certainly should not have survived unscathed, but I
did.

In the first instance, my wife and I were in a large sedan, stopped at a
controlled intersection, on our way to dinner, when a car hit us from
behind at (the police estimated) 55 mph, without braking. That day, with
spring approaching, I'd had the snow tires taken off the rear wheels and
replaced with springtime rubber. The snow tires had been stored
temporarily in the trunk of the car until I could tuck them aside in a
corner of the garage for use the next winter. When we were hit from
behind, the stored tires were two enormous shock absorbers; however,
even with the protection they provided, the rear half of the sedan was
spectacularly crushed, compacted into about two feet of mangled ruins
that were shoved against our headrests. The back doors folded like
accordions. The front doors buckled and would not open. The gasoline
tank ruptured and sprayed fuel into the passenger's compartment.
Incredibly, the engine was still running--and wouldn't shut off.
Expecting fire or explosion, I needed perhaps a frantic half minute to
wrench open a buckled door. Our sedan was totaled, but the car that hit
us was totaled and quashed.

ix We thought the driver of the other vehicle must be dead, but to our
amazement, as we hurried to him, he struggled out of his demolished
coupe, as unharmed as we were. As it turned out, he was a
sixteen-year-old boy who had gotten his driver's license a month
previous; he had bought his first car that morning. Regarding the
wreckage with disgust, he looked at us and said, "I didn't need this,"
as though he suspected that we, unlike him, had been driving around with
no sane purpose but with the mad hope of being hit from behind and
killed. We had just paid off our car loan that day.

Fourteen months later, having moved three thousand miles from
Pennsylvania to California, we were stopped at a traffic light, on our
way to dinner (going out to a restaurant is seldom viewed as the
extremely dangerous undertaking our experience has proved it to be) when
a car hit us from behind at (the police estimated) 55 mph, without
braking. This time we were in a small sports car, a Mercedes 450 SL,
which had no backseat. Because the Mercedes was solidly constructed and
brilliantly engineered, the fuel tank didn't rupture and the doors
didn't buckle; we got out of the vehicle unscratched. The car that had
hit us, a large sedan, looked as if it had been nuked. We were sure the
occupant must be dead or seriously injured. We hurried to the driver's
door. The window was broken out. The door had buckled. The woman inside
was alive--but obviously intoxicated. When we told her to stay calm,
that we would get her out, she cursed us and said, "I didn't need this,"
putting the emphasis on the word need, precisely as the young driver had
done fourteen months ago in Pennsylvania. I couldn't get her out of the
car, and even the police, who arrived within two minutes, had trouble
extracting the woman, not because she was pinned in the wreckage but
because she was determined to stay in there rather than get out and have
to face a breathalyzer test. As had happened fourteen months earlier in
Pennsylvania, Gerda had made the final payment on our car loan that very
morning.

The uncanny similarity of the details of these two accidents suggests to
me--as do so many things in life--a world that operates not always
according to the predictable laws of physics and chance, but also and
perhaps as often under the influence of a mysterious power with a
delightfully byzantine sense of story and with an agenda that is, though
perhaps not inscrutable, challenging to analyze and understand.
Pondering the significance of these two accidents, Gerda and I posi(ed
all sorts of possible meanings and messages to be derived from our
experiences. I thought it logical, for example, never to halt at another
traffic light or stop sign, but to cruise blithely through the
intersection with the expectation that to stop would be to invite an
inevitable rear-end collision. Eventually, however, we made only one
change in our lives due to these events at opposite ends of the
continent: Because we were finally able to afford to do so, we
thereafter never took out another car loan but paid cash for each new
vehicle we acquired. Granted, on any day that we paid for a new car, we
assumed that we were at risk till midnight, but when we made it to that
witching hour, the suspense was over!

One evening a few years after the second of these two accidents, Gerda
and I went to dinner with Dick and Ann Laymon. In our flivver, we picked
them up at their house and buzzed off into the glamorous Angelean night,
which glitters with film stars and carjackers, movie moguls and diseased
streetwalkers, pop music divas and babbling urine-soaked hobos (some of
whom had no doubt once been pop music divas). We had reservations at a
sixteen-star restaurant, outside which even the richest titans of
industry wrestle in the street like hooligans over a suddenly available
table. We were exuberant at the prospect of superb food, fine wine, and
the chance to share dozens of hilarious personal anecdotes about such
subjects as the publishing business and dental surgery. Nothing, we
thought, could taint this spectacular evening--and then I missed our
freeway exit.

As a driver, one of my hallmarks is missing freeway exits, but only when
chauffeuring particularly interesting and voluble people. Dick and Ann
were so interesting and voluble on this occasion that Gerda was
preparing syringes full of Thorazine to calm them down, and I suppose
that rolled-up sock in her left hand was meant for my mouth. Anyway, as
I regaled Dick and Ann with the story of our two nearly identical
accidents, fourteen months apart, I zipped by our freeway exit and past
another one before any of us realized what I had done. After
consultation, we agreed that by switching freeways, we could eventually
get back around to where we needed to be, so I switched, and switched
again ... and by some means that was mysterious to all of us, we found
ourselves on what seemed to be an unopened section of an uncompleted
freeway--and shortly thereafter on a surface street in a neighborhood so
grim and forbidding that even the attack-trained pit bulls carried
semiautomatic pistols and kept their heads down.

We were familiar with the maze of streets and highways that form an all
but infinite Gordian knot binding the limbs and bowels of this great
city, yet we were uncertain of our location and flummoxed as to how to
find our way out of what seemed about to become a vortex of terror. In a
baffling and unconventional move, Gerda consulted a map, as if that
would be of any help. Dick and I, on the other hand, voted for the sober
and sensible approach: cruising at random into ever meaner streets, in
the hope that we would stumble upon a freeway sign and a hasty exit
route before we were all shot, stabbed, throttled, dismembered, set on
fire, and offered up to the Beast of Beasts on a Satanic altar.
Naturally, as we were both writers who had been born with a generous
measure of imagination, we saw threats at every turn, which we excitedly
pointed out to each other, and we were able to envision--and vividly
describe--a virtually endless series of hideous fates that might very
well befall us before we found an escape route. Ann, for reasons beyond
my comprehension, chose to lean forward from the backseat and consult
with Gerda over the stupid map. Anyway, by eventually executing a series
of turns that Gerda suggested based on--I suppose--her superior female
intuition, we found a freeway and were able to arrive at dinner a tad
late but with all of our extremities intact.

After a delicious

x dinner accompanied by a superb Cabernet, after desserts even more
likely than any Barney the Dinosaur performance to trigger a diabetic
coma, and after many hilarious anecdotes about the publishing business
and dental surgery, the four of us departed the restaurant, stepping
between the wresding titans of industry who thrashed upon the sidewalk,
and presented our car check to the valet-parking attendant. Since I had
begun the evening talking about our two strangely similar accidents at
opposite ends of the country and then had driven the Laymons deep into
harm's way, it seemed fitting that the car should be returned with a
long, deep scratch/crease on the passenger's side, from front fender to
rear--and that the valet parking attendant should, instead of
apologizing, say, "I didn't need this."

Dick and I exchanged a look, and neither of us needed to say that one of
the greatest problems for novelists is that reality is not only stranger
than fiction but generally funnier and more deeply disturbing. To get
the true flavor of life, it seems to me, a writer has to let his
imagination cruise not merely through the precincts of realism where you
might find Hemingway but, more important, also into neighborhoods of the
fantastic. Dick and I are radically different writers, but what I love
about his work is his willingness to drive at high speed into the
fantastic--and make it seem, for all its flamboyant qualities, as real
as tomorrow's newspaper. To Wake the Dead is one such. Enjoy.

xi What may this mean

That thou, dead corse,

Revisits thus the glimpses of the moon,

Making night hideous?

--William Shakespeare Hamlet, Act I, Scene iv

1

CHAPTER ONE

Emil Saladat leaped down from the cab of the U-Haul van and rushed to
the cover of bushes near the wall. He watched Metar run to join him. The
van moved away, its taillights disappearing around a bend.

Emil stepped into Metar's cupped hands for a boost. He clutched the top
of the brick wall and flung himself onto it.

This was so easy.

This American was a cinch.

No broken bottles embedded in the wall. No electrified wire. No armed
guards.

This American, Callahan, was making it so easy that Emil should be
ashamed to take money from his people. He would take it, though, just as
he had always taken it before, no matter how simple the job. A man must
put food into his belly. A man must buy fine gifts for his women.

He reached down. Metar handed him the backpack. He set it on top of the
wall, lowered his arms again, and this time pulled the smaller man off
the ground.

From his perch on the wall, Emil looked toward the house. He couldn't
see it. Too many trees in the way. He knew it was there, however. He and
Metar had paid it a visit, just last week.

He leaped from the wall. Metar dropped the pack down to him,

2

then jumped. He held the pack while Metar slipped it on. Turning away
from the wall, they started toward the trees.

Out of the darkness sprinted a Doberman, its feet silent on the summer
grass.

This was Callahan's security?

It was laughable.

The dog yelped and tripped over itself as a ,22-caliber hollow-point
slug crashed through its skull.

Then three more Dobermans raced out of the darkness. Emil fired his
silenced automatic, knocking a foreleg from under the lead dog. As it
tumbled, the one beside it leaped at him, teeth bared. He stepped toward
it, ignoring Metar's cry of pain. The dog snapped, its teeth clattering
on the silencer. With quick twitches of his middle finger, Emil pumped
two bullets into its mouth. He sidestepped away from the lunging, dying
animal, swung his pistol from its mouth, and dropped the dog he had
previously hit in the leg.

Then he whirled around. Metar, the incompetent fool, was on the ground
fighting for his life as the last surviving dog savaged his arm, trying
to get through it to his neck.

Emil fired.

The dog yelped as the bullet tore through its spinal cord.

Then jerked and died.

Metar rolled out from under the heavy body and stood up. He raised his
bloody arm for Emil to see, like a child showing a scraped elbow to his
mother for sympathy.

Emil turned away in disgust. He hurried through the stand of pine, and
saw the Callahan house across fifty yards of neatly groomed lawn.
Floodlights illuminated the colonial's pillared veranda. All the windows
Emil could see, however, were dark. He ran to the left side of the
house, staying far from the lighted front, and leaned against a wall.

Metar, a handkerchief tied around his wounded forearm, ran to join him.

With friction tape, Emil reinforced a panel of the window. His
glass-cutter bit into the glass. He cut a rectangle.

A neat job. A good job. That's why his clients paid him well.

Holding it in place with tape, he pounded it loose and withdrew it. He
gave the neatly cut geometric lozenge of glass to Metar, then reached
into the gap. Unlatched the window.

It slid upward easily.

Quietly.

Emil climbed through. As planned, he found himself in Callahan's study.
He sat on a corner of the teak desk, and watched Metar climb awkwardly
through the window.

They crossed the study to the door. Emil eased it open. He peered into
the dark hallway, and gestured for Metar to follow.

In the foyer, Metar's rubber-soled shoes made squeaking sounds on the
marble. Emil glanced sharply at his young partner. The man shrugged,
crouched. Removed his shoes.

Emil flashed the beam of a small flashlight toward the front door. Next
to it, on the wall, he found the speaker box and remote-control button.

He pushed the button.

In the U-Haul van parked nearby, Steve Bailey squinted through a haze of
cigarette smoke at the iron gate. It began to swing open.

Very good.

In ten minutes, he would be done with this business. He would be away
from the house, and on the freeway to the airport. In a couple of hours
or so, he'd be with Carla. It was always best with her, right after a
job when he knew he was finally safe, and the fear was gone, and he had
money . . . good money... in his pocket. His cock knew it was time to
come out of hiding and celebrate.

Easing his foot of the clutch, he rolled through the open gate. He
steered up the driveway, swung left, and drove over the grass to the
veranda.

With a hissing sputter, the acetylene torch came alive. Emil watched his
partner shoot its flame against the lock panel of the steel door. The
metal bubbled and peeled back like the lips of a knife wound.

Raising the goggle to his forehead, Emil stepped silently down the hall
to the foyer. He squinted up the stairway.

Perhaps he should go up and put a bullet into Callahan's head? Then he
could go about his work untroubled by the man's presence.

4

Murder, however, would increase official interest in the case. That was
to be avoided, if possible.

As long as the old man didn't interfere, Emil would allow him to live.

The torch shut off. Sparks winked out.

Emil returned to the door and helped Metar remove the severed lock
panel. As he set it aside, Metar loaded the torch into the backpack and
slung the straps onto his shoulders.

Slowly, Emil pushed the metal door open.

Robert Callahan, asleep in his upstairs room, heard the quiet drone of
his alarm and dreamed of sirens. An ambulance was bearing down on a heap
of torn cars. Sarah, lying in the road, raised her bloody head and cried
for help.

"There she is," shouted the ambulance driver.

Robert, for some reason dreaming that he was sitting in the passenger
seat, said, "Thank God she's alive."

"We'll soon fix that," said the driver.

The ambulance sped toward her. Lethal as a bullet.

"Stop!"

"It's her due."

"No!"

She stared with pleading eyes into the headlights. Stared into the face
of death.

Robert felt the vehicle jolt as it struck her.

Suddenly wide awake and panting with fear, he realized the siren was the
burglar alarm amplifier by his bed. Someone had penetrated the
collection room.

Emil entered the room, Metar at his side. Walking close to the wall, he
shined his light on the statuettes of gold and ivory, on gold necklaces
heavy with precious jewels, on scarabs and broaches and glistening rings.

To see so many antiquities in a man's private collection disgusted him.
If he had time, he would clean out the entire collection of this grave
robber.

But Emil had come only for Amara. The thin beam of his light found a
stone vase, its lid decorated with the jackal head of the god Anubis.
Beside it stood a similar container, this with the head of a Hawk. His
light fell swiftly across two more vases. These were the Canopic jars
holding the embalmed organs of Amara--heart, lungs, kidneys. Her womb.
He must take the jars tonight.

Swinging his flashlight, he found the coffin.

It was the wooden, inner coffin of Amara. The outer coffins and massive
stone sarcophagus had never left Egypt. The thieves had taken this only,
and the Canopic jars. And Amara herself.

Stepping close to the coffin, Emil shined his light onto a golden disk
on the edge of its lid. He was thankful to find the sacred seal in place.

Though vermin, Callahan was not a fool.

Leaning across the lid, he inspected the second seal. It too appeared to
be intact.

Reassured, he allowed himself to look down at the carved face of Amara.
It was a face of rare beauty, a face that might have shamed Nefertiti
herself, had the ladies' paths ever crossed. But their paths were
separated by centuries. Amara belonged to the long-dead era of the
eleventh dynasty, when Mentuhotep I ruled and gods were young in the
memory of the people.

Emil glanced at Metar, who stared as if hypnotized by the beautiful
image. With a tap on the arm he caught his partner's attention. He
pointed to the foot of the coffin.

Together, each at one end, they lifted it. They carried the deadweight
of it across the room, through the doorway, down the dark hall. Emil's
powerful arms strained with the weight. Metar whimpered as wounds from
the dog's bite stretched, reopened, bled. At the end of the hall, the
carpet ended. Emil felt the marble of the foyer under his feet.

A few more steps, then they could set down the coffin while Metar opened
the door.

It was good to accomplish the hardest part first. The Canopic jars would
be easy after this.

He nodded for Metar to stop.

A quick blast shattered the silence. In the muzzle flash, he saw

6

Metar slammed backward, dropping the end of the coffin. Mist jetted from
between the casket and lid. Dust of the ages. Corpse dust. Even as he
looked toward the stairway, a second flash and explosion filled the
darkness. He had no time to duck.

Steve Bailey, in the U-Haul van just outside the door, heard the shots.

Holy shit.

They hadn't come from a .22.

They'd come from a high-powered sucker, like maybe a .12gauge.

Emil and Metar only carried peashooters.

So who had the cannon?

Bailey didn't wait to find out. He dropped the emergency break lever,
rammed the shift to first, floored the gas pedal, and popped the clutch.

Callahan lowered the shotgun. His shoulder was numb from the kicking
stock. His ears rang as if they'd been slapped.

Stepping down the stairs, he heard an engine just outside the door. It
roared, then faded with distance.

Callahan stepped across the dark foyer, careful not to trip over the
bodies or the coffin. Near the door, he found the light switch. Flicked
it on.

Both the bastards looked dead. One had caught it in the chest. The other
had lost most his forehead.

He turned his eyes to the coffin. It had landed on its side. Bending
down, he saw a crack across one of the golden seals.

"Robert!"

He glanced up the stairway. His small, swarthy friend looked confused
and frightened.

"Give me a hand with this, Imad."

"Robert, what happened?"

"These bastards tried to make off with Amara. Same two guys who were
here last week wanting to do landscape work."

As Imad reached the bottom of the stairs, his mouth dropped open. "The
Seal of Osiris," he muttered. "I'm not blind. Give me a hand, we'll see
how the other one looks."

Together, they crouched and rolled the coffin off its side. On the
marble underneath lay two chunks of gold from the second seal.

Gasping, Imad stepped back.

"Forget it," Callahan said. "We'll take care of it later."

Imad shook his head, his eyes large with fear.

"Let's just get these guys out of here first. We'll plant them in the
garden."

Still shaking his head, Imad stepped backwards toward the door. He spun
around. His trembling hands fumbled with the locks, then he flung the
door open and ran into the night.

Callahan watched him dash across the lawn, white robe fluttering.

"Imad!" The man kept running. "Better off," Callahan muttered, and
pushed the door shut.

He slept soundly after the hard work of burying the men and cleaning up
the mess they'd left in the foyer. Bloodstains were the worst. His
snoring was loud in the darkness.

The figure entering the doorway didn't disturb him. He continued to
snore peacefully as it crossed the room. He moaned once as it raised the
covers on the empty side of the bed.

It climbed in beside him. He knew, vaguely, that he was no longer alone.
Sarah must have come back from the bathrroom. He was glad to have her
back. The bed felt so empty without her.

Rolling toward her, he put a hand out. It would be so good to touch her
skin. Sarah had always felt so soft, so smooth. Hungry for her warm,
supple body, he reached out, searching for her. His fingers found the
figure. Touched. Caressed.

If felt wrong, all wrong. He touched skin that was hard, wrinkled. Cold.

With a nauseating jolt, he remembered Sarah was dead.

The shock woke him. At that instant he found himself gazing into eyeless
sockets and a leathery, shrunken face.

Something under the sheet touched his bare leg.

Slowly, the mouth opened.

Callahan started to scream.

8

The head jerked forward, jaws snapping shut, teeth barely missing his
throat.

Callahan rolled off the bed. His knees hit the floor. He scurried,
naked, trying to get on his feet. As he started to rise, the mummy
pounced upon his back. "Get off!" he shrieked.

Its dry fingers clutched him by the shoulders.

He heard the clatter of its snapping teeth.

"Get off! No!"

Callahan got to his feet, but the thing kept its grip and stayed on his
back as he ran across the room.

Its teeth tore the side of his neck. Its head jerked savagely, ripping.

Callahan dropped to his knees. He reached behind him, hoping to free
himself from the creature. He gripped its hair. He jerked. Tresses
pulled loose in his hand.

The mouth kept biting and tearing long after he was dead.

9 Susan Connors, assistant curator of the Charles Ward Museum, was dead.
Dead on her feet, that was. She'd been standing all day, directing the
workmen who uncrated the collection, marking her checklist, pointing out
where she wished the dozens of ancient artifacts placed for display.

She hadn't been on her feet this long since the day she worked a double
shift at the Wagon Train restaurant, busing barbecue ribs and
cheeseburgers for conventioneers. Some treat that was. Man, oh, man ...
That was--what?--six years ago? She'd been an undergraduate then. A senior.

That seemed like a long time ago.

Aeons.

Almost as long as eight o'clock this morning.

One of the workmen, the one called Top, lifted a Canopic jar out of its
packing case. It was made from alabaster, a stone that looked like
fresh, white milk which had been transformed into something hard.
Brittle. A sculptured head of a jackal formed the lid. Susan marked her
checklist.

"That goes with the others." She pointed to the stand beside the
mummiform coffin where three other stone jars had already been placed.
Top carried it across the room. Its weight didn't seem to bother him,
though he looked frail and old enough to be the father

10

of the other man. As he set down the jar, he said, "That about does it,
miss. The whole kit'n kaboodle. Wanta sign here?"

She scribbled her initials on the invoice. Top tore off a copy, gave it
to her.

"All set," he said.

When he and the younger man were gone, Susan sat on a folding chair--the
only piece of furniture in the room that was less than two thousand
years old, certainly the only piece that hadn't come from the Callahan
collection. Leaning back, she crossed her right foot over her knee and
sighed with pleasure. The aches seemed to flow out of her. When that leg
felt almost normal, she lowered it and raised the other. The relief!

"Your meditation hour?" a voice asked.

"Tag?" She looked around and saw Taggart Parker standing in the doorway.
"What are ... ?" Then she remembered. Her car had treated her to a flat
tire this morning. Tag had given her a lift to work. "Come on in," she
said, getting up.

Tag unhooked one end of the plush cordon from its post and stepped
forward through the doorway.

Into Susan's arms. She kissed him. The day's growth of whiskers was
scratchy against her face, but she didn't mind. She pressed herself
tightly to him, stroking the soft fabric of his corduroy jacket. She
felt a hard shape against her belly.

"Is that a gun?" she asked, trying to sound like Mae West. "Or are ya
glad to see me?"

"Both," Tag said.

Reaching down, Susan stroked the walnut grips of his Colt Python.
"You've got a hell of a pistol, fella."

"And I'm good with it."

"Braggart." She kissed him again. "Hey, we'd better knock it off before
the boss walks in." She stepped away, but kept hold of his hand. "How
was your day?"

"Improving."

"Mine too." She swept an arm around the room. "Look what I did today.
It's the Callahan collection."

He scanned the room and his eyes settled on the single coffin. "What's
that, a mummy?" "Sure is."

"How about giving me a peek? I've never seen a real live mummy before."

"Are you sure you want to?"

"I'd love to."

"She's been dead a while."

"Is that right?"

"The better part of four thousand years."

"That long?"

"We don't know much about this gal yet: just what we got from the list
Callahan left. Her name is Amara."

"Amara? That's a beautiful name." He smiled, teasing.

"And she was a wife of Pharaoh Mentuhotep the First. He ruled Egypt
during the eleventh dynasty, about 2000 b.c."

"Well, let's have a look."

"Promise not to touch?"

"You don't trust me with strange women?"

"Especially not when you say they have a beautiful name."

"And so it is. Amara, Amara, Amara. A guy can fall in love with a name
like that."

"Okay, promise not touch. It's extremely fragile."

"Cross my heart." He patted Susan's rump. "Actually, I doubt if I'd want
to."

Together they raised the lid. Susan, who had seen the mummy only for a
moment that morning, gave it a closer inspection. The hair was a sweep
of shining red, the only part of the once-young woman that had
apparently defied time. It must have been elaborately coifed at the time
of entombment. Those who unwrapped her had probably also removed the
jewel hairpins. Her eye sockets were empty. No valuable stones inside as
imitation eyes, as was the ancient funerary practice. No onions to mask
the smell of corruption, like they found in Ramses IV. No bags of
frankincense and myrrh in the body cavities either. Robbers had
undoubtedly made off with those. Valuable spices were still valuable
spices even if they had been drawn from their grisly container. Across
the abdomen was a diagonal cut nearly a foot long that had been crudely
stitched with twine. The breasts had shriveled

12

into puckered bags. The pubic region had been shaved, probably by the
ancient morticians after the young woman died.

Susan realized that Tag was looking away.

They closed the lid, covering that awful face.

"Do mummies all look like that?" Tag asked. His new, pasty complexion
worried Susan.

"Are you all right?" she asked.

"I've felt better, on occasion."

"Ready to leave?"

"I wish we'd left five minutes ago."

In the subterranean parking area beneath the Marina Towers apartment
complex, Tag drove slowly past Susan's Jaguar.

"It's fixed!" she blurted.

"I had a few minutes to kill after I got home from work, so I put on the
spare for you."

"Oh, you're a sweetheart."

"Somebody isn't. Your tire didn't go flat all by itself. It had help.
Somebody with a knife, I'd say."

"You mean someone intentionally ... ?"

Tag nodded. "It might've been random, but I doubt it. I think you've
made yourself an enemy, Susan."

She shook her head.

"What about Larry?"

"He wouldn't do that. I mean, that's the last thing he would do. He paid
for the car, he wouldn't try to damage it."

"Unless he doesn't appreciate the fact that it now belongs to you." Tag
swung into his own parking space. In spite of his low speed, the tires
sighed on the slick concrete.

"I don't think it was Larry."

"Just a suggestion."

Their doors banged shut and echoed.

"How about coming in for a drink?" Susan asked.

"Sounds good."

They took an elevator to the third floor, and walked the narrow,
carpeted hall. At her apartment, Susan opened the door to the warm, rich
odors she recognized as enchilada sauce. 13

"Evening, Maria," she greeted the chubby, smiling woman in the kitchen.

Maria nodded eagerly.

"Everything go all right today?"

"Si. All right." Her bright eyes turned to Tag. "Ah, Senor Taggart.
Margarita, si?"

"Right."

Susan left them, and went into the small bedroom that she used for a
nursery. Geoffrey, who was busy inspecting his toes, looked up as she
entered. He grinned and gurgled.

"Hi there, little guy," she said. "Have yourself a good day?" She picked
up the baby, kissed his cheek, and pulled out the front of his diapers.
They were definitely damp to the touch. She stripped him, dried him,
powdered him, and put on a new diaper. After a brief struggle, she
managed to maneuver him into a pair of tiny brown corduroy pants. Then a
yellow T-shirt that read Slippery When Wet. "There you go, my little
man." Hefting him, she carried him into the living room.

Tag came in. He handed Susan a bottle of ProSobee and a glass of
Perrier. "Cocktails for everyone," he said. Sitting across from her, he
sipped his margarita.

Maria entered and placed a bowl of taco chips in front of him.
"Gracias," he said.

"De nada."

He watched her walk away. "I sure wish I had one of those," he said.

"I wish I didn't."

"What would you want to do, stay home all day?"

"Wouldn't mind. After Geoffrey was born I did it for three months and
loved it."

"What about the museum?"

"It'd still be there when I'm ready for it again. But like they say, the
bills won't pay themselves. So I guess I stay with the museum and Maria
stays with Geoffrey."

"With what Larry makes--"

"I don't want anything more from him. It's bad enough I have to take the
child support." Looking down at the baby, she said, "I'm

14

sure glad Geoffrey doesn't know what a creep his father is." She smiled
at the boy, who stopped sucking long enough to grin. White formula
trickled from the corner of his mouth. She dabbed it away with a soft
tissue, then looked up at Tag. "How about staying for dinner?"

"I'd sure like to. I have to get out of here, though. Class tonight.
Crowd Management Techniques."

"You still have to eat."

"I'll grab something in my apartment."

When he finished his margarita, he went to Susan and kissed her. "How
about later?" he asked.

"How much later?"

"Ten-thirty, eleven."

That's my bedtime," Susan said.

Tad grinned. "I know."

"I didn't get much sleep last night."

"Me neither."

"That's for sure."

"How about it?" Tag asked, smiling.

"How can I refuse?"

He kissed her again. "See you later, alligator." He rubbed Geoffrey's head.

Geoffrey belched.

"Excuse yourself, kid."

As Tag took the elevator to the fifth floor, he considered skipping
class and taking up Susan on her dinner invitation. He needed the class,
though; with the sergeant's exam scheduled for next month, he needed all
the help he could get.

The doors slid open and he stepped into the hallway. He turned left. The
corridor stretched out silent and narrow. Though he'd never been in a
submarine, he often thought of them when he walked these halls.

A guy could get claustrophobia. A guy could get short of air. So short
he finds himself rubbing his throat, his breath coming in short, painful
tugs. 15

As he stepped around the corner, he saw something heaped on the floor.
Something the size of a body, covered by faded, grimy cloth. In front of
his door. He moved toward it, hand darting to the firearm at his waist.

17

CHAPTER TWO

The heap in front of Tag's apartment door moved. A head appeared, hair
slicked down with filth, face bloated, blotchy, and pale.

Tag recognized it at once. He stopped running. Took his hand away from
the pistol. "Mabel," he said.

She smiled by raising her lip. More of a canine snarl than human smile.
From the look of her mouth, her missing teeth were the lucky ones. She
rolled until she was sitting up, her back against the door. She
straightened the dress over her thick thighs.

"I come to see you, babes," she murmured.

"How did you find me?"

"Got your name offa your name tag, you know? Got it right offa your tag.
That little plastic gadget on your uniform. Then I looked you up."

"What for?"

" 'Cause you're my kinda guy. Give a gal a lift, would ya?" She reached
out her hand. Tag didn't want to touch the blotchy mitt. Refusing would
be awkward, though. Besides, he felt sorry for Mabel. She was forty
years old and lived with her mother, a slovenly woman who could pass for
Mabel's old sister if she stood on the kind side of the streetlight,
that was. Last week, Mabel ran into half a dozen members of the Braves,
a Pony League team sponsored by a local hardware store. It started with
name-calling. Ended with a gang-bang. 17

"When did they let you out of the hospital?" Tag asked. Taking the
offered hand, he helped her up.

"Yesterday. First thing I says to myself, I says 'Mabel, that nice
Officer Parker is your kinda guy.' So I looked you up and come right
over here just to see ya. Ya gonna let a girl in?"

"I have to go out tonight, Mabel."

"I'll go with you, hmmm?"

He opened his door. "Can't," he said.

She followed him into his apartment, gave it a quick inspection with
dreamy Demerol eyes, and whisded. "Say, this is some nice place."

"Thank you."

"Won't hurt me at all, waiting here. Hmm?"

"Waiting?"

"Sure. You come back, I'll show you a time and a half, babes."

"I don't think that's a good idea, Mabel." He went into the kitchen.
Mabel didn't follow, so he quickly took a handful of sliced salami and
American cheese from his refrigerator, stuffed it all into a baggie, and
hurried back to the living room.

Mabel's dress lay on the floor.

She was on the couch, naked but for black briefs and a red brassiere
that barely cupped all she had to offer. Leering, she let her tongue
slide over her thick lips. The other hand stroked a thick, blotched
thigh. Cellulite rippled.

"Aw, Mabel."

"Put it right here," she said. "Come on, babes, don't be shy."

Geez. Shyness had little to do with it.

"I really shouldn't," Tag said, trying to look only at her face. "You're
not ready for those kind of games just yet."

"I'm tougher than I look. Come on, Tag, hold me tight for a little. I
won't bite."

"No, maybe not, but I'd wager there's plenty in the tangle of hair
that'd bite good and hard."

"Babes," she cooed. "I can take you places you've never been before."

Damned right. The clap clinic. Front of the queue. Pants down.

"I'm sorry, Mabel." He picked up her dress and tossed it to her.

18

"Thanks for your kind offer, but I have an important class tonight. Now
get dressed. I'll walk you downstairs."

"I ain't good enough for you, that it?"

"No, that's not it. I'm in a hurry, that's all."

"I could have shown you a real good time. Hot and spicy, you dig?"

"I appreciate the offer."

"Well, I'm staying put till you give me the goodies. Hmm?"

Tag groaned. He couldn't leave, not with Mabel still in the apartment.
The alternative? Tease those black panties down over her thighs, then...
oh, man, no. She wasn't a bad person, just more than a little mad.

Mad. Sad. Horny. Hell, what a combination. "Do you want some money?"

"What do you want me to do for money?"

"Nothing."

"I'd do anything for you for free, babes."

"Mabel, listen to me, I'll give you money."

"What for?"

"To leave," he said. Blunt, okay, and he saw the pain in her eyes. "I'm
sorry, but I have no intention of making out with you. I have an
important place I have to be in about five minutes. I'm already going to
be late and I can't leave till you're out of here, so please get dressed
and go."

"I ain't good enough for you, that's it. I ain't pretty and cultivated
like that whore downstairs."

He glared, but said nothing.

"Sure .. . sure, I know all about you and her; how you stayed at her
place last night, and me waiting for you here all cold and lonesome."

"You're the one."

"She's a scrawny nothing, babes. You just climb on here."

"You're the one who did it."

"You're not gonna believe what I can do with my tongue."

"You flattened her tire, didn't you?"

"Me? Not me. No sir. Officer." 19

"That was a rotten thing to do, Mabel. Now get your dress on or I'll run
you in."

"What for?" A brassiere strap slipped, exposing a fat brown nipple.

"Indecent exposure."

"Oh, yeah?"

"That's right," Tag said. "Maybe a little trespass too."

"Okay, okay." Mabel hoisted up the strap cupping the dollop of breast.
"Hand me up my dress, will you?"

As Tag crouched beside the sofa to pick up the pile of dirty cloth,
Mabel grabbed him. She tugged his arm. Off balance, he fell onto her.
Her arms clutched him tightly. Those hefty breasts felt like twin
cushions against him. Sour breath rushed into his face. Her arms
clutched him.

"Mabel!" he snapped. "Damn it, you'd better. .. I"

Her mouth pressed against his. Her tongue prodded his tightly sealed
lips. Something warm and wet dribbled down his chin.

Trying to push away, his hands sank into those twin mounds of soft flesh
beneath the brassiere. She moaned with excitement. "Oh, that's it, babes
...."

"Mabel... let go ..."

Mabel rolled. Both tumbled onto the floor.

"Get..."

Her thick tongue penetrated his mouth. The sour-milk odor made him gag.
A hand pushed roughly under his belt, searching .. .

"No!"

He jerked his head back sharply, gasping for clean air. At the same
moment, he tugged the roving hand from out of his pants and bent it
backward at the wrist until Mabel cried out. Using the hand for
leverage, he forced her to roll off. He stood up, still keeping the hand
bent.

"Okay," he panted. "On your feet."

He helped her by twisting the arm.

"Bastard!" she cried out. "Cocksucker!"

"Shut up, Mabel."

"Motherfu--" She yelped in pain as he gave the arm a quick turn.

"I said shut up."

Using the twisted arm, he steered her toward the door. "I don't

20

want any more trouble from you, do you understand? I want you to go home."

"No, I want--"

"I want you to go home and never pull this kind of stunt again. If you
bother Susan or me, know what I'll do?"

"What?"

"I'll tell your mother."

She jerked her head sideways and glared at him. "You better not."

"I will."

"You better not," she repeated. This time frightened.

"You be a good girl from now on, or I will."

"All I wanted was to be nice to you. That's all I wanted. What's wrong
with that?"

"The way you went about it. Now, I'll let go of you and I want you to
get dressed, then go straight home. Okay?"

"Okay." Her swollen lips formed a sulky pout.

He let go of her arm. She leaned heavily against the door, arms hanging
at her sides, head down, mess of hair dangling across her eyes. Tag
turned away. He picked up her dress, handed it to her, and turned his
face away as she hauled it over herself. Then he opened the door.

He watched her walk slowly down the hall. Thirty years ago she'd have
been a cute kid. Nice. Friendly. Polite in class. At night she'd have
heard her mother going down on any guy with a dollar in the next room.
It's hard to grow up decent. . . hard to grow up sane .. . after a
childhood like that. "Good-bye, Mabel. You take care of yourself, do you
hear?"

She looked over her shoulder. He saw tears on her face. Sniffing loudly,
she wiped her nose with the back of her hand, turned sadly away.

Tag shut the door. Locked it.

He glanced at his wristwatch.

Too late to bother with the damned class.

Feeling tired and bruised and dirty .. . like something thirty years
dead had just crawled over his face ... he went to the bathroom, turned
on the shower. When it was scalding he stood under it, his face up to
receive the driving jets.

21

CHAPTER THREE

April Vallsarra, hands resting on the stone balustrade, enjoyed the
cooling breeze playing against her cheek after the heat of the day.

She loved to stand here at night. The air was cool. She took pleasure
from the sound of the crickets. The scent of the wildflowers out in the
woods reached into her, calming her.

She listened to the music the trees made as air currents ran along the
canyon. The surging hiss that would fall away to a whisper. It reminded
her of the time she lived in the beach house with her father. The sound
of the surf. Especially at night when she lay warm and safe in her bed.
Then the waves would surge across the beach.

She stood listening to the sounds in the outside world. The breeze moved
across the rooftop terrace, swirled round her bare calves and ankles,
tugged at her dress, at her hair.

Often she tried to imagine what those trees looked like. They would
move, she decided, like she'd heard how herds of elephants move. She
could never know exactly, of course. She'd been born blind. Had had to
leave home at six years old to attend a school for the blind in San
Francisco. That's when her world fell apart. Her parents' marriage broke
up. Her mother moved to Canada and she never heard from her again.

_ She was so miserable at school that at the age of eleven she tried to
take her own life. Tying a noose from panty hose, she knotted it to the
shower rail and jumped off the edge of the tub. The rail didn't

22

take her weight; it snapped; she fell to the bathroom floor and broke
her wrist.

Her father was the one who saved her.

After a long talk in the hospital as she waited for her arm to receive
the cast, he realized how unhappy she was at the school.

He brought her home.

It wasn't to the beach house, though.

The new home was here in the canyon. In one of the passes that snaked
between Hollywood and Burbank. Even though you were in the midst of
three million people, here was an oasis of calm.

The canyon contained no other houses. Only this one. Her father built
the house to his own design. His "sneakaway," he called it. It was
two-storied, built of brick. There was a huge rooftop terrace where her
father could barbecue the biggest steaks. Where he could host the
coolest parties that were the talk of L.A. The guest list would read
like the contents of Rolling Stone magazine.

By day her father recorded music in his own studio in the basement. And
geez, what a studio. John Lennon, dropping by for cocktails, had
announced, "Sweet God in heaven, you could put the London Philharmonic
Orchestra in here and still have room for the bloody performing elephants."

The wind sighed in the trees. April tilted her head to one side. The air
played on her neck, toying with her hair.

A beautiful place. Peaceful.

Away from everyone. Away from city noise and smog.

She considered what she could have for supper. A salad with shrimp. An
ice-cold glass of white wine. Yes, that would be nice.

For a second she thought she heard the scrunch of a foot on the gravel path.

"Dad?"

The word reached her lips before she could stop it.

No.

Couldn't be.

Her father was dead. Shot by a pair of thugs he'd found breaking into
his car. He'd been staying in a motel coming back from Nashville. He'd
glanced out the window, seen the two morons cracking open his car like a
moneybox. When he'd gone out to challenge them, one had pulled a pistol
and .. .

Her hands tightened on the balustrade.

No. Not tonight.

She wouldn't replay the incident. That was ten years ago.

So now I'm here alone. She'd no soon as thought the word done than the
sound came again.

Feet on gravel.

But who's there at this time? No one would make the long drive out of
town up here to see me in the middle of the night.

"Hello, who's there?"

Her blind eyes moved as if looking down onto the driveway below. She
listened.

The wind cried through the trees. Leaves rustled.

"Anyone there?"

No answer. But the sound of a zipper being pulled slowly down.

"There is someone there." Her heart raced. "What do you want?"

She listened again, heart pounding.

What if it's an intruder?

I'm all alone here.

Lettie came out during the day to bring her groceries, help her clean
the house, and keep her company for a while. But Lettie was long gone
now. Maybe she should phone--

That sound again. Feet on gravel.

Slowly she backed away from the balustrade toward the center of the roof
terrace. It was dark. Yet she knew sighted people still might be able to
see her standing on top of the house. Here in the center, though, she'd
be out of sight.

But what if they should break in?

Nothing she could do would stop them then. Even if she could reach the
phone, it would take a while for the police to reach this remote part of
the canyon.

She was twenty-eight years old. Men had told her how pretty she was.
That her shoulder-length hair was glossy. She had a slim figure. Tanned
arms and legs.

So whoever broke into the house might not be here for money or the TV.

24

But her.

A scrunching sound came again. Maybe they were trying to find a window
without a steel shutter or an unlocked door.

Her father had been thorough. All the downstairs windows were sealed
with steel mesh. After all, she didn't require daylight. Or any light,
come to that.

The doors were of hardwood. The locks substantial. What's more, each one
was covered by a wrought-iron screen.

Maybe they would try and climb up the wall? They'd find me alone on the
roof.

Now in the open she felt vulnerable. She wished she had a companion to
share her home. Someone strong to keep her safe.

She backed into a potted shrub. The leaves prickled her hip through the
flimsy material of her dress.

She caught her breath.

Stay calm ... stay calm. He cannot climb up here. I'm safe.

But was she?

April reached the barbecue and crouched down beside it, her arms clasped
around her knees, trying to make herself small as possible.

For a long time she waited, hunched beneath the night sky. For a while
the sounds beyond the house haunted her. She imagined a man scaling the
outside wall with a ladder. Or finding an unshuttered window. She
imagined the sound of footsteps. She even gasped out loud as she
imagined rough hands on her. A fist grabbing her hair, another hand
finding her breasts. The sound of the man's hoarse panting.

Shaking, her breath coming in frightened tugs, she waited and waited.

At last, when she heard no more sounds, she felt her way back down to
her bedroom.

"Please, God," she whispered after she climbed into bed. "Please bring
me a companion. Please bring someone to me. I don't want to be lonely
anymore."

25 Barney Quinn, night watchman, didn't care much for the museum. It
always seemed too damned stuffy, as if every piece of ancient junk was
quietly giving off a stink. Going home in the morning, he smelled the
same stink on himself. An old-tomb stink. The stink of
three-thousand-year-old skulls.

The same stink oozed from those shitty old stone statues in the Greek
collection. Jesus H. Pretty soon, if he didn't watch out, he'd turn into
one himself. And wouldn't that be dandy? Every last one of those buggers
had an arm off, or a head, or even a pecker.

They'll open up one fine morning and say, "Where's old Barney Quinn?"
Wouldn't find him till they looked in the Greek room and counted up the
statues. One too many. And here's a statue in a shitty brown uniform.
Maybe they'd just leave him standing there, save his family the price of
a funeral. Spend that insurance on a new TV. Damn squat for old Barney
Quinn. Leave him here in the statue morgue until some clumsy cleaner
knocks his pecker clean off. RIP old Barney Quinn.

"Shit," he muttered.

Needed some fresh air. Needed some time outta here. Besides, it was
about time to visit George.

Crossing the lobby, he went to a metal fire door, shoved it open. The
landing was lighted by a bulb over the door. He started down the stairs.
Damn, the light at the next landing was out. He stepped

26

down into the darkness. At the bottom, he pushed open the outer door. He
stepped outside and leaned against the door, propping it open with his back.

The employees' parking lot was empty except for his old Grand Prix. Used
to be a good car. Used to be his pride and joy back when he bought it.
Everything was good in those days. Before the brass got wind of the Fun
House and kicked his ass off the force.

Well, shit, can't win 'em all, can ya?

He lit a cigarette. As he dragged on it, filling his lungs with sweet
blue tobacco smoke that went a-tingling and a-singing to his fingertips,
he saw the dog near the edge of the lot. Old George, right on time.
Pinching the cigarette between his lips, he crouched and clapped his
hands. "Here, boy," he called. "Come on. Come to Barney."

The dog loped toward him, its collar tags jangling.

"Yeah, there's a good guy."

George ran into his arms, licking his face, damn near knocking the
cigarette out of his mouth. "Yeah, that's my good boy. Sure you are. Bet
you're hungry, huh?"

The thick, brown tail swished.

"Come on then. See what Barney's got fer ya." After propping the museum
door open, Barney walked to his car. The dog kept ahead of him, glancing
back impatiently, brown eyes twinkling in the meager streetlight.

"Hold your horses, boy."

Barney unlocked his car. Reaching into the glove compartment, he took
out a cellophane bag containing a ball of raw hamburger. "Isn't much,
fella," he apologized. "You like it, though, don't you? Sure. You keep
coming back for more. A satisfied customer."

He opened the bag. The hamburger was still partly frozen, but it was
soft enough to break up. He twisted off chunks and gave them to George.
Some he tossed for the dog to catch, enjoying the quick snap that
snatched the pieces out of the air. Others he held in his hand. George
took these like a gentleman, lifting them delicately away with his front
teeth before swallowing.

"That's all, pal," Barney said, smiling.

George looked up, eyes wide, hopeful. 27

"All she wrote, fella."

Kneeling, Barney let the dog lick his fingers. "Yep. All gone. You come
back tomorrow night, though. I'll have some more tasty bits and pieces
for you."

He walked back to the open door of the museum, George prancing beside him.

"Gotta say good night, George old pal."

He patted the brown fur of the dog's back and pulled the door shut. Then
he turned on his flashlight and climbed the stairs. Would have to leave
maintenance a note about the bulb down there. A guy could break his back
there in the dark. Only took one little slip.

At the first landing, he pushed open the metal door and stepped into the
lobby. It was dimly lighted. Switching off the flashlight, he hung it
back on his belt, then headed for the front doors. Better be certain
they're still secure before making the tour of the main floor.

As he turned away from them he heard the thump.

Like something wooden falling to the floor. He listened for more sounds,
but the museum was silent.

He thought: That's grave silence, Barney, a silence to be felt.

It had probably been nothing, that thump: a shelf giving way upstairs,
or a wire snapping so a piece of that ancient junk fell to the floor. On
the other hand . . .

Damn it, he should have kept an eye on the door while he was out feeding
George. Some kids might have sneaked in. Or some bum looking for a place
to sleep. Or even a damn cat.

Silently, he walked to the main stairway. As he climbed, he scanned the
second-floor balcony through the rods of its railing. The area looked clear.

He wished he had his piece, just in case. Damned museum wouldn't let him
carry a gun; said they didn't want anybody hurt. "If there's trouble,
Barney, call the cops." Sure. I call the cops, and they find a pussycat
in the Callahan collection. That'd confirm to everyone down at the
station that old Barney was a washed-up piece of horseshit all right.
Calling out a SWAT team to save Barney from some liddle puddy-cat. Yeah,
right.

Hell.

Did seem like the noise came from there. He wondered how he

28

got that impression: just because the Callahan room was closer to the
stairway than the others? He stepped to the entrance. Peered in. Dark.
Very dark. No light in the room. He could only see vague shapes.
Reaching down, he unhooked the cordon and let it hang. His fingers found
the switches. Snick, A dozen bulbs, concealed above tinted ceiling
panels, filled the room with soft light.

Well, how'd that happen?

The lid of the mummy's coffin lay on the floor.

Barney, standing motionless, scanned the room: the display case full of
jewelry that was a mass of golds and sky blues, the chariot wheel, the
dozens of statuettes, the stone jars, the coffin.

No one there.

Unless some intruder was crouched at the far end of the display case?
They can see me but I can't see them. Are they watching me standing
there? Hoping that I shrug and turn away? Nothing doing? Time to move on
to the next floor?

No. Barney with all those years on the force wasn't going to be fooled
so easily.

Silently, he walked along the case to its end. It concealed nobody.

Okay, so how did the coffin lid get on the floor?

Disturbed by a cat?

Hardly.

Toppled by kids?

Maybe.

Wish I'd got my piece.

Colt .38. Hollow-nose slugs. Pop one of those caps and the perp was
going down.

He pushed the coffin lid with his toe. Heavy sucker. Stepping over it,
he looked into the coffin. He stared at the mummy, feeling a tightness
of nausea in his throat.

Hell... she looked like hell.

Once, when Barney was still a rookie cop, he had helped a fireman drag a
charred body from the debris of a burnt apartment house. A crispy
critter, the fireman called it.

This gal wasn't a crispy critter, but she didn't look any better than
one. Looked worse, for that matter, like someone had let the air out of
her tits. 29

He didn't like seeing that red hair on her head either. How glossy, even
how beautiful it looked, though the rest of her body was such a wreck.

Glancing down her naked body, he saw that she had no pubic hair. Well,
damned if he was going to dwell on it. Best put it out of sight.

He crouched. Lifted the coffin lid. Heavy as a door, Christ. But he
managed to get it onto the coffin.

Turning away, Barney swept his eyes around the room. Everything appeared
fine. He walked to the doorway, turned off the lights; darkness swooped
back into the room ... and he jumped at the crash of wood behind him.

He whirled around. In the gloom he could make out that the coffin lid
was on the floor again.

"Holy shit," he muttered.

He stared at the lid. Felt sick and chilled ... and for some reason his
balls seemed to shrivel up into the pit of his stomach. A prickling
sensation ran up his forearms as the hairs stood on end. He was feeling
for all the world like a hideous spider had dropped from the darkness
onto his bare arm and was scurrying up toward his head determined to
climb into his mouth. He rubbed his face. If felt cold. It felt numb
too, as if his nerve endings were in retreat from that awful darkness.

He wanted out; he wanted out fast. But he was afraid to turn his back on
the coffin. Afraid, if he turned away...

It happened.

The thing he dreaded in the pit of bones that was his skeleton.

It happened like deep down he knew it would.

Swift as someone startled from sleep, the mummy sat up.

31

CHAPTER FIVE

Hey, A-rab... move your ass." Imad sipped his neat gin; didn't
acknowledge the man.

"You hear me? Move your ass. My lady friend wants that stool."

"Sir," Imad intoned, "your lady friend is that stool."

"Yeah, what's that supposed to mean?"

Imad looked at the girl. She wore tight, faded jeans and a dirty
T-shirt. The T-shirt only half there; cut off just below the breasts.
The breasts were tiny with points like nails.

Her eyes, with half-shut lids, had a lazy and insolent look.

Imad sipped his drink. "Does my meaning evade you, sir?"

"Huh."

"Your lady friend is shit. .. and you're a fly."

The fist slammed the side of Imad's head, knocking him off the bar
stool. His back hit the floor. Shouts filled the bar.

The man had him by the wrists, was dragging him across the floor, was
pumped up with fury. The girl in jeans hopped alongside him. Imad could
see up her shirt. Saw the two small mounds of breast had no jiggle. A
shame. He liked a little jiggle. These were made of stone; hardly
arousing at all.

The man flung open a side door. "Gimme a hand," he snapped.

"Sure, Blaze."

Blaze? A cute name. A name for a horse.

The girl bent down and helped lift Imad. He staggered between 31

them. Raising his head, he saw that they had brought him into a deserted
alley. The walls of the building pressed close. Far down the narrow
passageway, cars passed on the street. The alley smelled ripe with garbage.

"Now we'll see who's a fly on shit, camelfucker."

Blaze jerked Imad away from the girl. Shoved him against a garbage can.
The ripe, fetid smell leapt into Imad's sensitive nostrils with every
breath.

The girl giggled. "Blaze on him!"

As Blaze gripped the back of his collar, Imad reached deep into the
sweating garbage. He found a beer bottle. As Blaze jerked him round he
swung the bottle and broke it against Blaze's head.

The girl went silent. Now the lazy eyes snapped suddenly wide. Wondering
what was coming next.

Blaze dropped to his knees, then fell forward, his face hitting the
ground with a slap.

Imad turned to the girl.

She laughed once through her nose. One side of her mouth smiled. "Guess
you fixed him." She tried the door of the bar. It was locked.

Softly he spoke. "Come here."

"You better try nuthin'."

"Come here."

She took a hesitant step toward him, then stopped. "Say, mister... you
wouldn't hurt a girl, would you?"

"Come here."

She glanced up the alley. Laughed quietly. " 'Bout time somebody fixed
Blaze," she said, stepping toward him. "He's such a prick."

She flinched as Imad touched her cheek.

"You are a beautiful woman," Imad told her.

"Me? Hell, you called me shit, I've got ears."

He slid a hand under her T-shirt. Her small breasts felt firm, but not
like concrete. Not at all. The turgid nipples were pliant under his fingers.

Her smile trembled.

"You are a flower," Imad murmured. "A lovely, fragile flower."

"Yeah?" She shook her head.

32

"Come with me."

She looked down at Blaze, who was still motionless in the ripe goo that
dripped from the trash can. "Just a sec," she whispered. Crouching, she
shoved a hand into a front pocket of Blaze's jeans. It returned with a
pack of bilk fastened into a thick, square mat with paper clips.

"Two hundred bucks," she said. "We'll split it even-Steven, okay?"

"Is it yours?"

"Is now."

"Did this man take it from you?"

"Hell, no. It's what's left of his pay from Market King."

"Market King?"

"You know? The grocery store? He's a checker. That's how we met."

"Let Mr. Blaze keep his money," Imad told her.

"No."

"I do not countenance theft."

"Huh?"

"I won't allow it. Return the money."

"Aw, shit."

"At once."

"Please, mister?"

"At once," he commanded.

With a frown over her shoulder at Imad, she tucked the pack of bills
into Blaze's pocket.

Imad held out his hand. She went to it. Took it.

"Where we going?" she asked, walking with him down the alley.

"To my home."

"Yeah? Where's that?"

"In Greenside."

"Greenside Estates? In Burlingdale?"

He nodded.

"Sure. I'll believe that when I see it."

When they reached his gray Mercedes, she looked at him with suspicion.
"This yours?"

"Certainly." He opened the door for her and she climbed in. Imad went to
the other side to slip into the driver's seat. As he started the car,
the girl said, "You must be one of them Arab oil bastards, huh?"

"Wrong. My parents were Egyptian. I have nothing to do with oil. In
addition, my birth was entirely legitimate."

"Yeah? How you come to live in a ritzy place like Greenside?"

"How come you don't?"

She laughed. "Shit, who's got that kind of money?"

"I do."

"You're so loaded, how come you were over at a dump like Shannon's?"

"One meets an interesting set," he told her.

"Set, huh?" She leaned against him. "How's mine?"

"Just fine," he said. Putting an arm behind her, he slipped his hand
under her T-shirt. He stroked the smooth skin of her side. Stretching,
he reached the breast.

He'd had many women in the months since Callahan's death. He'd met them
at parties, in bars, at a university class in anthropology that he took
only for that purpose, at church. Whenever possible, he brought them
home for the night. He didn't like being alone in the house he'd inherited.

Not at all. It held too much pain for him.

His shame at running away.

His confusion at Callahan staying to be killed.

The memories of the terrible morning when he returned to the house.
Finding Callahan naked on the bedroom floor, his skin tattered, chunks
torn from him and scattered about as if a beast had tried to devour him
but found his flesh unsavory and spit out Mouthfuls on the carpet.

The hunt for the mummy. Finding it, at last, wedged behind the
refrigerator. Glossy red hair hanging down. Eyeless sockets in the face:
twin pits of darkness. Shriveled lips. White teeth.

Nailing it into its coffin.

Then the grim business of the dogs. Carrying them, one at a time,
upstairs to Callahan's bedroom. Using their teeth on the grotesque body,
tearing the dead flesh until all traces of human teeth were obliterated.
The police interrogation. Always back to the gun. Where's

36 the gun, the .22 Callahan used on the attacking dogs? Imad only
shrugged. The cops knew it was all wrong: no gun, not nearly enough
blood in the room. They suspected Imad. Guessed he'd had a hand in all
this. After all, he would inherit the estate. without evidence, though,
they never arrested him.

Alone in the house, he felt haunted by what had happened there. With a
woman he had little trouble keeping the memories away.

This one looked at him, half-grinning, as the iron gate swung open.

"I got it," she said. "You're the chauffeur."

He began, as usual, with a tour of the house. Though the girl was
obviously awestruck by the lavishly furnished rooms, she kept grinning
wryly, shaking her head, making sarcastic remarks.

Until they reached the master bedroom.

That was when Imad turned her to face him. He pulled the T-shirt over
her head, enjoying the way her small breasts moved as she raised her
arms. He unfastened the waist of her jeans. The open zipper revealed a
deep V of pale skin, curls of pubic hair, no panties. He peeled the
jeans down her legs. She kicked off her sandals and stepped out of the
jeans.

She moved back, fixing him with a crooked smile. "Find what you're
looking for?" she asked.

"I believe so, yes."

"Know what to do with it?"

"The bathtub's that way." He pointed to a door behind him. "You may have
half an hour."

"What for?"

"To bathe."

She laughed. "Afraid you'll get your pretty hands dirty?"

"I do not intent to wallow in the residue left by my predecessors."

"Huh?" The heavy-lidded stare again. Insolent. Ignorant somehow.

"Take your bath. I'll shower in the other room and prepare drinks for
us. What do you prefer?"

"Rum and Coke."

Imad grinned. "Certainly."

35

Wrapped in a towel, she entered the bedroom. Her wet hair clung to her
head; her skin was rosy.

"You look delightful," Imad told her. He handed her the drink.

"Here's how," she said.

They drank. Imad's neat gin tasted fine. He put down his glass and
reached for the girl.

"Not so fast," she said. "We've got a little matter to settle first."

"Ah." Imad smiled, hoping to hide his disappointment. "A financial
matter, I assume."

"You're quick on your feet."

"Would a hundred dollars be appropriate?"

"Two hundred."

Imad laughed. "In that case, you'd best get dressed. I'll call you a
cab." He turned toward the door.

"Hundred-fifty," she offered.

"I'll make the call."

"One-thirty."

"One hundred .. . with a bonus if you deserve it."

"Who decides that?"

"I do, of course."

"How much bonus?"

"Whatever I think suitable. Agreed?"

"But a hundred for sure?"

"One hundred for sure."

"Why not?" She plucked a corner of the towel. It dropped away.

Imad stepped close to her. She slipped open his cloth belt. Parted the
bathrobe. Her eyes widened. "God Almighty, where'd you get a thing like
that?"

"I inherited it from my father."

She took it in her hands and it grew mightily. "Who was your father.
Babe Ruth?" She laughed at her joke. "Bet you've hit a lot of homers
with this."

He nodded. "Yes, indeed, I have frequently scored." He arched his back,
trembling with pleasure, as she drew her tongue up the underside of his
erect shaft.

37

CHAPTER SIX

Susan was watching the TV news when her doorbell rang. "Who is it?" she
asked.

"Tag."

She let him in. "So how was your class?"

"I didn't go." They sat down together on the couch. "Turned out there's
this girl who finds me irresistible."

"It's your aftershave," Susan said.

"I don't know what it is, but she showed up in front of my door."

"Who? I thought you meant me." Susan felt a knot of anxiety. Here it
comes ... so long ... thanks for everything . .. stay just good friends,
huh?

He shook his head. "Mabel Rudge. Took me a while to get rid of her."

"Three hours?"

"Ten, fifteen minutes. Seemed like hours, though. Then I had a shower."

"Together?"

"Geez, no. She was on the other side of a locked door by then. But I
didn't feel much like facing anyone, you know?"

"Pretty bad, huh?"

"Awful."

"Recovered?"

"Better all the time." 37

"Maybe this will help." She kissed him on the lips. "It's a start," Tag
admitted, taking her into his arms. "It's most definitely a start."

In the morning, during breakfast, Tag offered to drive her to work.

"I don't have another flat, do I?"

"Not that I know of. I'd just like to drive you to work. It's my day
off. Besides, it'll give me an excuse to pick you up this afternoon."

"Sounds good to me."

"How does dinner sound?"

"Great."

Later, in the parking lot, Tag didn't head directly for the exit.
Instead, he circled and drove past Susan's car. "See?" he said. "No flat."

"You expected one, didn't you?"

"Let's say it wouldn't have surprised me much. My charming friend Mabel
is a very jealous lady."

"Is she the one who did it yesterday?"

Tag nodded. "With any luck, we've seen the last of her. She knows she'll
be in big trouble if she pulls any more stunts."

"Hope so."

The drive from Susan's apartment to the museum usually took just over
fifteen minutes on the Santa Monica Freeway. Tag made it in twelve.

"You've got a heavy foot there, bud," Susan said.

"Force of habit."

"Do you drive that way in your patrol car?"

"Faster, when I can. Nothing better than a Code Three. Really let her rip."

He turned onto the road leading to the museum. Ahead of them, several
police cars were parked near the entrance. Tag pulled alongside one of
them, like the other cars, it was deserted. Tag and Susan got out. He
took her hand and they hurried up the concrete steps toward the museum's
main door.

A white-haired woman reached the top before them.

"I'm sorry, ma'am," said the patrolman guarding the doors. "You won't be
able to go in just now."

38

"Of course I will."

"It's a crime scene. Unless you're an employee of the museum, I'll have
to ask you to leave. If you want to come back in an hour or so..."

"I'm here now, young man. I have no intention of going away."

"I'm afraid I can't let you in."

"You most certainly can. What's more, you will. This is a public museum.
I am a member of the public. I have every right to visit the museum."

"It's a crime scene, ma'am."

"That's no concern of mine. Did I commit the crime? No, I should say
not. So you just step aside, like a good fellow."

He didn't step aside.

"Out of my way."

"Ma'am," the patrolman said, "we think that the perpetrator might still
be inside."

"Oh? Oh!" The old woman hurried away with fearful backward glances at
the building.

"Nice touch, Henderson," Tag said.

Henderson grinned.

Tag turned to Susan. "Susan, this smooth-tongued devil is Manny
Henderson. Manny, Susan."

"Nice to meet you," she said, offering her hand. As Henderson shook it,
his eyes dropped briefly to her breasts.

"What happened here?" Tag asked.

"Huh?"

"You told the gal it's a crime scene."

"Oh. Right. The night watchman turned up dead. Looks like he took a
header down the stairs, broke his neck. Homicide's checking it out. They
seem to think he walked into a burglary. Either he tripped over himself
trying to get away, or they grabbed him and gave him the heave-ho."

"Who was the watchman?" Susan asked.

"Quinn. Barney Quinn."

Susan nodded, relieved that she didn't know the dead man. "Was anything
stolen?" she asked.

"Looks like they made off with a mummy." "Amara?"

"A mummy," Henderson repeated.

"Amara," Tag said. "That's its name."

"What?"

"The mummy's name is Amara."

"Hell, you mean they give 'em names?"

"They're dead people, Henderson."

"I know that. Hey, do you want to go in or something?"

"Trying to get rid of us?" Tag asked.

"Just you." He turned to Susan. "You should stay away from this guy, you
know. He'll get you in all kinds of jams."

"I'll be careful," Susan assured him. "See you later."

They entered the museum. Across the lobby, the body of the night
watchman lay at the foot of the main stairway. Susan saw how his left
leg hung sideways below the knee, and how his head had a crooked tilt.
How the eyes stared. A horrible sight. A flash unit blinked. The
photographer stepped over one of the outstretched arms, and crouched for
a shot from a different angle.

Beyond where the body lay, she saw Blumgard, the museum director,
talking to a man in a brown suit. A detective, probably. Blumgard looked
pale. Jumpy. Even from this distance, she could see the stem of his pipe
shaking as he raised it to his lips.

Tag led her toward the body. "Morning, Farley," he greeted the photographer.

"Hi, Parker. Isn't this your day off?"

"I'm ever vigilant. All right if we go upstairs?"

"Help yourselves."

They climbed the stairway. As they entered the Callahan room, a small,
pale man glanced at them from where he crouched by the coffin lid. He
lowered his eyes again and finished pressing a strip of cellophane to an
index card.

"Getting some good latents off there?" Tag asked.

"Quite a bunch."

"A few belong to me and the lady here."

"That so? You're Porter?"

"Parker."

He wrote the name down. "And?"

40

"Susan Connors," Tag told him. "She works here."

"What department?"

"I'm an assistant curator," she explained. "This room's my responsibility."

"Then you must know the missing mummy. Have you talked to Vasquez?"

She shook her head.

Tag turned to her. "Why don't you have a look around and see if anything
else is missing?"

"I have a checklist in my office."

"Let's get it."

"Whoa," said the man. "Before you take off for parts unknown, I want
your prints. It'll speed things up for me. You first, Potter. Give me
your hand."

Farley climbed to the second floor. He took a downward shot of the
stairs, the body sprawled at the bottom. From his angle, framed by the
camera, the stairs looked damned steep. The poor guy must've had quite a
time of it. Probably headfirst.

Farley was having quite a time of it himself. Those three glazed
doughnuts on his way over had nearly run their course. If he didn't get
to the men's room pretty soon ... somewhere up here, there had to be
one. He walked to the right, checking each door as he approached it.
Near the end of the hall, he found one marked Women.

A good omen.

Sure enough, the next door was the one he wanted. He shoved it open,
hurried across the tile floor. This one was a three-stall job. He rushed
to the first, started to push its door. He met unexpected resistance.
Surprised, he took his hand away. The door bumped shut.

"Ooops, sorry."

He waited for someone to reply.

No one did.

"I ought to latch the door, you know, buddy. Hey, you all right in
there? Huh?" He waited. "Anyone in there? Hello?" Squatting, he ducked
his head low enough to see under the door. Instead of Florsh-eims, he
found a pair of brown withered feet. Brown shriveled toe-nails. Brown
bone-thin shins. 41

He shoved the door open, flinging the mummy backward. Its head thumped
the rile wall behind the toilet, and it slid down, bare feet skidding
toward Farley like a mannequin trying to sit down.

Tag jumped aside as the bathroom door shot open and Farley ran out. The
photographer stopped short. His face had a sick, gray look.

"What's wrong?" Tag asked.

"I found the missing mummy. In there."

"I'll go tell Susan."

They walked up the hallway. Tag noticed how Farley's hand trembled.
"That mummy's a real charmer, isn't she?"

"You've seen her?" Farley asked.

"All of her."

Farley ran a hand over the sleek top of his head. "Jeepers-creepers.
I've photographed all kind ... you name it. Gunshot victims,
slice-and-dice, torched corpses, gals with their guts stuffed in their
mouths, guys who've been buried in all kinds of shit for years on end
... but that one?"

"She has that effect on people, doesn't she?"

"Seen prettier."

"You okay?"

"Sure, just caught me by surprise." He ran his hand over his head again
like he was trying to wipe the image from his brain. "Aren't mummies
supposed to be wrapped? Those ones in the movies, they're always
bandaged up nice, you know?"

"This one's a stripper."

"She looks like crap."

"The years haven't been kind to her," Tag admitted, grinning.

He found Susan in the Callahan room, checking exhibits against the
inventory list on her clipboard.

"How goes it?" he asked.

"Looks like everything is here but Amara."

"She's not far," Tag said.

"You found her?"

"Farley did."

"She's all right?"

Farley shook his head. "She looked like... looked terrible. All

42

that red hair. That looks great, but it's how it seems to grow out of
the skull.. . makes your stomach ..." Gulping, he clutched his belly,
turned away, and wished to God he'd passed on those doughnuts.

Susan hurried down the hall ahead of them. When she reached the rest
room door, however, she stopped. She turned to wait for Tag. "Maybe you
should go in first. I mean . .. make sure the coast is clear."

Farley groaned. "Miss, the coast won't be clear till she's outta there,
and I'm afraid I can't wait all day."

"There's a toilet on the ground floor," Susan told him. "Just to the
left as you come in."

"Thanks. Enjoy yourselves." He hurried to the stairway.

"I'll have a look," Tag said. He pushed open the door, stepped inside.
Nobody at the sinks. Nobody at the urinals. One body in the first stall,
its feet visible just below the door. "Okay," Tag called. "You can come
in now."

Susan entered, looking slightly embarrassed. She glanced from the sinks
to the urinals.

"Don't believe me, huh?"

"Just checking."

She walked ahead of Tag to the stall. He watched her crouch and peer
under the door, the fabric of her blouse pulling taut across her back,
coming untucked from the skin, showing a band of smooth skin.

"That's Amara, all right," she said. Standing, she eased open the door.

Tag, just behind her, looked in. The mummy lay straight as a slab of
wood with her head against the pipes, her back on the toilet seat, her
legs stretched toward the open door, her red hair tumbling down onto the
tiles.

"What'll we do with her?" Tag asked.

"Pick her up."

"Us? Don't you have maintenance men or something?"

"We're the something. Ready?"

"Well. . ."

"Scared?"

"Who. me?" 43

"We should wear gloves, so our skin moisture won't..."

"Great! Good idea! I'm all for gloves!"

"Back in a flash." Susan smiled a knowing smile. "You stay here and keep
an eye on her."

He followed Susan to the door, but stayed inside when she left. Turning,
he looked at the stall. He could see the mummy's dark feet and ankles.
Brown they were. A shiny glossy brown that reminded him of chocolate
bars. Great. Won't want to eat another Hershey bar for a long time
coming. Every time I bite into chocolate, I'll imagine I'm running my
tongue over that four-thousand-year-old foot with its evil-looking
toenails. Hell, won't eat almond flakes, come to that.

He glanced at his wristwatch, hoping Susan would hurry. This was his day
off, after all, and standing watch over a withered corpse with
brown-paper tits wasn't his idea of a good time. He could do that at
work; often had.

In fact, this reminded him a lot of his first dead body. It had been in
a John too. Houston, his partner, laughed himself sick at how they found
the fat old gal, butt to the wind, head jammed in the waste basket. Said
she must be an acrobat. As it turned out, she'd had a heart attack while
she was taking a leak and tumbled forward until her head stuck in the
wastebasket. Tag never could see the humor in it, but Houston wouldn't
let it go. Recently, he'd started tying it in with a Polish joke about
burying stiffs with their butts up, for chrissake.

The bathroom door shot open, missing Tag by inches. He stepped out of
the way as Manny Henderson hurried in. "Parker," Henderson said, barely
giving him a glance as he hurried by.

"How's it going out front?"

"A pain." At the first urinal, he unzipped his fly.

"You sure you want to do that?" Tag asked.

"Huh?"

"We've got a visitor." Tag pointed at the stall.

Henderson looked. His face wrinkled as if he smelled something foul.
Quickly, he zipped up.

"Meet Amara."

"Holy Jesus." Henderson stepped cautiously toward the stall and

44

pushed open its door. For a long time, he stared. "What the hell's she
doing here?"

"Apparently she can't read."

"Funny. Ha-ha. Good God, did you get a look at those tits? Look like
flapjacks."

Someone knocked on the door. "Come on in, we're all decent," Tag called.

Susan entered and smiled a greeting at Henderson. "Glad you're here,
Manny. You wouldn't mind giving us a hand, would you?"

"A hand with what?"

"Amara. We have to move her back to her own room."

"You mean, touch her?"

"That shouldn't bother a couple of tough cops like you." She held out a
pair of gloves to each of them. "I'll supervise." Smiling, she stepped
to the stall door, pushed it open, and held it in place. "Once you've
snapped on the latex, one of you take her shoulders, one her feet, and
we'll just ease her out of here nice and steady."

"We'd better call in the homicide boys first." Tag grinned, glad he'd
found a delaying tactic.

"Yeah, Christ. If we screw around with this gal before they've got their
pictures and shit..." Henderson shook his head.

The homicide team spent less than half an hour in the men's room. They
took statements and photographs, made sketches, lifted fingerprints,
vacuumed the tile under the stall, then left.

"Your rum," Susan said.

Tag gripped the mummy's thin ankles; Henderson took the shoulders.

"You sure she won't break in half?" Tag asked.

"Maybe you should get her higher on the legs. At the knees?"

"All set," Tag said.

"All set." Henderson nodded.

They both lifted.

"She's sure light," Henderson said, surprised.

"She's been dehydrated," Susan explained. "Hollowed out too."

"How do you mean?" Henderson asked.

Susan opened the bathroom door and they carried the mummy into the hall.
"They start by removing the brain," she said. "They run

45

a probe through the nose, and break through the ethmoid bone into the
cranial cavity. Then they use a little hooking device to bring out the
brain through the nostrils, piece by piece."

"Who is this woman?" Henderson asked Tag.

"My sweetheart."

"Lucky you."

She grinned. "Once the cranial cavity was cleaned out, they cut into the
torso and removed all the organs except the heart. During some dynasties
the heart went too. That's what you'll find in those stone Canopic jars
beside her coffin: her stomach, liver, kidneys, intes--"

"Susan."

"You wanted to know why she's light."

"Now we know," Tag said.

"How come she isn't wrapped in bandages?" Henderson asked, unable to
take his eyes from the shriveled torso. "I thought they were supposed to
wrap these things."

"They did." Susan walked ahead of them into the Callahan room.
"Somewhere along the line, someone removed them from this one."

"For God's sake, why?"

"We don't know," Susan replied. "Okay, you can lower her now. Nice and
gently does it. Good. Fine."

Tag was glad to be rid of the body. He stepped away from the coffin to
peel off his gloves.

"Grave robbers might have unwrapped her for her jewelry," Susan said.
"Or the bandages might have been used to make paper or even medicine."

"She's making this up," Tag warned.

Henderson shook his head. "The sweet nothings she must whisper into your
ear at nights, old buddy. It'd give me the heebeejeebees."

Susan smiled. "The paper bit isn't likely. It used to happen, though. In
fact, there was an American who got involved in that. A guy named
Stanwood, who had a paper mill in Maine. He used mummy wrappings in the
nineteenth century for the rag content of his paper. He couldn't get it
white, so he sold it to some local butchers for meat wrapping... it
started a cholera epidemic."

46

"A storehouse of knowledge," Tag said. He turned to the fingerprint man,
who was now gaping into the coffin. "Can we put the lid on now? I guess
the old gal could use her privacy."

The fingerprint man nodded. "Sure. I'll give you a hand."

The three men lifted it. As they set it into place on the coffin, Tag
saw Susan crouch and pick up a bright chunk of metal. It looked like gold.

"What's that?"

"Part of a seal." She showed how it fit, like a bit of a jigsaw puzzle
into a broken disk of gold on the lid. "See?"

"It looks like gold."

"I'm sure it is gold," she said.

"Right out in the open?"

"This section'll be closed to the public, at least for the time being.
We're having a special display case made up for the coffin--with
temperature and humidity controls, and a burglar alarm."

"When will that be ready?"

"In about a week."

"Hope you still have something to put in it."

47 Imad woke the girl with his tongue. He licked her breasts, leaving
the nipples slick and erect. He licked a trail down her belly. He probed
her navel, then the moist cleft between her legs. She stroked his hair
as his tongue darted. Soon, her chest was heaving. Her fingers twisted
his hair. Her knees lifted and she writhed, rubbing herself against his
mouth.

Without stopping, Imad pulled her by the legs. He knelt on the floor at
the foot of the bed. He kept pulling. Her buttocks came off the mattress
and she slid down, crying out as his stout penis impaled her.

They fell and tumbled. On top of her, Imad finished with quick, hard
thrusts that jolted her whole body beneath him.

She hugged him tightly, panting.

"You earned the bonus," Imad said.

"Have I?" she gasped.

He pulled slowly out of her, stood up, slipped on his robe.

The girl sat up, her hand against her tingling groin. "Does that mean
we're done?"

He answered with a nod.

"I can stay, if you want."

"Stay?"

"Sure. One night maybe, if you want?"

"You can cook?"

48

"Sure. Want me to make breakfast? I can fix that." "All right," Imad
said. "For the time being, I'll allow you to stay." They went
downstairs. Imad showed the girl through the kitchen. The vast
refrigerator that contained nothing but a bag of salad and a dozen eggs.
While she made omelets, Imad went outside and down the long driveway for
the newspaper.

The girl turned down the burner under the skillet. She stepped quickly
across the kitchen to a telephone. She dialed. Listened to the quiet
ringing. The ringing went on for a long time, and all the time she
listened for the return of the Egyptian who moved like some damned spook.

Hurry up, answer. .. answer ... he'll be back any moment. If he catches
me he'll--

"Yeah?"

"Blaze, honey, it's me."

"Hydra? Where the fuck are you?"

"I went home with the camel-jumper."

"You what?"

"Listen. He's got a regular mansion out here in Greenside. I mean, you
wouldn't believe it. All these rooms, marble bathrooms, huge TVs. This
guy's got so much money it's running out his poop-chute. You better haul
over."

"All right!"

"His place is at 285 Greenside Lane. It's got this big wall around it,
so you better park outside and climb over."

"Got it. I'll be over tonight."

"Why wait?"

"It'll be dark, shit-head."

Hydra heard him laugh. "What's so funny?"

"What I'm gonna do to that fucking A-rab, that's what. Hope he ain't got
claustrophobia, 'cause I'm gonna shove his stinking greaseball head up
his ass for him. By the time I've finished with him he's--"

"Blaze. Gotta go. I can hear him coming back. See ya tonight."

49

CHAPTER EIGHT

Shortly before noon, Blumgard called a meeting of the museum staff.
Susan took a seat at the long, mahogany table at the conference room.
Her stomach rumbled. She glanced sideways at Esther Plum. The prim,
silver-haired archivist showed no sign of hearing the noise. If she had
heard it, she was the type to pretend she hadn't.

It growled again. More loudly this time. Esther stared at her folded hands.

"Excuse me," Susan said.

"It's quite all right, my dear."

"I haven't eaten since seven."

"I'm sure I couldn't eat a bite myself after what happened to that poor
man."

Blumgard entered, shut the door. He stepped to the head of the table.

Susan liked the man. Though he conducted himself with strict formality,
he was never quite able to conceal his shyness or his enthusiasm. He
loved his work. He cared for those who worked with him, as if they were
all partners in a wonderful, shining quest. His eyes were red-rimmed
behind his glasses. His hand trembled as he lit his pipe.

"I'm certain," he began, "that we're all aware of the tragedy that
struck here last night. Barney Quinn was a fine man, a loyal and trusted
member of our staff. Many of you never had the pleasure of

50

meeting Barney, since he worked the graveyard shift." Blumgard's eyes
showed that he regretted his choice of words. "Those of us who did know
Barney will miss him."

He cleared his throat, relieved to be done with that part of the business.

"The police tell me that Barney apparently died of injuries sustained by
falling down the central stairway. Whether he fell accidentally or was
pushed, they won't say. Or they don't know. Neither do they know how the
burglars entered our facility. They found no evidence of forced entry.
Therefore, we may assume one of two possibilities: Either the robbers
used a key to gain entry, or they entered with the public and secreted
themselves before closing time. I, personally, think the latter
possibility the more likely." He cleared his throat again. "I also think
it likely they will return."

Esther murmured, "Oh, dear." Several others at the table frowned and
muttered.

"The police suspect youthful vandals may have been responsible. Who
else, they said, would attempt to steal a mummy? While their position
seems reasonable, in some respects, I have made known my reservations."

His forefinger curled over the bowl of his pipe and tamped down the
loose ashes. "As many of you know, there has been a recent increase
worldwide in thefts of Egyptian antiquities. Some, no doubt, were
committed by the same breed who plundered tombs down through the ages in
search of personal wealth. This is not the majority, however. It has
become increasingly apparent that a great number of these robberies were
committed by professionals--Egyptian patriots. Many priceless objects
stolen from museums and private collections have been reappearing in
Egypt. It's quite possible that those responsible for last night's
tragedy had such a destination in mind for our collection ... a
misguided effort to return the mummy, Amara, to her homeland."

Susan raised a finger, catching Blumgard's attention. "Yes, Mrs. Connors?"

"I think it odd that men like that would remove the mummy from its
coffin. From what I've heard of their operations, they'd be more likely
to take the coffin and the whole collection, for that matter."

"I certainly agree with you. I have no idea why they should see fit to
take only the mummy. Nor do I understand why they left so abruptly,
taking nothing. Perhaps the police are right in suspecting vandals. I
would like us all to assume, however, that this was the work of
professional thieves who may return to finish the job they began last night.

"All of us must be on our guard. A word to the docents would certainly
be in order. We must keep our eyes open for suspicious behavior,
especially as we approach closing time. If you see anything out of the
ordinary, report it at once to Hank."

Hank, the daytime security guard, nodded confidently. He looked as if he
wanted to grin, but knew it would be out of place at that particular
time, with his nighttime counterpart lying cold on the mortuary slab.

"I have contacted the Haymer Security Agency. They will be sending us
two armed guards tonight. Hopefully, their presence will discourage any
further robbery attempts."

Blumgard tapped the bit of his pipe against his front teeth. "Are there
any questions or comments regarding this matter?"

Nobody spoke up.

"All right, then. We'll reopen our doors at one p.m."

Susan bit into her sandwich. The tangy egg-salad filling tasted
marvelous. Just enough mustard, just enough ground pepper. Turning the
sandwich, she licked the edge where a dollop had squeezed out.

A sound of footsteps made her look up. Damn.

She quickly looked away, pretended to concentrate on her sandwich.

Just make eye contact with one of these people and you've had it.
They'll hit you up for a quarter, or start jabbering nonsense, or God
knows what.

It was the only drawback to eating lunch in the museum park: You had to
contend with an assortment of beggars and crazies.

She studied chunks of egg white and pepper in her sandwich as

52

the footsteps came closer. The steps, slow, uneven. In front of her,
they stopped.

She didn't look up. Bit into her sandwich. Stared at the woman's black
shoes. Broken laces, knotted in a few places. Toes scuffed. Dog turd
crusting one heel. Green socks hung limply around her ankles. The ankles
looked thick and gray; crimson blotches . .. Great, my sandwich ... once
it had tasted delicious, but now... «it ...

Is that ulcer on her shin leaking yellow pus?

"That's it," snapped a woman's voice. "Look me over, why don't you?"

Susan raised her eyes to the woman's glowering face. "I wasn't..."

"You're a real petunia, you know that?"

Susan chewed her mouthful, but had a hard time swallowing.

"Think you're prime stuff, don't you?"

"I just want to eat my lunch, thank--"

"Look at you. Look at them clothes. You're a real petunia. Think you're
special, don't you? A real princess?"

Susan shook her head, wishing the woman would disappear. "I don't think
anything. I just want to finish my lunch, okay?"

"Where do you get off?"

"Right here," Susan retorted. Angry, helpless, she stuffed the remaining
half of her sandwich into her bag and stood up.

"You ain't going nowhere."

"I sure am, lady. There's no law I have to sit here and take abuse. So,
if you'll--"

She clutched Susan's arm with her big gray paw.

"Damn it! You let go of me!"

The woman's hand shot out, slapping Susan's cheek. "How's that, huh?"
She slapped again. "How's that? How's a taste of knuckle sandwich for a
change?"

Susan's sleeve ripped as she wrenched her arm free. She pushed. The
heavy woman stumbled backward, arms windmilling, a strange growl in her
throat. Susan saw the pain on her face as her rump hit the path.

Made her hesitate.

"You okay?" she asked.

53

The woman kept growling, lip rising like a canine snarl, exposing gaps
where teeth should be, and lousy chunks of enamel and decay where teeth
were still rooted into the unhealthy-looking gums.

Susan looked around, feeling guilty, wondering if anyone had witnessed
the struggle. Nobody was nearby. She turned again to the woman. "I'm
sorry," she said, "but you shouldn't have--"

"Ain't you something?" The woman muttered. "Knock a person down."
Rolling over, she got to her hands and knees. She stood, brushing leaves
from her shabby dress. "What'd I ever do to you, huh?"

"You hit me for starters. Tore my blouse.. . You ought to be locked up."

Susan started to leave. Hearing rapid footsteps behind her, she looked
back and saw the woman charging. She tried to run, but a hand gripped
her collar. It tugged backward, pulling her off balance. She felt
herself hit the concrete. It didn't hurt much, but then the big woman
was on her--sitting on her, the big buttocks crushing down on her
stomach; the woman pinned down her arms.

"Get off!" Susan twisted, trying to throw the woman off.

"Lay still."

She began to yell for help, but the woman let go of one arm long enough
to smash her face.

"Listen here, princess."

Susan stared at the pale, bloated face, with its cluster of pimples
around her mouth, like spotty lipstick. The face broke an ugly smile,
revealing more of those brown teeth stubs.

"You just keep your dirty whore hands off my guy, you hear? You got no
right. Keep off. You don't, I'm gonna do a job on you ... a real
thorough job, you understand?"

"You're Mabel."

"That's me, honey."

"Tag's going to hear about this."

"He does and you're in fer it. You and your runt." With a smile, she
started working her mouth.

Susan knew what was coming. Couldn't believe it. The last person to try
such a thing was her older brother when they were little

54

kids, and he'd missed on purpose. Just planning to gross her out a little.

Mabel, she realized, didn't plan to miss.

She bucked and twisted as a stream of drool spilled from Mabel's mouth.
Pressing her lips shut, she turned her head away and closed her eyes.
The sticky wetness dropped onto her cheek and rolled toward her ear. She
felt its crawling path across her skin.

With a harsh laugh, Mabel climbed off.

Susan used her sleeve to wipe away the gelatinous mass. Sitting up, she
watched Mabel limp away, heavy arms swinging.

Susan got to her feet. Her wet sleeve clung to her arm. Some hair close
to her ear was matted. As she bent down to pick up her lunch bag, she
caught the sour-milk stench of the woman's spit.

Gagging, she rushed into the bushes.

55 Tag climbed the stairs, careful not to touch the railing. If he could
have stopped breathing the moment he entered the building, he would have
preferred it; the place smelled like a garbage can. His foot slid as it
mashed something on the step. He didn't look down to see what it was.
When he reached the second floor, he headed down a hallway to Apartment 202.

He couldn't knock on the door without touching it, so he thumped it with
the toe of his shoe.

"What you want?"

"Mrs. Rudge? This is Officer Parker from the police. I'd like to speak
to you."

"Hang on."

He waited. The door opened.

Mabel's obese mother stood blocking the entry, a cigarette hanging out
of her mouth, fists on hips. Her T-shirt and boxer shorts revealed more
than Tag ever wanted to see.

"What's your story?" she asked, squinting through the smoke.

"May I come in?"

"Suit yourself. Got nothing to hide." She stepped backward, the motion
rippling her flesh.

"Is Mabel here?"

"See for yourself."

"I asked you: Is she here?"

56

"I don't see her, do you?"

"Are you aware of her recent activities, Mrs. Rudge?"

"You mean do I know you been pronging her? Sure. She's my girl. She
don't keep secrets."

"I haven't been 'pronging' her."

"That ain't what I hear. What I hear, you can't get enough of her."

"That's not true."

"That you beg her to do it without no protection."

"I wouldn't--"

"You should wear protection, you know? Sheaths don't cost the earth."

"Listen to me--"

"And that you force her to do things that aren't natural for a girl."

"I've done nothing."

"From what she says you prong her like some guys prong a farmyard animal."

"Listen to me."

"Gettin' bloodstains out of underpants ain't no picnic I can tell you."

"Listen. I've never had intimate relations with your daughter."

"Inta which?"

"I've never pronged her."

"That a fact?"

"It's a fact." Tag said, his skin crawling at the thought of it. Him and
Mabel... hell.

"Horseshit. Can't trick me. You been layin' it to her, sure as you're
standing here. Made her bleed time and again too, and not jus' from her
womanly parts." A column of ash dropped from the cigarette in her mouth.
It crumbled to powder on a huge hill of breast, adding a patch of gray
to her grimy T-shirt. She batted the ashes off, setting the breast in
motion. "Don't bother me where you stick it. You can stick Mabel from
now till your dick curls up and drops off, don't offend me. But wear a
sheath. I don't want her knocking up. We don't want us a brat around
here, crapping the place up."

"Mrs. Rudge. Do you want Mabel busted?" 57

She blew smoke out of her nose. At least, she tried. One nostril must
have been blocked. Smoke jetted thinly from her left nostril only.

"Mrs. Rudge, in the past two days Mabel has flattened a tire, assaulted
a lady friend of mine, and assaulted me."

"You?" She grinned.

"That's right."

"You like the rough stuff? Mabel's the girl to dish it."

"I don't want to arrest her, Mrs. Rudge. That's why I came over. I want
you to talk to her, explain I'm not interested in having a relationship
with her, and let her know she'll be thrown in jail if she pulls one
more stunt."

"How'd you mean that you don't want a relationship with her."

"I don't want to prong her, screw her, poke her, pork her, touch her. I
want her to leave me alone."

"Yeah?"

"Yes."

"So you're dumping her?"

"I've never had a relationship with her in the first place."

"What the matter with you, you queer?"

"I already have a lady friend."

"No law you can't have two."

Thanks, but no thanks."

Her eyes narrowed through the billowing smoke that began to burn Tag's
throat. "You telling me you don't like my Mabel?"

"Not as a lover."

"That so?"

"That is so."

"I can see you never done her then, or you'd be whistling a different
tune. You go on and let her show you a time before you start
bad-mouthing her."

"I'd rather not."

"Social services guy who had her case couldn't get enough of her. Bought
her chocolates for her fifteenth."

"Mrs. Rudge, I'm not interested. Understand that."

"My Mabel, she wants you."

"Well..."

58

"I like to see her get what she wants."

"She won't get me," Tag said.

"Don't go counting on that." She laughed. "Shoot, maybe we'll both get
you. Good-looking hunk like you. Young and strong. We could make
ourselves a cop sandwich, with you in the middle... yeah." She gave him
a long looking over. "I bet you could make us both plenty happy."

"Give her my message, please."

"I guess she'll get back any minute now. How about you wait, tell her
yourself? Beer in the cooler?"

"No, thanks."

A mean look slit her eyes. "Don't then. Who wants you anyhow?" She
flicked her cigarette butt at his face.

Tag flinched away. The burning stub nicked his ear.

"Good-bye, Mrs. Rudge," he said. "Please remember to pass on what I've
told you to Mabel."

On his way out he noticed the cigarette smoldering a black hole in the
carpet. He mashed it dead with his heel, then walked away without
looking back.

59

CHAPTER TEN

How did it go?" Susan asked. "Not so good. Old Mother Rudge thinks Mabel
and I would make a handsome couple."

Susan grinned. The bruised side of her face felt stiff, but didn't hurt
much.

"You could simplify things by pressing charges," Tag said.

"I know, I know." She bounced Geoffrey on her knee. He grinned and giggled.

"You shouldn't feel sorry for Mabel."

"I can't help it."

Maria came into the room, beaming and carrying a margarita. She handed
it to Tag. "You make the best in the world," he told her.

"The best! SI Gracias, Senor Tag."

When she left, Susan said, "Can you imagine what it must be like being
Mabel?"

"I'd rather not."

"What does a woman like that have to look forward to?"

"Prison, more than likely."

"I mean it. She hasn't got a thing going for her. I had a friend like
that in college. She wasn't mean like Mabel, but she looked exactly like
her. We were roommates my first year at Weston and I got a pretty good
idea what it must be like. Everybody stared at her all the time. She was
the butt of a thousand awful jokes, mostly

60

behind her back, but she knew what was going on. When it came time to
rush, she gave it a try, but none of the sororities would touch her.
That's the main reason I didn't pledge. If they could be that cruel, I
wanted nothing to do with them.

"She never had a boyfriend. Guys dated her sometimes." Susan shook her
head. Anger and sadness. "It was just like a big joke to them, though.
None of them gave a damn about her. They just knew she was an easy
screw. They didn't care how ugly she was, as long as she put out. They
treated her horribly. One night, some guys got her drunk and passed her
around. When she came back to the room she could hardly walk. She was
bleeding. She couldn't stop crying. I stayed up with her the whole night
because I was afraid she might do something. You know, slash her wrists
or something?

"The next day, I helped take her things to the railroad station. She got
on the train and she never came back."

Tag frowned, staring at the drink. "What happened to her?"

"I don't know. I never heard from her again. But Mabel makes me think of
her, you know? I figure her life is tough enough without me trying to
get her locked up."

"Know something, Susan?"

"What?"

"You're a pretty nice lady."

"Am I?"

"I want to take the nice lady out to dinner."

"Sounds good."

"I'll go upstairs and get into a suit."

"Ah, a dinner dinner."

"Right. Complete with necktie."

"A necktie party! How exciting. I'd better make myself spiffy then."

"I'll give you fifteen minutes."

"Half an hour."

"Twenty minutes."

"You're driving a hard bargain, Parker." 61

A red-coated teenager was waiting in the restaurant's driveway. "He's
not gonna get his hands on my car," Tag said, and kept driving. He found
an empty stretch of curb a block away.

In the restaurant, the maitre d' led them to a corner table.

"A libation?" Tag asked. "Pepsi, Perrier, Mountain Dew?"

"I think I'll break down and have a real drink."

"Don't break down at my table."

A waiter came. Susan ordered a vodka gimlet, Tag a margarita. The waiter
returned quickly with the drinks.

"To the most beautiful mummy in town," Tag said.

"Amara?"

"You."

They sipped their drinks. It was a good gimlet: strong, and easy on the
Rose's lime. "Hmmm, this's my first in over a year," Susan admitted.

"See what you've missed?"

"It'll probably go straight to my head, and I'll get giggly."

"I've never seen you giggly."

"Not a pretty sight."

"I can't believe that."

"Shameless flatterer."

"I don't want this going to your head, but I think you're the most
beautiful, charming, intelligent, and sensitive woman I've known since
my childhood sweetheart, Gretchen Stump."

"Gretchen, heh? You always keep throwing her in my face."

"She's hard to forget. You run a close second, though. Really. And you
do have an advantage over her."

"I'm honored you should think so."

"She had one flaw."

"You never let on."

"Yes. Gretchen had a backwards eye. Looked in, not out. She was always
fond of it, said it helped her see what was on her mind. Hideous to look
at, though. Looked like a peeled tomato with a piece of spaghetti
dangling down."

"That's disgusting."

"You should see what we had to do to keep it moist."

62

"That's really disgusting."

"I would've married her, except for the eye. Yours look fine, though."

"Thanks."

"So ..." He shook his head. Even though he was still smiling, the glint
of mischief left his eyes.

"So?" Susan asked.

"Have you decided what to order?"

"What were you about to say?"

"Well, it would've been tacky under the circumstances. I mean ... I
shouldn't have brought Gretchen into it."

"Into what?"

"Susan, how would you like to marry me?"

She sat back, stunned. She stared at him. "You mean, you want. .."

Tag nodded. "Since you don't have a backwards eye ..."

She laughed, but the laughter sounded strange and far away in her ears,
and then Tag was blurry and she realized she was crying.

He started to talk. "Of course, we'll have to wait for your divorce to
become final, but that shouldn't be more than a few weeks. What do you
think?"

"I... I... Well, it's such a ... Are you sure?"

"I'm sure I want to spend my life with you."

"Oh, Tag." She grabbed her napkin'. "I'm sorry. I... here I am, falling
apart.. . and you .. . you told me not to break down at your table."

"I'll forgive you this time."

"What. .. what about Geoffrey?"

"I'll be the best father I can."

"Tag, geez..."

"How about it?"

"Are you sure? I mean you ... do you know what you're getting into?"

"Does that mean your answer is yes?"

"I suppose it does, huh? Yes. My God! I can't... Wow! I don't know what
to say."

63

"I think you've already said it." He picked up his margarita. "To

us.

"Mr. and Mrs. Taggart Parker."

They drank. Then Susan set down her gimlet and wiped her eyes. "I must
look a fright."

"You look fine. Ready to order?"

"Not till I've. .. Sheesh, my hands won't stop shaking. Why don't you
get us another round of drinks? I'll go freshen up."

During dinner they made plans. Both wanted a simple wedding. Both wanted
only family and a few close friends attending. They decided to move into
Susan's apartment, since it was larger than Tag's. They would keep his
bed; it was larger. Her chest of drawers; his was decrepit. His stereo
system; her CD skipped tracks all of its own accord. Both TV sets, both
VCRs, both cars; neither microwave oven (both were glitchy as hell).
They pretended to argue about Tag's favorite chair, a maroon monster
that dropped stuffing from its tattered cushion.

"I won't let it inside till it's housebroken," she said.

"We can put newspapers under it."

"You have to promise to clean up after it."

Susan finished her last bite of prime rib and excused herself.

"Going to freshen up again?" Tag asked.

She nodded. Instead of freshening up, however, she went to the cashier.
Through the glass of the display case, she studied an array of cigars.
She decided on an Anthony and Cleopatra because of its Romantic name.

Back at the table, she presented it to Tag. "To go with your coffee,"
she said.

He turned the cigar slowly in his fingers, smelt it appreciatively, then
looked at Susan and beamed. "I think we'll get along just fine," he said.

They took the elevator to the third floor of the Marina Towers. Holding
hands, they walked down the narrow corridor to Susan's room.

64

A dead cat was hanging from her doorknob by a hind leg. Blood still
trickled from its neck. It had no head.

Crooked words on the door dripped like wet paint:

THIS PUSSY STANK .

YOU DO TOO SEE YOU DED PITUNYA

65 Such a bitch! And what a bitch. A Grade-A bitch. A gold-medal bitch.
An Oscar-winning bitch ... He couldn't believe what he was hearing.

"Wait a minute, Janey. Let me get this straight."

"There's nothing to get straight, Ed!"

"But--"

"No buts, no excuses."

"Janey, I never even touched her, never mind--"

"Screwed her?"

"Yes."

"So you admit it?"

"No, of course not."

"Liar."

"Listen, Janey, someone's been lying to you. I love you. I--"

"Yeah, some way to show it."

"It's true."

"The moment my back's turned--"

"Janey."

"--you screw my best friend."

"She's making it up."

"Yeah, as if."

"She is. Listen, Janey, she's been trying to break us up."

"Why would she do a thing like that?"

66

"Because she's jealous."

"Oh, right."

"She was always hanging out with you. Now we are together, she's been
pushed out. At least that's what she thinks."

"The phrase is 'were together,' Ed."

"So you are dumping me?"

"See, you are smarter than you look."

"But out here?"

"Yep."

"Aw come on, Janey. We're miles out of town."

"Should have thought of that before you got all sticky-dicky with Pamela."

"Jesus, I've told you. I never."

"Like she made up that mole on your inner thigh?"

"Hell, Janey. She could have seen that in the pool."

"Yeah, like she'd stare at your legs through binoculars when you go
swimming."

"Might've done."

"Might've nothing, you two-timing rat."

"Janey?"

"Enjoy the walk, rat boy."

"Janey, this is insane--you can't just dump me out here. Janey! Janey.'"

Ed Lake was conversing with dust. Janey slammed the gas in her open-top
4X4; she was gone. Dust showed as a white billowing cloud in the
moonlight, and all Ed could see of the car were its lights traveling
like a fireball down the canyon.

Great, oh, great. Not only does she dump me, she dumps me here.

And here's a barren hillside road ten miles from home.

Got to do some moving, Eddie boy.

"Don't call me Eddie," Ed grunted under his breath. "Whatever you do,
don't call me Eddie."

The moon lit the blacktop in front of him. At least he could see.

His sense of direction should get him home before sunup.

But, hell, there was some walking to do.

No time like the present, Eddie boy.

67

He set off. With the time close to midnight, it was silent. There were
no cars. No houses that he could make out. Just road, dusty hillside,
stars, a moon. And Eddie Lake. Just been dumped by the girl he loved.

Ouch. Just thinking that made him hurt inside.

Don't it sting, Eddie bey? Rejection? Being dumped?

"Don't call me Eddie," he grunted to himself.

And walked.

Walked fast. Angry. Angry at being dumped. Angry at Pamela, Janey's
so-called best friend, who'd been spoon-feeding the lies. Those damn
lies that Janey had swallowed so easily.

Damn.

Ouch--being dumped hurt. And so unfair. He couldn't believe it.

Janey had been nice earlier, so sexily nice. Whispering into his ear
that they drive out here where it was quiet. She'd suggested that
before. They'd made out in her open-topped car, her long legs wrapped
around his back. Her soft lips finding his in the dark and pressing
passionately, her tongue working, while he stroked bare breasts, running
his fingertips over her nipples, feeling her body encircle his...

No, don't think that now. Concentrate on following the road home. He
walked angrily again. She'd lured him out here just to dump him out in
the wilds.

Ed Lake had just finished his sophomore year at Riverside High. He was
sixteen. The proud owner of a VW Bug that he was carefully resurrecting
nut by bolt in his parents' garage. And yes: deeply in love for the
first time, now the bitch had gone and... hell, the bitch had dumped
right there in the ...

Uh, hullo. What's that?

He stopped. Stared.

That didn't make sense. The hillside was strewn with big boulders. Now
two of the boulders were moving.

He strained his eyes at the pale bumps and shaded hollows. He tried to
make the most of the moonlight, but apart from the straight man-made
lines of the road, everything at either side of it was a random jumble
of shapes.

68

But he'd swear to it. Two of those boulders were moving. They weren't
rolling either like in a landslide, but sliding along... almost creeping.

Boulders? Boulders don't creep.

People creep. Murderers creep.

Eddie, don't let your imagination fool with you.

"Don't call me Eddie." He tried to sound flippant enough to stop the
shivers, but it didn't work.

The shivers came. His stomach felt as if it had shriveled in on itself.

Janey didn't seem that important anymore.

All of a sudden he realized it was more than just annoying to be dumped
out in the wilderness.

Heck, it might be dangerous too. He wore expensive clothes. The watch on
his wrist flashed in the moonlight.

A mugger might just want to check out whether or not it was a Rolex.

Ed walked.

The hunched boulder-shapes moved too. Now he convinced himself that they
were a pair of muggers.

But muggers don't hang around out on barren mountainsides, do they? They
lurk in city alleyways or haunt multiplex parking lots where there are
people to prey on.

Here, there's nothing to mug apart from rabbits.

He walked faster .. . worked hard to stop running. Once you run they
know they've spooked you. That's when they start running too. Running to
pounce on their victim.

And you're the victim, Eddie boy. That was the voice inside his head
reinforcing the obvious.

The hill road angled downward now. Ahead, the barren hillside gave way
to lower-lying land filled with scrub; beyond that were trees, the
beginning of woods.

He walked, feeling perspiration roll across his skin beneath his shirt.
He loosened a couple of buttons. But the night was too hot to cool him.

Hell, I'm gonna give Janey a piece of my mind. Pamela's not

69

going to get away scot-free either. I'm gonna get my own back for this one.

If I ever get the opportunity.

He glanced to his right up the hill as the two hunched figures moved
toward him. They moved faster now, aiming to cut him off.

Probably gonna cut you up too.

Now he did start to run, his feet slapping down against the blacktop,
his arms flailing. Breath came in spurts through his throat.

He looked up at the jumble of shadows. He couldn't make out details, but
the two shapes sped down at him. They were too fast. He couldn't outrun
them. Jesus, he couldn't even scream to anyone nearby for help. He'd be
at their mercy.

Jesus H. I'm only sixteen. Sixteen! I only lost my cherry three months
ago. They're gonna bury my bones in the dirt at the side of the road,
I'm never gonna--

"Leave me alone!" he yelled as the figures broke out of the shadow.

He stopped as the pair ran in front of him, cutting off his escape route.

He stared.

Rubbed his eyes.

Then laughed out loud.

A pair of goats ran across the road, hooves clattering, their horns
glinting in the moonlight.

Christ, he really was out in the wilderness. Wild goats! They were as
scared as he was. They ran kicking their back legs, stirring up puffs of
dust as they vanished under the bushes.

Now, when you're sixteen, there are certain things you don't want people
to see. One is what you do in the bath. Another is blushing when a girl
speaks to you. Another is the diary you keep hidden under the bed. And
then there's this one. Running in tenor from a couple of runty little goats.

Geez. He could just imagine his friends falling around laughing if they
ever heard about this.

Not that they would.

This is just between me and you two goats, he thought to himself,

70

grinning. I won't tell if you don't. Scaring each other in the middle of
the night, huh? What a trio of saps.

Easier in his mind now, he kept on walking, this time with a hand
casually in his pocket and sometimes whistling a few notes from a song.
The air was still. There wasn't a sound, and the moon still burned with
a bright cold witch-fire in the sky.

The road leveled out. Soon the boulders were gone, and then it was
scrubby bushes. Half a mile after that came the trees which crept closer
to the road, shutting it in until only a split full of stars showed over
head.

He glanced at his watch. 1 a.m. His parents might have woken up and
realized he wasn't at home. But they treated him like a mature adult.
They trusted he wouldn't do anything stupid. So maybe they wouldn't
worry yet. He hoped not.

His feet whispered across the road surface. He was maybe averaging four
miles an hour. He guessed eight miles separated him from home. If he
kept up this speed, then two hours from now would see him slipping his
key into the front door.

That didn't seem so bad.

Ed Lake heard the whisper of leaves.

Then he heard another whispery sound.

This was someone breathing.

Someone close by.

He sensed a presence right behind him.

Turning, he saw a shadow there.

The shadow swung an object.

One that hurt far more than the hurt of being dumped by Janey.

He just had time to clutch the side of his head before the shadows
swamped him.

Ed Lake opened his eyes. There were bars. Bars going up and down with
thinner bars running from left to right. It looked like a fisherman's
net made out of steel.

The first phrase that went through his mind was Holy shit!

He reached out to touch the bars. Bad move. Any kind of movement made
his head hurt like hell. He touched his temple. Felt crisped stuff
there. It matted his hair.

Dried blood. He figured that much. 71

This time he kept his head still and allowed his eyes to do all the moving.

Still hurt his head, though.

But he persisted.

Through the bars he saw white painted walls. Light came from fluorescent
strips in the ceiling. So he was in a room.

In a cage.

Holy shit. I've been knocked unconscious and dumped in a freaking cage.
Now what?

His mouth tasted like a hog had crapped in it. His watch was gone from
his wrist... mugged ... but why put me in a cage?

Fresh meat for the tiger.

This thought made Ed sit up. His mind spiraled. He wanted to vomit. The
pain rocketed through his skull... but he had to check.

See that there weren't any hungry tigers in the cage with him.

Already he could feel their teeth in him. Chomping down. Tearing.
Ripping. The pain ...

"Yeee-ow! Take it easy."

"What?"

"You got yourself a nice whacko on the skull there, buddy. You should
lie down for a while."

"W-what'd My... ya do that for?" Ed's words came stuttering out as his
head spun.

"I ain't done nothing, buddy. I'm just your roomie."

"Where ..."

"Here. Next pen to yours."

Ed took a deep breath. The room slowed its spinning. His eyes focused
and he found himself looking through the bars of the cage at an another
cage identical to his. Eight by four, maybe six feet high. Steel bars.
Objects dangled by cords from the roof bars. His eyes located its occupant.

A guy of around twenty with blue eyes and blond dreadlocks grinned back
at him. The guy lay on his side, one elbow propping him up. There was a
match gripped between his teeth.

The blond guy lay grinning at Ed for a while, and then he said, "Well,
buddy... welcome to the beast house."

"Beast house?"

72

"We're the beasts."

"I don't understand." His head ached so much he wanted to vomit. "Beast
house?"

The blond guy leisurely slapped the bars of his cage. "We're in the
pens, buddy, so we must be the beasts."

"Shit."

"Head sore?"

"like you wouldn't believe." Groaning, he sat up.

"It'll pass."

"Yeah?"

"Did for me." He used his fist to mimic a clubbing motion against his
blond head. "I got double-whacko. Here and here." He pointed. "They had
to stitch my scalp. You got off lightly, pal."

"Yeah, feels like it." He retched.

"Clean it up with toilet tissue and dump it in the bowl."

"Huh?"

"The plastic bowl there in the corner of your penthouse suite, sir.
That's the bathroom facility."

"You said 'they had to stitch my scalp.' Who are they?"

The blond guy didn't answer. "Speak a little lower. Sleeping Beauty gets
grumpy if you wake her."

Still dazed, Ed looked around. Another cage around three feet away from
the end of the one he occupied was separated by a walkway of sorts.
Angling his head, he saw a mound beneath a red blanket. A hand attached
to a slender wrist protruded. From one end coils of heavy red hair
spilled over the foam mattress and onto the floor. Ed looked at the
contours of the blanket, guessed there was a curving hip under there
that shaped it.

Girl, he told himself. A girl with exotic red hair.

I wonder what she looks like ...

He pulled back from his own curiosity.

Inappropriate or what, Eddie? You're in a cage. It's not the time to
think woman, it's time to think out!

"Don't call me Eddie," he murmured to himself.

"What's that you say, buddy?"

Ed looked at the blond dreadlocks. They reached down the guy's back to
his rump. Dazed, Ed shook his head. "Nothing."

The guy gave an easy wave. "The name's Marco. You?"

"Ed Lake."

"Yo, Eddie. Welcome aboard."

With a groan, Ed lay down on the foam mattress. His head ached.

"You best get some rest while you can, Eddie boy," Marco told him.

"Why? We going somewhere?"

"Nope." The guy grinned. "But you're sure to get a visitor soon."

"What kind of visitor?" Ed didn't like the sound of that.

"You'll see."

"Yeah."

"So rest. Get your strength back." The grin widened. "Believe me, you're
gonna need it. You're gonna need every drop." The last sentence amused
the guy and he began to chuckle.

He was still chuckling when the lights went out, plunging the room into
darkness.

74 The dog howled at the moon. Every night the old man had come to the
parking lot, called softly, "George ... where are you, boy? Here,
George. See what I've got for you." The dog would speed out of the
shadows across the lot, by the single car that still carried the odor of
the old man, and to the foot of the fire-escape steps.

There the old man would open up a bag. Inside would be chop bones, the
remains of cold cuts, or even raw hamburger. This had gone on longer
than the dog could remember.

Night after night. The old man smelling of strange odors like ancient
bones. The man would feed him there at the back of the museum, make a
fuss over him. But he wasn't there tonight. There were more lights in
the building than usual. The dog's keen ears picked up voices where
there were usually none. Even though the big brown dog could clearly
make out the voices of the strangers, he couldn't understand the words.

Certainly none of the all-important words in his vocabulary.

George. Food. Walk. Play. Here boy. Good boy. Roll over.

Instead: . "They're paying us to do what?"

"See that no one makes off with some old dame in the coffin."

"Jesus H ... Amara? That her name?"

"Search me."

"This place is like a tomb anyway."

75

"Say that again. Those stone statues are creeping me out."

"Did you know the guy?"

"Who?"

"Guy who took a dive down the stairs."

"Uh-huh, Barney Quinn."

"Wasn't he on the force?"

"Sure, but they kicked his sorry butt out."

"So, what'd he do?"

"Got careless."

"What? Poked the police chiefs wife?"

"Nah, not even the chief'd do a thing like that."

"That ugly?"

"Hell, yes."

"What'd this Quinn do then?"

"Accepted a little cash here and there in return for turning a blind eye
to some whorehouses."

"Hard darts."

"Could happen to anyone."

"Whoa, Beckerman, sounds close to home."

"None of your business. Go check on the Greek room again."

"I was only--"

"Yeah, only poking your great bazoo in deep where it doesn't belong."

Tilting his head to one side, the dog out in the lot heard the voices
recede with the footsteps. Two men walking in the building. One small
and thin. One thickset and limping.

The dog padded up to the rear doors, put his nose to the crack between
door and jamb, and sniffed hard, pulling in the cool air from inside the
big stone pile into his sensitive nostrils. George smelt the musty odors
again. Ancient bones. Stone and wood artifacts from faraway places.
Far-away times. Handled by many different hands.

George smelt the two strangers patrolling the museum in place of his old
friend who'd appear every night with food. The strangers smelt of the
tortillas they'd wolfed down before the start of the shift. The dog even
smelt the scent of woman on the fingers of one of them where he'd rolled
his wife's sister during a little afternoon delight.

George's sense of smell was keen, picking up the scent of three

76

thousand-year-old goatskin on which was inscribed verses from the
Egyptian Book of the Dead. His hearing was phenomenal. Heard the tick of
the clock in Blumgard's office. Heard the two guards' footsteps on the
upper floor. His eyesight was good too, far better than humans allowed.
He could see the flutter of tiny moths against lighted windows three
stories above his own shaggy brown head.

But there was more.

Much more.

A sense humans could only guess at.

Not identify. Not prove.

George possessed a sixth sense. Inside the building he sensed something
stir. Something dark. Something terrible. something vengeful. Something
with the capacity to terrify, maim. Kill.

He sensed it stir again. Sensed dark purpose. He sensed it ready to move
again soon.

The dog threw back his head and howled at the cold moon.

77 Don't waste your time. They're set in concrete." Ed Lake glanced up
at Marco as the blond-haired man shook his head.

"They're set in tight. The doors are double-padlocked. All the bars are
welded together--"

Ed heaved at a bar.

"--so you won't be able to even bend one."

Damn. The man was right. But it wouldn't stop Ed from trying.

After a while Marco shook his head. "You should listen to me."

"Why? I want out, don't you?"

"You should save your strength like I told you, buddy. You're going to
need it."

Ed tried kicking at the bars, but whoever had dumped him here had
removed his shoes. All he did was hurt his toes. The bars didn't budge.

"Save your strength," Marco repeated, then sat down with his back to Ed.

In frustration Ed slammed the cage door with his hand. It made a ringing
sound. Fuming, he stood for a moment, but could only straighten so far
because of the height of the cage ceiling. He had to stoop. His back
began to ache. The pain started in his head again too, where he'd been
struck.

Ed took stock.

78

I was walking along the woodland road. Someone slugged me. Out cold, I
was brought to the building, dumped in the cage. When I came to I talked
to my roomie, who looks a little kooky to me. Then the lights went out.
I slept. I woke hours later when the lights came back on. How many
hours, I don't know.

So, I'm looking at the cage again. It's around eight feet by four. Six
high. Welded steel bars set in concrete. Sawdust bowl for a toilet. Foam
mattress is a bed. Otherwise, bare as a rhino's butt. Hanging from cords
tied to the cage roof bars are your fundamental toilet items: hairbrush,
toothbrush, mirror (the kid's kind made from harm-free plastic); also,
there's a water bottle (also plastic), mouthwash, deodorant, talcum
powder, a facecloth, and a Bible.

All those items tied to the cords made Ed think of fruit hanging on vines.

When he crossed the cage he had to push them aside, so he left a path of
toiletries and the Holy Bible swinging backward and forwards.

He looked up. A narrow walkway with a handrail ran around the wall some
six feet off the ground. That would allow a person to simply step from
the walkway onto the roof of the cage.

The cage ceiling was strange as well.

Half of it, where there were no bars, was clear Perspex. Very thick.

Certainly couldn't put my fist through it. Probably bulletproof.

"Wasting your time, Eddie ... no way out."

"At least I'm trying, Marco."

"Your funeral, bud."

"Yeah?"

"Should save your strength."

"Why?"

"S' gonna be put to the test soon."

"How?"

Marco shrugged and went back to examining the end of the match he chewed.

"What's going to happen, Marco?"

"You don't listen to my advice, bud, so why should I waste my breath?"

Restless, Ed examined the cage again. He'd not noticed earlier, 79

but there was a section of false Perspex ceiling. This lay just a few
inches beneath the roof proper of the cage. This chunk of Perspex was
maybe two inches thick, seven feet long, and just over two wide. It was
suspended from the cage roof by what looked like a substantial bolt in
each corner. Looking at them more closely, he saw something like
windlasses connected to each bolt. The windlass mechanism sat on top of
the cage roof. He recalled the windlasses he'd seen on his uncle's
sailboat. You turned the handle to raise and lower the mainsail.

"Hey. . . hey, Marco can this section of Perspex be raised and lowered
by turning the handles."

"That's what you figure?"

"Yes."

"You figure right, Eddie."

"And what's this aperture in the roof of the cage?"

"Figure it out."

"I'm asking you, Marco."

Marco said nothing, but sat with his back to Ed, his spine up against
the cage bars.

"Marco . . . Marco?"

Marco didn't reply.

Just kept that broad back of his turned to Ed.

"Marco, why won't you answer? Marco?"

"He won't answer because he's saving his strength. He might be next."

Ed turned to see who spoke. He saw that in the next cage a figure had
partly emerged from the red blanket. He found himself looking at a
high-cheekboned face. Green eyes gleamed at him, while tumbling down
over shoulders--bare shoulders--was thick red hair.

Ed caught his breath. Sheesh, the woman was beautiful.

Around twenty-five years of age, he guessed. There was something about
the firm shape of her lips that suggested experience. The directness of
her gaze reinforced that line of thought.

She stared back at him. "You ask questions. You rattle the bars of the
cage. You don't give anyone a chance to get some shut-eye, do you?"

"Who are you?"

80

"More questions."

"You'd be the same. I--I mean what are we doing here? Who brought us
here? What--"

She touched her lips. "Shh. You should listen to Marco. Get some rest."

"But why? What's--"

"Why, what, when? There you go again."

"But what is--"

"Listen to me. It could be your rum next. You'll need your strength."

She lay there raised up on one elbow, the blanket covering her.

Ed walked to the end of the cage that was nearest to hers, squatted
down. The eyes burned back into his: beads of green ice. "But how long
have you been here?" he asked.

"Hard to tell. We've no way of telling the time. Can't tell night from day."

"But you've seen who's holding you here?"

"Sort of."

"Jesus." He ran his fingers through his hair. "This is kidnapping. They
can't do this."

"I know." She spoke casually, almost disdainfully. "The cops would
arrest, the courts would convict. But until they're caught, what're we
gonna do?"

Marco spoke up. "What we gonna do? I'll tell you what we have to do.
Play their game the way they want it played, otherwise we're dead." He
lay down on the mattress, covered himself with a blanket.

"Marco's right," she said. "Play along."

She moved on the mattress to get comfortable. The blanket slipped down
exposing the top of her breast. Ed saw the smooth, milk-white mound.
Found himself trying to catch a glimpse of nipple. She looked great.
Even in this deepest of deep crocks of shit, he saw that. She saw Ed's
interest. He blushed, looked back up into her face. Her eyes searched
his, appraising him.

"You ever acted in a play?" she asked.

Strange thing to ask in a situation like this.

"Ever been in play?"

He nodded. "Draada. We staged it in school last year." 81

"Good. If you can act you've got a chance to survive when it's your turn."

"Chance to survive? Why? What's going to happen?"

"Questions again. We're not here as schoolteachers. We're victims. Do
you understand that? We're--"

"Please tell me," he said. "If I'm going to get through whatever this
is, I need your help."

She sighed. "It doesn't happen every day, but from time to time we--"

"Hey!"

The suddenness of the lights going out caught Ed by surprise. In the
darkness he heard the woman catch her breath. From behind him Marco
spoke. "Whatever's going to happen's going to happen now, buddy. Prepare
yourself."

Ed Lake shivered as he crouched there. The darkness suddenly seemed cold
against his skin. Drafts stirred through his hair. He looked around with
wide eyes.

Saw nothing.

The darkness was total.

Air played over his skin again. Shivers ran down his back. His whole
body seemed to shrivel inside.

What was happening?

More importantly, what would happen to him?

Not to be able to see. Hell, he didn't like this.

There could be anyone out there in the room. Guys with guns. Guys with
knives. Or maybe a noose to slip around his neck.

The drafts came again. A sense of movement from above. Door opening. But
still no light.

Door closing.

Footsteps.

Footsteps descending stairs.

His own breathing grew loud. Jerky. Frightened gasps. His heart hammered
loud in his chest.

Holy Christ. What's gonna happen? What they gonna do to me?

Rustling sounds. The sound of clothes?

He didn't know. But it seemed close.

82

Maybe they'd open the door of his cage. Could he strike out, then run?

But where? This darkness. He couldn't see a thing. But how could the
person who entered the room see where they were going? Night-scope
goggles maybe.

They'd see Ed crouching there, looking right and left, up and down, his
eyes gleaming silver disks in the infrared light, his lips a black slash
across his face. Using nightscope goggles, they'd see him all right. But
he couldn't see them.

He hugged his knees close into his chest. His muscles ached with the
tension. His teeth chattered.

Then he heard a whispering voice. He was sure it wasn't the girl or
Marco. No ... wait... he tried to make out if... no, he couldn't even
tell if it was male or female.

The whisper continued. It seemed to be giving instructions to someone.

Maybe to him.

But he couldn't make out the words. The whisperer was very low,
hoarse-sounding.

Wait. He heard the girl speak.

"Yes." At least that's what he thought he heard her say, but her voice
was low too. There was something intimate about the conversation between
the two. They talked as if to keep it private from Marco and himself.

Maybe he should speak up?

No.

Don't do that.

Keep out of it, otherwise it might bring the whisperer to you. And there
was something about the whisperer that made his skin crawl.

This was bad. Baaaaaad.

The whispered voice was terrifying. It whispered instructions. Orders.
Commands.

Something had to be obeyed.

The...

Silence.

All he could hear was his own respiration. 83

In.

Out.

In.

Out...

And his heartbeat. Pounding.

He struggled to slow his breathing. Struggled to listen.

Had the whisperer gone? There was no movement. No sounds.

Certainly no more whispered commands.

Maybe he should speak now? Ask the other two what had happened. The
whisperer had vanished. They were alone now.

The sudden shriek rocked him backwards.

It came again. He covered his ears. Tried to shut it out.

Silence.

Then another scream. A sighing one that started high, then descended
into a low moan.

He turned to the source of the sound. But there was only velvet darkness
pressing against his eyes.

Jesus, sweet Jesus, what's happening?

A cry. Then three more in quick succession. Ah! Ah! Ah!

That was the green-eyed girl. Had to be. He recognized the voice.

Then: "Please!"

Sure, it had to be her.

"Please!"

Then another cry.

Was she in pain?

Or was someone screwing her?

Because he heard her breathy moans. Heard a loud intake of breath, then
another cry followed by a quivering. "Oh, God, please... please!"

He sat in the darkness listening. But not sure what it was that he was
hearing. OK, it could be pain.

But it sounded like sex. He remembered janey's panting cries when he
thrust into her. Those moans of pleasure when he worked his tongue
around her nipples; her breathless: Please when she begged for more.
She'd pull his head to her breasts panting, "Please... suck harder."

"Oh ... oh ... I--I please!"

84

This please came, he imagined, through gritted teeth. A please pushed
out as sensation overwhelmed.

God, yes, this sounded like sex.

His heart beat faster. For a different reason now.

A warm flush spread through him. He felt himself hardening.

He couldn't believe his reaction. Felt betrayed by it. Embarrassed.

But the beautiful woman with the erotic green eyes had aroused him when
her blanket slid down to expose part of her bare breast.

Now that he heard her experiencing a white-knuckle ride of sex in the
raw, this was something else. With her every pant, every cry, he felt
himself harden to the point where he needed to do something about it.

He imagined her full white breast quivering. Her hair lashing as her
head whipped from side to side in the throes of ecstasy.

Jesus. . .

Oh, Jesus.

Sweet, sweet Jesus.

If she didn't stop making those sounds soon he'd explode.

Panting, moaning, gasping cries, shrill squeals. It made him tingle all
over. He wanted--

Christ, he wanted--

Then it was suddenly over.

Silence.

For moments nothing, but the sound of his heart seemed to come right
back at him from the walls.

A moment after that the lights came on.

Ed blinked.

Straightaway, his eyes went to the cage that contained the woman.

And there she was.

He looked, unable to stop his eyes darting all over her, taking in every
tiny detail. He leaned forward until his face pressed against the bars,
staring at her, trying to process and understand what he now saw in
front of him.

His eyes traveled down her from head to toe. Her back was to him. She
knelt on the floor, her face to the bars.

She was naked apart from a pair of denim cutoffs. These were cut high,
revealing the swelling mounds of her buttocks. The back pocket had been
torn almost off and dangled down, reaching the back of her leg. Her legs
were long and shapely. Even from this angle he could tell that. With
white skin. Milk white.

He found his eyes traveling up from the bare soles of her feet with toes
that rested against the floor, up her thighs, up over the smooth curve
of her buttocks, tightly clad by pale denim. Then to her bare back. The
toned skin that looked so smooth and flawless. A little farther up it
disappeared beneath a swathe of copper hair.

She did not move. She didn't make a sound; she just knelt there, face
forward against the bars of the cage. Her two slender arms were raised
above her head. Her fingers curled about the rounded shaft of the bars.
There was something erotic about the grip. Gently encircling. He
shivered with pleasure.

Unable to take his eyes from her, he watched.

This went on for whole moments.

Then she moved.

Turning, she faced him, still in that kneeling position. She looked
exhausted.

His eyes traveled up from her cutoff jeans. The fastening button was
gone. The zipper had slipped down a little in a V of soft blue material,
exposing creamy skin. His gaze caressed her flat stomach. Then he was
seeing her breasts.

No!

He looked at her in shock... for a moment he didn't believe what he saw.

But then he did see.

And only too clearly.

They'd cut her breasts. Thin slits radiated from the nipples. It was
like a child's picture of the sun in blood. The roundness of the nipple.
Then the sunburst effect of cuts from a sharp blade.

As he watched in horror, he saw blood swell from the cuts, bead, then
trickle downward. A drip from the tip of a puckered nipple.

She folded her arms in such a way that they cradled her breasts from
beneath, supporting.

She looked up at him. Her green eyes were rimmed red. Her lips were full
and moist, she was breathing deeply. She gazed into his

86

eyes. For a while she stayed like that, allowing her heavy respiration
to settle and quieten.

He didn't know what to say ... what he could say that would be of help.
Even though the cuts in the skin looked superficial, her breasts must
have been excruciatingly painful.

As he watched, she licked the tip of her middle finger, then tenderly
wiped the blood from a cut. She did this again and again. Licking her
finger. Stroking a cut in the skin. Soon her lips were slicked red with
blood.

From time to time she glanced up at Ed as she worked. Her eyes were
large now.

When she'd finished, she said in a calm, strong voice. "Don't worry
yourself on my account." Her lips twitched to form a ghost of a smile.
"You see, I'm tougher than I look."

With that she lay down on the foam mattress and covered herself with the
blanket.

88 mad pushed the button of the control box on his dashboard, and
watched the gate swing open. He drove slowly through, one hand caressing
Hydra's bare shoulder.

She leaned against him.

He parked, and walked her to the front door. In the moonlight her
evening gown looked as sleek as the surface of a lake. It was a low-cut,
backless dress. He'd bought it for her that afternoon at La Mers.

"I'll take you out for a wonderful dinner tonight," he'd said earlier.

"In my T-shirt?"

"No, of course not. We'll go to Beverly Hills and buy you something
appropriate--an evening gown fit for a princess."

"Princess, huh?" She smirked and shook her head.

She looked marvelous in the dress. During dinner at Henri's, he'd hardly
been able to keep his hands off her. Now there was no longer a need to.

He opened the door. Led her into the foyer, locked the door, pulled her
into his arms.

"You're so gorgeous," he murmured.

He kissed her, tongue pushing into the moist warmth of her mouth. She
sucked it down more deeply into her. His hands slid down the curves of
her back. They glided over her buttocks, feeling their small, firm
mounds through the expensive fabric of the dress. She had no underwear
on; he had bought her none. He found the

89 dress's slit that had kept him breathless all evening with glimpses
of bare flesh. Inserting a hand, he caressed the back of her leg, the
slope of her rump. He slipped his hand to the front and stroked upward,
pressed the crisp thatch of hair, the wetness between her legs. She
writhed, moaning, as his fingers went into her. Sliding, moving,
caressing, rubbing.

He was hard and aching.

She rubbed the front of his pants. Opened them. Freed his engorged
organ. Slid her hand along the thick shaft.

Lowering herself to the marble floor, she pulled him down on her.

With one hand, Imad managed to untie the strap behind her neck. He swept
the flimsy bodice away from her breasts. He gnawed the turgid nipples.
Clutching her shoulder, he held her in place while he rammed.

He suddenly jumped in pain. Reaching back, he touched his stinging
buttock and winced.

Blaze crouched behind him. A cigarette in one hand. A ,22-caliber pistol
in the other.

"Hurt?" Blaze asked with a leer. He sucked on his cigarette, tapped off
the ash, and jabbed the red tip into Imad's other buttock. Again, it
burned like a hornet sting. "Get up, camelhumper."

Imad stood. Pulled up his pants. As he zipped them he looked at Hydra.
She lay on her back, knees up, crotch slick. Her eyes were shut.
"Bitch," he said.

Her lips curled with a smile.

"Take me to your safe," Blaze ordered.

"Safe? I have no safe."

"Don't shit me, man. Just take me to it, and open it up. The sooner I've
got what I want, the sooner I'll get out of here."

"But I cannot take you to a safe if there is none, can I?"

"A house like this always has a safe. I can find it myself if I have to."

"It's in the bedroom closet," Hydra said. Imad looked at her stunned.
She grinned and sat up. "So I'm a snoop," she said. "Sue the pants off
me, why don't you?"

"There's nothing in it," Imad protested.

"Sure," Blaze breathed.

"I speak the truth." 89

"Sure you do."

"It is the truth'"

"Let's go up and'see."

"Hang on." Hydra tied the dress behind her neck. The beautiful dress
Imad had bought for her. He wanted to tear it from the ungrateful bitch,
rip it to pieces; let her wear the soiled rags that matched her filthy soul.

"Okay," she said. "Let's roll."

They followed Imad up the stairway and into the master bedroom.

"Right in there," Hydra intoned, pointing at the closet.

Imad opened the door. Turned on the closet light and pushed aside his
hanging clothes, revealing the face of the wall safe.

"Open it," Blaze hissed, eyes gleaming.

"I assure you--"

"Shut the fuck up! -Open the safe! Now!"

He spun the dial. It whirred quietly under the touch of his trembling
fingers. When he finished the combination, he turned the handle and
pulled open the door.

"Step back, asshole."

Imad backed out of the closet. Blaze stepped in. Greedy face eager.

"Damn!"

"I told you--"

Blaze came out, shaking a thin notebook. He flipped it open. "A fuckin'
diary." He flung it to the floor. He aimed the pistol at Imad's face.
"Okay. You've got five seconds. Where's your money?"

"In the bank."

"Don't shit me, A-rab." He cocked the pistol.

"Don't, please. I will tell you."

"Spit it out."

"There's a secret compartment in the safe. I keep my valuables there.
It's at the back. You simply push the upper left-hand corner of the rear
panel."

"Okay, that's more like it." Blaze stepped into the closet. He turned to
the safe.

Lunging forward', Imad swung the closet door shut.

Hydra reached for it, trying to tug it open. He jabbed his elbow

90

into her stomach, grabbed her, flung her backward against the door. He
pressed her against it.

The door jerked, but held.

"Open up!" Blaze yelled. "Okay. Okay, you asked for it, asshole!"

Hydra called out in panic. "Blaze, no. Don't shoot. He's holding me
against the--"

Three gunshots made quick flat bangs. Hydra screamed in pain, her body
twitching with each shot; her face twisted, flushed bright red, then
drained to a waxy white color.

"Shit!" Blaze cried out.

The door jumped, but Imad held it shut, pressing himself against Hydra's
convulsing body. He glanced to the side. Four feet away stood a
straight-backed chair. If he could get to it...

Another shot cracked. Hydra's head dropped forward onto Imad's shoulder.
Behind it, the door was punctured by a tiny, splintered hole.

"See what you've done?" Imad yelled.

Clutching Hydra with one arm, he pulled her aside. He threw open the
door, shoved her at the startled man, and slammed the door. Spinning
away, he grabbed the chair. Thrust its back under the knob.

With a crash the door shook but held.

"Let me outta here, shit-face!"

The gun popped two new holes through the wood; bullets cracked the air
near Imad's head.

From its place behind the bedroom door. He took Callahan's .12-gauge
Browning shotgun. He pumped a cartridge into the breach, stepped toward
the closet. Aimed.

Fired. The gun jumped, slamming pain through his shoulder. It knocked a
four-inch hole in the closet door. He pumped and fired again.

Through the door's gaping hole, he saw Blaze and Hydra on the floor.
Blaze's chest was a sheet of flowing blood. The left side of Hydra's
face was gone as if a beast had bitten it off, bones and all.

91 April Vallsarra moved through the house easily. She didn't bump into
furniture or knock against walls. She knew every inch of the building.
Anyone who didn't know her would have sworn that she wasn't blind.

She glided from the kitchen to the lounge with a glass of milk in her
hand. With an unerring sense of direction she made for the armchair in
the center of the room, sat down, lightly touched a remote control, and
music filled the room.

This was her father's music. She listened to it often. On good days it
was as reassuring as him actually being there. Bad days it made her cry.
She'd think about the thugs that took his life away.

Tonight the music helped comfort her. She'd been so lonely today she'd
felt a physical ache in her bones. Thirty-three years old and living
alone in a big house out in this remote canyon.

Her home was her entire world. There was no world beyond this one. Two
floors, five bedrooms, three bathrooms, a kitchen, a lounge, a dining
room, a roof terrace, a vast studio basement.

That was it. April Vallsarra's universe.

She wished she could find someone to love to share it.

Someone who loved her.

Thirty-three years old. Single.

Alone.

Aching for a loving companion.

92

Why had life dealt her this blow?

She wished she had a lover tonight.

She sipped the milk as she listened to the music that her father had
created single-handed. Years ago he'd worked alone in the basement
studio. First he recorded the bass guitar line. A rhythm that was solid
enough to anchor the other instruments. Then painstakingly he had
over-dubbed the electric guitar and keyboard parts. Track by track.
Layer by layer. Then he'd mixed the sound on the vast mixing desk there.

Months later he had the finished music. A huge symphony played by an
orchestra of electric guitars, computers, and synthesized percussion. At
times he'd replayed it so loudly that she'd had to clamp her hands over
her ears and leave the studio.

But the studio underground was so perfectly soundproofed, she couldn't
hear the music once the series of three doors had been closed in the
corridor that led to the stairwell that, in turn, led to the ground floor.

Her father would invite his friends across to listen to the music.
Sometimes he'd debut a piece on the rooftop patio. Many times April had
joined them there, sipping drinks on comfortable loungers, enjoying the
cooling breeze after the heat of the day. And from the sophisticated
sound system installed there they'd listen in awe to the music as it
swooped and soared, filling the night air with shimmering guitars.

Afterwards, her father's friends would congratulate him. Although she
could never see their faces, of course she recognized the voices.
There'd be a sprinkling of Hollywood actors, a band member or two from
the Grateful Dead, Jefferson Starship, the Eagles, Talking Heads. Later
years would find representatives from newer bands such as REM,
Grandaddy, and Krakow.

She listened to the pitter-patter of guitar notes. Keyboards swirled
like restless spirits, whooshing round the room from speaker to speaker.

That hollowness came to her again. That sense of loneliness that was so
great, it felt as if a cavern had formed inside her. Empty. A vacuum. 93

Her hand rested on the cool silk of her dress. She felt her thigh beneath.

She imagined that it was a lover's hand. She imagined the hand squeezing
her leg before gently gliding upward, up over her stomach, up to her
throat, where it would slide around the side of her neck, then pull her
gently toward her lover's lips.

But who could love a girl like me? I'm blind. Most men wouldn't be
interested.

Oh, yes, they'd be interested in the sex. In years past she'd had many
lovers who'd stayed a few weeks before dumping her.

But was there anyone out beyond those walls who would commit to loving
her forever? To make her a wife?

She had money. Royalties from her father's albums saw to that. She could
hire more help around the house. Even a nanny if children came along.

But how could she reach out there into the city and make a man notice
her? How could she make him fall in love with her and care for her?

She finished the milk and set the glass down on the table beside the
chair. Music filled the room. But it was no longer a comfort.

She needed a companion now. Right now. But she knew she couldn't conjure
a lover out of thin air. Equally, that her craving for companionship was
nearly overwhelming. She wanted to cry out. Wanted to beat the walls
with her fists. Wanted to push her fists into that empty ache in her
stomach.

Even pain would be preferable to that gnawing emptiness.

This was the time of night when desperation grew intense.

A desperation that often led to shameful thoughts. Even more shameful
deeds. But what could she do?

If only there'd be a knock on the door right now. And she could open
that door and welcome in a stranger who would take away this ache of
loneliness.

95 eckerman watched the flashlight beam shoot through the dimly

lighted room and sweep up a pair of pale legs. The gal had a hand over
her crotch. She had a knocker missing, as if someone might have hacked
it off with a cleaver before doing the same to her nose. Maybe took them
home for souvenirs.

"Turn you on, Gonzalez?" he asked.

"Up yours, man." The younger watchman swung his beam to another statue:
a nude, armless male.

"Look at that, will you? Damned Greeks don't show diddry on the gals,
but they've got the guys hanging out all over the place. That seem fair
to you? Huh, Gonzalez?"

Gonzales didn't answer. He turned his flashlight to another statue, then
another.

Beckerman suddenly understood. "Christ, Gonzalez, you take a prize."

"Hey, man, you can't be too careful in this line of work."

"Careful, right. You gotta be real careful you don't die of boredom.
You're new, you'll see."

Gonzalez checked another statue. "You're the soul of respect. Quinn died
here last night."

"Proves my point. The guy died of boredom. Fell asleep on the stairs."

"You think that's funny, Beckerman?" 95

"It ain't as funny as a shit attack in a whorehouse, but it'll do."

"I don't think that's fu--"

"Holy shit!" Beckerman grabbed Gonzalez's arm. "That one moved!"

"Huh? Which?"

The pale beam jerked from statue to statue.

"There! See?"

"Where?"

"Yeek! Here it comes!"

Gonzalez wrenched his arm away. He shoved Beckerman. "You think that's
funny, man?"

"I theeenk so," Beckerman said, mimicking him.

"I'm gonna break your face." He shoved Beckerman again.

"Hey, lay off. Can't you take a joke?"

"That ain't no joke." He raised his flashlight like a club. "This is a
joke?"

"Calm down, hombre. For Christsake. You want to--"

The sound of a thud interrupted him. "What the hell was that?""

Gonzalez was already running for the doorway.

"Wait up, damn it!" Beckerman called, keeping his voice a loud, hoarse
whisper. He rushed into the hallway and found Gonzalez standing
motionless, eyes searching the poorly lighted area ahead, revolver out.

"Don't be so eager, kid. Let's stay cool, and take it slow and easy ...
and stay alive. If we've got bandits we'll contain 'em and call the
cops. No fancy shit, right?"

Gonzalez nodded.

"Okay, let's have a look."

They stepped forward silently. As they approached the entrance to the
Callahan room, Beckerman saw that the cordon was hanging loose. He could
remember hooking it into place himself after an earlier inspection of
the room. He pointed at it. Gonzalez nodded.

Crouching by the entry, Beckerman looked inside. Nobody in view. But the
lid of the mummy's coffin lay on the floor.

It hadn't been there earlier.

He straightened up. "I'll stay here," he whispered. "Go phone the cops."

96

"Forget it, man. We can take 'em."

"Do what I said, okay?"

To madre," Gonzalez muttered, then rushed in.

Beckerman pulled his revolver. Followed. Their light beams crisscrossed
the room. Strange shadows lurched on the walls, jumped, writhed; phantom
shapes. Beckerman kept his finger off the trigger to stop himself from
snapping off shots at them.

Then the overhead lights came on, killing the shadows. Beckerman took in
every corner. He found no one. Gonzalez, hand on the light switch,
grinned nervously at him.

They went to the coffin and looked in. It was empty.

"Oh, shit," Beckerman muttered.

"Hey, man, maybe they moved it?"

"Someone did."

"I mean, the museum people put it someplace else, you know?"

"You're an optimist, kid. Face it, we've been ripped off. Let's get it
in gear." He was already running as fast as his limp would allow. "You
secure the front door, I'll check the rear."

They split up. Beckerman ran down the hall to a fire door at the far
end. He pushed the metal door open gently, trying not to make a sound.
For a few moments, he listened. He heard nothing. Stepping onto the
landing, he eased the door shut.

A single, dim bulb above the door provided the only light. Sidestepping,
he looked up the stairwell toward the third floor. The light didn't
carry far. As he stared at the dark, upper stairs, his tense excitement
changed.

Changed to fear.

He raised his flashlight. His thumb poised on the switch, ready to send
a beam into the darkness above him, but he didn't dare; couldn't bear to
push the switch.

Hadn't felt like this since he was a lad. A kid lying in bed clenched
with terror, staring across the room at the black opening of the closet.
That yawning maw. Nothing inside the closet. Nothing harmful. Nothing to
hurt a kid. Okay? He could prove it by turning on a light. To turn on
the light, though, he would have to get out of bed. If he moved, IT
would leap out, grab him, gnaw the life out of him. 97

Lowering the flashlight, he turned away. He took two steps across the
landing, wanted to look back over his shoulder--just to make sure--but
didn't because it would be too much like gazing into that closet once again.

He started slowly downward. The bulb from the landing threw his huge
shadow on the wall ahead. He felt nervous looking at it. What if a
second shadow suddenly appeared beside it?

You're going nuts, he told himself.

He was glad when he turned at the next landing. No more shadow. Below
him, the light of the first floor looked like an old friend.

He hurried down to it.

Yeah, and you know you're following Quinn's footsteps; just don't go
tripping over your own feet, okay?

He opened the door, looked out. No sign of anyone. Careful to avoid
turning his eyes toward the upper stairs, he crossed the landing and
stared down toward the basement.

He had a new shadow. He watched his feet to keep from seeing it. At the
next landing it disappeared. But there was no friendly light shining
below. Only hostile darkness. That same hostile darkness that once
occupied his open closet.

Where was that light? Why was it no longer shining? The damn thing must
have burnt out. Shit.

Or did someone take care of it?

He turned his flashlight on. No hesitation. He was beginning to feel
some of his old confidence.

That all changed, halfway down the steps, when he heard a sound behind
him. Scraping sounds like a dead, windblown leaf skidding across
concrete. A dry sound.

He whirled around.

He stared.

The thing was standing half-a-dozen steps above him. In the bright beam
of his flashlight, he saw more than he wanted to: arms and legs like
sticks, bulging joints, red hair falling in glossy swathes; a gaunt and
eyeless face.

Its mouth opened wide.

He screamed as it leapt down at him, red hair billowing.

98

Gonzalez heard the scream. He ran across the lobby, flung open the metal
door of the fire exit.

"Beckerman!"

From below, he heard faint sounds. Splashing sounds like water
spattering concrete. He rushed down the stairs. At the landing, he
shined his light into the darkness. Something was on Beckerman, hunched
over his sprawled body, head jerking like a dog tearing meat from a
carcass, only he couldn't see clearly because of the mane of hair that
blazed fiery red in the beam of the flashlight.

It wasn't a dog.

It had red hair like a woman.

It was working on Beckerman's neck. Blood flew, raining against the
walls and floor. Crimson. Liquid. Riverlets of gore.

With alarming speed, the creature scurried off the bloody body and
turned. The light beam hit its face.

Gonzalez went numb. He wet himself. Warm liquid ran down his leg. As it
drenched his socks and pooled in his boots, it helped bring him back to
reality.

"Freeze!" he shouted.

The creature attacked, arms reaching out, mouth gaping, eyes twin pits
of darkness that seemed to plunge into eternity.

Those teeth.

Those godawful white teeth.

Framed by black, dead lips.

Gonzalez reacted. Dropped the flashlight. Clutched his right wrist.
Aimed. Snapped off four shots, the blasts coming so fast they sounded
like continuous, terrible explosions.

He knew the bullets hit the target. They had to. The range was nothing.
An arm's length. But did they stop the thing?

Did they hell.

It rushed against him. Red hair, a billowing mass around the shriveled
face. Good God, it looked as if the creature's head had burst into
flame. Swirling reds, golds; the hair seemed to double the size of the body.

At that moment it struck. He jammed the muzzle to its chest, fired his
last two rounds. 99

Their impact hardly made the thing twitch. Like shooting a cardboard
box. Cordite smoke billowed.

.. Fingers clutched his face and hair. Claw fingers. Fingers with
curling, misshapen fingernails. He stumbled backward, fell onto the
landing, lost the revolver; it went skittering across the floor, sending
out sparks as gunmetal collided with marble.

The face pressed toward him, mouth snapping, its eyeless sockets eager
somehow. Those voids filled with something more than darkness. Something
unseen, hungry, evil, murderous.

He tried to shove the snapping mouth away. The dry stick tongue worked
behind the teeth. Raising his hands, he pushed at the shriveled head,
trying to force it back. The head twisted, quickly shaking the mass of
hair that tumbled over his own face; ancient tresses fell into his
mouth; dusty curls reached the back of his throat. He convulsed, gagging
at the mouthful of hair.

He lost his grip on the twisting head. Its teeth caught two of his
fingers. He felt the bite, heard the crunch of bone, saw his hand come
back with finger stubs dripping.

The thing clawed his face. He cried out as it pierced his left eye.

He heard teeth snapping.

He heard flesh rip as they found his throat.

He heard .. .

.... nothing ...

101 The girl with red hair and green eyes was watching him when he woke
up. She lay on her side gazing through the bars of the cage.

Ed Lake waited for her to speak.

She didn't.

Didn't move either.

Merely watched his face.

Ed remembered how he'd heard her being tortured in the dark just a few
hours ago. He burned inside, outraged that someone could do such a
terrible thing and ...

.. . . and he burned because he remembered something else. He remembered
how the cries she'd made turned him on.

Christ, he thought she'd been having sex. That she was enjoying. Not
hurting.

But that didn't make it all right, did it? He remembered how he couldn't
take his eyes off her naked back when the light came on. It was only
when she turned that he'd seen how the skin around her nipples had been
sliced in a sunburst effect of radiating cuts.

Now. . .

Well, now she just stared at him with those green eyes.

So what do you say in a situation like this? When you're in a cage? When
the stranger in the next cage has just had her breasts sliced?

Hi-ho, honey. You're looking great. 101

Hardly.

Those nipples of hers must be aflame with pain.

Not that she showed the hurt, though. Her gaze was steady.

At last he had to say something, even if totally lame-brain: "Are you okay?"

She didn't answer. Just kept on staring.

"I'm sorry about what they did to you. It was terrible. I mean it must
have..."

Her eyes rested on his.

He clenched his fists. "The motherfucker should have his heart ripped
out. . . ripped right out, the bastard."

She gazed at him. Then: "Don't become too involved with what happened."

"But. .. hell, it was barbaric ... the way you bled."

"I can take it."

"Take that mutilation, but--"

"Listen, do you know what the alternative is?"

"The alternative?"

"The alternative is far worse. Ask Marco."

"That's right." Marco's voice came from behind. Ed glanced back at the
blond-haired guy in the next cage. "The alternative is ... grrch." As he
made the noise he drew his finger across his throat.

"They've killed people?"

"Then where you goes, nobody knows."

"But you people talk like this is normal. That this is how the entire
world is." Ed couldn't believe how the pair accepted the situation.
"Remember who you are. You've been kidnapped by crazies, put in cages,
and now you're being tortured."

Marco said. "You learn to adapt."

"It's out of our hands," she said.

"If you don't accept this is your life now, you'll crack up," Marco said.

She nodded. "Then you're as good as dead."

"Jesus H. Christ," breathed Ed. "I'm not going to surrender to this. I'm
not."

"Your funeral, bud." Marco lay back down his mattress. "Wonder when
they'll bring breakfast today."

102

"Soon," she said.

"Hope it's not hardboiled eggs. They lock me up tight."

She shrugged. "Might be bacon sandwiches. We haven't had those for a while."

"I hope the coffee's hot. It's been tepid the last couple of days. Boy,
oh, boy, that's one thing I hate. Tepid coffee."

Jesus H. Get this! They're talking like a couple of people staying in a
cheap hotel. Not a godforsaken torture chamber. Ed wanted out. This was
madness. Maybe these two were mad.

Hell, maybe he was mad.

Imagining this.

Maybe he was in a psychiatric ward somewhere.

The shock of being dumped by Janey was too much.

Now he was in a rubber room; he was shot full of lithium, drooling,
kacking his diaper, whining for Mom. But not here. Not in this beast
house. Where bad things happened to decent people. Where invisible
torturers came in the dark.

"Hello .. . hell... owe."

He snapped out of it. Looked across at the girl.

She held her hand out through the bars. The blanket was pulled up over
her breasts, preserving her modesty.

"Hello," she repeated. "Anyone home?"

She smiled, straightened her fingers. They were just inches from his
cage. "Guess we haven't been properly introduced. My name is Virginia."
Her eyes were solemn. "Don't laugh. My parents told me I was conceived
there."

Marco chuckled. "Count yourself lucky your mother wasn't screwed in
Nantucket."

She sneered. "Thank you, Marco Polo."

"It's not Marco Polo, it's Marco ?auh."

"Like who cares?" She looked at Ed. "So? What do you want me to call
you? Mister?"

He reached out. Took her hand in his. He felt her fingers squeeze his
fingers. It seemed like a gesture of affection. An electric thrill ran
through him.

Hell, what a way to shake hands. What a situation! 103

But she was beautiful to look at.

Beautiful to touch.

Before he could stop himself, he pictured himself embracing her, burying
his face in that thick, copper hair. Geez, what's wrong with me?

Those thoughts zipped through his head in a flash. He found himself
saying, "I'm Ed Lake." She still held his hand, so he found himself
adding lamely, "I go to school at Riverside High."

"You don't say." She smiled. "I went there too. A few years before you,
though."

"Great," Marco said. "The perfect place for a high school reunion. In a
cage."

At last she withdrew her hand.

Don't do that, he thought. Don't. I like touching your skin.

But she lay back down on the mattress on her side with the blanket
pulled up over her breasts. Her shoulders were bare, though. The skin
was smooth, flawless. And despite her injury, and the strain she must be
under, she looked good. Sort of glowed. An erotic power shone in her eyes.

"I'd lay off chumming up together across there, Eddie boy."

"I'm not chumming up." Ed was annoyed by Marco's tone. The guy sounded
jealous.

"Looks pretty chummy from the deluxe suite over here."

"Knock it off, Marco," Virginia told him. "He's just being nice."

"Just being stupid."

"Hey!"

"like I said, Eddie."

"Don't call me Eddie."

"Like I said, Eddie, you've gotta save your strength."

"There you go again. Why do I have to save my strength?"

He gloated now. "You'll find out. So save your strength. Save every drop."

A kind of sullen silence settled over the room. No one spoke. Virginia
and Marco retreated under their blankets. Ed didn't know if they were
sleeping or not. He glared at the humped mound where Marco lay. Why did
he keep talking about "saving your strength"?

104

What was all this? The guy wouldn't elaborate. Neither would Virginia,
come to think of it. So, Jesus H. Christ, why? What kind of test would
he face? The thoughts were still running hot through his skull when the
lights went out.

Oh, God. Here we go again. This time it's my turn. His belly shriveled.
The strength bled out of him.

He turned his head left and right.

Too dark.

Saw nothing.

Heard nothing.

Just like last time.

Then he realized someone had entered the room. Then came cries from
Virginia as the sadist ran a box-cutter along her tit.

Bastards. If he could get his hands on them.

Wait... it's happening. He sensed movement. Heard a rustle. Felt a
whisper of a draft across his bare arms. The hairs stood upright on the
back of his neck. Shivers spiked his back. He clenched his fists.

Coming for you, Eddie boy.

Gonna get you good and hard. Maybe do a little blade work on your face
in the dark.

No, they won't. I'm going to punch out.

Fists clenched, he waited.

Waited.

He pictured the sadist in the night-vision goggles.

He can see you. You can't see him. He has power over you. You see
nothing in the dark.

But, yeah, Eddie boy, he sees all right. He sees victims.

Maybe they're going to work on Virginia. Maybe cut her again. She'd
start crying out. Start panting.

You'd like that, wouldn't you, Eddie?

Don't call me Eddie.

Wanna hear her squeal? Wanna hear her say "Phase" again in that way that
makes you throb between your legs.

Christ, why did the mind chatter always run away with him? He couldn't
stop those tormenting thoughts. Devil thoughts. He pictured 105

Virginia nearly naked beneath the blanket. Maybe stuff was happening to
her again ... maybe she felt the cold--

Uh.

He blinked as the lights flickered on. He looked around. This time he
expected to see their captor. But the room was empty again. Empty apart
from the three cages with their three occupants.

Virginia sat up blinking. She held the blanket high up her chest.

Marco made a hoot. "All right! Breakfast time!"

Ed's eyes swiveled. A tray had been left outside the bars of his cage.
It was one of those molded ones they give you on airlines. In one hollow
was an English muffin, in another scrambled egg. In the third strips of
bacon. Beside the tray, a cup of black coffee.

"Ed. Eat everything," she told him.

"My appetite isn't what it was." He gave a grim smile.

"Eat everything. Force yourself. Keep your strength, Ed. For God-sakes,
keep your strength."

Why?

What is going to happen to me?

He nearly asked the questions, but something reined them back in.

Anyway, he had a suspicion that he'd find out real soon.

Over in his cage Marco had slid the tray through the gap in the bars and
began to eat. "Not hot, but good," he sang. "Hmm, smoked bacon."

Now Ed saw the reason for the airline-style trays. They were narrow
enough to pass through the bars. The English muffin was surprisingly
good. Someone had been generous with a splash of melted butter. The
scrambled eggs were mixed with ground black pepper the way he liked
them. Spicy. Gave a little heat too to the otherwise lukewarm egg. The
bacon had cooled during the journey from the kitchen to the cages. But
it was okay. The coffee was tepid but strong.

With no forks he followed his two roomies, eating with his fingers and
using the English muffin to mop the tray. He noticed the other two ate
hungrily, enjoying the simple meal. He glanced at Virginia. She ate,
sitting with her back to him.

Her back was bare. With a free hand she flicked back the long copper
hair so it wouldn't trail into the food. That bare back. It was

106

beautiful. When she reached for her coffee, he saw the pale orb of her
breast jiggle a bit.

Just a little bit. But it was sexy enough to warm his loins.

Marco sang out again. "Eat up, eat up, Eddie, old buddy. Food equals
energy, you know. You're gonna need it soon."

107 The rear door of the museum opened. Amara stepped out into the warm
night. She stood motionless, head tilted back as if taking in the beauty
of the pale moon.

Then she started across the asphalt of the parking lot.

From the edge of the field, George watched. His ears heard the dry skin
of the creature's feet whisper against the blacktop. His sensitive nose
picked up odors too. Sweet spicy odors that didn't quite mask the smell
of ancient bone and flesh. The scent of the tomb still clung to the mass
of hair that seemed to possess a life of its own. One moment it hung in
heavy swathes down the hard glossy skin of the back, the next a warm
up-current of air caught it, lifted it, bore it upward so individual
hairs separated and floated around the skull-like head.

A red mist.

A mist like airborne droplets of blood.

The dog watched.

Never seen anything like this before.

Never encountered such a figure.

Yet deep down sensed its nature. A dead thing walking. He sensed its
dark and terrible power.

Amara paused. Turned her dark, rounded head; hair floating around it.
Each strand swimming in the night air.

The dog sensed life in the strands of hair that reached down beyond the
crust of the corpse's buttocks, down to the back of its

108

legs. He watched the hairs writhe and dance in the moonlight. Although
the dog could not put into words what he witnessed, the image that came
to his canine brain was of snakes.

As if each red hair was a bloodred snake, only as thin as a fiber. Each
one malevolent. Each one possessing eyes. Each one of the thousands of
hairs seeing the brown dog shivering at the edge of the parking lot.

Amara saw too.

She walked in the direction of the frightened dog.

So frightened he stood still as one of the statues in the museum. So
frightened he could hardly breathe.

The creature moved toward him. Its naked body gleamed like hard black
resin in the moonlight. Black tarry lips parted. White teeth glinted.

The dog "wanted to run. Wanted to turn tail. Wanted to kick up dust with
his paws. Gone. History. Back across town where this dreadful thing
could never find him.

But he couldn't move. He could only stand, panting hard until his lungs
hurt inside his ribs.

He watched the creature quicken its pace toward him. Although it had no
eyes, he knew it saw him perfectly. A brown dog shivering with fear.
Vulnerable. Unable to save itself. A small life soon snuffed out. Dog
bones broken. Brown fur scattered to the winds.

A whimper reached the dog's throat. Nothing more.

It could do nothing. Move nowhere.

His eyes rolled upward to see the figure loom over him. With the moon
behind, it stood in silhouette. A hard outline revealing bone-thin
limbs; a hard rounded head covered with hard skin. And, surrounding the
head, a vast halo of floating hair through which the moonlight burned in
a bloody flame.

It extended its arms, hands hooking, fingers turning to claws.

The bat flew into Amara's hair. Leathery wings beat the curls, bat claws
became entangled in red tresses as it struggled to free itself. As
Amara's hands went to tear the tiny struggling creature from her hair,
the spell was broken.

George barked once at the strange creature, then dashed away.

109 I mad wrapped the bodies in plastic garbage bags and maneuvered them
downstairs. Hydra was easy to carry. Blaze, however, weighed far too
much and had to be dragged.

He left them on the rear sundeck. In the toolshed he found a shovel. He
walked across the moonlit lawn to the flower garden. Began to dig. Dig deep.

Perhaps he was digging near the very spot where Callahan buried the
other intruders so many weeks go?

The thought unsettled him.

Callahan had killed with the same shotgun. He'd no doubt used the same
shovel, dug in the same vicinity, the metal blade chopping in the soil
with the same awful crunching sound like an ax through firm flesh.

Callahan had died that night.

Perhaps. ..

He shivered, wiped the sweat from his face, kept on digging.

He kept on digging until a hand swung up from the soil to slap the
shovel. With a scream he leapt back. The hand dropped out of sight into
the darkened pit.

He stepped cautiously to the edge of the hole, and peered in. An arm was
exposed from the shoulder to the fingertips. The edge of his shovel, he
realized, had probably caught it in the elbow joint, making it jump like
that. And slap the shovel like that!

110

Nevertheless, he couldn't bring himself to dig anymore.

He filled the hole.

Hiding the rotting corpse once more.

The smell...

Imad retched.

With great effort, he dragged the bodies through the house and out the
front door. One by one, he swung them into the trunk of his Mercedes.

Then he drove for miles.

In the darkness of a wooded road, he unloaded them. He returned the
plastic bags to his trunk, fearing that they had his fingerprints. Then
he climbed into his car. As he backed away, his headlights shined on the
green of Hydra's dress.

Someone might remember the dress. Expensive. Exclusive. Not many of them
about. They might remember the couple who bought it: the dark little man
with the girl young enough to be his daughter, but obviously not his
daughter because she was light-skinned. No. They had a different
relationship; even the dumbest could guess what that relationship was.

He climbed from the car. He removed her dress, being careful not to look
at the awful gap where part of her face had been.

He backed away. In the harsh beams of the headlights, her skin looked
like raw dough.

Imad remembered the pleasure he had taken from her body. How she had
moaned and writhed beneath him. Her pointed nipples. How they'd hardened
beneath his probing tongue.

Such a waste.

But she had been greedy and stupid ... and careless about her friends.
She had done this to herself. If it had not ended now, it could only
have ended at the side of a different deserted road, on a different
midnight, with a different set of wounds.

He backed the car away.

The headlights retreated, leaving her in darkness.

111 Tag woke up in a sunny bedroom, a sheet keeping him warm against the
fresh morning breeze. He lay on his side, his back to Susan. Her hand
was on his upthrust hip.

"Morning," he said.

"Hi."

She moved, fitting herself against him, breasts pushing his back, lap
warm against his rump, thighs against the backs of his legs. He felt her
lips on the nape of his neck.

"Sleep well?" she asked.

"Mmmm."

He rolled, and held her. She was incredibly smooth and warm. He kissed
the curve of her neck, the hollow of her throat. He lingered over her
nipples, taking each in his mouth, rolling them with his tongue. His
hand slipped between her legs. The telephone rang.

"Damn," she muttered. She turned away, picked up. "Hello?"

She listened.

"Oh, my God! I see ... Sure ... Yes, okay... I'll be right over." She
hung up.

"What happened?"

"The guards. They were killed last night. Two of them." Her face looked
as if she smelled something bad. "Their throats were ripped out."

112

"Their throats? That's how Callahan died. These guards, did they have
dogs with them."

"I don't think so."

"Let's get over there and see what's up."

"That's why they called. They want me to inventory the Callahan
collection again to see if anything's missing but the mummy."

"It's gone again?"

She nodded. "They've already searched the museum."

"Did they check the men's John?"

"First, probably."

She sat up. Tag watched, warmed by the sight of Susan's body as she
swung her legs off the bed and stood up. She disappeared into the bathroom.

Tag dressed, thinking. This was Saturday, the only time this week in
which his day off coincided with hers. He'd planned, vaguely, on taking
Susan and Geoffrey to the beach. Since she had to go to the museum,
though, he would go along. The inventory shouldn't take long. Besides,
this would give him a chance to check out the killings. He picked up his
Colt Python, clipped its holster to his belt.

As he was tying his shoelaces, Susan came out of the bathroom, still naked.

"All finished," she said.

Tag knew he should wash his face, shave, brush his teeth, comb his hair.
Instead, he took pleasure watching Susan step into her brief, black
panties. He moved in behind her. Reaching around, he cupped her breasts
in his hands.

"Aren't you going to shave or something?" she asked.

"Can't tear myself away."

She turned to him. They kissed. He slid his hands down the smoothness of
her back, pushed them under the slick sheath of her panties, caressed
her buttocks. Skin silky, oh so smooth ... hell, oh so desirable. He
wanted to ease them down, then--

"We have to go," she whispered against his mouth.

"I know, I know."

Reluctantly, he took his hands away. He went to the bathroom. By the
time he'd chased the heat of sheer lust away, he found Susan dressed in
slacks and a loose-fitting white blouse. 113

On the way out, she looked into Geoffrey's room.

"He's sleeping," she said.

They told Maria good-bye, explaining they had to go out in a hurry and,
no, they'd have to skip breakfast. Tag eyed the fresh pancakes and syrup
regretfully. All his appetites were keen this morning.

Susan stepped back as Tag opened the front door. Stains still showed on
the hall carpet, though Tag had scrubbed it late last night after men
from the Department of Animal Regulation had taken away the cat's body.
The door was stained too, but the words were no longer legible.

"Hallway's clear," he said.

He took her hand; they walked to the elevator.

"You'll be coming in?" Susan asked.

Tag nodded.

"Might as well park out back then. We can use my regular space." She
directed him to turn left near the museum entrance where three police
cars were parked. At the corner, the road curved to the right. "Follow
it to the rear," she said.

In the back of the museum, they came to a sign that read Employee
Parking Only. She pointed out her reserved space. At its head, S.
Connors was painted on a low concrete curb.

"They'll have to change that to S. Parker," she said.

"Soon, I hope."

"Can't till the divorce is final. That'd be bigamy."

"Also bad form," Tag added.

He parked and they got out. The sun was a heavy, pleasant pressure on
Tag's face. He took a deep breath of air rich with the scent of flowers.
At the sound of yelling, whooping kids, he turned his eyes to the field
beyond the parking lot.

A boy in the weeds took a combat stance, aimed his pistol at a running
suspect, and yelled, "Blam!"

"The kid's good," Tag commented.

"Maybe you should go over and recruit him."

"I'd rather play along."

"No fair. You'd use real bullets."

"Sure, but I'd only shoot to wound."

114

Susan took hold of his arm laughing. It was a tense laugh. Tag looked
into her eyes; saw fear. "What's wrong?" he asked.

She smiled, shrugged, and shook her head sharply. "Nothing."

"You're really upset."

"I'm okay. Just a little scared, that's all. Anything wrong with that?"

"No it's--"

"I mean, I'm trying to handle all this. Right? I'm okay .. . haven't
broken down yet. Kept my head, so far. I'm keeping it all together,
aren't I, Tag?"

"Sure."

"I shrugged it off when that first watchman got killed, didn't make a
fuss about messing with that damned mummy in the John, didn't crack when
that disgusting Mabel beat me up or killed that poor little kitten and
hung it outside my home." She swallowed. Her face was fixed rigidly, but
her eyes filled with tears. "And now there are two dead men in there and
I don't even know them, and I've got to go in ... must go in ... only
the last thing I do want is to go in there. I don't want to."

All her control broke. She flung herself against Tag, hugging him
tightly, crying like a lost child.

He held her. "It'll be all right, Susan," he said, soothingly. "Please
don't cry. It'll be all right. It'll be all right, believe me."

115 So, how long have you been here?" "Doesn't the guy ever stop asking
questions?" Marco complained.

Ed Lake sat on the foam mattress in the center of the cage. He'd been
talking to Virginia, but Marco lobbed in comments. Virginia sat with the
blanket around her facing Ed. Marco lay on his back, feet crossed,
resting them on one of the horizontal bars of the cage so they were
higher than his body.

"How long?" Virginia shrugged. "Hard to tell."

"Days? Weeks?"

"Weeks, I guess."

"And you, Marco?"

"Always. I've been here always."

"Always?"

"That's what it feels like."

Virginia nodded. "You can't tell night from day in here. We guess the
lights go on for around six hours, then off for four. It's a completely
artificial day-night cycle."

Marco laughed. "If we weren't tough cookies it could screw us

up.

Ed rubbed his jaw. "How did you get here?" "Don't remember," Marco said.
"You must remember something."

116

"Not me. You might say I'm of no fixed abode. I moved from place to
place. I'd been staying with a girl over near the beach until she threw
me out. Then I took to sleeping on a bench outside a shopping mall."

"Can't have been easy?"

"I made it easy, brother. I took the girl's stash of weed. I got mellow
every night. Hours just seemed to float away on a summer breeze."

"Then what?"

"I went to sleep on my bench one night. When I woke up, here I was in
the beast house. Someone had whammoed me as I slept. Easypeasy."

Ed looked at Virginia. "You?"

"It seems so stupid." She looked embarrassed.

"No more stupid than I felt." Ed smiled. He remembered being dumped in
the wilds by Janey.

"I'd been to a party," she said. "Drank too much, then I walked home."

"Now that was stupid."

"Tell me about it. But I lived just down the street. A three-minute walk
at most. So, there I am alone in the middle of the night in a quiet
neighborhood when all of a sudden--wham."

"Knock on the head." He touched his still matted hair.

"No, a stun gun I figured. Didn't see anyone, just felt a jolt like
someone had kicked me in the small of the back." She shrugged. "Woke up
here with Marco as my neighborino."

"And we've been inseparable ever since."

"Yeah, inseparable." She didn't smile.

Ed looked around. "And you've never heard any noises from outside?
Anything to tell you where you might be?"

"Look at the white panels on the walls." Marco pointed with his bare toe.

"Soundproofing," Virginia added.

"Yeah." Marco chuckled. "In this place no one can hear you scream."

"That's not funny." 117

"Sure is. Remember George? That guy who split his sides laughing?"

Ed lifted his head. "George?"

"An ex-roomie," Marco said.

Ed looked at Virginia. "There have been others here?"

"Some."

"What happened to them?"

Marco wriggled his bare toes. "They come ... they go."

"Geez."

"So it's best to play the game according to their rules," Virginia said
meaningfully. "They ask, you do. Got that?"

Ed still couldn't believe they took this lying down. They sounded so
damn passive, so damn accepting. Like the fight had gone out of them.

"But surely the cops are out searching for us."

Even Virginia laughed at this one.

Marco rose to his knees. "Now that kind of doofus talk makes me need to
take a leak." He pulled down his zipper. "Watch out, you folks in the
front row. You will get wet."

He pointed himself in the direction of the bowl full of sawdust. His
aim, Ed saw, wasn't all that it should be.

Jesus Christ. It can't get any worse than this.

Wrong, Eddie.

It's just about to do exactly that.

Lights killed. That same instantaneous plunge into darkness. Maybe this
was the lights-out phase for sleep. But Ed doubted it. Surely the period
of light had been too short.

He heard Marco murmur. "Ladies and gentlemen. Fun in the beast house is
Just about to begin."

Ed's scalp tingled. Suddenly it felt cooler in the room. He looked
around but as before, he couldn't see a thing in that total darkness.

Here it comes, he told himself.

Here it comes, Eddie boy.

Did you keep your strength like Marco said? Or did you dribble it all
away asking questions?

118

But what will they make me do? What kind of challenge am I going to face?

Maybe it won't be me.

Maybe Virginia? Might be Marco?

It doesn't have to be me this time. They might not be interested in me and--

"Lake."

Holy shit, they're talking to me.

"Lake."

But how do they know my name?

Marco told.

Hey, maybe Marco's in on this. When the lights go out, how do I know
that Marco doesn't simply unlatch the cage door and come out to do his
funky stuff? He might have sliced Virginia's breasts. He's got the
night-vision goggles hidden somewhere.

He walks around. Seeing us. We don't see him.

The thoughts blasted through Ed's brain. They were paranoid thoughts
but, hell... Maybe they were both in on this. Both Marco and Virginia
could be his captors. This could be their game.

Pretend to be captives in cages. Pretend they were just like him.

But why?

To get inside his head, of course. Enjoy his fear close up. Watch his
face when he reacted.

Marco went on and on about keeping his strength up. Working on him.
Working on the scare centers of his brain. Maybe that was it.

But what about Virginia's injuries?

Self-inflicted.

But, hell, that must hurt.

Maybe moviemakers' fake blood?

"Lake." The voice came again. It was a deep man's voice. Eerily slow
too. Inhuman-sounding.

It sent ice down his spine.

"Lake. In a moment, I will give you instructions. You will follow those
instructions to the letter. Otherwise you will be punished. Do you
understand?"

He remained in the same frozen crouch position, not moving so much as a
finger. 119

"Nod if you understand, Lake."

So they do see me? Jesus H. Christ. He'd never been so scared.

"Nod if you understand, Lake."

He nodded.

"When the lights are switched on again, go immediately to the panel that
is suspended beneath the roof of the cage, lie flat on your back on it.
Then present your penis."

"What!"

"Present your penis. Present it in such a way it will pass through the
aperture in the top of the cage."

"No way. I'm not sticking my cock through no goddamn hole!"

Virginia hissed: "You've got to, Ed. Remember, play by their rules."

"But, shit... I can't. I mean I really--"

The deep bass voice continued calmly. "Lay on the panel. Present your
penis. This is a matter that requires no further discussion."

The light flickered on. He glanced at Virginia. Solemn, she nodded. Do
it, Ed. Marco had retreated under the blanket as if he didn't want to
witness what happened next.

Holy shit.

What were they going to do?

To take his dick out of his pants and push it through a hole in that
glass. Jesus.

What's wrong, Eddie? Afraid of runaway lawnmowers?

The thought escaped before he could rein it in. Lawnmowers and penises.
They were two words that didn't belong in the same sentence. No way.

But what choice did he have?

Skin crawling like a jug full of ants had been poured onto him, he made
his way across the cage. In front of him the transparent panel was at
eye level as he crouched there. Maybe ten inches or so separated it from
the transparent roof of the cage. It would be like lying on a bunk bed
that nearly touched the bedroom ceiling.

Virginia whispered. "Use the bars at the side to climb up, then slide
onto it on your back. . . that's it. Now push your feet against the bars
to move yourself along."

120

It wasn't easy. He yanked his back muscles working his way onto the
panel. His forehead butted the glass top of the cage. He couldn't raise
his knees to use his feet, so he had to worm his way farther along,
pressing his palms against the panel.

Jesus H. He felt like he'd become a sandwich filling now, with the glass
panels forming the two slices of bread.

Present your penis.

That's what the deep voice had told him. Present? What a way to phrase it.

But, good God, what would they do to his dick once it was poking up in
the fresh air. You couldn't feel any more vulnerable than this. That's
why guys outdoors took a leak facing a wall or a tree. You felt
uncomfortable exposing your cock to the wilderness. It felt so unnatural.

A passing eagle might mistake it for a tasty snake.

It wasn't easy in that confined space, but at last he took his dick from
his pants and . . . yes. . . presented it. Gritting his teeth, he poked
the head up through the hole in the glass. Fortunately, the hole was
smooth around the edges, so there should be no nasty cuts. He tried to
lift his head to see how much of itself it did present. Only he couldn't
lift his head on account of the sheet of glass above his face.

Was Virginia watching?

Was Marco!

He didn't know whether to feel terrified or embarrassed. Mortally
embarrassed.

Terminally embarrassed.

Shoot.

Then the worst thing happened.

The worst he could imagine.

The thing he didn't want to happen just went and did it anyway.

The damn lights .. . they went out. It was dark again.

And here I am lying with my dick pushed through a hole in the glass. He
swallowed, gritted his teeth, waited for the next installment.

Okay, buddy. You can pause the tape now. I've seen enough . . . The mind
chatter didn't help. Especially when it began talking about runaway
lawnmowers. 121

Swirling blades. A soft column of flesh. Who's gonna win that wrestling
bout, Eddie boy? He closed his eyes. Not that it mattered. He wouldn't
see what happened next in the dark anyway.

He waited.

Waited.

Minutes sneaked by in no particular hurry.

Maybe this was the test... to lie there with his dick poking up above
the glass. This could be a psychological challenge. Not physical.

A rustle sounded close by.

The drafts came again. Cool air played over the end of his manhood. A
manhood that wanted to shrivel back into his body where it would be safe
from whatever lay out there.

He pressed his lips together. A cry tried its darnedest to escape.

He wanted to yell: NO! NO! NO!

But he must keep quiet.

Revealing his fear might only excite his captor into... no, he didn't
want to speculate any further than that.

The sensation that somebody moved above him came. He heard a whispering
sound. Feet moving across the floor.

Holy shit!

The glass floor flexed above him. Had someone stepped from the elevated
catwalk onto the cage roof?

Moments later came a faint squeaking sound.

Oiling the lawnmower blades ...

No. Someone was tightening the bolt arrangement that supported the panel
that held him. Slowly he was being raised up toward the underside of the
cage.

This went on for several minutes.

Inch by inch he felt himself being winched up tight to the roof of the
cage. He felt his entire body pressed tight against it. His hips were
crushed hard against it; his skin burned with the pressure.

Was the intention merely to crush the life out of him?

But just as the pressure against his ribs made it difficult to breathe,
it stopped.

Then came the next shock.

Something touched his penis.

122

He could see nothing in the darkness. And right now he didn't want to.
What if it was a blade? Remember the cuts on Virginia's breasts?

Was it his turn?

But this was light. A feathering motion. Faster.

It was a tongue!

Someone's tongue flickered lightly against the end of his cock.

He remembered the deep man's voice ... oh, holy Christ, not that!

His reflex action was to recoil, but the panel he lay on held him firmly
against the underside of the roof. He couldn't move even a fraction of
an inch. He was wedged tight against the glass. Only his cock was free
and that was being ... well, he couldn't believe it but it was being
licked with a rapidly flickering tongue. First the very tip. Then down
the shaft.

Now fingers ... encircling. Gentle, tentative.

But then firmly. Holding his cock upright so the whole mouth could slip
over it, gorging, swallowing.

Teeth next. Leastways, that's what his runaway imagination anticipated.
Teeth clamping hard. Biting. Rending. Ripping.

He could hardly keep from screaming. But somehow he held the scream
inside his body. He sensed his survival depended on it.

And then came something even more shocking.

The ultimate betrayal.

In utter disbelief he realized his body was responding to that sucking
mouth. Felt himself stiffen, felt himself rise, growing big in the mouth.

The glass flexed above him.

Whoever was above him was getting excited. They were moving, getting in
a better position to suck at him.

What had happened to him? Why was his body becoming excited by the
attentions his penis was receiving?

He felt disgust...

Worse, he felt turned on. With involuntary movements he tried to thrust
his hips forward into the face of his abuser. His head hammered. He
wanted to writhe in pleasure, only he was constricted by the two sheets
of glass that held him sandwiched so tightly.

123

Then the mouth was gone.

Relief.

Disappointment.

He didn't know which emotion was the strongest. Saliva cooled on the end
of his penis. It throbbed as it stood erect above the glass.

Then it happened so fast.

He gasped with disbelief. Understanding only too well what was happening
to him now.

More importantly, what was happening to his cock?

He clenched his hands. Gritted his teeth. Curled his toes so tightly his
feet ached.

Someone had slid onto him. The sensation was different. He knew that
someone now knelt on the glass above him. Taking his cock into them. Inside.

But inside what?

He felt a slick encircling.

Felt the motion too as they lowered themselves, then raised a little
before sliding slowly... slowly down his erect shaft.

Please, he wanted his cock to shrivel back.

But the perfidious hunk of meat wouldn't. It became so swollen it felt
as if it would burst. He'd never been as hard as this. Or as thick. He
felt himself penetrate deep into this captor's body.

But what was he penetrating?

He could feel the moist lips, the clenching muscles.

It reminded him of when Janey sat on him and impaled herself on his cock.

But there was that deep man's voice . .. Dear God, and here he was
enjoying this ... no, loving this sensation.

It didn't take long before he felt himself ready to ejaculate.

But he remembered Marco's talk of saving his strength. He knew he must
hold back until his captor had been satisfied.

Still the motion continued. The rising, falling. The tightly encircling
collar of flesh about his flesh.

He must delay. He couldn't permit himself release.

They were insatiable. His captor rose and fell above him for hours. He
heard them panting. But they said nothing.

124

They were inexhaustible. A squeaking sound came to him, and he realized
it must have been their perspiring hands taking the weight against the
glass slipping backwards and forward.

He centered himself on the pain as the glass squeezed his ribs. The pain
distracted him from coming to orgasm.

His captor must be satisfied first.

Punishment would follow if he disappointed.

The glass flexed above him. In the darkness he saw nothing. Heard
nothing but the squeak of moist palms against glass, and muffled
panting. No words.

This won't end ... this will never end.

On and on. The perpetual motion of flesh against his flesh.

But then it changed. Louder panting, convulsive movement from above. Spasms.

Then the body was gone from his. He heard the bolts turn, the panel
lowered. In a moment he'd slithered off, soaked in perspiration. He
thought he'd have orgasmed with his captor, but sheer willpower on his
part had prevented his release.

Still hard and still slick from his encounter, he crawled on his hands
and knees across his cage. Found his mattress in the dark. Curled up
tight on it. Kept his eyes shut.

Waited for the hours to pass.

125

CHAPTER TWENTY-TWO

I mad woke up late in the morning, still tired. Bone-weary. He had not
fallen asleep until dawn, and feverish dreams had made the sleep a
broken, frightening business. Flashes of dream returned to him. A woman
weeping brokenhearted in the closet. A grimy hand slapping lifelessly at
his windowpane. The green dress, tom and bloody, whirling around his
bedroom; falling on his face, smothering ...

Dreams.

They can't hurt.

But they can torment. They can haunt.

Tonight, he would find himself a woman for comfort.

He thought of Hydra spiked on his erection, writhing on it, head thrown
back, small breasts thrust out. Hydra twitching as the small bullets
pierced her back through the closed door as Blaze had fired from within
the closet. Hydra, half her face gone, a dark cavity where there ought
to be a cheek and a cynical eye and a glossy forehead .. . and a hole
where part of her brain should have been, and ... He clenched his fist,
perspiring.

She was like Amara that way.

Amara.

That fiend had caused all this--filled him with fear and guilt, started
him searching the low parts of town for women. Certainly,

126

there had been women before. Many of them. But there had never been the
desperation. There had never been a Hydra.

She was Amara's fault.

He should go to the museum and defecate at Amara's feet. Throw hog fat
onto the wizened corpse. For ancient Egyptians, like Jews and Moslems,
pigs were unclean animals. Long ago in Egypt criminals were sometimes
sewn into pigskins and buried alive. It killed their spirit and deprived
the man of his afterlife with the gods.

He was tempted to take Callahan's memoir along too. It would be a relief
to be rid of it.

No.

Callahan had said to keep it in the safe unless Amara walked. So far,
all seemed well.

So far.

Perhaps she'd only walked that night to avenge herself on Callahan.

Perhaps.

In any case, he would return the memoir to the safe and go to the museum
without it to defecate at Amara's feet. A ripe offering of turd for her
late Egyptian majesty.

Laughing sourly, he climbed out of bed. He would not defecate at her
feet today. Nor tomorrow. The farther he remained from the hideous thing
the better.

He put on his robe and slippers, then went downstairs. Outside, the
morning was sunny and hot. A wonderful day for the beach. Perhaps he
would go there later. Perhaps he would find a lovely young woman, ripe
and golden in a bikini. And willing. She must be willing of course. If
Imad's good looks and charm and mammoth bulge at the crotch were
insufficient to woo her, his wealth would likely accomplish the task.

He picked up the morning paper. As he walked back to the house between
beds of sweetly scented flowers, he slipped off its string and opened
it. On the front page, he saw no mention of bodies being found in remote
woodlands. He waited until he was inside before studying the paper more
thoroughly. He checked each page. As he progressed, he began to realize
that there would be no mention of the bodies of Blaze and Hydra. After
all, didn't the paper go to press late in the night? At perhaps two or
three a.m.?

Nothing would appear, he realized, until tomorrow morning's edition.
Assuming the bodies would be found by then.

He was about to fold the paper shut when an article caught his eye.
Merely a single column beneath a blurry photograph of a middle-aged man
in a uniform.

WARD WATCHMAN KILLED IN FALL

The night watchman at the Charles Ward Museum fell to his death late
Thursday night, police officials stated. According to a police
spokesman, the watchman, Barney Quinn, 53, sustained severe neck
injuries in his plunge down the main staircase to the museum's lobby.
The cause of death is under investigation.

Quinn, a former police officer with the ...

Imad skipped the biographical details, but returned to read the first
paragraph again and again. The Charles Ward Museum... severe neck
injuries... It told him little. Even so, it frightened him. There was
more meaning in that dark print for Imad than he dared imagine.

Amara . . .

129 Blam, blam!" Toby yelled. Byron kept running. If he could just get
to the clump of bushes, he'd circle around and ambush Toby.

"Hey! I gotcha!"

"Did not," he shouted over his shoulder.

"No fair! I gotcha right in the heart!"

"I've got a bullet-proof vest!"

"Do not!"

"Do so!" He ducked behind the bushes. Looking back, he saw Toby walking
slowly toward him through the high, brown weeds. The boy's lips were
sticking out.

"I got you!" Toby called. "No bullet-proof vests. We agreed."

"Okay, I'll take it off." He sneaked sideways, staying low behind the
bushes. Then sprang out. "Ker-pkm/ Plam, phm!"

Toby turned to him, startled.

"Three shots right in the heart."

"Ha, ha. I'm wearing a bullet-proof vest too."

"Yeah, but I've got armor-piercing bullets!"

"Do not!" He raised his plastic pistol. "Blam! Right in the puss!"

Byron grabbed his face, spun around, flopped to the ground. When he
opened his eyes he found himself staring into a leathery, eyeless face.
He scrambled to his knees and peered at it. Then at the rest of the
body. All that hair ... red like the red foil you sometimes 129

get on chocolates ... and skin. Dry. Hard. A glossy look. For some
reason, it reminded him of the skin of a melon only dark brown. He could
even smell it. A spicy smell. Like a deli store. One that needed airing
out badly. The spicy odors settled thickly in the back of his throat.

"Wow," he whispered. "Toby ... hey, Toby!"

"You're dead."

"Toby..."

"At least you're supposed to be."

"No. Come here."

"Gotcha right in the puss."

"Come here and take a look!"

"I know that trick, so no can do."

"Toby. Take a look! This is really cool! Quick!"

Toby, holstering the made-in-Hong-Kong weapon, ran through the weeds to
join Byron.

As they both stared at the dark face, a spider crawled out of its left
eye socket, scurried down its ruined cheek, which was as ridged and
wrinkled as a 3-D relief of the Rockies.

At last Toby managed to ask, "What is it?"

"A body."

"I saw my Uncle Frank's body. Looked nothing like this critter."

"Maybe this one's older?" Byron suggested.

"Maybe it isn't even a body. Maybe it's a dummy. Somebody put it here to
scare us."

"Looks like a body to me, a naked body," Byron said. "A real old one.
like maybe an Indian that got killed a hundred years ago."

"What are those?" Toby asked, pointing.

"Her tits, stupid."

"Yuck."

"See that? She's a girl."

"You sure?"

"Geez, Toby, don't you know nothing? If it hasn't got a whang, it's a
girl. That's how you tell."

"I knew that."

"Sure you did. Sure."

"I did.'

130

"The only way it isn't a girl is if a guy gets his whang cut off with a
knife. Then he turns into a girl anyway. They call 'em trans-sectionals."

"Sure. I knew that. Everyone knows that."

"Yeah." Reaching out, Byron touched the brown skin of the body's
shoulder. It felt dry and wrinkled, like beef jerky, before smoothing
out across the chest to that melon-skin effect, then rising to hollow
breasts that looked like ... well, they just looked gross. "Oooh, you
oughtta feel it."

Toby nodded. He looked pale, but he knelt in the weeds, poked a finger
into the mass of red hair. It scrunched dry as the weeds themselves
under his knees. It was springy at first, but his finger got entangled
with it the deeper he pushed. For some irrational reason he thought
something would be in the hair. Something that'd bite. He withdrew his
finger and touched the same shoulder Byron now pawed. "I don't think
it's real."

"Sure it is."

"We better tell our folks."

"Are you kidding? They'd take it away from us."

"It isn't ours."

"Is now. Finders keepers."

"What do you want it for?"

Byron shrugged. "Come on, let's take it over to my house."

"This way," Byron said, leading the group of children across his
backyard. There were five of them: Barbara and Tina, who'd been skipping
rope in Tina's driveway; Hank Greenberg, found shooting baskets alone;
the Watson twins, picked up on their return from the A&W. He could have
dug up half-a-dozen more neighborhood kids, but Barbara was getting
impatient and she was a big-mouth. Big, bud mouth. After the group was
finished, he'd have Barbara out of his hair. He could take his time and
round up a bigger bunch. No big-mouths guaranteed.

"It better be good," Barbara said, "or you've gotta give us our money back."

"Oh-ho, no," Byron told her. "It's fifty cents a look and you can't have
your money back no matter what." 131

"I'm not gonna look then."

"Okay. Get outta here."

"No."

"Want to get pounded?"

"Give him his money," Tina said. "If it ain't any good, I'll get my
brother on him."

At the corner of the garage, Byron halted the group and took the
admission fees. The Watson twins paid with a fresh, stiff dollar bill.
The others paid in quarters. He counted the take: $2.50.

Pretty good.

But that's only the start.

This is gonna make me rich.

"Okay," he told them. "Follow me."

He led them behind the garage, where Toby was waiting.

"Feast your eyes," Byron announced, trying to sound like a ringmaster.
He swept his hand toward a long shape propped against the garage wall. A
white sheet shrouded it from top to bottom.

"Bet it's Tommy Jones," Barbara said, sarcastic, and reached for the sheet.

Byron shoved her away.

"Hey!" she snapped.

"Don't you touch it."

"It's just Tommy Jones. And this is just a rip-off. Come out, Tommy."

"If it is," Tina said, "I'm going to fetch my brother and there's gonna
be some busted noses around here."

"It isn't Tommy, it's ..." Byron paused for dramatic effect. "It's the
body of an ancient Apache squaw."

"Oh, sure."

"Everyone stand back," Byron advised. "You don't want to be standing too
close."

Barbara stepped away. She folded her arms across her T-shirt. Her face
wore a smirk.

"Ready?" Toby asked.

"Wait." Byron turned to his audience. "You've gotta promise to keep it a
secret and never tell a soul."

"It's something dirty," Barbara muttered.

132

Tina giggled. "Tommy's probably in his birthday suit."

"Cross your hearts and hope to die," Byron said.

They all crossed their hearts except Barbara. "I'm not gonna hope to
die. It's against my religion."

"Okay. But you've got to promise. If you tell anyone, we'll pound you."

"You and who else, doofus?"

"Geez, Barbara," Tina said. "Let's see what it is."

"I know what it is. It's Tommy Jones with his peter out."

The Watson twins giggled.

"Tommy's in Yosemite," said Hank Greenberg. "His uncle's gotta place up
there. They go fishing in the--"

"Hey! You guys want to see this or don't you?" Byron sounded short of
patience now.

"Sure," Barbara said, arms still crossed, still belligerent. "Let's see
what the big deal is."

Byron nodded to Toby.

Toby tugged the sheet. The figure tipped forward as the sheet pulled
loose, revealing the dried body. The girls screamed. They leaped out of
the way as it fell into their midst, hair flaring out, sightless eyes
staring into their faces. Still screaming, they ran. Didn't stop
running. Piercing screams faded into the distance.

Hank, pale and shaking his head, backed away. "You guys are nuts," he
muttered. Then he ran too. Made it as far as the driveway, tossed his
cookies, then carried on running.

"They're gonna tell," Toby said.

"Let 'em .. .just let 'em. We'll just say they lied." He felt the money
in his pocket. $2.50. This was just a start. He was gonna be the richest
kid in town.

"But what about her?" Toby pointed at the mummy lying facedown, its
swathe of hair covering its back in tumbling curls.

Byron stared at her frowning. This was his cash cow. He wasn't losing it
for nothing. "I've got it! We'll hide her someplace. In my bedroom.
Under my bed. They'll never think of looking there."

"Is anybody home?" Toby asked.

Byron shook his head. "Mom took the baby with her shopping. Come on.
Take the head."

133

CHAPTER twenty-four

I feel so grubby," Susan said as they left the museum later that
morning. Tag held her hand. They walked down the broad, concrete stairs,
"like I've been touched by something really disgusting."

"Not my hand, is it? I swear I washed it this morning."

She laughed softly. "No, it's not your hand. I'm sure your hand is
immaculate."

"It's not that clean."

"No, but don't you ever feel that way? like you're contaminated from
just being close to where such awful things have happened?"

"I feel that way a lot. You know what takes care of it? A long hot
shower, strong soap, a couple of drinks, a good meal, clever
conversation--preferably not alone. A little siesta."

"Preferably not alone," Susan added, the smile still playing on her
lips. "Sounds like it might do the trick. I really have to spend more
time with Geoffrey today, though. We don't see enough of each other as
it is."

"We've got the whole day before us," Tag said.

"I'm feeling less grubby by the second."

"Just doing my job, ma'am."

They went to Tag's apartment. The siesta came first, but they didn't
sleep. Then they took a long hot shower, soaping each other, growing
excited by the feel of slippery skin, and making love awkwardly in

134

the tub with water pelting them like hot rain. When they were dry and
dressed, they took the elevator down to Susan's apartment.

She made Tag a Bloody Mary. She drank Perrier and played with the baby
while Maria made tacos for lunch.

"This has turned into a pretty decent day," Tag said.

"Not half bad," Susan agreed. She felt good. Her skin tingled. She felt
warm inside, pleasantly satisfied. The horrors at the museum, the dveat
of Mabel seemed far away.

After lunch, they took Geoffrey outside for a stroll in the sun. Tag
looked happy pushing the baby carriage. They walked for blocks, finally
arriving at a municipal park where they sat in the bleachers and watched
kids playing softball.

"Geoffrey's going to be a real slugger," Tag told her.

"What makes you think so?"

"I'm gonna teach him."

Geoffrey turned his wide eyes on Tag and grinned as if he understood.

When a foul ball shot toward his face, he blinked, kept grinning. Susan
gasped with fright. Tag flung out a hand, caught the ball, tossed it
back to the kids with a good-natured "Here you are."

"I think it's time to leave," Susan said quickly.

They were watching television later that afternoon, when the telephone
rang. Susan picked it up. "Hello?"

"Hello? Miss Connors? Is Taggart Parker in?"

"Yes, he is. Just a moment, I'll see if I can tear him away from the
game." She waved the phone at him. "For you."

"Marty Benson?"

She shrugged.

Tag took the phone. "Hello . . . Ah, Marty. What'd you come up with?" He
listened for a long time, nodding at first, then frowning. Finally, he
said, "Okay, thanks a lot." Hanging up, he turned to Susan. "Marty's
with the Medical Examiner's Office. I asked him to call me when they
finished with Beckerman and Gonzalez."

"That was quick."

"They put a rush on." He sat down and stared at the television.

135

The crowd went wild, but he didn't react. He was lost in thought, frowning.

"Well?" Susan asked.

"The wounds on both men match. They weren't made by dog teeth."

"Then by what?"

"By a human."

"Jesus."

"Gonzalez got off some shots before he was killed. He hit something and
knocked out plenty of tissue and bone. They analyzed it... and it was
old, real old. Dead tissue. Traces of natron, some chemical they used to..."

"I know. Part of the mummification process. They used it to speed up the
dehydration which in turn halted decay of the flesh."

"The upshot is, they're pretty sure the tissue came from the mummy."

"He was shooting at Amara?"

Tag sighed into his folded hands. "It sure looks that way. And get this:
They found scrapings of the same flesh under Beckerman's fingernails.
Also long red hairs on the body that matched those found in Amara's coffin."

"What does that mean?"

"If I threw you down on the floor right now and ripped off your clothes
...."

"You wouldn't dare."

"And you tried to fight me off..."

"Which I would, since Maria's in the kitchen."

Tag grinned, but he looked tired. "You might scratch me. You'd likely
end up with some of my skin under your nails. Maybe some of my hair
lying around."

"And they found Amara's skin under Beckerman's nails, and some of her
hair on his clothes, which means he was fighting with her?"

"That's how it looks. It's impossible, of course."

"Ever heard of a guy by the name of Lazarus?" Susan asked.

"Sure. I've also heard of little green men from Mars." He shook his
head. "Maybe Beckerman and Gonzalez ran into robbers in the

136

stairwell, and one used the mummy as a shield. That could explain how
she got shot. Then the guy flung her at Beckerman and he scratched."

"Okay, but they were killed by human teeth."

"The robbers could have done it."

"Oh? How?"

"They subdued Beckerman and Gonzalez and used the mummy's teeth to
finish the job."

Susan's eyes widened. "Manually?"

"like this." One hand holding his forehead, he used his other hand to
work the jaw.

"That's pretty far-fetched," Susan told him.

"Considerably less far-fetched than a living mummy."

"Suppose Amara did kill them."

"That's pretty hard to suppose."

"It would explain a lot, though, wouldn't it?"

Tag grinned, shaking his head. "Sure. It would explain everything. Only
problem is, dead people don't walk. Dead people don't bite."

137

CHAPTER TWENTY-FIVE

You'll never make it into pictures.' "Says you."

"You've gotta have an agent."

"I'll get one."

"How?"

"They'll be listed in the phone book. I'll call them up."

"Yeah, right. As if that doesn't happen a hundred times a day."

"I've got experience; they'll see me."

"Showing your jugs on a hardware poster isn't much experience."

"I've done TV ads."

"When you were fifteen."

"I'm only seventeen now."

"TV ads for a burger joint that no one's ever heard of outta North
Carolina."

"And corporates . .. I've done corporate video."

"That's not the movies, is it? Chariottesville ain't Hollywood and you
know it, Grace."

"No one asked you to come."

"I'm not staying to get boned by old Joe now you're gone."

"Pix! You said you wouldn't bring that up again. You promised."

Cody slammed the steering wheel with his palm. "Tin. You keep quiet
about that now."

"It's the truth," Pix protested.

138

"I don't care if it is the truth. We agreed that's history. We wouldn't
talk about Joe again. Okay?"

Pix was sixteen years old. She chewed a strand of her long blond hair;
face sullen, she stared out the window at passing traffic.

He slammed the steering wheel again.

"Okay?"

By way of reply: "I'm hungry, Cody."

"We'll eat soon," Grace said. "We'll be in L.A. in a couple of hours."

"I want something now. I'll start feeling sick if I don't eat soon."

"Want an apple?" Grace sounded tired. This journey was taking it out of her.

"I don't like apples."

"You ate one this morning, Pix."

"That's cuz there was nothing else."

Cody aimed to be diplomatic. Another row he couldn't stand after driving
nearly nonstop for the last three days. "I'll find a diner."

Grace shook her head. "No diners. The police'll be looking for the truck."

"Don't worry," he told her. "I'll park up, then walk. No one will
recognize me."

"Yeah," Pix sneered. "You're hardly America's most wanted, Cody."

"You lay off that."

"The FBI is sure going to put every man they've got on the case," Pix
said, then held her nose so when she talked it sounded like a police
radio. "Attention. Attention. Be on the lookout for Cody Wilde, eighteen
years of age, gas station jockey from Going-nowheres-ville, suspected of
stealing fifteen-year-old Ford pickup worth approximately one hundred
and three dollars, eighteen cents. Shoot on sight. I repeat. Shoot on
sight."

"Pix, will you quit it?" Cody fumed. Would you believe it? Who runs away
from home with their girlfriend only to take the kid sister along? A kid
sister from hell who whined, who kvetched, who complained for the last
two thousand miles straight. Still, better that she came along than
being left home with Joe.

He glanced at Grace sitting beside him. She was beautiful. Dark 139

Latino eyes. She had a great body. The body of a dancer. He knew he was
in love with her, and he knew they were doing the right thing, escaping
that hellhole where she lived with her indolent mother and Joe who was.
... hell, who was no great shakes as a human being, never mind a stepfather.

The plan was to shoot for Hollywood. They both knew she could make it
into movies if she got the right breaks. She could dance. She could act.
A couple of years ago she'd starred in a whole string of TV ads for
Chucky Burger in their hometown. She'd made good money, which she'd set
aside for college.

Wise kid.

But hadn't banked on Old Joe moving in.

Huh, the college fund?

Joe found it, took it, spent it.

Grace's mother never even roused herself from the front of the TV. Never
accused Joe. The most she said was: "Grace. I'm sure he had his reasons."

Pix sang out, "There's a diner. Hey, stupid. A diner!"

"I see it."

"You've gone right past it."

"I know. I'm going to park up, then walk back."

Grace looked uneasy. "The road's awful busy. What if there's a cop--"

"Don't worry." He pulled off into a dirt track that led into the desert.
"We can't be seen from the road here." Parking the truck behind a mound
of tires that some litter bug had dumped, he switched off the motor. The
relief of silence after hours of hearing the roar of the engine. Boy,
Cody loved the sweet silence.

Not that it would last.

"I'm so hungry I could choke," Pix said, winding down the window. "Gee,
it's so hot I could choke."

Grace gritted her teeth. "You want to choke? Be my guest."

"Some sister you are."

"Some sister you are, Pix. You begged to come with us, now you bug us
nonstop."

"Well, Hollywood's a stupid choice. You'll never get into pictures."

140

"So what do you suggest, Pix?"

"New York."

"New York?"

"We could've got work there!"

"Pix!" Cody slammed the steering wheel with his hand again. Sweat burned
his eyes. His back ached from driving clean across the country. He felt
dirty. Needed a shower. Needed a drink; a cold, cold beer. This endless
arguing he didn't need. He took a deep breath to steady his temper.
"Pix. What can I get you to eat?"

When he'd taken the orders, he told them to stay put until he came back.
"I'll be twenty minutes tops," he told them.

"Ice cream ... bring some ice cream," Pix said leaning out the window.

"It'll melt," he told her, then walked away.

Grace watched him go. He walked like a Wild West hero along the desert
track back to the highway. His brown cowboy boots raised dust with that
nice even stride of his. She watched the way his lean body in the denim
jeans and jacket moved. There was a confident rhythm there. He glanced
back at her and smiled that easy smile that she loved so much.

In her ear Pix humphed. "I bet he takes ages. And I bet he forgets the
mayonnaise."

Grace hoped this was for the best. Maybe she should have stuck it out
back home a little longer?

I could have married Cody. We could have found a place of our own. Being
a teen runaway sounds glamorous. But these long hours on the road in a
stolen truck were taking their toll.

Sure the truck was stolen from Mom's boyfriend.

And for sure the truck had been bought using her money for the TV work
she'd done.

But she was certain Joe would have reported it as stolen. And stolen by
his girlfriend's daughter and lover. And maybe he would claim that
they'd kidnapped Pix too. Just to add a little more seasoning to the
charge sheet. Cody could get time for this. Even though everyone knew
that Cody was the gentlest, kindest guy you could ever meet. Okay, so he
didn't shine bright at school, where she'd

141

first met him more than five years ago. But he was the last man on Earth
to pull a mean stunt or bad-mouth anyone behind their back.

She didn't want to see him in trouble with the cops.

Maybe she could have stayed?

Maybe.

Maybe gone to her own private hell too.

It all went crazy last week.

Joe had leered at her plenty. He'd even taken to fingering her
under-wearin the laundry basket and making cheap comments. "Bet Cody
likes you in this. You dance for him like they do down at the Snake Pit?
Dance with your back to him and rub your butt in his crotch, huh?"

Then last week she'd been woken by hands touching her under the sheet.
She'd smelled beery breath panting into her face. Heard grunting. "Your
Mom's sick. I haven't nailed her in a week. Looks like your lucky night,
Grace."

"Joe?"

"Old Joe, friendly old Joe," he slurred. "Now pull up that nightie ...
up over your hips . . . there's a good girl."

"Get off me ..."

"C'mon, Joe ain't gonna hurt you."

"No."

"Nothing you ain't done before plenty, I bet."

She reached out, yanked the light cord.

In the blaze of light she looked up to see Joe kneeling on the bed,
pawing the sheet from her, his chin slick with saliva. With his other
hand he worked himself hard. Panting. Face nearer crimson than red.
Watery eyes fixed excitedly on her body.

"Nice tits. Nice and firm. Big too," he muttered in surprise. "Bigger
than I thought... never would have guessed."

"No, please, Joe."

"Joe won't hurt cha."

"Get off--"

"Might even enjoy it. Might want more in a day or so."

"Don't touch me. Ow!"

Joe had clamped his thick fingers on her breast. Squeezed hard.

"Gonna get those nipples all pert and erect. Little nip'll do the trick."

142

She took a deep breath, ready to scream the walls down.

"You do, you little bitch, and I'll bang your little sister, so you be
nice to me and your sis stays virgo intacto. You follow?"

Grace had frozen then. She knew that he would. Mom wouldn't do anything.
Maybe she'd heard now and lay there in her own bed, shutting out the
sounds, thinking about the lives of the soap stars who she cared about
so much more than her real family.

"That's it. You lay nice and still, Grace. Oooh--ay, have you ever seen
a boner as big as that?"

"Joe," she whispered. "Please don't do this to me."

"Once this baby goes inside, s'gonna stir your brains some."

"Don't... please."

She looked down as his hand went to her throat. He squeezed. A message:
Don't mess with me, or else.

Then his hand went down.

Down.

Down to her breasts. They formed hard mounds in the cool air.

He kneaded them. Squeezed. Pinched nipples between nicotine-stained
fingers and thumbs. Pinched hard until it brought a cry to the back of
her throat. But she clamped her lips to stop the cry from escaping with
the ferocity it demanded.

"Good girl. You know when to keep your mouth shut." He pinched her
nipples until they turned black and congested. "Although I like it when
a girl knows to open her mouth when the time's right. Know what I mean?"

In terror she looked up at his beer-sodden face. His jaw stubbled with gray.

He's going to rape me.

He's going to rape me and I can't stop it. He'll do the same to Pix if I
resist. Oh, Mom, how could you?

She'd lain there. Looked up at the ceiling. Those rough hands squeezing,
stroking, probing. She looked at the posters of pop groups on the walls.
Tried to concentrate on them. Block it out. She focused on the picture
of James Dean tacked to the back of the door.

Joe's fingers reached down to the cleft between her legs. Fingers pushed
hard. 143

"Stop it." Her arm swung up and she scratched the side of his face. She
couldn't take this anymore.

Joe looked down at her in fury. Bloodshot eyes grew to the size of eggs
in his face.

"I was tryin' to be nice. If you don't want nice, you can have rough" He
slapped her.

Her head whipped against the pillow. Her face felt numb; her mind swam,
dazed.

"Now I'm gonna flip you over... I'm gonna nail you in the ass ... teach
you a little respect.

She felt his hands on her body, turning her over. A second later she lay
on her stomach, her bare bottom upward. Then he was on her. The weight
of him pushing so hard in the small of her back she felt her spine would
snap.

Agony.

Unbearable agony.

Got to shout. Got to scream.

But he pushed her face into the pillow. Now she couldn't even breathe.

"Gonna show you. Once this baby goes in, 's gonna split you like a melon."

She felt him pushing at her. Trying to force his penis into her, but she
was too dry. He couldn't slip inside.

"Got a little trick of my own," he panted in triumph. "This does the trick."

He shifted his weight off her, but still pushed with one hand in the
middle of her shoulder blades, holding her down. She lifted her head,
turned it.

In the mirror of the dressing table she saw what he did next.

Her stomach turned in disgust.

He hawked wetly before spitting a great mouthful of sputum into his
cupped hand. Then he rubbed it onto the bulbous swelling on the end of
his penis.

"Lubrication." He grinned. "Good ol' slippery lube."

She felt him lower himself back . ..

No . . . can't. .. won't. ..

With his weight shifted from her top half, she pushed herself up

144

onto her left elbow and with her right hand she reached back.

Grabbed his balls in her fist.

"Don't you dare," he snarled. "I'll beat you--"

With all her strength she squeezed .. . twisted . .. pulled.

His scream set all the dogs in the neighborhood barking.

Now, a week a later, here by the pile of tires in the desert, Joe was
thousands of miles away.

Pix was safe.

Although that didn't stop her complaints. Complaints about the long
journey. Complaints about sleeping in the truck. Complaints about an
uncomfortable this ... an irritating that...

After Grace had cooled Joe's ardor, she'd grabbed what she could,
including Pix, then fled the house in Joe's truck. There came a confused
whirl of telling Cody Everything. Then the crazy dash out of town at the
dead of night.

Now here.

Here was a desert.

With the sun going down. And with stumpy trees that looked like zombies
from some bloodthirsty horror film.

She'd switched on the radio for a while. Surfed the stations. One
carried a news report of two guys being killed at a museum; the theft of
a mummy.

She found a music station. Flamenco music ... she liked that... made her
think of faraway places. Mexico . .. beautiful dancers whirling in
brightly colored skirts beneath starry skies.

"I hate that music," Pix said. "Find some pop."

Thud.

At that moment a hand struck the windshield. Grace started. In the back
Pix gave a yelp of fright.

She looked out to see three guys. They weren't old. Could have been high
school dropouts. They chewed gum and smoked black stumps of cigars. The
one who'd thumped the glass looked at her through mean eyes. Grinned.

"It's Christmas, guys," he told his buddies. "Christmas come early."

145

CHAPTER TWENTY-SIX

While his parents were off in their bedroom getting dressed for a party,
Byron ate his hamburger in the den. He watched a rerun of Superman. Then
the news came on.

He was stuffing the final chunk of toasted bun into his mouth when the
blond newswoman said, "Closer to home, our own Charles Ward Museum was
the scene last night of a brutal double killing. Two security guards
from the Haymer Agency, Amulfo Gonzalez and Ernest Beckerman, were found
slain in the museum when it opened this morning--this on the heels of
the apparent death of guard Barney Quinn on the previous night. Lenny
Farrel was on the scene this morning with our live-action mini-cam to
give us this report."

The picture changed to a curly-haired man holding a microphone. Byron
recognized the museum's main entrance behind the man. "With me is
Lieutenant Carlos Vasquez, the officer in charge of the investigation."
He turned to the broad-faced man. "Lieutenant, there's been a great deal
of rumor afloat regarding the manner in which the two guards met their
deaths. Can you shed some light in that direction?"

"Until the medical examiner has completed his investigation, Lenny, I'd
prefer not to speculate."

"We have information that they appeared to have been mauled by an animal."

"I'd prefer not to speculate on the cause of death."

"According to an earlier police statement, Lieutenant, the men

146

were killed while trying to foil a robbery attempt. Was anything in fact
stolen?"

Vasquez nodded. "A portion of the Egyptian collection does appear to be
missing. We assume it was taken by the perpetrators."

"By 'missing portion,' are you referring to the mummy?"

"Yes. A mummy does appear to be gone."

"A mummy?" Byron muttered. He stared at the television.

"Are other items missing?"

"Not to our knowledge."

"Thank you, Lieutenant." The reporter gestured to someone off at the
side. The camera turned, showing a young woman who looked awfully
pretty--even prettier than Byron's favorite teacher, Miss Bloom. She had
soft hair, bright blue eyes. The neck of her blouse was open. Her skin
looked like gold. One side of her face was bruised, Maybe someone had
tried to punch her out. But who'd do something like that to such a
pretty woman?

"Susan Connors is assistant curator here at the museum, and in charge of
the Egyptian collection. Miss Connors, can you speculate as to the
motive for the robbery? The missing mummy? Was it worth killing for?"

"I suppose it must be in some eyes. Three men are dead."

"How much intrinsic value does a mummy have?"

"Normally, not more than a few thousand dollars. Their chief value--the
reason they've been targets of robbers through the centuries--is the
objects buried along with them, either in the coffin or wrapped inside
the linen bandages. This one had already been plundered . . . unwrapped.
If she was buried with jewelry and precious artifacts, it was stolen
long ago. She's really nothing more than a pile of skin and bones."

The reporter nodded. "So you see little reason for stealing her?"

"She's a significant piece of historical heritage. That alone gives her
a certain value. Some collectors would have gone to great lengths to
have her."

"Her? You know her name then?"

"Yes, hieroglyphs on the mummy case tell us her name was Amara."

"And so people have gone to murderous lengths to steal Amara." 147

The reporter's face filled the television screen. "Two men dead of
causes the police refuse to disclose. Another killed in a mysterious
fall Thursday night. Amara, the missing mummy. The police appear to be
baffled. This is Lenny Farrel, reporting to you from the Charles Ward
Museum. Back to you, Bonnie."

Nervously, Byron looked out the den window at the street. An hour had
gone by since the newscast. Any second, the cops were sure to show up,
blue lights flashing, sirens whooping. Cops with guns drawn. A bullhorn
crackling. "Come on out, kid, we know you're in there___"

But maybe none of the other kids saw the news. Maybe he was safe from
arrest.

"You okay?" Karen asked, looking up from Jane as she peeled off soiled
diapers.

He smiled for her. "Sure."

"You look kind of sick."

"I'm okay."

"Sure?"

"Yeah."

He wished he could tell Karen about the mummy. It would make him feel
better, talking to someone. She was nice. She was his favorite
baby-sitter. Sometimes she let him stay up late to watch some creature
feature. If he showed her the mummy, though, she'd probably tell on him.

The cops would take him away.

There I am in cuffs. The cop's hand pressing down on my head as I climb
into the back of the cruiser with its flashing blue lights. And there
would be Barbara, ringside, grinning. Hell.

The cops might bust him for killing those guards. They'd be sure to
think he did it. His prints would be all over the mummy. Maybe he'd get
the gas chamber. In his mind's eye he saw Barbara in the ringside seat,
right at the front where she could look through the glass panel of the
chamber. Grinning all over her face. Grinning as he choked. Blue lips .
... bulging eyes. And the last thing he sees is Barbara's grin. Hell.

A black-and-white patrol car appeared on the street. Byron's stomach
knotted.

148

They're here.

Come for me.

No messing.

Maybe one of the dead guards was a buddy of the cop?

"Don't bother with the arrest on this one, Bill... this one's
personal... this kid killed my best friend .. .just blow the little
freak away the second he shows his face..."

Oh, Holy Christ on a motorcycle. Byron's chest turned slick with sweat
under his shirt. He craved the John ... fear did that to people ... he'd
crave the John in the gas chamber. Barbara would scream with laughter
when he peed himself.

Holy Jesus.

The car keptmoving. The cops seemed more interested in talking with each
other. Didn't even look in his direction. As he breathed a sigh of
relief as the black-and-white car cruised out of sight, a bicycle turned
up the driveway. A girl climbed off.

Barbara!

She tipped the bike onto its side, leaving the back wheel turning, then
came up the driveway with long, self-important strides.

"Karen, can I go out for a second?"

"Your mother said to stay inside."

"Just on the porch, okay? Somebody's here. I've gotta talk to her."

"Her, huh?" She gave a knowing smile. "Okay, but don't leave the porch,
do you hear, Byron?"

"I won't."

Byron opened the door as Barbara was reaching toward the bell. He
stepped out quickly, let the screen bang behind him.

"What do you want?" he asked.

Folding her arms, she grinned in her stuck-up way. "I know."

"Know what?"

"What cha think?"

"Search me."

"I know your secret."

"Yeah?" His mouth went dry.

"I know all about you and that mummy."

"You don't know nothing." 149

"Oh, yeah? I watch Eyewitness News every night. A young lady has to keep
herself informed."

"So?"

"I know all about it."

"like what?"

"like it was stolen from the museum." Her eyes gleamed. This was pure
candy for her. "like the guards were slaughtered like sheep."

"So what?"

"I'm going to tell."

"Tell who?"

"Who else? The cops."

"You better not," he warned. He took a threatening step toward her, but
she held her place.

"You don't scare me," she told him.

"You'd better not tell."

"I won't. But only if you let me see it again."

"I haven't got it."

"I bet."

"I haven't. We took it back where we found it and left it there. Honest."

"Then you won't mind the cops searching the house?"

"No. Why should I? I haven't got it."

"Sure." She scratched her thigh, then turned away. "See you tomorrow,
Byron. On Eyewitness News."

He watched her walk toward her bike. With her short hair and T-shirt and
shorts, she didn't look much like a girl. She didn't act like one
either. But she was a girl. Byron had a policy not to beat them up. You
might threaten to pound them, but that was only talk.

It's chickenshit to beat up girls.

Guys didn't do that.

Not real guys anyway.

He wished Barbara was a boy. He'd knock the daylights out of her.

"Okay," he said. "I've got it."

She turned around, grinning. Came back to him. "Let's see."

"You can't come in."

"Then bring it out."

"Yeah, I can just walk through the house with it."

151 "So?"

"The baby-sitter will see it, brain-box. How about tomorrow?"

"No dice. Show me, or I'll blow the whistle."

"Whistle?" Startled, he looked at her hands.

"That's just an expression ... a figure of speech. Don't you know
anything, Byron? Now let's go in and have a look."

"Okay. Come on. But keep your mouth shut. I'll do all the talking. Got
that?"

"Just get on with it, Byron."

Feeling humiliated, manipulated, he led her into the living room.
"Karen, this is my friend Barbara. I have to show her something in my room."

Karen smiled strangely. Knowingly. "In your bedroom?"

Byron nodded.

"This is a new one. What do you want to show her?"

"Nothing much."

"Oh, you're just being modest," Karen said, the smile broadening.

"Huh?"

"Okay, go ahead. But leave your door open."

"Sure."

They went down the long hallway to Byron's bedroom. The room was dim in
the light of the evening sun, but Byron didn't bother with a lamp.
Kneeling, he reached under his bed. Grunted. Started to pull. "Help me,
will you?"

"I should say not. Imagine the germs."

He managed to slide the mummy out by himself. "There," he panted.

Barbara peered at it. Her nose wrinkled. "That's disgusting."

"Sort of."

"She's naked."

"What cha want me to do? Put her in panties and a bra?"

"You've probably been playing with her, haven't you?"

"Have not." ¦

"I'll bet. You can see her front bottom."

"I haven't touched her. Not those places. Who'd want to?"

"Only a creepy pervert,like you." 151

"Oh, yeah?"

"Yeah, you can see your finger marks on her butt."

"Cannot."

"Pervert."

"Am not."

"If you're not a creepy pervert, what're you keeping her for?"

"Finders keepers."

"Are you going to give her back?"

"Why should I?"

"She belongs to the museum, that's why. She was stolen. Finders keepers
doesn't work when it's stolen. You still go to jail."

Byron shrugged. "Well, I might give her back. I'm keeping her tonight,
though. Toby's gonna bring his Polaroid over tomorrow. We're gonna take
pictures of her."

"That is gross."

"It'll be neat. You can get in a picture with it too if you want."

"Who'd want to?" Contorting her face, she touched the chocolate-brown
mummy with the toe of her sneaker. The empty eyes seemed to stare into
hers, while the red hair formed a shining red halo around the skull-like
head. And as for those teeth . . . "Do I get to keep the picture?"

"Sure."

"Okay then. You can keep it till tomorrow. I'll let you. But then you've
got to take it back."

Byron nodded. He had no intention of returning the mummy, but it seemed
a good idea to let Barbara think he would. That'd keep her quiet for
tonight anyway. Keep her from telling her parents, who'd then tell the
cops. By tomorrow, maybe he'd think of something else. He pushed the
mummy under his bed, its hair crackling with static as it dragged the
nylon carpet. He'd best open a window wide too. Disperse the stale deli
smell. The thing seemed to sweat garlic and onion odors.

"What time tomorrow?" Barbara asked.

"Ten. In the back of my garage."

"And I get a picture free?" She was calculating the value of such a
picture. The center-of-attention kind of value it would have at school.
"It won't cost me anything?"

152

"It's free to you. But only you."

"Byron, one more thing."

"What?"

"Give me a buck."

"Hey!"

"If you don't, I'll tell. Tonight."

"You wouldn't."

"The cops will be all over you like a rash."

"That ain't fair!"

"It is too. You made me pay to see it. Now you have to pay me to keep
quiet."

"You only gave me fifty cents."

"So what? A buck or these lips start flapping."

"Good thing you're not a guy, Barbara. I'd flatten you."

"You and who else?" She held out her hand for the money. Grinned. "Give."

"You'll be sorry," Byron muttered. He reached into a front pocket of his
jeans, pulled out a crumpled bill.

"Thanks. See you tomorrow."

He stayed in his room while she walked away. A few seconds passed. Then
he heard footsteps approaching. Karen appeared in the doorway.

"Did you two fight?" she asked. "Or..."

"Oh, Barbara's a creep."

"I thought you said she's your friend."

"Well, she isn't. She's a creeping crud. I'm going to bed."

"All right."

Karen paused at the doorway. "You haven't left anything under your bed?'

He flinched. "like what?"

"Left something there you shouldn't?"

"like what?"

"An old piece of pizza or garlic sausage?"

She was going to look under the bed. She'd see the mummy.

He stood by the bed with his calves hard against the bed frame side.
"Nothing's under there, my Mom made me clear everything out yesterday."
Liar-liar-pants-on-fire.

153

"It just smells a bit... well, spicy in here."

"I ate a hamburger earlier. I'll brush my teeth." He didn't know why he
said that, but it sounded fairly convincing. Well, kind of.

"Best do that. And open the window wide for some fresh air."

Karen left. Byron flopped backward onto his bed and lay there trying to
figure a way to get his dollar back.

He dozed off.

When he woke, his room was dark. He got up. On his way to the bathroom,
he heard quiet voices. Karen must've had Eric come over. They were
probably on the couch like the other time, kissing; other stuff too that
made Karen pant: Oh-oh-oh-oh-oh ... like she'd trapped her finger in the
door.

Byron wasn't interested. In the bathroom, he washed his face, brushed
his teeth, peed. He returned to his bedroom. Shut the door, and
stripped. The night was hot. Instead of wearing his pajamas, he put on a
clean pair of jockey shorts. He climbed into bed. The sheet felt cool. A
delicious ice-cream feel. He liked that. Rested the palms of his hands
down on it. A second later he began to heat up again, so he tossed the
top covers aside and lay on his back, staring at the dark ceiling.

Tomorrow, maybe he and Toby could round up a whole bunch of kids. With
ten kids they'd make five bucks. Ten bucks with twenty kids. That'd give
them five each. For eight-fifty he could buy one of those Super Whack
Slingshots. How many kids would that take? Let's see, fifty cents times
.... times ...

He was asleep.

A night breeze disturbed the shade. A scratching sound filled the room.

155 Grace stared out the windshield. The three men looked in at her.
Dirty, unshaven. The T-shirts they wore ragged-looking. Oil-stained.
Maybe even a little bloodstained too. The setting sun turned their skin
red. The one who'd swatted the windshield made a rotating morion with
his finger.

Wind the window down.

No way.

Lock the doors.

She flicked the catches on the inside of the old truck.

The guy slapped the windshield again.

"Don't you know the meaning of 'anti-social'?" He grinned. "We only want
to talk."

She shook her head. Behind her, in the rear seat, Pix whimpered, scared.

"Hell-owe . .. hell-owe in there. Speak English?"

The guy grinned. His teeth looked as if he'd spent the day sipping road tar.

"Can you spare us all a cigarette, miss?" He grinned back at the others.

Grace caught her breath, forced herself to speak. "Sorry. I haven't got
any. I don't smoke."

"Miss?" With exaggerated politeness, he pointed through the 155

windshield at a pack of cigarettes on the dashboard. They'd have
belonged to Joe. He called them "steppin'-stones to heaven."

"Miss? Aren't those cigarettes?"

The guy flicked the cigar butt at the window. It bounced. Sparking.

Nodding, frightened, she fumbled the cigarette pack from the dashboard,
opened the window a crack, just wide enough to slip them through.

"Why thank you, miss."

"Keep them. Please."

Now go away. Go away. The plea hammered inside her head, but they didn't
go away.

They sidled up to the passenger window. All three pressed forward to
look through the glass at her. She was wearing shorts. Her brown legs
ran out long and enticingly into the well beneath the dash.

They grinned at each other.

Coming to a secret agreement.

"Grace?" Pix sounded strained. "Let's get away from these men."

"How?"

"Drive away."

"Can't."

"You gotta."

"Can't. Cody took the key."

"Sis, these guys are gonna hurt us. I know it."

"They can't get in. The doors are locked. They'll--"

"Hey!" Thump. The big guy, the one who seemed in charge, swung his fist
against the door. "What you talking about in there?"

"Nothing."

"Seemed like somethin'."

"No--"

"You talkin' about us?"

"No."

"Not nice talking about people behind their backs." And to the others,
"Is it, fellers?"

"No, it ain't. Damn rude."

The three laughed. One slapped the roof of the pickup, sending

156

a thunderous clamoring around its interior. They laughed even more when
they saw the frightened reaction from inside.

Where was Cody? Dear God.

Grace glanced back through the windows. The only things she saw were
desert. Dry bushes. The pile of tires that was nearly the size of a
house. And, dear Lord, it was getting dark. The sun sunk fast in a
desert, she knew that. Plunged toward the horizon like a stone. Soon it
would be dark. Soon the men would get impatient. They were horny now.
They wouldn't wait.

Not when they could see the curve of her breasts through her shirt.

Didn't have time to put on a brassiere when she left home.

Didn't have time to grab much.

Only the clothes she stood up in. Truth of the matter, she wouldn't be
wearing those soon if these three roughnecks had their way. And as for
Pix in the back. They leered at her, angled their heads to see up her
tiny skirt. For a sixteen-year-old she had a full woman's body. They
could see her nipples through her T-shirt.

"C'mon, open the door."

Thump.

"We're not going to eat you, are we?"

Grace gave a scared shake of her head.

"Aw!" They were enjoying the situation. One, in a greasy bandanna,
hooted. "Come out, come out, or we'll blow your house in."

This led to a chorus of little piggies, little piggies and then
hog-snorting.

These guys weren't just boisterous. They were buzzing on something.
Maybe some of that cactus juice. The sort that got you high ... and
dangerous.

"Now we are getting impatient," the big one said, speaking so close to
the window his breath fogged it. "Open up."

"No."

"Open up or we're coming in after you."

"Make 'em squeal like pigs," shouted the one in the bandanna. "Man, I
love to hear 'em squeal. .. just like this ... heeeyeeeheeeyeee."

They laughed again, louder. Leers got homier. They were cooking 157

now. They wanted in; they wanted body contact and heat and dirty things
she'd only heard about.

"Open the door, bitch."

"Go away!" she yelled.

"Open the door or I start shooting." The big guy bunched a rag around
his pocket where he'd carried it through a belt loop. Poking from the
rag, Grace saw a black barrel.

"Grace, he's got a gun," Pix cried. "You gotta open the door."

"No."

"They're gonna kill us if you don't."

"They're gonna kill us if we do. When they've finished with us."

Pix groaned. "Oh, shit. Stop them, Grace. Please ..."

She slammed her hand onto the horn. Didn't make a sound.

Damned old truck. Did anything work?

Outside, the three guys fell out.

"What a heap of junk," one said with a laugh. "Bet even the door locks
don't hold."

The tall one tugged at the passenger-door handle. With a sick-sounding
click the lock gave out, worn to shit by use. Grace watched in horror as
the door opened.

"Oh, boys ..." The gang leader smiled. "It's show time."

Grace looked up into his face as the smile turned into a grin. "Me
first, boys."

The guy in the bandanna scowled. "Hey. . . why do I always get sloppy
seconds, Joe?"

"You complainin'?"

"No, but--"

"Keep your mouth shut, then." He spoke to Grace. "Your call, girl. Make
it easy on yourself or make it hard. Doesn't matter a damn either way to
me."

The other one hooted with excitement. "Make her squeal, Joe. Just like a
little pig. Hee-yeeed Heee-yeeee... uck."

Grace thought a big black bird had swooped down on the guy.

A tire?

A big truck tire came out of nowhere. It sailed down out of the sky and
struck the guy tread-first on the shoulder. The pig-squealer went down
like a chunk of the moon had fallen on him.

158

The other two looked around in confusion. Grace leaned forward and
looked at the top of the tire mound. A figure appeared in silhouette. A
second later Cody ran down the slope of black rubber. Tires spilled from
the mound. Cascaded down. A dark avalanche. Tires bounced. Struck the
side of the truck. Bounced over it, the two guys fending them off best
they could.

Cody appeared by the side of the truck, steadying his balance. "Okay,"
he told the two guys. "It's finished. We're moving on."

"What about our buddy? Look what you've done to him."

The pig-squealer had managed to pull himself up onto one elbow in the
dust. His head sagged. The guy was only semiconscious.

Joe, the gang leader, squared up. "You say it's finished. We say otherwise."

"Yeah." The bandanna-wearer backed him. "We say when it's finished."

"Look." Cody held up his hands. "Don't let this get out of control. We
don't want any trouble."

"Says you."

"Look what you done to our buddy. Bust his shoulder, then say you're
moving on."

"Payback time."

"Careful," Pix warned. "He's gotta gun."

"Yeah." Joe smirked. "So you get out of here, pretty guy. We've got
something that needs attending." He winked at Grace. "Say, you've got a
nice soft mouth."

"Sucks like a Hoover, I shouldn't wonder." The guy with the bandanna
chuckled.

The guy on the floor mumbled, "Shit, my shoulder."

Cody advanced across the sea of spilled tires. "I'm not backing off.
Quit this before someone really gets hurt."

"Yeah, my gun can do some hurtin' if you don't do some vanishing into
the desert over there."

Grace leaned forward looking at the bunch of rag with the black tube in
Joe's fist. "Cody?"

"You okay, Grace?"

"Cody. It's not a gun."

159

"Shut your face, bitch," Joe growled.

"It's a--"

"Bitch, shut--"

"A pen."

Joe scowled in fury. "So who needs a gun, Cody? Come and take the pair
of us." The guy flung the rag and pen away.

"I don't want any trouble," Cody said. "We'll just be on our way. Forget
that--"

"No way. You're going to have to fight your way out. Or are you yellow?"

"We're leaving." Cody made to get into the truck, but the tall,
mean-looking guy was on him. Dealt him punches to the side of his head.
Cody tottered backward. Steadied himself.

The guy in the bandanna grinned. "Guy's chicken, Joe."

"Time to deck the bastard," Joe said, as if it was a dull chore but one
that had to be done. He stepped forward fists swinging.

Cody blocked them.

Moved forward lightning fast.

Fists flashing in the setting sun.

Cody didn't aim for the face. Instead, he landed half-a-dozen crunching
body blows into Joe's lean body.

Joe rolled back against the pickup, straightened, then walked forward,
fists raised. Then he paused, as if forgetting what he was supposed to
be doing. Took another two steps before dropping into the dirt, sending
up a billow of dust.

The guy in the bandanna had come around the truck, maybe figuring to do
some kicking once Cody was on the ground. Only it was Joe on the ground.
When he saw Cody turn to him with that look in his eye--that look that
told you someone meant business, he backed off. "It's cool man, it's
cool. I don't want no trouble." He ran back around the truck, tripped
over the guy with the busted shoulder, then loped away along the track.
Seconds later, Joe and the other guy followed, one holding his side, the
other holding his shoulder.

Five minutes later Cody sat with Grace and Pix in the pickup.

160

He handed Pix the brown paper bag with the sandwiches. For a long time
she stared into the bag. Above them the stars came out.

"I knew it." Pix looked up. "Cody. You've forgotten the mayonnaise."

161

CHAPTER TWENTY-EIGHT

Neither Virginia nor Marco asked what happened to him when the lights
went out. He was thankful for that. Explaining would have been
difficult. Explaining his fierce arousal would have been impossible.

Maybe that's how it was in the beast house, as Marco called this room
full of cages. They did whatever their captor required of them, then
went on with their day-to-day lives in captivity.

Certainly they wouldn't discuss it with each other. He remembered how
evasive Virginia had been when he'd asked her about her injured breasts.

Now he lay on the mattress.

Tried to forget.

Failed to forget.

That sex was so shameful. He didn't even know who he was screwing. Man
or woman?

Trouble was: The sex was good.

No, it wasn't.

It was the best.

Best ever.

Overwhelming animal sex that had just about blown his mind.

Later the lights went out. He found himself trembling with what he
couldn't decide was fear or excitement. When they came back on

162

again, he realized there'd be no repeat of the bizarre sexual act.
Instead, lunch appeared.

Same airline trays.

Same tepid coffee.

Only this time there was a sandwich and two bright red apples. His two
fellow captors ate theirs immediately. As if still ashamed of what he'd
done, he waited under his blanket until they were done before he ate.
The sandwich was chunky turkey on whole wheat. It tasted pretty good,
considering.

He realized as soon as he'd eaten that he would have to make use of the
sawdust tray.

Oh, man. Just when he thought he couldn't suffer any more embarrassment,
it was turned up another notch.

No one watched. He found himself wiping himself with the toilet paper in
such a way that the action would be as quiet as possible.

But no one commented. No one looked his way.

Later Marco spoke. He sounded pleased. "Who's a pretty boy then?"

"Not you, Marco," Virginia said.

"Must be. I got a chocolate-chip cookie with my lunch. Home-baked."

"So?"

"You two guys didn't."

"So what does that make you?" Ed was irritated by Marco's smug attitude.

"It makes me the favorite with the big guy upstairs."

Ed looked across to see Marco beaming through the bars of the cage. He
glanced back at Virginia. She shook her head.

"Forget him, Ed. He's only trying to wind you up."

"Says who?"

"Says me, Marco."

Ed looked at Marco's mouth. His lips were full and red for a man's. Even
as he watched, the tongue darted out to take a crumb that lodged in the
corner of his mouth.

Could it be . . . ?

No. Ed's flesh crawled.

But could it be Marco who had abused him a few hours ago? 163

Maybe Marco was his captor? He could have an accomplice who turned out
the lights and operated the mechanism, raising the panel to the roof of
the cage. Then all Marco had to do was unlatch the door, climb onto the
cage roof, and then . . . and then. . .

Ed swallowed. No, he didn't like the way those thoughts led him. That
Marco was in on this . .. even the instigator.

But it could be the truth. Marco might be playing some sick game.

He glanced at Virginia. She looked back at him, green eyes cool as ice.
Was she in on it too? Two kooky kids have built their own fun house
where they bring kidnapped men and women.

The more he thought of it, the more it seemed likely. But was he just
being paranoid?

"What are you thinking about, Ed?"

He colored. "nothing."

"Nothing." Virginia angled her head. "Seemed an intense nothing."

"Uh?"

"You were scowling at me."

"Sorry."

"Thought I'd done something wrong."

"No."

"That I'd offended you."

"Not at all."

She looked him in the eye. "You'll let me know if I step on your toes,
won't you?"

Right then she looked so vulnerable, he wished he could reach out
through the bars of the cage to embrace her.

"Because," she said, "if you think bad things about me, I'll wish you dead."

For the next hour or so Ed Lake felt like the odd man out. A little
while ago Virginia and Marco had been bickering. Now they chatted to
each other. About nothing much in particular. About vacations they'd had
as kids. Seemed they'd both been to Lake Placid. Both had fathers who
had fished. Both had kept hamsters. Both shared the

164

same birth sign. Taurus. They'd swapped reminiscences. Suddenly they had
so much in common.

They're trying to exclude me. Make me feel lonely, Ed told himself.

Mind games.

Two people buddy up. Shut the other out.

She toyed with her hair as she spoke to Marco. Once she'd let the
blanket slip as if to deliberately show her breast to him. He smiled a
lot, tilting his head as they spoke. Because Ed's cage was in the middle
they had to look through the bars and through him as they talked.

The conversation was cut short.

Even though the killing of the lights brought a frission of fear for Ed,
this time he welcomed it. Because normally, with the darkness came
silence. Everyone stopped talking.

Again it was the same. Rustling sounds. Drafts, as if the door to the
room had been opened, then closed.

A voice came. For a moment Ed thought he was being addressed, and obeyed
before he realized it was a different name.

"Paulo. Move to your right. Keep moving until you reach the cage bars...
now turn around."

They used Marco's surname, just as they had used Ed's.

Ed heard movement from Marco's cage. He was obeying the commands.

"Let the bars of the cage take your weight. Splay your feet. Lower your
body. Keep your back to the cage bars... now... bring your head back."

It was the same deep voice. It was loud too, and seemed to come from no
single direction.

Odd.

Then: "Please . . . I'll do anything--"

That was Marco's voice.

"I'll do anything.. . please!"

Then the light flickered. It didn't come completely on, but the
fluorescent strips were flickering on-off. Strobing. Ed saw a figure
briefly. It was outside the cage. It was doing something to Marco.

165

Marco's arms were outstretched crucifixion-style. His hands seemed to
flutter, fingers spasming.

Then darkness.

Ed waited a long time, until he was sure their captor had left, then
said, "Marco?"

Silence.

"Marco?"

There was no reply.

Ed lay on the foam mattress. There was no other sound. Virginia didn't
speak. He felt cold inside.

He tried to sleep. Couldn't. His side ached where he lay in the same
position, but for some reason he couldn't bring himself to change it.

The lights went on.

Outside the cage bars there was a tray containing slices of melon and a
cupcake. A carton of milk beside that.

He looked into Marco's cage.

Marco leaned against the bars, his arms straight out, wrists tied by
wire to the uprights. His eyes were open. His throat was cut. A great
grinning crimson wound.

Blood pooled on the floor around him.

For a time Ed stared at the dead man. Virginia stared too. Said nothing.

Then Ed pulled the tray through the gap in the bars and started to eat.

167 Karen, astride Eric's lap, rocked gently back and forth, making his
thick organ move slightly inside her, rubbing just a bit in a delicious
way that would make it last. It was deeper than seemed possible. As she
rocked, eyes shut, she felt his hands inside her open blouse, stroking
her back, squeezing her breasts, teasing her nipples.

The baby, in the nursery at the end of the hall, started to cry.

Karen felt like crying herself.

Just when she'd wanted to start screaming with pleasure.

"Oh, shit, shit, shit," Eric muttered.

She kissed him. "It's all right, honey. I'll just be a minute."

"Come on, don't go. She'll stop pretty soon."

"No, she won't. Not till she gets her bottle. Besides, she'll wake up
Byron. Would you like him to walk in about now?"

Eric could only groan with despair.

In so deep.

In so good.

Didn't get better than that.

He helped lift Karen as she raised herself off his lap. She felt him
slide out. It left her feeling empty, hollow now. "I'll be right back,"
she said. Straightening her skirt, she looked down at his erection. It
stood like a wet, shiny post of flesh. Kneeling, she kissed its swollen
head. "Don't go away," she whispered.

She hurried into the kitchen, took a pink bottle of formula from 167

the refrigerator. Then went down the dark hallway. A night-light was on
in the nursery. Jane was on her back inside the crib. Wailing.

"It's okay," Karen soothed. "Everything's okay." She slipped the latex
nipple into Jane's mouth. Tiny, eager hands clutched the bottle.
"Nighty-night," Karen said. "Sleep tight." She waved to Jane and left.

Even as she hurried toward the den, she felt a tremor of anticipation.
Her fingers trembled as she opened the buttons of her blouse.

The crying of the baby had disturbed Byron's sleep. He rolled onto his
back. The sheet under him felt hot and wet, so he edged sideways to find
a fresh place. His foot dropped over the side of the bed. He let it hang
there.

He was almost asleep when something brushed the bottom of his foot,
tickling. He wondered, vaguely, what it was.

A bug maybe.

A moth fluttering near his foot.

Suddenly the smell of spices and garlic seemed strong in the room. The
blinds rustled in a dead breath of night air.

Foot tickled again.

Damn bug.

He began to raise his foot.

It was clutched in a right, dry grip. He gasped with fright. Tried to
lack free. Tried to pull away. The grip only tightened.

He sprang out of bed. A single, dark hand had him by the ankle. A single
dark hand connected to a stick-thin forearm that vanished into the
darkness beneath his bed. Crying out, he lunged toward the shut door,
dragging the creature from under the bed. Its hair crackled against the
carpet. Flickers of blue static shimmered across its head.

A second hand grabbed his ankle. Looking down, he saw the mummy pulling
itself toward the ankle like you'd pull yourself up a tree with a
branch. Its elbows bending. A flash of face---eyeless sockets, teeth
glinting white. It bit.

He cried out in pain.

Twisting, reaching for the door, he fell backward. The thing scuttled up
his body. Its fingernails cut into the flesh of his legs, tore at his
genitals through his shorts, slashed gashes in his chest. Gouged furrows
across his shoulders. The mouth came down on his face;

168

hideously wrinkled; the eye sockets huge empty craters. He turned away,
but the teeth sank into his cheek. Ripped. Ripped again. Looking up, he
screamed at the sight of his own flesh hanging from its mouth, dripping red.

"What the hell was that!"

Karen shook her head. The baby started to cry again. "I'd better go
see." She climbed off Eric, chilled with concern, and reached down for
her blouse.

He clutched her arm. "You stay here." Fastening his pants, he rushed
into the dark hallway.

Karen put on her blouse. She bent down to pick up her panties, and heard
Eric yell as if startled. She froze, gazing toward the hallway.
Something slammed heavily against a wall or the floor. She listened for
the sounds of a struggle, but the cry of the baby hid any other sounds.

"Eric!" she called.

Quickly, she stepped into her panties and pulled them up beneath her
skirt. She took a step toward the hallway. Stopped.

Didn't want to go there.

Couldn't.

"Eric! Are you all right? Eric! If you're playing a trick on me, it's
not funny."

She took a step backward, eyes on the hallway entrance.

"Damn it, Eric!"

Out of the darkness stepped a wrinkled, brown figure clutching Jane to
its chest. Its hair tumbled down in copper swathes from a skull-like
head. The baby cried with wild terror.

Screaming, Karen spun around and ran to the front door. Threw it open.
Dashed across the lawn to the sidewalk. With a glance over her shoulder,
she saw the thing appear in the doorway with Janey. Her foot passed
through an empty space as she went off the curb. Staggering forward,
balance gone, she looked into dazzling headlights and felt the car break
her apart.

169

CHAPTER THIRTY

Cody downshifted as the traffic thickened. The pickup lumbered up the
incline, the big motor taking the strain.

"You sure you two are okay?" he asked.

"Yeah, no problem," Pix said, as if the subject bored her.

"That was a close one." Grace rested her hand on his thigh. Thanks, Cody."

"What matters is we're away from them now."

"The creeps. They must hang around out in the desert waiting for people
to come by. It makes you wonder how many women they've--"

"Hey, hey," he said softly. "Put it behind you. It's over. .. they're
just losers."

"Dangerous losers."

The familiar whine came from the back. "This is Hollywood. Where are the
damn movie studios?"

"Pix, they're all over the place--behind those big walls."

"But I can't see nuthin'."

"You will." Grace sounded determined. "We're going to make it here."

"Yeah. Right."

"Hey, Pix." Cody stopped at a red. "Give your sister a break, can't you?"

170

"But it's dumb to haul out here. We should have gone to New York."

"Pix--"

"There'd be work there ... even for a lummox like you."

For a moment Cody sat fuming.

Put little sister on a Greyhound bus. Send her back East. She was doing
her best to break Grace's will to succeed. Huh, talk about sibling rivalry.

Come on lights, change.

They stayed fixed.

Red.

No go.

Don't move.

Even though it was way late, he saw lights in the houses that clung to
the Hollywood Hills. Along the road in front of him were restaurants,
hotels, all-night stores. Lights blazed. Here we are, they seemed to say
to him, this is L.A. The city of dreams. If you're lucky.

A figure lurched from the shadows.

Pix screamed. "Grace! Look out!"

The dark shape leaned forward, laid a brown hand on the partly open
window where Grace sat.

Cody watched her twist around as the mummy leaned right into the car.

The light was red. Cars were lined up in front of him. He couldn't move.
But he gunned the engine just the same.

Looked in horror as the mummy reached out a hand.

"Cody!" Grace cried.

He reached out his arm around his girlfriend's shoulders and scooped her
close.

The mummy extended the brown paw toward them both.

Pix shouted, "It's going to get Grace!"

The mummy loomed in.

Closer.

Reaching.

"Here," it said, "take."

Cody felt Grace's slender body quiver with fear against him. 171

"Take," the mummy repeated. In its hand was a green card not much bigger
than a movie ticket.

The mummy pushed the bandage up where it had slid down over one eye.
"Present this at the Pyramid Diner down the road to your left. You get a
free side salad."

"Sweet Jesus," Grace cried. "You scared me half to death."

"Special promotion," monotoned the guy in the mummy costume. "Free side
salad. Set midnight feast for $5.99. They got genuine Egyptian beer too.
And apple pie just like mummy used to make."

Dazed, Grace took the card from the bandaged figure. The card bore the
drawing of a mummy. Pyramid Diner. 2/47: Why eat like a king when you
can feast like a pharaoh? Entitles bearer to one free side salad.

Cody shook his head. "Los Angeles. City of Angels. What a place!"

Pix added, "Los Angeles. City of the Dead more like." She looked out the
rear window to watch the man in the mummy costume shuffling along the
line of waiting cars handing out more of the cards.

Horns sounded.

"Green, Cody, you big lummox."

As they pulled away, Grace said, "Cody, we best find somewhere to spend
the night."

"Motel," Pix said hopefully.

"No can do." Cody shook his head.

"We'll have to find a parking lot," Grace added. "Or a quiet side street."

"What? No motel?"

"We can't."

"Shit."

Grace looked back at her sister. Her arms were folded. With her mouth
sulky she stared out the window.

"We don't have enough money for a motel, Pix."

"How much we got? They can't be that expensive."

Cody spoke, "Eight dollars thirty-three cents."

"Oh, great." Pix shook her head in disbelief. "We're thousands

172

of miles from home in Los Angeles, and we haven't even got ten lousy
bucks between us." She lay down on the backseat, glaring up at the
pickup's grubby roof. "How we gonna survive here. D'ya hear me, you two?
How we gonna survive?"

173

CHAPTER THIRTY-ONE

Ed Lake was making use of the sawdust bowl when the lights went out.
Taking a leak in the dark wasn't easy. Felt weird too.

Also, he knew what might be coming his way.

Maybe I'm next?

Is this where I get my throat slit just like Marco?

Poor kid. How would that knife blade have felt as it was dragged through
his throat? Just the thoughts of that sawing motion of cold metal on his
Adam's apple shut off the flow.

Ed shook himself. Then zipped up as fast as he could.

What now?

He waited in the dark.

Waiting for orders.

They came.

"Virginia... Virginia..."

So Virginia's favored with first-name treatment.

"Virginia. Stand up."

Ed returned to his mattress by touch alone in the darkness, feeling
across the concrete floor until he found the hunk of foam. He sat.
Waited. Listened. His heart beating faster.

Would Virginia be killed this time? The thought of seeing her lying
there with her beautiful throat gashed open made him shrivel inside.

174

There in the dark he could see nothing. But heard, all right. He heard
Virginia's frightened breathing.

And did that panting sound loud!

He tried to block the thought, but it sounded as if she was sexually
aroused. He thought about her copper hair tumbling over bare shoulders.
A glimpse of her cleavage as she tried to keep the blanket high with
trembling hands.

Jesus, what are they gonna do to her? Please don't kill her. Please,
she's so young and beautiful. She's got a whole life in front of her.

"Virginia, stand up."

So their captor would be in the room now. Looking at Virginia through
nightscope goggles. Seeing her skin gleam, and her eyes shine like lamps
in the infrared.

Ed looked toward where he imagined Virginia stood in the center of her
cage. She'd be so frightened. She wouldn't know what was going to happen
next. She must have been thinking about Marco too. How he'd hung there
with his throat cut. And how later the lights had been killed and they'd
heard a dragging sound as his murderer dragged the body away. Following
on from that were wet slicking sounds as someone worked at the
bloodstained floor with sponges.

"Virginia. Drop the blanket."

The voice was deep, masculine. But there was something strange about it.
Ed listened hard. It came from no single direction. It didn't even sound
completely natural.

"Remove your clothes... Now stand facing the bars... Slip your hands
through the loops."

Ed's eyes widened in the darkness. Loops? Some kind of restraint?

Virginia made little gasping sounds. Whispered words he couldn't make
out. Then he heard something that made the shivers pour down his spine.

She spoke ... a long drawn-out "Oooooh ..."

He tilted his head listening hard, trying to interpret the sound. Was it
hurting? Was it pleasuring?

He sat with his knees hugged to his chest.

There were rustling sounds. Clothes? Paper?

like the voice, the sounds seemed to have no single source. They came
from every direction. 175

Virginia's breathing quickened. She made soft "Hmm" and "Uh" sounds.
Ed's heart thudded.

Then: "Please .. ."

He remembered the last time when he'd heard her pant like this.

They'd cut her breasts.

If only I could get out of this cage and get my hands around the
bastard's throat. I'd fucking squeeze the life right out--

But then everything changed.

Virginia gasped. "Please .. . yes, yes ... deeper. Put your fingers
inside ... that's it... deeper. Please deeper... ah ..."

Ed couldn't believe it. She wasn't in pain. This was pleasure for her.
Overwhelming pleasure.

She was having sex with her captor. Virginia was horny. She was enjoying
whatever was being done to her. How could she? Was she some kind of slut
to surrender to her captor so completely, then enjoy it so completely?

So what makes you so squeaky clean, Eddie old buddy? You surrendered
too. You enjoyed your captor's proclivities.

He hugged his knees to his chest, hearing sounds of rapture.

Virginia's gasping for breath, her murmurs of pleasure were turning him
on. He felt so horny. He sensed himself growing large, his cock strained
against fabric.

I want to join in, he thought, unable to hold back the thoughts any
longer. I want to be nailing Virginia and I want her to make those hot
sounds in my ear. Sweet Jesus, listen to her. She's having great sex.
She's so turned on. She's so hot. She loves what's happening to her.

In his mind's eye he saw her. She'd be standing facing the cage, her
hands held high by loops that restrained her, that held her there, her
nakedness pressed hard against the cage.

But what is happening to her?

Couldn't tell.

No way of knowing.

But, sheesh, it sounded good.

So good it makes my cock ache. I want to explode.

But can't get that kind of one-handed relief here in the dark.

My captor's wearing funky night-vision goggles. They'd see me

176

jerking off. They'd have something to say about that. Might be against
the rules. I'd wind up with my throat cut. But listen to Virginia panting.

Just picture her. She's naked. She's shackled to the cage bars. Her
head's rolling, swishing hair down her curving back, as the captor does
something to her. But what a helluva something

Finger?

Tongue?

Dildo?

"Virginia. Slide your feet further apart."

That weird voice again. It--

Holy shit.

Suddenly he knew why it sounded strange. He knew what it reminded him
of. It was the same as a recorded voice played back at a slower speed.
The voice was low, manlike, but distorted. And it came from different
directions because it was being broadcast over speakers placed around
the room.

So maybe the guy isn't a guy after all?

Maybe it's a gal?

And you know what that means, Eddie?

The sounds of rapture you're hearing now are a lesbian love fest.

Wow.

Right on!

He found himself smiling. Now this was hot. Gal on gal.

Maybe he could suggest a threesome?

Not that he got a chance.

The deep voice commanded him to lie on the platform again.

And again the same commands as he was winched up hard against the
Perspex ceiling. To unzip himself. To "present" himself. This time he
didn't hesitate.

Lying flat on his back there, he unzipped, then guided his penis through
the hole in the Perspex. Already he was hot and erect. In fact, he felt
the muscles straining against skin. Wanted to explode.

Wanted to explode there and then.

For moments cool air played around the head of his cock. 177

This waiting's driving me insane. I can't bear it. I want to feel that
soft mouth again with its busy tongue.

Movement from above. Although he saw nothing in the darkness, he felt
the glass flex slightly as someone stepped onto it. More movement as
they positioned themselves. He imagined a woman... a beautiful, mad
woman who captured victims and kept them as sex slaves.

Right now he imagined her naked, positioning herself over him, ready to
sit on his swollen, throbbing member.

And, good God, was he right!

He felt soft flesh touch the tip of his penis. Soft lips that were hot.
A downward movement. A sense of parting. SUckness. An eager down-thrust,
followed by a slow return upward, the lips encircling his shaft, the
exquisite dragging sensation, before the next downward thrust.

He moaned.

This was beautiful.

This he loved.

He was entering the body of his captor and nothing could be nicer. No way.

She must be kneeling above him on the Perspex ceiling. She straddled his
cock. Impaled herself on the hard shaft. Now she rose and fell, no doubt
her head twisting with pleasure, a look of bliss on her face.

He felt the tight encircling flesh traveling the length of his shaft....
Down, down, down. All the way. Then back up, up, up, until the lips
nearly parted from the tip.

Only not quite.

Then down again, encircling, squeezing, stroking.

It happened.

With a yell he came fast and furious into the body, expending every drop
into that moist softness. His hips bucked, pressing hard against the
glass as he tried to gain just another quarter of an inch of penetration.

Then...

Over...

178

Spent... Sagging...

"You did not wait." The deep voice held cold anger. "You should have
held back, Lake. For that you will be punished."

179

CHAPTER THIRTY-TWO

Ed Lake didn't have long to wait. The lights had flickered on and he'd
wormed his way from the platform with the words still ringing in his
ears: "You should have held back, Lake. You will be punished."

He saw that Virginia standing there. She was wearing the denim cutoffs.
Her arms were crossed in front of her so they hid her naked breasts.

She was watching Ed. Her green eyes were sympathetic, her demeanor serious.

"I'm so sorry, Ed," she whispered.

"But all I did ..." It wasn't easy to admit. "All I did was come too soon."

"That's a crime ... at least it is in their eyes."

"But who are they?"

She shook her head, her eyes downcast; unhappy with the situation but
powerless. "I don't know."

"Listen, we've got to do something to get out of here."

"We can't."

"But we've got to try."

"No, Ed."

"We can't stay locked in these cages all our lives."

"I know. But you saw what happened to Marco."

"We've got to fight back."

180

"Don't say that, Ed."

"Why not?"

"They might be listening."

He looked around, then said loudly, "I don't give a damn if they are
listening. They can come and suck my big one for all I care."

"Ed," she warned.

"But we can't just give in and be treated like animals. We're human beings."

"We're also caged, Ed. They call the shots."

"You going to let them do whatever they want with your body, Virginia?"

"Oh, Ed." She sounded pained. "We've got to play by their rules,
otherwise--"

"They kill us?"

"Yes."

He looked at her. "Is that what's going to happen to me now?"

"I don't know."

"They've threatened me with punishment."

"It might not be as bad as you think, or--"

"Or... chkkk." He ran his finger across his throat, imitating a blade.

"It might be," she agreed.

"Then I'm going to go down fighting," he boomed. "D' ya hear that,
whoever you are, you little creeps? I'm gonna go down fighting!"

The lights went out.

Oh, shit.

Deep, deep shit.

The moment the darkness swamped them, that's when Ed knew they were
coming for him. He, she, or they... what did it matter now? They'd used
him up. Now he was going the same way as Marco.

Throat sliced open. Then dragged somewhere. Dumped in a shallow grave,
or even fed piece by piece into a furnace for all he knew.

Leastways, this is how it ends.

After a moment or so of darkness he felt the draft as a doorway opened
somewhere. Then the whisper of feet on concrete.

Here they come. His captor.

181

Or captors.

He should fight. He really should. They shouldn't be able to just stroll
up and carve his trachea like that. They'd have to fight to take him.

But his insides shriveled leaving an empty space in his gut. The
strength had gone from him.

What if he was to plead for his life?

The thought of begging revolted him. But if it gave him a chance? They
might leave him with a warning. That's it. Don't do it, Eddie boy.
Beg... plead...

If only.

Or should he offer up his throat? If they cut cleanly and fast, then it
would be over quick. No pain.

At least no more pain than need be.

The first cut is the deepest. Yeah, an old song. But there was a truth
in the line. And didn't condemned criminals used to tip the executioner
way back? So they'd kill in a way that was merciful. No agony. No screaming.

"Getz. Okay, okay. Get it over quick."

"Lake, remove your clothes."

He did as he was told, moving by touch in the darkness.

"Now move forward to the cage bars... Closer, Lake. Closer... Move your
feet until you're hard up to the bars."

Did as he was told. Kept his eyes tight shut. Clenched his fists.

Come on, get it over with.

Do it.

Use that blade.

Then came a surprise. A terrible surprise.

"Oh, God, no."

His heart lurched. His stomach plunged.

A hand closed around his testicles.

"Oh, please, God, no."

He waited for the hand to grip tight. Squeeze ferociously. Then for the
tingling edge of a blade against his soft scrotum.

Gonna whip off your balls, Eddie boy.

Then let's hear how you scream.

His eyes opened with shock staring into the darkness. They'd

182

never opened as wide as this before. He felt they'd simply pop out with
the pressure inside his skull. And just for a second he did see. There
was a faint reddish light coming from somewhere. He thought he saw a
towled figure--almost like a monk. And goggles of some sort.

They were wearing goggles. Round ones. Welder's goggles?

Then the dim red light died. Once more there was darkness.

Suddenly the grip on his balls changed. Here comes the knife.

Wait for it... wait for it. They're positioning the blade nice and close
to his groin.

Suddenly the hand was gone. Maybe his captor was gone too. That was it!
Mind games again. Inflict psychological pain rather than physical. If
that was the--

Then he felt a cold pressure against his foot. To be precise against his
little toe.

That was strange. Why should--

He didn't have any more thinking time than that. He heard a loud
metallic tap--metal on metal. Then a crunch. A loud one.

After that there was no time for rational contemplation. That was out of
the window, along with standing still.

A wave of agony flashed up his leg. It set his brain alight.

The next thing he knew he was rolling on the floor, screaming, holding
his foot.

Only his foot no longer seemed the same.

The lights had been on for a whole hour. He lay on his side. The
concrete floor must have been hard and uncomfortable, but he didn't notice.

"I'm sorry for what they did to you. Listen, Ed, I'm sorry." Virginia
must have repeated the words many times, but when he didn't respond she
let him alone.

He lay there without moving for what seemed an age. He lay looking
through the bars of the cage at something that lay on the floor.

It was a small object. Almost insignificant. 183

It lay in a pool of blood on the concrete. A little island in a sea of
blood.

"I don't believe they did that," he said to himself at last. "They cut
it off... they cut Off my little toe."

185

CHAPTER THIRTY-THREE

When Ed Lake woke, his little toe was gone. The blood was gone too. All
that remained was a wet area of concrete.

So, like a goofy kind of Tooth Fairy, they'd come in the middle of the
night.

Taken the toe. Left him nothing in return. Some Toe Fairy...

He laughed.

"Now that does surprise me," Virginia said from the next cage.

"What does?"

"They cut your toe off and you find it funny."

"Considering Marco, and what the alternative might have been, I'm damn
lucky."

"I guess you're right. Go ahead and have yourself a belly laugh."

"Maybe it's not that funny."

"Hurt?"

"Like hell." He rubbed his head. "Maybe it's the blood loss. I feel drunk."

"Probably that and shock too. Drink plenty of water."

"Good idea." He reached for a water bottle that hung from one of the
roof bars.

She looked at his foot. "Still bleeding?"

"Nope. I clamped a mountain of toilet tissue to it. Stopped eventually."

"I guess it's a good sign." 185

"I'll say," he said. "If it hadn't stopped I'd have bled out."

"No, it's a good sign they did what they did."

"You mean they just wanted to teach me a lesson?" He chuckled at his
bloody foot. "To toe the line?"

She nodded, her copper hair sweeping down over a bare shoulder. "They
must value you being alive."

"Maybe I can demand better accommodation."

She smiled. "Wouldn't push it, buster."

"And how's the ..." He indicated his chest, then blushed suddenly
awkward. "I mean have ..."

"The cuts on my breasts? They're healing, Ed."

"Was that punishment too?"

"Nah, they did that for fun." She flicked back her hair. "They do all
kinds of freaky things for fun."

"like when they made you put your hands through the loops?"

"We decided early on that it would be bad etiquette to ask each other
what they did."

"But I--"'

"We decided it was a way to maintain at least some small area of privacy."

"We?"

She sighed and shook her head. Her eyes took on a sad, downward cast as
she remembered. "There were others when I first got here. I even shared
this cage with another girl. One by one they all..." She shrugged. "They
were all taken but me."

"And Marco?"

"He was brought in later."

"So you decided you wouldn't talk about how they abused you?"

"Our captors call the shots. I've told you."

"So you go along with it?"

"Have to. If you want to live."

He moved his foot as he sat on the mattress. It had started to throb
again. Where the little toe had rooted to his foot was now a gooey
red-black scab.

"They cut off my little toe," he said.

"I know. You've already told me."

186

"When they make me He up on that shelf, they tell me to put my penis
through a hole in the glass roof of the cage. Then they:--"

"Ed." She looked at him pleadingly. "What our captors do to us they do
in the dark. It's secret."

"Then whoever it was sucked me. Then stuck my cock inside of them."

She turned away, briefly burying her face in the blanket.

He continued. "I was forced to have sex ... but get this, I loved it.
They excited me. It was great sex. I was really turned on."

She sat, resting her elbow on her knee. She gazed at him with those
green eyes for a moment, then shook her head. "I know what you're doing."

"You do?"

"You're saying we should share the experiences of what they do to us."

"Keeping it secret doesn't help."

"So if we share, if we confess, it makes us stronger?"

"Yes. But there's nothing to confess. We've done nothing wrong. But if
we tell each other what happens to us... the abuse we suffer... then
we're not so isolated. We can lend one another emotional support."

She nodded. "Guess we might as well. After all, the old way wasn't that
effective, was it now? Remember what happened to Marco?"

He looked at her.

She said, "So you think I should tell you what they did to me?"

"I can't force you to talk."

"No ... well... it's..." She took a deep breath. Then making a decision,
she spoke in a no-nonsense way. "The last time they made me their
plaything, I was ordered to stand facing the bars of the cage. In the
dark they must have hooked loops to the bars. They made me put my hands in."

"You were restrained by the loops?"

She nodded. "Like lassoes. They pulled tight around my wrists. Then they
began touching me."

"Hurting?"

"No. Gentle." 187

"Was there anything about the hands?"

"You mean anything distinctive about them? Anything identifiable?"

"It might help us later."

"You mean when it comes to identifying them for the cops?" She gave a
sour laugh. "Some hope, Ed. Anyway, here comes the confession
Hollywood-style. They touched my body. Stroking me up and down. Then
they ran their hands up inside my thighs to between my legs. They worked
at me with their fingers." She looked at me defiantly. "There. Does that
supply the picture for you?"

"I have to ask this, Virginia. Did they rape you?"

"Direct kinda guy, huh?"

"It could be important."

"No," she said. "They haven't. Always fingers."

"Nothing else?"

"No, always fingers. But there's something else."

"Go on."

"They were small, slender. I'm sure they were a woman's."

"Jesus."

"Yeah, so you heard what you thought you heard." She looked me in the
eye. "You heard a red-hot lesbian lust fest."

Ed blushed.

"Does that turn you on?" Her voice sounded hard. "Did you get all horny
as you listened in the dark?"

"Virginia, I didn't--"

"'Course you heard. That's what made you pop your cap too soon. But more
fool you, they hacked off your toe for that mistake."

"Virginia, I'm sorry."

"Sorry for what? For being a horny teenager?" She pursed her lips as if
ready to shoot some insults. Then she let out her pent-up breath. "No,
I'm sorry." Her eyes softened. "You see, I don't get out much. Makes me
cranky." Her lips twitched into a faint smile. "Forgive me, Ed?"

"Nothing to forgive. But we've learnt one thing. We need to stick together."

Then she caught him by surprise. Letting the blanket fall from her, she
crossed the cage to the bars nearest him. Her heavy breasts

188

swayed. He allowed his eyes to take her in. She was naked with the
exception of the cutoffs. Her hair coiled down; heavy strands slipped
over her shoulder to brush her nipples.

Ed imagined the sensation must have been a pleasant tickle.

The cuts were healing fast now.

Boy, she looked good. Despite everything, her face glowed. She looked
healthy. Vibrant.

She knelt down against the bars. Slipped her hand through. Reached out
to him.

"Ed, will you hold my hand, please?"

"Be my pleasure."

Avoiding catching the raw wound on his foot, he slid across the floor
until he sat near the bars. He stretched out to her. Took her hand. She
grasped his tightly. He squeezed back.

Suddenly the pressure of her hand in his became the most beautiful thing
in the world.

"Partners?" she asked.

"Partners," he agreed.

Time passed. Ed Lake's foot healed. During this time the funky games
continued in the beast house. The lights would go out. Sometimes it was
Virginia who got the attention. Sometimes Ed.

He kept his strength up so he could perform.

And performances went on for hours. He'd lay on his back on the platform.

Either it was the hungry mouth that worked his cock, or it was the
equally ravenous orifice.

But he was certain it was a woman now.

Of course he never saw. Too dark.

And he never let himself orgasm until his captor had been sated.

Afterward, whatever had been done to them, Ed would talk to Virginia.
They shared their experiences. They discussed every detail-- what their
captor did, how they smelled, how they felt. Whether their captor
climaxed. Whether Virginia or Ed climaxed.

Did it feel good? 189

Did it feel bad?

Sometimes it was so bad it was great.

Talking helped. Talking made them stronger.

They began to discuss how they could strike back.

190

CHAPTER THIRTY-FOUR

It came for him. It staggered, legs moving with awkward stiffness, an
arm reaching out.

He backed away, breathless with horror.

Backed into waiting arms.

Crying out, he spun and stared into Hydra's leering half-face. Naked,
she fell to her knees. She clutched his erection. She guided it slowly
toward her face.

"Fuck my brains out," she said. Laughing, she eased him into her head.
He felt the tissues part around his stiff organ.

Heard the squish.

"Hey! Hey!"

Somebody shook Imad.

"You okay?" a woman's voice asked through the darkness.

He sat up, turned on the bedside lamp. The woman beside him swung up an
arm to shield her eyes. She lay on top of the sheets. She was older than
Imad and bony. Her skin was slick with suntan oil; a coconut oil that
smelled rich and inviting. He remembered their encounter at the beach,
where he'd offered to rub the oil on her back--and she'd accepted. He
remembered bringing her home, drinks, a meal, and taking her to bed,
where they oiled their bodies and wrestled in an endless slippery
contest of lust.

"Louise," he murmured, at last remembering her name.

She uncovered her face. A handsome face with thin lips and high

191

cheekbones and clear blue eyes. She gave him a tentative smile. "Are you
all right?"

"I dreamed." He smiled. Shrugged. "It was nothing."

"It sounded just awful."

"We all have our crosses to bear, do we not?"

"That's for sure. Me included."

"I apologize for waking you. However..." He smiled. "Since we are both
awake now and the night is young..." He massaged one of her small, soft
breasts.

She held his hand as if she wished to keep it there always. "The night
isn't all that young, Imad. I'm afraid I have to be on my way."

"No."

"I really hate to go, but I've got a job to get to."

"At this hour?" he asked. "It's nearly eleven."

"Yeah. I go on at twelve. Waitress over at Clyde's. You know, Clyde's?
Has this dumb sign out front. 'Twenty-four-hour Service Day or Night'?"
She laughed softly. "Anyway, it's been cool."

Turning onto her side, she kissed him long and hard.

She was gone. Alone in the huge house, Imad went to the wet bar and
poured himself a glass of gin. He took it to the couch, sat back, used
the remote to turn on the television. He pressed the buttons, watching a
few seconds of each broadcast before turning to the next.

He settled for an adventure show in which a lithe brunette was being
pursued by a gunman. She wore a T-shirt and shorts. Imad was pleased to
notice that she wore no bra. He watched the breasts dance as she ran.

Then she hid and knocked the gunman unconscious with a flowerpot.

Rather silly, but Imad enjoyed the view of the woman, and was
disappointed to see the show end.

A frowning, white-haired man came on. "In just a few minutes, on
Eyewitness News at eleven, we'll tell you about a miraculous rescue at
sea, the President's latest energy proposal, and a bizarre double murder
at one of our local museums. This and more from Bonnie, Lenny, and me
after a brief time-out."

Imad watched the museum story. The cops behind the crime

192

scene tape, forensic specialists moving around in their white coveralls.
Views of the Callahan room. A close-up of the empty mummy casket. Then
Imad went upstairs to the safe. He opened it. Removed the small black
notebook.

He glanced at the title page and shivered.

The Memoirs of Robert Callahan.

195 Though I wish, for reasons that will shortly be obvious, to prevent
my Egyptian activities from coming to the public's attention, I find
myself compelled to record the extraordinary events surrounding the
discovery of the mummy Amara. I shall take precautions that these pages
remain concealed during my lifetime and the lifetime of my dear wife,
Sarah. If eyes other than my own are now reading this manuscript, it may
be assumed that we have both met our final fete. Disclosure of my
activities cannot harm us now, and may serve to prevent further tragedies.

In the year 1926, my father and I traveled to Egypt for the purpose of
lending his expert assistance to the famed Howard Carter, who had
recently unearthed the tomb of the boy king, Tutankhamen.

In Luxor, we met Mr. Carter. He welcomed my father heartily, for they
worked together several years earlier with Theodore Davis at the tomb of
Mentuhotep I. He was not so enthusiastic, however, about my presence. He
must have felt that my youth of eighteen years, no matter how mature my
attitude to work, would prove of hindrance. I am pleased to record that
his attitude in this matter changed remarkably once he saw how I aided
my father in the intricate details of his work. My copious, exact notes
soon earned Mr. Carter's respect.

It was my bravery, however, that won the respect of the Egyptian youth
Maged. We met on a December night. Suffering from the

196

oppressive heat, I wandered beyond the boundaries of our encampment in
hopes of chancing upon a stray, cooling breeze. I longed for the winters
of my Wisconsin childhood: to be sledding down a slope, a chill wind
battering my face, snowflakes blowing, the night lit by a full moon! I
was near weeping with frustration when suddenly an urgent cry entered my
consciousness.

Never one to flee in the face of a crisis, I rushed forward and
discovered half-a-dozen youths engaged in battering a young fellow
senseless. I attacked. In the brief affray that followed, I struck
several telling blows on the bullies and sent them scurrying for safety.

Maged introduced himself, using passable English (his father, I learned,
had served with the British during the Great War). He offered me his
gratitude and his friendship.

At first, he explained that the boys had fallen upon him for the purpose
of committing robbery. After our friendship had grown, however, he
finally confided in me. It seems that Maged, no innocent victim, had
made vile suggestions to the sister of one of the boys. When she refused
him, the young Maged showed his hostility by defecating on the family's
doorstep. It is no wonder that her brother and several of his comrades
reacted with violence.

Over the weeks, Maged proved to be an invaluable companion. The little
Egyptian led me about in the night. We found his enemies. Fought with
them. Won battles with our fists. We drank stolen rah. On regular
occasions we whiled away the nights in the arms of tawny, lusting women
with dark orbs for eyes who showed me delights I had never known.

It was because of Maged, and the wild times we shared, that we made the
discovery that has so altered my life.

On a January night, after saying good night to Father, I met Maged at
our agreed rendezvous point. From there, we traveled a long distance on
foot across the desert until we reached a village of mud houses. In one
of these, Maged assured me, we would find a pair of twin sisters whose
beauty and sexual talents would spoil me for all other women.

I waited outside while Maged entered one of the houses to fetch them.
Soon, he reappeared. The two girls behind him were beautiful indeed,
though no older than seventeen. For long moments, I stared 197

at them in the moonlight, struck with awe. I greeted them in Arabic.
They smiled lasciviously, but spoke not a word. Maged quickly informed
me that they were deaf-mutes. At first, I was troubled by this
revelation. I soothed my conscience, however, by reminding myself that
the five piasters we intended to pay the girls for their expert services
was a handsome amount for such peasants. The JeUahin who worked at the
tomb, after all, received only three piasters for an entire day's labor.

Taking a hand of one girl, I followed Maged into the dunes beyond the
village. There we spread blankets on the sand. The girls disrobed,
revealing their beauteous skin to the moonlight. Their eyes were dark,
lustful. Their breasts small peaks, ripped with velvety dark nipples. My
whole body was a mass of scintillating sensation as I anticipated
whiling away the night with these desert beauties. I was ready to take
mine at once, but Maged restrained me and indicated that he and I should
be seated.

The girls stepped away from us, their bare feet leaving dainty prints in
the sand. With olive oil cupped in their hands, they caressed one
another until their skin had a glossy sheen in the light of the moon.
Then they danced. Never have I seen such a dance; never before nor
since; and it always lingered in my mind, to be recalled on balmy nights
when my heart is restless. The memory is painful, as exquisite memories
so often are.

I see the flow of their bodies moving as if to a wonderfully haunting,
erotic melody. But there is no music. The only sound is the distant
barking of pariah dogs.

I see the naked girls caressing themselves, hands rubbing pointed
breasts, sliding over smooth bellies and thighs, stroking over the
darkness between their legs while they turn and writhe as if spitted on
great phalluses. I see them move closer to one another. Reaching out,
their fingers meet. Then they are drawn together like lovers long apart,
lovers starved for the touch of one another, starved for the taste.

The taste of forbidden love.

Prohibited desire.

How long they continued, I don't recall. I wanted them to dance forever;
yet I wanted them to stop instantly so that I might satiate the appetite
that strained my entire being. At last, their bodies slid

198

apart. They stepped toward us, chests heaving, hair wild. They had, no
doubt, expended themselves several times in the course of their strange
dance, but their half-shut eyes held a promise of boundless delights.

I stood motionless as one of the twins slowly removed my clothing. She
smelled of far-blown sand and olive oil and woman. A moonlit droplet
slid to the tip of her nipple, shimmered there, containing all the
vibrant colors of the rainbow. I longed to lick it off, that drop of
woman-heated oil. When the last of my clothes fell to the sand, I leaned
forward, my tongue finding that drop of oil, licking, rolling the flavor
around my mouth, and swallowing.

Had I been cheated out of the next few minutes, I should have counted my
life a waste. But whispers of the girls' departure from the mud-brick
village were tardy in reaching Kemwese, their father. Before his
arrival, I spent myself with each of the girls. I was standing, a twin
upside-down in my heated embrace, my head hugged by her slick, golden
thighs, my tongue darting into her sweetness, my phallus throbbing
within the tight constriction of her mouth, when a sharp blow to the
back of my leg toppled me (it was only with rare good fortune that I
avoided a tragedy regarding the girl's teeth).

As I rolled in the sand, I glimpsed Maged making a dash for safety. A
sandaled foot kicked my breath away. Hearing a struggle behind me, I
managed to look around. The naked girls were at their father, clutching
his arms and legs, fighting to save me. They proved no match for the
enraged monster. He battered them aside and came at me, roaring.

His foot slashed toward my face. Catching it in both hands, I twisted,
throwing Kemwese down. At this moment, I might have chosen to run and
save myself. This, however, was against my combative nature.

Never one to abandon a fight, I attacked the growling savage. I fell
upon him, fists pummeling his face. I heard a satisfying, gristly crunch
as my knuckle smashed his nose. No sooner did blood spout from the
nostrils than his arm swung up and struck my head with the force of a
club. Dazed, I tumbled away.

I was only vaguely aware of the huge man lifting me. He raised me high
above him, then tipped my head downward and drove me 199

toward the sand. My neck should have snapped like a rotten twig when I
hit the ground. Somehow, it didn't. The blow shocked every inch of my
frame, however, and I was powerless to prevent the beast from working
his will upon me.

He lifted me again. I knew, in what remained of my conscious mind, that
I would soon be dead. Rather than throwing me down again, however, he
began to carry me. Where he was taking me, I had no idea. Nor did I
care. I only hoped, in a fogged, dreamy way, that if he continued to
carry me long enough, some of my strength might return and I might yet
save myself.

At length, he reached his destination. He flung me to the ground. Though
I hadn't the power to raise my head, I could see that we were near the
ruins of the Temple of Mentuhotep. Grunting, Kemwese pushed aside a
large block of stone. I immediately recognized his intentions. Horror
coursed through me, clearing my mind and giving me new strength. Raising
my head, I saw a small, black patch in the sand beneath where the rock
had rested. A hole. A dark, shadowed hole reaching downward into the
belly of the desert.

When he came for me, I threw a handful of sand into his face. Blinded
and coughing, he groped for me. I rolled out of his reach. I got to my
hands and knees and crawled, trying to gain my feet, but my body obeyed
the commands of my mind in only the slowest fashion, and soon he had me
by the foot. He dragged me backward, dragged me toward the awful hole.
My fingers clawed at the sand. All sense of manhood broken by the
horrible prospect awaiting me, I cried out for forgiveness. I begged
him. I offered him money. At the end, I threatened him with terrible
vengeance.

It was useless.

He raised me by both feet. I saw the black pit, like a tunnel to Hell,
below my face. My hands dug into the sand at its edges, but to no avail.

Then he released me.

I plunged headfirst into the blackness.

Screaming.

201 THE AWFUL PIT

I fell, petrified by an unreasoning fear that I might plunge forever
through the lightless void. I had little time, fortunately, to dwell on
the horror of that thought. Abruptly, I hit the bottom of the shaft and
lost consciousness.

When my mind returned to me, the aches in every limb of my body quickly
reminded me of the gravity of my situation. The darkness was so intense
that I blinked several times to be certain that my eyes were indeed
open. The lumpy pressure on my back told me that I was lying
face-upward. I raised my arms. I felt great relief and comfort in
touching my still-naked body; my face, my chest and belly, my privates,
my thighs. The hands, touching familiar places, gave me a warm feeling
that I was not entirely alone in this strange and frightful pit. They
also confirmed that I was still whole, at least as far as I could reach.
I stirred my legs. They seemed unbroken.

As I lay there continuing to stroke my body and regain a sense of
reality, I began to assess my situation. The devil Kemwese had
undoubtedly left me here to die. That being the case, he must have
covered the opening of the pit with the enormous block of stone that had
originally sealed it. Even should I succeed in climbing to the top, I
would be powerless to stir the rock. My best chance of survival,
however, seemed to lay in that direction.

Gazing into the black space above me, I tried to determine whether he
had indeed rolled back the stone. If he hadn't, I should 201

certainly be able to see the light of stars or the moon. Nothing was
visible. Nothing.

I decided I must attempt to climb out nonetheless. First, however, it
would be wise to explore the confines of my prison.

As I stirred myself to sit, the uneven ground beneath me seemed to
wobble. Lowering a hand to the lump beneath my bare hip, I touched a
pliant surface that I immediately recognized as hide. My fingers
explored further. The hide felt wrinkled, sunken. Pressing it, I felt
the solid roundness of bone below the surface. With a gasp, I flung my
naked body clear of the creature.

There, shivering, I huddled in the darkness and gazed in its direction.
I could see nothing, of course. To confirm my fears, I finally ventured
forward. My hands again encountered the dead flesh. I explored it
briefly before realizing, with an agony of horror and revulsion, that my
fall had been cushioned by the desiccated corpse of a man.

He, like myself, was naked. I wondered if he too had been caught in
debauchery with the daughters of Kemwese. The thought chilled me, in
spite of the pit's dreadful heat. Perhaps my end would be the same as his.

"No, damn it," I said. The sound of my voice was dreadfully loud in the
confined chamber. Silly, I know, but I feared for a moment that I had
startled my deceased companion awake. I listened, half-expecting him to
speak. Or worse, to advance and to feel his dead fingers touch my naked
body.

To my great relief, he didn't.

All I could hear was my ragged breathing.

A dry, labored sound.

From that point on, I took pains to remain silent.

Starting at the feet of the dead man, I began to inch my way along the
boundary of my cell. I crawled on hands and knees across ancient dust.
Dry as dead skin on the back of my throat. I let my shoulder brush along
the stone wall to keep my orientation. After proceeding in this manner
for no longer that a minute, I set my hand down on someone's face. I
screamed.

The sound came back at me like a banshee howl.

Jabbing my eardrums so hard they hurt.

202

For a long time, I crouched against the wall, panting the hot air,
struggling to regain my composure. Then I ventured forward. With
hesitant hands, I familiarized myself with my new neighbor. His flesh
felt stiffer than that of the other man, leading me to the assumption
that his residence in the pit had been more prolonged. My hand searched
along the length of a naked limb. I could not tell whether this was an
arm or a leg until my fingers met a bag of shriveled skin and a hard
stick of dried flesh as thick as my thumb.

Scrotum; phallus.

Both sucked dry of moisture by the desert air.

Briefly my hand roved over a sunken stomach; a chest; through skin I
could feel the ridges of ribs. Then I found the husk of the throat and
hard roundness of the head with cottony tufts of hair.

I left him behind. Continued my exploration. My searching hands moving
over the dust through the utter darkness. My reaction to the next body
was more easily controlled. I did not scream. I merely removed my hand
rapidly from his foot.

This man was fully clothed. I checked his pockets. In his shirt pocket,
I found a pack of cigarettes and a small box of matches. Carefully
sliding open the box, as if it contained the most valuable treasures of
Egypt, my fingertips found the matches. Counted them. Eight. Eight
precious matches. I struck one.

Nothing.

Duds.

Spent matches.

Was I doomed to sit out the rest of my life in this arid chamber beneath
the desert?

To slowly the of thirst?

Madness claiming me first? As this all-engulfing darkness bore down on me?

Would tomorrow find me singing to my dead companions while holding their
dry hands for comfort?

No ... take care, I told myself. Try the matches again.

This time I felt the box until I found the abrasive strip. I must have
run the match head along the smooth paper side.

I struck again. Its phosphorus head sparked in the darkness, then 203

burst alight with such brilliance that pain shot through my eyes. In a
moment, however, the pain passed, and I found myself gazing upon a
horrible scene. I groaned.

For there, gathered around me in the bottom of the shaft no larger than
a dozen feet in diameter, were the dried corpses of five men. The one in
front of me, the clothed one, still held the revolver in his shrunken
hand. I saw a hole in his right temple. Then the stain darkening the
dust, from the copious outpouring of blood and brains.

One, across the floor, had gaping wounds in his thigh. I had little
doubt how they'd gotten there. The grim thought entered my mind that I
too might soon be driven by extremities of thirst and hunger to consider
partaking of my companions.

One in particular, a bald, lean man clad only in undershorts, looked
fresher than the others. I doubted he had been dead more than a few
days. Perhaps his body still retained enough moisture to quench the
thirst that would shortly begin to torture me. There might be as much as
half a pint in the bladder. No. That would be ...

Fire scorched my fingers. I dropped the match. Darkness swallowed me and
I stood motionless among the dead, considering my next course of action.

At length, I crouched beside the man who had taken his own life. Groping
blindly, I found his pistol. I had the devil's own time getting it out
of his hand, and finally resorted to breaking two of the fingers. With
the gun free, I carefully released the cylinder catch. The cylinder
swung sideways. I tipped the barrel upward. Six loads dropped into my
palm. By touch alone in the darkness I deduced two were expended shells
from the open ends of the cartridges, while four were still whole, hence
live cartridges. From their size and weight, I guessed them to be of .38
caliber. I reloaded and set the pistol aside where I would have no
trouble finding it.

For the present, I had no need for the weapon. The fact of its presence,
however, was a great comfort. I knew that, should circumstances offer no
alternative, I need not be reduced to a groveling, inhuman beast. I
would simply take my own life, like my inert companion, and be done with it.

With that settled, I once more groped in the dark. With a new sense of
assurance I stripped the man of his trousers. I found a pen

204

knife in one of his pockets. Using that, I cut his pants legs into long,
narrow strips. When I had a dozen of them, I struck another precious
match. Six left, I told myself. Only six. I applied its flame to the end
of the strip and found that I had created a rather satisfactory source
of light. Paying out fabric as needed, I made a close inspection of the
chamber by the illumination of the burning cotton.

The stone wall, I noticed, sloped gradually inward above me. This ruled
out the possibility of climbing to the top of the shaft. Might there be
another way out? Certainly, my predecessors hadn't found one. Their
failure, however, constituted no certain proof that such an exit did
not, in fact, exist.

Here, my knowledge of Egyptian tombs stood me in good stead. The pit, my
prison, had obviously been constructed in ancient times. Its proximity
to the Temple of Mentuhotep might indicate that it was built during his
reign, possibly as a secret entrance to his tomb. It was not unusual to
find such passages, often designed as elaborate mazes complicated with
false entries, dead ends, and portals concealed in walls and ceilings
for the purpose of foiling tomb robbers.

I exhausted most of my supply of makeshift wicks in a useless search of
the walls and floor. While my flame still burned, I quickly fashioned
more strips from the dead man's trousers. Then I renewed my search,
looking for the slightest clue that a secret passage might lie behind
the stone wall of my cell. I found no such clue. Had I a pick, I might
have battered my way to freedom. With bare hands, I was powerless.

Allowing my light to die, I sank against one of the walls. I was sweaty,
exhausted, coated in dust. My hopes of escape had faded to a dim prayer
for a miracle.

As I sat in the blackness, surrounded by my silent companions, an idea
began to form. It seemed impractical at first. It seemed less so as I
thought about it. Though the top of the shaft was higher than my frail
light carried, any object that might take me closer to it seemed worthwhile.

Perhaps, after all, the passage to the tomb had been placed midway up
the shaft wall. Such a manner of concealment was not unknown to the wily
priests of those ancient times.

Thus, with the project justified in my mind, I set about constructing 205

a platform of the bodies. It was a ghoulish task. In the darkness, I
dragged each from its place of rest. Their joints were stiff, their skin
tough. I grew to know their flesh by their manner of undress, by the
various configurations of their limbs. Some had died prone, others
sitting. I made use of these differences in constructing my platform,
often sacrificing height for sturdiness.

At last, by clever stacking of four cadavers against the wall, I had a
platform as high as my chest. I lifted the last body, the one most
recently dead. He seemed less brittle than the others. Also, his limbs
had stiffened into convenient positions. I stood him upright on top of
the others, leaning him slightly backward against the wall. When he was
securely in place, I lit a strip of cloth, the upper end of which I had
earlier inserted in his mouth. I adjusted the burning dp at the side of
the platform so it wouldn't hinder my progress.

Then I began the awful climb. The bodies trembled precariously under my
feet, but I was careful to place my weight only on the strongest points:
a hip here, a shoulder there. At last, I reached the top of my platform.
I stood motionless, gripping the wall, gathering my strength for the
most strenuous part of the climb.

The flame had inched slowly up the strip of cloth. As I paused, it
ignited the hair of one man, blazing briefly, illuminating the chamber
with flickering white light, filling my nostrils with a terrible stench.
When the fire died, I inspected the end of my taper.

Half the strip yet remained. I intended to use its flame, when I reached
the summit, to ignite another makeshift taper, which was wound around my
neck. This would save me the use of a precious match. The matchbox was
tied at my throat, however, so I wouldn't be at a loss for light should
the original expire during my climb.

without further hesitation, I inched sideways. I swung the burning taper
away from the knees of my ghastly companion and let it hang beside him
out of my way. Pressing my body to his, I began to climb him. It was a
horrible business, all the more so because of my nudity.

I was perched upon his bent knees, one hand pressed to the wall, the
other gripping his left shoulder, when the light failed. The sudden
darkness unnerved me, but I knew that I would soon fall if I didn't
continue upward. Sliding a foot up his dry leg, I sought the bony

206

protuberance of his hip. I found it. When I felt secure there, I raised
my other foot. It too found a hold at his hip. Perched more precariously
than ever, I leaned forward, my knees gripping him as if I were a child
shinnying up a tree. Carefully, I straightened up, leaning full against
him. I felt his face against my belly, then against my privates. I shall
not tell of the nightmarish images that passed through my mind as I made
my slow way upward.

I was almost onto his shoulders when he moved. My hands sought purchase
on the stone wall but found none. The corpse continued to slide out from
under me. In an instant I was falling. One foot struck the top body of
my grisly platform and punched through as if it were a plank of rotten
wood. From there, I tumbled backward through the darkness.

The ground struck me a terrible blow. As I lay there, stunned, a body
fell on me. Then another. I flung them aside, and scurried out of their way.

Hunched against a wall, I gazed at the darkness. I listened intently.
Beyond the drumming of my own heart, beyond the windy gasping of my
lungs, I heard other sounds. Muted, incoherent babbling. The papery
sounds of dry flesh dragging across the gravel floor.

I knew they were coming for me.

"No!" I shrieked.

I thought I heard their sandy laughter.

Widi palsied hands, I unlooped the strip of cloth at my neck. I tore
open the box of matches. Poised to strike one, I hesitated. Better to
the in the darkness, certainly, than to look upon the creatures-- the
dead creatures--crawling toward me. But I had to see!

I struck a match. In its sudden glare, I saw one reaching for my foot!
Another, sitting upright, grinned. The rest, still in a heap, writhed as
they tried to untangle their twisted limbs. It took me several agonizing
moments to realize their movements were an illusion created by the
fluttering light of my match.

I lit an end of my taper and watched. Finally, I convinced myself that I
was in no danger from my companions--that the danger resided only within
my troubled psyche. My eyes turned to the shining nickel plate of the
revolver.

Time to end it all, I thought.

207

Time for the kindness of oblivion.

I got to my feet and realized I had lost the matchbox. Lowering my eyes,
I scanned the floor until I spotted the small box. As I crouched to pick
it up, I noticed an usual shadow at the base of the wall. I dropped to
my hands and knees. With my free hand I reached into the shadow ...
deeper ... . deeper... A hole!

It was more than two feet in diameter. Inserting my arm as far as
possible, I found no obstruction. Surely this was the passage I had
searched for!

Such a fool I had been! Such a timorous fool! It had never occurred to
me, during my careful search, to look behind the bodies]

I laughed out loud. Had the others, seeking a way out, made the same
mistake? Indeed, had Kemwese placed his first victim over the hole on
purpose to conceal the passage from his future prey? I shouldn't put it
past the devil.

For the next few minutes, I cut new strips from what remained of the
trousers. I tied them around my neck. Once more, I secured the box of
matches at my throat. Then, clutching the revolver in one hand, I
slithered into the hole and began my quest for freedom.

209 I made my way slowly, laboriously, through the narrow passageway. At
times, the stone walls squeezed my shoulders and I feared I might become
stuck. Turning back, however, was out of the question. I knew what lay
behind me: certain death. Ahead, there was hope.

The rough walls pressed in on me. They scraped the naked flesh of my
body. Had I been afflicted with claustrophobia, the blackness and
suffocating heat and tight, constricting walls would surely have driven
me mad. But I kept my sanity and pressed onward.

Finally, my outstretched arms found open space instead of confining
stone. I inched forward as far as I dared. Tucking the revolver into the
gap beside my chest, I used both hands to free a strip of cloth from my
neck and light its end.

I found myself near the ceiling of a chamber. It appeared to be about
twelve feet in length and width. The floor, however, was out of sight.
Paying out my makeshift taper, I lowered the burning tip as far as
possible. I was still unable to see the floor, so I pulled up the strip
and tore off the last few inches of it. I let it drop. It fluttered
downward for some distance before stopping. I watched it burn on the
floor no more than twenty feet below me.

With no choice in the matter, I clutched revolver and writhed forward.
As I hung over the lip of the hole, about to fall, I pushed away from
the wall with all my strength. I maneuvered myself in midair, much as a
diver, and hit the floor feet foremost. My legs 209

buckled, of course. I tumbled forward. The ground dealt me a terrific
blow. I remained conscious, however, and a quick survey of my limbs
indicated that the fall had bruised and battered me, but nothing was broken.

Eagerly, I lit a match and ignited one of my cloth strips. I found, to
my relief, no unwelcome company in this pit.

I also found the door of a tomb.

A strange, golden disk decorated with the scepter of Osiris had been
applied as a seal to the stone door, held in place by hemp. My feeble
light showed several kinds of hieroglyphics engraved on the door. Under
my father's tutelage, I had learned to read the language as if I had
been born to it. Unfortunately, someone had chiseled and scratched the
glyphs, rendering them indecipherable.

I had seen such work before. This, no doubt, was the tomb of an outcast,
or heretic, one whose name was anathema.

The realization made hackles rise on my naked flesh. As a skeptic in
matters supernatural, I should not have been unsettled to find myself at
the tomb door of one damned by the ancient priests. Unsettled I was,
however: I could feel malevolence like vapor rising from ice. It chilled
me to the bone.

Stepping away from the door, I began to search the walls for a way out.

There was none.

None that I could find.

This came as no great surprise; my route to this chamber was surely the
only manner of entry or exit.

I was glad for the revolver. At least it would give me a speedy end, not
the slow and maddening agony of death by dehydration.

I blew out the light and sat in a corner. Not yet time to end myself.
There would be plenty of time for that later. I tried to push aside the
grim thoughts and consider possible avenues of escape. My mind found no
answers.

At last, I decided to try my luck with the tomb. Though I dreaded the
thought of the place, I was quite curious about it. Besides, there was
only one way to find out, with certainty, what lay beyond the sealed
door. Anything was possible, even my salvation.

210

I moved across the black chamber to the door. Fighting my reluctance to
touch it, I lit one of my tapers and set to work.

I started calmly enough. As I progressed, however, my frenzy grew. What
if I should be unable to force the door? What if I should succeed, only
to find myself no closer to escape? All the while, I fought against my
dread of the unholy person entombed within. I wanted only to huddle in
the chamber's farthest corner, but my fevered mind told me that my only
chance of survival lay in opening the door. I raged as I ripped the hemp
loose. I yelled and roared like a lunatic as I strained at the stone slab.

At last it groaned.

Dust fell from the sealed edges of the door.

The door moved.

Swung open.

I cringed away as a foul gust of hot air breathed into my face and
extinguished my light. The rank odor made me gag. It had the smell of
dead, decaying snakes. In the darkness, I pictured the tomb to be a
chamel house where dying vipers waited eagerly to swarm over me. Where
hooded cobras swayed. Fangs dripping venom. I knew this was impossible:
the nightmare of an overwrought mind. Only renewed light could still my
fears, however. With shaking hands, I struck another match. I lit my
taper, and peered through the door's opening.

There were, of course, no snakes.

Gazing at the small area revealed by my light, I stepped into the tomb.

At first, I thought it was empty. Surely, robbers had cleared the room
of all its treasures: the countless necessities secreted with the corpse
to assure its comfort in the afterlife--the utensils, the weapons, the
furniture, the effigies of servants. No doubt, the sarcophagus and mummy
had also been removed.

I looked around at the walls. Normally these would have been covered
with paintings, depicting the life of the deceased: hunting fowl,
fishing by spear for the fat fish found in the Nile; or there would be
representations of the deceased with members of its family. Also, there
should have been hundreds of hieroglyphics describing the life of the
individual entombed here, the victories, the names of their 211

children. There should also have been prayers and verses from the great
Egyptian Book of the Dead.

Instead, the walls had been covered entirely with some black pigment. It
still contained a reddish-brown tinge. This too I had seen before. In
the tomb of one of the priests of the Pharaoh Akhenaten, the heretic
king, who banished Egypt's vast family of gods in favor of a single
deity, the Aten. I recalled standing in the disgraced priest's tomb and
hearing Howard Carter describe how later priests would have erased the
name of the evil priest, then painted the walls with pig blood. An
animal considered unclean by ancient Egyptians. This and the destruction
of the dead priest's identity would have destroyed his soul in the
afterlife.

This had happened here too. The erased name on the tomb door. The
painting over of wall paintings and hieroglyphics in the despised blood
of swine.

Whoever had been buried here must have been truly hated by later
generations, who had set out so thoroughly to seek vengeance on the
spirit of the deceased.

I comforted myself with the thought that the evil one had long ago met
the same fate as countless other mummies. Even now, perhaps, it was
residing in a far-off museum. Or, like so many others, it had been
ground into powder by some luckless European, now long dead, as the
miracle cure of his day. Or it may have simply been used as kindling for
some Bedouin's fire.

As I proceeded across the chamber, however, my light fell upon a Canopic
chest. Nearby lay the stone lid of the sarcophagus; near that, the
mummiform lid of a coffin.

A chill penetrated my body. My bowels cramped, my privates shrank as if
trying to retreat into my groin. For a long time, I simply gazed at the
open sarcophagus, afraid to move.

My taper grew short. I realized that if I didn't act quickly, I would be
plunged into darkness. That thought quickened me to action. I unwrapped
a length of cloth from my neck--the last such strip-- and lit it; the
dried blood walls seemed to feed on the light, making the chamber
gloomier and gloomier.

With only the slightest hesitation, I stepped to the side of the
sarcophagus and gazed into it.

212

I wasn't shocked, at first, by the strange sight below me.

Here was a person--a dead person, to be sure--but not so different from
myself. He had brown hair. He wore a shirt and trousers, a leather belt,
boots with neatly tied laces. Since he was laying facedown inside the
inner, wooden coffin, I was spared the sight of his face.

Only when I looked more closely did I notice the mummy beneath him. A
portion of its head was visible. I saw its red hair, lots of red hair
that filled the spaces between the body and coffin wall. Saw its eyeless
sockets. I had the impression, for a moment, that it was kissing the
dead man's neck.

The odors also. Through the smoke of my burning tapers I caught musty
scents of ancient spices. Probably the ones that had been placed into
the body cavity of the mummy to mask the smell of postmortem decay.

I raised the man's head. The mummy's head also lifted, and I realized
its teeth were buried in his throat.

Stepping away from the coffin, I put the revolver to my temple.

Pulled the trigger.

213 Had the revolver discharged and ended my life at that moment in the
tomb of Amara, many would have been saved from the miseries later
visited upon them. But if there are gods, they are wily devils,
tricksters that toy with our fates. They saw fit to let the hammer drop
on an empty chamber.

I drew back the hammer for a second try.

As my finger began to press the trigger, I heard the distant, echoing
call of my name. It was the voice of my companion, Maged.

Backing my way out of the tomb, I turned my eyes toward the tunnel high
on the chamber wall. There, I saw the shaky, dancing beam of a flashlight.

"Maged?" I called.

"Robert!" The delight in his voice made me smile.

My desperation, my madness, my suicidal helplessness fell away,
vanishing as the morning mist on the Nile vanishes before the dawn sun.
I felt the sudden joy of a man who, chased by nightmare demons, awakens
to a golden dawn.

Finally, the light beam fell upon my face.

"Ah, my friend!" Maged called. "Always the explorer. I thought I should
never find you."

"You certainly took your time about it."

"I went for a rope." It dropped from the tunnel's mouth. "Coming up?" he
asked.

214

"Are you alone?"

"Most surely."

"Secure the rope then and come down. I've found a bit of something you
ought to see."

A few moments later, I saw my young friend sliding down the rope. He
hurried to my side. His joy was such that he embraced me.

"I ought to bash your head," I told him, grinning.

"Were not the sisters everything I promised?"

"They were marvelous, marvelous. Only you neglected to mention their
father."

"A tyrant, that man."

"Tyrant? He's a murderous lunatic! But enough of that. Let me show you
what I've found."

I showed him the door of the tomb with its defaced hieroglyphics. His
mood turned somber. He was reluctant to enter the tomb, but I persuaded
him at length. I took his flashlight and led the way. Even with his
olive skin, his face paled when he saw what gory blacks and rust browns
painted the walls.

"Truly this is the tomb of a despised one," he said. "Never have I seen
every inch of tomb wall painted with hog's blood before." He made sure
his body made no contact with the unclean blood of the swine.

"Come along," I said. He joined me beside the sarcophagus. I shone the
light inside and lifted the man's head so that Maged might see the
mummy's teeth embedded in the throat.

He backed quickly away. "We must go."

"What's the hurry?" I asked, rather enjoying his fright.

"The Bride of Set," he muttered.

"What?"

He was gone. In spite of my refreshed humor, I was not eager to remain
alone with the ghastly pair. I hurried after Maged. I was no sooner
outside the tomb than he began to push its door shut.

"Don't bother," I said, stopping him. "We'll only have to open it again."

"Please! It must be sealed."

"Must it?" 215

"She will arise from the dead to seek the blood of her slayers."

"Nonsense."

"It is true, Robert." He pointed to the defaced glyphs on the door.
"Much has been destroyed, but this was once her name. Amara!"

I peered at it. True, the little that remained legible might have been
part of the name Amara.

"We must leave at once," Maged told me, "and find a holy man to re-seal
the entrance."

"What we will do, Maged," I said firmly, "is figure out how to take her
and her coffin out of here."

His eyes widened with fright. "We must not. You don't understand,
Robert. You have broken the seal of Osiris guarding the doorway. Its
magic is destroyed. Without it, Amara will walk the night."

"She's dead, fool."

"She is of the dead who lives." Maged pushed the tomb door shut and
leaned his back against it. Perspiration glistened on his face. His eyes
were large . .. frightened. I'd never seen him like this before. "Please
listen, my friend. I will explain."

"Speak your piece," I told him rather impatiently.

"The banished god Set, slayer of Osiris, is the one recognized by both
Jew and Christian alike as the one you call Satan." He took a breath and
continued. "Set came in the night to Amara, who was the favorite wife of
Pharaoh Mentuhotep. He gave her the seed of his loins, that she might
bear him a son. In return for her favors, he promised Amara the gift of
eternal life."

"Bunk," I said in contempt.

Maged ignored my remark. "The god Set, the evil one, he wished his son
to be Pharaoh after Mentuhotep, and lead the people of Egypt to their
doom. When Amara gave birth, Mentuhotep suspected treachery, for the son
had wicked eyes ... snake eyes. He put Amara to death."

"What about the baby?"

"It also was executed, and entombed with Amara."

"I didn't see it."

Maged gave an elaborate shrug. "Robbers, perhaps ..."

216

"Well, your story is charming, but it's utter bunk."

"It's true, Robert. Believe me."

"Where'd you pick it up? I've never run across the story before."

"When I was a child, my grandmother whispered it to me in the night. She
said, if I was bad, Amara would come for me and eat my throat."

"We wouldn't want that, would we, Maged?" I said and laughed. "Come
along, let's be off."

217 My first order of business, after recovering from the ordeal of the
pit, was to deal with the villain Kemwese.

I remained away from the Tutankhamen diggings all day so the bastard
wouldn't suspect that I had escaped from his death-hole. When night
came, I dined with my father. He enquired about my battered appearance,
and I satisfied his curiosity by explaining that I'd taken a nasty fall
down the hotel stairway. The subject was dismissed.

After we separated, I went to my room. I waited there, trembling
somewhat with anticipation. shortly after dark, I heard a knocking at my
door. I opened it, and Carmen entered in a glittering cocktail gown that
revealed her milk-white shoulders. Her cleavage was breath taking.

Carmen was her stage name--or rather bed name, if you prefer, for she
was a whore. She was a fabulous whore, renowned throughout Luxor. She
stood nearly six feet tall, with hair the color of wheat and breasts
like the silos of her Iowa hometown. All her orifices were portals to
unspeakable pleasure. But they were cosdy to enter, and only those of us
with considerable wealdi could afford to journey there.

I had been with Carmen many times. I was one of her favorites, as she
told me time and again. When I spoke to her that afternoon she'd readily
agreed to my request.

218

"For that kind of dough," she had said, "I'd blow King Tut himself."

Naturally, I didn't explain my entire plan.

"Now let me see if I've got it straight," she said, sitting on my bed,
her long legs stretching out. "I go to this guy's house and I say my
friend and me, we got attacked by a gang of cutthroats out by the temple
ruins. Right?"

"That's it."

"And would he come and help, 'cause I think my friend's hurt real bad?"

"Exactly."

"And I get him out there and get him all worked up and..."

My engorged organ stopped her words. For the next half hour, I used her
with such vigor that we both finished sweaty and exhausted. When we
recovered, we dressed and set out for the home of Kemwese.

At his village, I pointed out the mud-brick house. Carmen went to it
while I hurried away. I rushed through the darkness. Soon, I reached the
stone slab, the entrance to Kemwese's horrid prison. I hid myself in the
shadows of the nearby temple ruins. There, I waited.

The wait was a lengthy one. I sat on the rough stone, watching the
desolate landscape before me with its endless vista of sand. For all the
world I must have looked like Ahab searching the waves for his damnable
White Whale. No one can know the horrors of the chamel pit; no one can
know the rapture I felt as I waited in the moonlight to take my
vengeance upon the man who put me there.

Man?

No! Human fiend.

My heart pounded. My hands trembled. Yes, even my teeth chattered in
spite of the night's heat. Several times, I laughed, muffling the sound
with my hands.

Finally, Carmen appeared. Her golden tresses cascaded down her back. Her
hips swayed as she walked.

She was holding Kemwese's hand. His robe gleamed as white as bone.

"I do not see your friend," Kemwese said.

219

Carmen swirled away from him, her laughter trilling through the silence.

"Where is the friend who was beaten?"

Her forefinger tapped the side of her head. "In here, Kemwese. I made
him up."

"And why is that?" he asked. He crossed his arms over his massive chest.

"To drag you away from your village. What we're gonna do, it's got to be
a big secret."

"Kemwese does not pay for his women."

" 'Course not. This isn't business, sweetheart. This is just for
pleasure. My pleasure." She went to him, long, slender arms out, her
gold bracelets glinting.

I watched from my hiding place, trembling. They embraced, they kissed.
Soon Carmen was naked and standing upright as Kemwese lavished kisses on
her shoulders, on the vast twin mounds that were her breasts. He fell to
his knees like a worshipper at the temple of her body. As he lapped
between her legs, she pulled the galabia over his head and flung it
aside. He was naked, his body hairy like a gorilla. Taking his face away
from her womanhood, he crawled behind her to dwell on her rear parts. He
forced her down and mounted her. It surprised me not the least to
discover his preference.

Once he was firmly implanted, I left my place of concealment. I made my
way stealthily toward the pair. Soon, I was standing close behind
Kemwese, watching the hairy mounds of his buttocks twitch and jiggle as
he rutted. From the frenzy of his exertion and beastly grunts, I guessed
that he was on the verge of expending himself. I wanted to cheat him of
that moment, so I quickly stepped forward and brought down the revolver.
Its butt cracked against the bastard's skull. To my chagrin, the impact
triggered a bowel movement.

I pulled the unconscious body off Carmen and saw that I hadn't prevented
his climax after all.

"Damn," Carmen muttered, getting up. "Damn, look what he did!"

One of her calves bore a glistening, dark smudge. She used Kem-wese's
galabia to clean herself.

For the next few minutes I busied myself with binding the hands

220

and feet of my quarry. I knew the hemp would not restrain him for long
after his return to consciousness. I didn't intend that it should.

"All done?" Carmen asked when I finished tying him.

"Nearly."

"Nay, now, sweetheart, you said we'd just truss him up and leave him
bare-ass. If you've got any other tricks up your sleeve, you can count
me out."

"There's nothing to worry about, Carmen."

"Not for you. You ain't the one went in his house, sweetheart."

"Who saw you?"

"He had these two gals with him. A couple of twins."

"They won't tell."

"I'll just bet."

"They're his daughters. They hate him more than I do. Besides, they're
both deaf-mutes."

"You sure about that?"

"I'm positive. Were you seen by anyone else?"

She shook her head. "I don't think so, but that don't change the
picture. If you want to pull some nasty business here, I'll take a walk,
thank you very much."

"It won't take long," I told her. "If you prefer not to watch, go on
ahead. I'll catch up to you in a few minutes."

"What're you gonna do to him? Some homosexualist thing?"

"No."

"What then?"

"I thought you didn't want to know."

"I guess I don't."

"like I say, take a little stroll. I'll catch you up when I'm done."

She agreed to that.

When she was going, hips swaying, I dragged the unconscious body of
Kemwese to the side of the stone slab. I pushed it away from the hole. I
turned to Kemwese and slid him forward until his legs dropped out of
sight to the knees.

I slapped his sweaty face until the eyes blinked open.

"Remember me?" I asked.

He scowled, his eyes burning into mine.

"Time for a dose of your own medicine, my friend." 221

I was delighted to see the terror that suddenly twisted his face as he
understood what I meant, and realized that the lower half of his body
had already been swallowed by the pit.

Down he went.

Down, down, down.

He cried out in pain as he hit the bottom.

"Nasty fall," I called down.

I crouched at the edge of the pit, grinning. He cursed me and my
ancestors; my sons and their sons. He threatened me. That he would peel
the skin from my body; that my male member would be worn as a trophy on
his belt. Finally, however, much to my satisfaction, he began to cry and
plead for mercy.

I pushed the stone into place and left him there.

With great restraint, I allowed a full week to pass before returning to
the pit. Maged and I went there in the dead of night. I had told my
friend nothing of Kemwese. The purpose of our excursion, I'd made clear,
was to determine the best way of removing the mummy and its coffin from
the tomb.

Maged was against the whole affair at first. He reminded me, at endless
and tedious length, of Amara's nasty reputation. Indeed her demon-like
nature. In my turn, I reminded him that dead was dead.

He was unconvinced. Those fright stories of his grandmother's had
embedded themselves deeply into his heart and soul. Then I told him of
my plans for the mummy--as well as my plans for myself. I described my
family's private collection of Egyptian antiquities. I told him that we
possessed no mummies as yet, and how my heart was set upon adding such
an infamous lady as Amara to our collection.

He argued that it was silly and dangerous and impossible. Aside from the
hazards of Amara herself, there were laws. I was surprised by his
familiarity with Egypt's restrictions on the removal of artifacts, and
even more surprised by his knowledge of problems we would face with
United States authorities who looked upon mummies as little more than
germ-infected corpses.

"I know ways," I said, "of getting around all that rubbish."

I explained about my father's friend, the smuggler.

Maged was adamant; he wanted no part in such dealings. Then

222

I explained that, of course, I would not only have Amara smuggled into
the U.S., but Maged as well. He would live with my father and me, just
as one of the family.

"Is this true?" he asked, dumbfounded.

"You have my word on it."

From that moment forward, Maged was as brash and energetic about the
project as if he had originated it himself.

I watched him climb down the knotted rope. He disappeared into the pit,
and I was glad I had not mentioned Kemwese. His surprise at meeting our
old friend would be marvelous to see.

Quickly, I followed him into the darkness.

When I reached bottom, I shone my flashlight over the grim collection of
corpses. Kemwese was not among them. This troubled me somewhat in spite
of my certainty that we would find his body nearby: in the tunnel, or
the adjoining chamber, or Amara's tomb.

After all, no man could survive a week without water in this climate.
And there was no other exit; I was reasonably certain of that.

Because of my lingering apprehension about Kemwese, I insisted on being
first to enter the connecting tunnel. In my repaired condition, the
narrow tunnel had little effect on my nerves. True, it was often a tight
squeeze. Overall, however, the tunnel seemed less confining, less
threatening, than previously. My only concern was Kemwese. What if he
should squirm toward me out of the darkness? I knew this was rubbish.
Nevertheless, the idea of it would not leave me.

I was greatly relieved to reach the opening at the tunnel's end.
Eagerly, I searched the area below with my light.

My dread increased, however, for there was no Kemwese in the room below.

I debated whether to broach the subject to Maged, and decided against
it; what useful purpose could it serve? It would give him a warning to
be cautious, true enough. On the other hand, it might be enough to
frighten him into abandoning the project. I couldn't take a chance on
that, so I kept my silence.

I secured a length of rope to a corner of the masonry, as Maged had done
on the night he saved me. Then I squirmed out of the tunnel. With my
legs wrapped in hemp, I lowered myself headforemost to the floor of the
room. I then helped Maged down. 223

The door of Amara's tomb was shut, just as we had left it.

Could Kemwese have entered and pulled it closed after him?

I drew the revolver from my pocket. I didn't fail to notice a faint
smile on Maged's face.

"Dead is dead," he whispered.

Together, we pulled open the door of Amara's tomb. We swung the beams of
our lights inside.

In my memory, the next instant seems endless. And yet, I know it lasted
no longer than a blink or two of the eye.

I saw Kemwese on his back, gazing at us with dead eyes. The flesh of his
naked body had been savagely torn.

Facing us, seated on his chest, arms resting casually on her up-thrust
knees, was the mummy, Amara.

As if sitting on a cushion.

Relaxing.

Patiently waiting for us.

225 I'

With shocking suddenness, Amara leaped from the body. Maged hurled the
flashlight at the monstrosity. It struck her head, distracting her for a
moment as it entangled itself in her voluminous red hair. We leaped
through the entrance. Flinging ourselves against the heavy door, we
somehow managed to force it shut before the awful creature could reach us.

Though the door pushed against Maged and me, our combined efforts were
sufficient to hold it shut. The strength of Amara was such that neither
of us alone could have held it closed. As we pressed our shoulder to the
rough stone, I searched my mind for a method of escape.

If we simply made a dash for the rope, she would certainly fall upon us
before we could climb to safety. If one of us stayed behind to hold the
door, the other might climb to freedom. The one remaining, however,
would be compelled to face the mummy alone.

At the time, I knew only that she was dead . . . and yet alive.

I had no desire to exchange blows with such a creature.

Unworthy thoughts entered my mind, thoughts of making a sudden dash for
the rope, leaving Maged to face the hideous creature. Ashamed, I
reminded myself that he was my best friend, nay, my only friend, and
that he had saved my life. I could not leave him at the mercy of the
awful hag. 225

And yet I knew we could not hold the door shut forever. At a loss, I
asked Maged's advice.

"It is quite simple enough, Robert. The god Set gave Amara power only to
walk the night. At dawn, she will again be as one who is dead."

"Are you sure?"

"This is what my grandmother told me."

"Then I hope your grandmother was right."

Neither of us knew precisely what time dawn would arrive that morning.
Shortly after five o'clock, however, the movement of the door against us
ceased. As a precaution, we waited until six o'clock by my watch. Then
we opened the door.

Amara had returned to her seat on the chest of Kemwese.

As we entered her tomb, she remained motionless.

The ghastly thought came to me that Maged was wrong, that we were being
lured into the tomb by trickery. I found my eyes locked onto that
terrible figure. Its eyeless sockets, mere twin pits in the ruined face,
seemed to look right into my own two living eyes. Her naked body was
brown; wrinkled hideously in parts; in other parts smooth as melon skin.
While tumbling in a copper cascade from the skull-like head, down around
her shoulder, covering one breast that hung as empty as a poor man's
leather purse, was that lustrous hair. How hair could still look lovely
and alive attached to that ancient husk of a corpse was beyond me.

A movement beside me roused me from my near-trance. I was tempted to
hurry away, but Maged walked forward to shove the thing with his foot.
It fell sideways.

"You see, Robert?" he whispered.

I breathed a sigh of relief. "And you say that it won't... get up ...
before sunset?"

"That is what my grandmother told me."

"Excellent." With trembling hands, I lit a cigarette. I paced the tomb,
smoking it and thinking. Blue smoke rolled across the walls painted with
pig's blood. At last, I said, "Let's box her up."

"What?"

226

"We'll put her back in her coffin and see if we can get them out of here
before dark."

"Now?"

"No time like the present, my friend. Especially for a nasty job."

A nasty job, indeed, it proved to be. With Amara inside, the coffin was
too heavy for us to handle with ease. After carrying it from the tomb,
we removed her. I climbed the rope to the tunnel overhead. Below, Maged
tied the lidless coffin to the rope. He lifted and guided it while I
pulled. Though the coffin was not extremely heavy, I had great
difficulty hoisting it to my perch and pulling it in after me. It
plugged the tunnel's end. I tried, squirming backward, to pull it along
after me. Soon, however, it began scraping along nicely. I realized that
Maged was at its other end, pushing. It was a tight fit. Had the tunnel
not been perfectly straight, we would never have succeeded.

The going became unbearable during the final yards when the tunnel
slanted upward to the floor of the first pit. I pulled as best I could,
and Maged pushed with superhuman endurance.

At last, we finished. We fell exhausted to the floor as if joining the
five old corpses in their rest. When I had recovered my breath, I lit a
cigarette.

"The rest of the job will be a snap," I said.

I was almost correct.

The lid gave no trouble at all. Nor did the four Canopic jars. The final
stage of the task, however, required us to deal with Amara herself. This
was a singularly grim bit of business that set our nerves on edge. As we
maneuvered her through the tunnel, we both worried she might suddenly
come alive in our hands. Neither of us spoke of it at the time. Much
later, however, in the safety of my California home, we shared our
memories of that day.

Maged, who had been in the lead, confided, "I was certain her head
moved. Only, I couldn't see a thing, of course, but somehow I knew that
she had turned her head and intended to nip my arm."

It was with considerable relief that we placed Amara inside her coffin
and covered her horrible, naked body with the lid.

We couldn't raise her out of the pit that day. It was not a job for
daylight. And yet, we were both loath to deal with Amara at night.

Maged had a solution. We climbed out of the pit, seeing nobody 227

in the vicinity, and pushed the stone into place to conceal the opening.

Maged's solution took the form of a gnarled old man named Ramo who lived
not far from the hut of Kemwese.

We found him sitting alone in his dark hut. He wore a gray, tattered
galabia and a gold turban that had seen far better days. I saw at once
that something was amiss about his face. The mouth seemed out of kilter
too, long and stretching across the side of his face. This was due, I
later discovered, to an old knife wound that had laid open his right
cheek and never healed correctly.

Maged spoke to the man in Arabic, explaining that we had blundered into
the tomb of Amara, destroying its sacred seal, and so destroying the
magic bonds that had contained the creature. Amara had walked. We wished
Ramo to use his powers, as a priest of Osiris, to seal the coffin.

He asked to see the broken seal of Osiris. Maged, with commendable
foresight, had pocketed the golden disk. He removed its pieces from his
pocket and presented them to Ramo. The old man fondled them, grinning.
His grin was a hideous sight indeed, as it drew back not only his lips
but also the ragged edges of his cheek, exposing what remained of his
molars.

He explained that his father had fashioned this very seal, many years
ago--a dozen years before Ramo himself had been born. At the time,
robbers had plundered Amara's tomb. They had stripped off her winding
clothes, stolen her jewelry, and taken her mummified infant from its
resting place at its mother's side.

Amara had remained still until the child was taken. Then she had
abruptly clutched the nearest robber and killed him. The two survivors,
fearing Amara's vengeance, escaped from the tomb, then came to Ramo's
father. They paid him well, and he fashioned the seal of gold to prevent
Amara's escape from the tomb.

We offered to pay Ramo twice the amount his father had received, and he
agreed to work the gold into a pair of seals, one for each long side of
the coffin's lid. He would bless the seals, according to ancient rite,
and their magic would prevent Amara from rising.

They were finished two days later. Just at sunrise, Maged and I dropped
a rope into the pit and descended. We expected this. We

228

flashed our lights among the sprawled corpses and found her lying
beneath one of the naked men.

The sight of it made my flesh crawl. I envisioned all of the bodies
stirring in the blackness of the pit, lurching toward the new female in
their midst who beckoned them with her open legs.

We tumbled a man aside.

I carefully averted my eyes from his privates, afraid of confirming my
fears.

We lifted Amara, and put her inside the coffin. We put the lid in place.
Then we affixed the twin seals of Osiris at the seams of the lid,
hammering small nails through holes made in the gold for this purpose by
Ramo.

The job finished, we left the pit and covered its entry with the rock,
not to return until arrangements had been completed to smuggle Amara home.

229 Many years have gone by since my activities in Egypt. My father died
long ago, though not before I was able to delight him with the addition
of Amara to our Egyptian collection.

Maged married shortly after coming to live with us. We employed him and
his wife as servants until their untimely deaths. Their offspring, Imad,
lives with us still.

In 1929, I married the beautiful Sarah Guthrie. Though we wished for
children, Sarah was unable to conceive. We bestowed much of our love on
Imad, especially after the tragedy that robbed him of his true parents.

That incident took place in 1936 when a houseguest named Clive Hargrove
opened Amara's coffin. I had spoken to him over dinner about the strange
legend surrounding the mummy. As was my policy, I never spoke of what I
had witnessed myself. Maged and I had agreed to carry the secrets of our
discovery to our respective graves.

In the dead of night, Hargrove entered the Collection Room and carefully
removed the nails holding the seals in place.

Sarah and I slept peacefully through the night. In the morning, we
discovered Maged and his wife in their bedroom, mutilated and dead.
Their baby, Imad, was missing from his nursery.

I hurried downstairs to the Collection Room, and found Hargrove dead at
the foot of Amara's coffin.

230

The lid was resting upright against a wall, where he had apparently left it.

I found Amara inside the coffin. In the embrace of her withered arms was
the unconscious form of the baby, Imad.

The tragedy affected us deeply. Determined to prevent a reoccurrence, I
ordered a steel door be installed to make the Collection Room as secure
as a bank vault.

That was not enough. Vaults could be entered, nails pulled, seals
broken. Only with her infant at her side, however, would Amara's
vengeful spirit be still. If I could return the stolen child to her, she
would hopefully rest in peace forever.

I knew that the child had been taken a dozen years before the birth of
the old priest, Ramo. Guessing his age to be nearly seventy when we'd
met, I calculated that the robbery had taken place during the 1840s.

With luck, the mummy might have found its way into a museum. Otherwise,
it likely disappeared into a private collection, or was destroyed.

My search led me to London, where I spent weeks in the British Museum,
searching for references to infant mummies. There I became overly
familiar with the work of one Dr. Thomas Pettigrew.

"Mummy" Pettigrew, as he was called, astonished London theater audiences
with public unwrappings of mummies. He was all the rage. His act went on
for twenty years, during which he cut, hacked, and ripped his way
through the winding clothes of hundreds of mummies. The morbid business
delighted his audiences, for one never knew what treasure or oddity
might lurk beneath the crusted bandages.

Among his subjects were several mummified babies.

The London Times of March 16, 1843 reported that Pettigrew's audience
had been stunned the previous night by "strange movements" of an infant
he was attempting to unwrap. While many suspected Pettigrew of trickery,
he claimed that the child "stirred as if alive." Before his claim could
be investigated, he "committed the child to the flames."

The child, I am reasonably certain, was the missing son of Amara and the
god Set.

My search was over. I returned home, disappointed. In the years 231

since then, I have taken exceptional care to avoid a repetition of the
tragedy that took Imad's parents. To this date, all has been well.

Sarah and I grow old, however. One day, we will be gone. I have willed
my Egyptian collection to the Charles Ward Museum, which has agreed to
house it in a special "Callahan Room."

I cannot, however, forget my experience with Amara. Though I intend to
leave specific instructions that the seals of the coffin remain intact,
I fear that, one day, the hideous crone shall walk the night in search
of her stolen child.

If she should stir from her coffin, Imad (or his descendants) are
obligated by the terms of my will to present this memoir to the museum
administration. It is my hope that such parties, familiar with the
strange ways of the ancients, will believe what I have written, and that
my words will help them to understand the nature of the hag.

Robert A. Callahan

Greenside Estates

Burlingdale, California

234

CHAPTER THIRTY-FIVE

The Memoirs of Robert Callahan. Memoirs? Or nightmares?

Imad closed the small black notebook that was testament to so much
horror and anguish.

This was the first time he'd read the book even though he knew of its
existence. It told him much of the father he never had time to know, and
of Robert Callaghan, the kindly man who had adopted him.

He set the book down on a table. Right now, the urge came upon him to
shower in water that was near boiling; to scrub his skin until he bled.
Because not only did the memoirs reveal the manner of his parents'
death, it told of how he'd been taken by the mummy to its coffin, and
how Robert Callaghan had discovered the infant Imad asleep in the dead
arms of Amara.

He closed his eyes and moaned, the muscles twitching in his face.

Flashbacks.

Memories long repressed ... of the creature bending over his crib in the
dead of night. The withered face, the empty sockets where its eyes
should have been; the wash of red hair tumbling onto him like a gush of
blood, falling across his face, smothering him.

He rocked on the bed, perspiring, nausea rising in the back of 233

his throat. That smell. Pungent spices. And worse, the grim odors of the
tomb.

Amara had reached out and picked him out of his crib. She'd cradled the
infant Imad against her dead skin, pressing the baby's face to her
withered breasts. He remembered now. He'd seen the blood of his parents
still fresh on the monster's teeth. It even glued the hair together into
thick gore-covered strings that had brushed against Imad's face.

The mummy had then taken him to the coffin before daylight had broken.

Right then, Imad wanted nothing more than to take a full bottle of gin
and retire to bed, where he might be able to drown the memories under a
torrent of alcohol.

No. There is important work to be done, he told himself. He must obey
Robert Callahan's instructions to the letter.

235

CHAPTER THIRTY-SIX

In the dark, Ed Lake heard the order. "Present yourself."

As he lay there on the panel, pressed tight to the Perspex, he
maneuvered his erect penis up through the hole into the receiving
orifice. It felt warm and snug. Muscles contracted tight around his
organ. That delicious friction again ... up, down, up, down. There, in
the darkness above him, his captor moved, pleasuring herself, filling
herself with his manhood.

Don't know how long I can keep this up ...

Pun intended, Eddie?

Ed was being forced to perform every few hours. And--hell-- each
performance could last hours. All that friction was taking its toll.

What happens when my strength goes? When I can't get an erection
anymore? They're gonna gash my neck. I'm gonna the in a rush of blood.
Just like Marco.

Hell. ..

The body rocked above him in ecstasy. The Perspex flexed. Gotta to be
strong. If it broke ...

Freedom.

But that stuff was tough. It was made to protect bank cashiers from
bullets. Might flex a little. It'd never break. He'd never have it so
easy. Might as well accept it, Eddie boy, you're going to remain a 235

sex slave for as long as you can keep it up. You're going to need to
poke to survive. Fuck to live. Otherwise...

Otherwise your nice, soft throat's for the knife.

But he couldn't perform like this forever. One day he'd have an attack
of the floppy Joes. Then it's the big sleep for you, Eddie.

Don't call me Eddie.

The mind chatter gave way to exhausted rambling. Random thoughts flitted
through his head as he pushed his loins upward into the receiving body
above.

Didn't a Turkish princess once keep a baboon for this purpose? She was a
nympho. Couldn't get enough, so she visited a wise woman who advised her
to procure a big buck baboon. Baboons have their own harems 10 service.
Baboons could fuck tirelessly from sunup to sundown.

Nice story.

But where do I buy a baboon at this time of night?

Ed, keep your mind on the job. Nearly slipped out then.

Jeepers-creepers, am I losing the erection? I'm bending inside of her.

Think sexy thoughts, think sexy thoughts . ..

Panic ripped through him. That didn't help. Didn't help one bit. If he
couldn't perform, if he disappointed his captor, he was sure he'd lose
more than a toe this time.

He pictured Virginia. Pictured her naked and panting hotly over him. In
his mind's eye she rubbed her breasts in his face. There were thin,
white scars around the nipples. That didn't matter. He imagined they
were having great sex. She was moaning. She was crying out his name.
Crying louder . . .

Then he realized a cry had escaped his captor. This had never happened
before. His captor's orgasms had been confined to a shuddering, a
breathlessness.

This was a full-blooded shout.

The voice came in a deep booming roar that filled the room.

"Oh, Jesus ... Yes!"

So loud it sounded like the voice of God. Ed felt as if his skull would
burst beneath the avalanche of sound.

236

Then it cut dead.

Silence.

The body slipped from his cock with a lubricious sucking sound. Then--gone.

Later the lights came on. When he at last managed to squirm from between
the platform and cage roof, he collapsed exhausted to the foam mattress.
The hairbrushes, toothbrushes, electric razor, and water bottles hanging
from the strings tied to the cage roof swung crazily, making him feel
even more light-headed. Unscrewing one of the bottles, he drank deeply.
Man, that was good.

Virginia stared at him through the bars of their respective cages, her
eyes were wide with astonishment.

"That sound she made ..." She shook her head, incredulous. "What do you
make of that?"

Ed drank more from the water bottle. The cool liquid felt wonderful. He
only wished he could soak his overheated genitals in an ice bath. The
relentless friction left his flesh fiery and sensitive. Exquisitely
sensitive. To touch himself could be hell one moment, heaven the next.
His nerve endings must be raw.

Taking the water bottle, he sat cross-legged on the mattress.

"You heard the voice?" Virginia's green eyes fixed on his.

"I heard." He gave a tired shrug. "Couldn't miss."

"Well, what does that tell us?"

He took a mouthful of water. Rolled it. Swallowed. "Tells us that she's
wearing a mike."

"Can't be wired, so it must be a radio mike."

"And when she speaks to us the voice is electronically altered. Made
deeper."

"Then Instantly relayed back through hidden speakers in the room."

"I guess." He let his shoulders sag. "Sweet Jesus. I need to rest for a
year and a day."

"Lie down," she told him.

As he did so, he glanced across at her. She lay on her side. Not
bothering now to cover herself; the blanket had slipped down ex 237

posing one full breast. Copper hair tumbled deliciously over it. A fine
sight. Very fine indeed.

Virginia, you saved my life today.

He was going to say the words. Nearly did. Nearly told her that when
he'd started to soften during sex he'd thought about her.

Let's say she stiffened my resolve, he thought.

But they needed to filter the facts.

Virginia spoke. "Let's recap then."

"From the beginning."

"Okay, from the beginning. We know we're being held in cages in a
building that's either well out of town in the boondocks."

"Or is soundproofed."

"Or both." She looked around. "The more I look at this place, the more I
can believe we're locked up in an old TV studio."

"The back lot that MGM forgot."

She gave a wan smile. "Not movie studio. Not big enough."

"So an unused TV studio?"

"A studio of some kind. Maybe even a recording studio."

"So, fill in the picture, Virginia. What's our situation?"

This was an old routine now. Using clues and guesswork to figure where
they were and what was happening to them.

Virginia continued. "We're held in some secret location, in a
soundproofed room. We're well fed. We're kept in relatively comfortable
conditions."

"A two-star beast house at least."

She smiled at the little joke. A beautiful smile. A winning smile that
warmed his fatigued body. "A beast house en suite." She nodded at the
sawdust bowl.

"And we can make as good a guess as any that we're kept here as sex slaves."

"Sounds raunchy, doesn't it?"

"Yeah, but like any day job, it becomes a dull grind sometimes."

"Say that again."

"It becomes a dull--"

"Whoa, figure of speech, Ed."

He grinned. "I wish I was in that cage with you."

She grinned back. "I wish you were in this cage with me."

238

"We could keep each other warm."

"We'd be stimulating company for each other." She gave a suddenly shy
smile. "What do you think?"

"I think so too."

She wagged her finger in a mock-scolding way. "Back to business, Mr. Ed
Lake. What's our current position?"

"Lying on concrete in a cage."

"You know what I mean .. . our situation."

"Our situation. We know that when the lights go out our captors visit
us. They move around unseen in complete darkness."

"How?"

"Because they are wearing some kind of high-tech headgear. Nightscope
goggles."

"So they see us."

"But we don't see them."

"How many?"

He rubbed his jaw. "How many captors? We figure not more than two. Maybe
one."

"Hmmm ..." She looked thoughtful. "I guess two."

"Oh?"

"It's a lot of work for just one. Supplying food, taking away waste."

"But not an impossible workload."

"No, but then there was Marco and the others."

"I see." He nodded.

"They were carried here unconscious. Also, the corpses had to be
manhandled out of the cages and disposed of."

"That would take one mightily powerful individual."

"Or two people."

He nodded again. "I agree on that point, Virginia. At least two captors,
then. But..." He shrugged. "How many do we have sex with?"

"I think I know." Her shoulders made a little hopping motion. "Strange
what you think about under these blankets, huh?"

"We've got plenty of thinking time, hon."

She smiled at the endearment. Then: "I believe there are two captors. We
only have sexual contact with one." 239

"How can you tell?"

She touched the tip of her nose with her finger. "Scent."

"Huh?"

"Sometime after the lights have gone out and you sense one of them close
by you, catch a little of how they smell."

"Go on."

"The one who moves the sawdust bowls and brings in the meals has a
slightly sour odor."

"You do have a good sense of smell."

"The 'warder,' as we'll call her, gives off the sour odor. It's like the
smell of milk on someone's breath."

"And the one who ..." He lifted a shoulder. "Who pleasures herself at
our expense?"

"Smells sweet. She bathes regularly. She uses good-quality beauty
products--oils, powders that kind of thing."

"Anything else?"

"Yes, it might sound odd, but she smells young."

"You can tell by her body odor?"

"Yes, I think so. Don't you think people in different age groups smell
differently?"

"Well... I don't know. I guess you're right. But..." He shrugged.

"Trust me on that one, Ed: know." She smiled. "I was a dental hygienist.
It brings you into close contact with people of all ages, all walks of
life."

"Oh ..." He took a breath. "Okay, but we refer to our captors as 'she.'
Now, I'm sure the one who fucks around with our bodies is female. How do
you know the sex of our warder?"

"Brace yourself for this one, Ed, it doesn't sound pretty."

"Shoot anyway."

"I've been here long enough to know she has cycles."

"Huh?"

"She has periods and like I say, she doesn't exactly devote much time to
the bathroom."

"You mean you can smell her period? Geez."

"like I said. Not pretty. But, yes, I can smell menstrual blood."

"Wow, I'm impressed, Virginia."

240

"Thanks."

"And that paints a fuller picture. We know our captives are two women
below menopausal age. One's our warder."

"The other our Sex Queen."

Ed drummed his fingers on his knee. "But this can't go on, can it?"

"No. But what can we do? We're in the pen, remember?"

"There's got to be some way of hitting them. Some way of doing so much
damage that we can escape."

"How?"

"Wait till they get close, then grab them through the bars."

"You can't see them. It's completely dark when they come in."

"But when she fools around with us through the bars. She's close then.
You can feel her proximity to you."

She shook her head. "They always order you to put your hands through
restraining loops. What about when you lay on the platform? There's no
way of reaching her then?"

"No, there's bulletproof glass between her and me, even though it's only
around an inch thick."

"You couldn't smash it with your fist?"

"Not a hope."

"And you can't reach around the outside of it?"

"Nope."

"The hole?"

"What about the hole?"

"The hole you .. . present yourself through."

"Oh."

"Think about it. She sits on that with her vagina pressed to it. Imagine
how vulnerable she is then."

"You mean that instead of pushing my penis through, I should push my
hand up and somehow grab her from the inside?"

"Yes."

"Wouldn't work."

"Why?"

"The hole's big enough for my penis. Not for my hand."

"Damn." Her eyes became downcast.

"Virginia . . . Virginia, look at me. Believe it. We'll find a way out 241

of here. And we're going to hurt these bitches so badly they'll curse
the day they were born."

Ed was jolted awake. Blinking, he opened his eyes. Darkness again. Inky
darkness that revealed nothing. But he heard shouting. A male voice:
indignant, a throaty anger, demanding to be let out.

"I'll rip your heads off... d'ya Goddamn hear me? I'll tear you apart!"

Thumping sounds. Someone was hammering cage bars.

"You can't do this to me! D'ya know who I am! I run this neighborhood.
What I tells people to do, they do! Ya hear me? I said, ya hear me!"
There was more furious rattling.

"Take it easy," Ed spoke softly. "You'll hurt yourself."

"Hey, who's that?" The voice had a New York accent with a splash of Italian.

"Ed Lake."

"You let me outta here, Lake, or I'm gonna break every bone in your
Goddamn body."

"I can't, I--"

"What ya mean you can't. Let me out of this freakin' cage. Now!"

The voice had power. People would tremble when they heard that voice.

Ed hissed. "Ssh."

"Don't shush me, you asshole."

"Listen, you've got--"

"No, you listen." The voice raged in the darkness. "You listen to Romero
Cardinali. You open the cage now and you and your children and their
children escape with their lives. Got that, asshole?"

"Mr. Cardinali, I can't let you out, I'm--"

"You working for the Jamaican Yardy boys?"

"No. I'm--"

"Then it's got to be Ratzioni. I tell ya, Fat Ratz is gonna nourish
coyotes after this. In fact, I'm going to feed his balls to the coyotes
one by one and he can watch, the doublecrossing--"

"Mr. Cardinali." Ed's voice grew to a shout. "I've nothing to do with
Jamaicans or anyone else, I'm trying to tell you that..." The lights
came on. Ed paused, his face burning as if he'd made a fool

242

of himself shouting like that. Then he spoke in a near-whisper. "I'm
trying to tell you that I'm in a cage like you."

A plump, balding man stood in the cage once occupied by Marco. He wore
black pants, white shirt, no shoes, and could have passed for a wine
waiter or even funeral undertaker. He looked around fifty, was sweating
profusely. He also looked very, very angry.

"You sure you're locked in there, kid? You're not puttin' me on?"

Virginia spoke. "He's not. We're both prisoners here." Then she added,
"Like you."

He shrugged his shoulders and adjusted his shirt collar as if composing
himself. "So what's the deal?"

"Deal?"

"Yeah, deal. You stupid, kid? Deal! What's going down? Why're we here?"

"You should save your strength, Mr. Cardinali." Ed realized he sounded
just like Marco the first time he'd spoken to him. "Sit down. Save your
strength. You're going to need it."

"Hey, no little schmuck gives Romero Cardinali no orders."

Ed sighed. "Suit yourself." He lay down and covered himself with the
blanket.

"Hey, you, schmuck. Don't you go to sleep on me. Hey, you .. ."

I tried, Ed told himself. I tried to help him.

The man raged on. "Hey, what's going on here? Where is this place? I'm
gonna have my people tear it down brick by brick. I'm gonna find who's
responsible for this. They don't know the kind of guy they're jerking
around here. Keeping me in a cage, for God's sake. They're dead. D'ya
hear? Dee-Ee-Ay-Dee.. . dead! D'ya hear that, ya jerks!"

Ed groaned. He wanted to sleep. But sure as eggs are eggs, sleep
wouldn't come easy now with Mr. Cardinali. Our new roomie.

243

CHAPTER THIRTY-SEVEN

Ed Lake sat in the dark with his back to the cage bars. He listened to
the argument. He knew Virginia listened too.

Shoot, listen to the guy.

Mr. Romero Cardinali was saying no dice. "What kind of freaking guy do
you take me for, you jerk. I'm no whore. You--"

The bass voice boomed. "Lay on the panel. Present yourself as instructed. "

"You can go preeee-zent yourself, weird little fuck. When I get my hands
on you you're gonna wish--"

The voice thundered over his, "Cardinali. Do as you are instructed."

"So, you know my name, you pervert. You went through my wallet when you
knocked me cold. You'll wish you were out cold when I start work on you.
I'm gonna cook your dick in a microwave. I'm gonna drill through your
kneecaps."

The guy's got balls, Ed reflected. For now anyway.

"Cardinali, present yourself. Otherwise you will be punished."

"Punished? Ha! Come and face me like a man. Stop skulking away in the
shadows, you little freak."

The electronically altered voice had fooled Cardinali like it fooled Ed
at first. But the more he heard the deep, velvet voice, the more he
could hear a woman's inflections.

Cardinali raged on.

Once Ed had hissed across at him, "You've got to do as they say."

244

"Sez who, cheeseball?"

"It's me, Ed Lake. Do as they say. They'll hurt you if--"

"like I'd take orders from you, kid."

"Listen, I'm trying to save your life. If you don't--"

"Shut it, kid. Romero Cardinali's gonna headline this particular gig,
d'ya hear me?"

"Okay, okay." Sighing, Ed closed his eyes.

Ed heard Virginia whisper to him. "You tried, Ed. Whatever happens next,
your conscience will be clear."

The deep voice persisted. Maybe the thickset bull of a man interested
their sex mistress? Did she have a thing about gangsters? Only he wasn't
interested. He wasn't going to play their erotic games and no, he wasn't
going to "preeee-zent" himself through the hole in the Perspex roof of
the cage. "Ya think I'm gonna wave my wang in the air for your
appreciation, then ya got another think coming. Now do yourself a favor
and unlock the damn cage, otherwise I'm going to slice you from ass to
eyebrow!"

More insults came out to fill the dark void. The guy was in good form.
Knew words that Ed didn't, and Ed thought he was a pretty street-wise guy.

The guy was laying it down how he was going to dismantle the owner of
the deep voice piece by piece when he gave a sudden, surprised, "Hey.1
What did ya prick me with?" His voice grew louder. "Why don't ya put on
the light and try pricking me when I can see ya? Youze pile of shit. I'm
gonna be your own personal hairdresser, do you hear me? I'm gonna
shampoo your hair in gasoline. Then I'm going to drop a match. You're
gonna get the blow-dry of your life, believe me, you little . .. little
sh ... shit. Hey, wass iss? Wass zisss . .. what ya shot into me?
Injected sumfin?"

Ed sat up straight, heart beating. The man's speech was slurred. The
volume became lower. The bars clanged as if someone had fallen against them.

"Bash . .. bass ... bastards. Cowards ... bast. .." Then a deep thump.

Down and out. Someone had KO'd the guy with a hypodermic.

For a little while all Ed heard were the sound of snores. 245

Then there were other sounds .. . scraping. Clicks. The sound of panting.

Jesus. Ed strained his ears in the dark. He opened his eyes wide. Wide
as they could go, only he could see nothing in that inky soup. The
breathing got louder. Bumps. Scrapes. A grunt. Someone exerted
themselves. Holy shit, was someone having sex with the gangster as he
lay there unconscious? Maybe this time with his bare butt "preeeezented"?

Mentally, Ed didn't want to allow his mind to roam too far in that
direction. His front body parts were sore enough. He didn't want to
receive any attention from the rear as well.

The sounds went on. My God, what were they doing to Cardinali?

Ed didn't like the sound of them. He didn't like the sound of them at all.

The lights took a while to come back. For a long time Ed had sat in the
darkness listening to the snoring grunt coming from the man. Something
had happened. Something shitty. Only Ed couldn't begin to guess what. .
After a while: "At least he's not dead." That was Virginia's voice.

"But they've done something to him."

"Given him a shot of some drug. He's out cold."

"Done something else too. Heard them working on him."

"Dear God."

He heard her breathe deeply. "Best brace yourself when the lights come
on. It's bound to be something bad."

"I was just thinking the same. Poor guy."

"He was his own worst enemy, Ed. He should have done what they told him."

"Maybe he had a stronger sense of self-respect."

"What's that supposed to mean?" She sounded hurt.

"Nothing," he replied.

"We're survivors, Ed. We've got to remember that."

"Sure. I'll remember."

"Woss .. . s'wrong?"

"Heads up," Virginia hissed. "Sleeping Beauty's waking."

"Hey, woss 'appenin'?? What gives?"

246

Ed listened to the man's groggy exclamations. He could talk anyway.
Maybe their gaolers hadn't punished harshly after all. Just a shot of
some drug to show him who's boss.

A moment later the lights flickered. Ed blinked against the brilliance.
He looked in the direction of Cardinali. Through the bars he saw him.

Holy shit. What have they done to him?

The bastards. ..the sadists... trussed him like a dead deer.

Almost.

Not quite.

There were differences. Ed looked at the man in the next cage. He stood
on a three-legged stool; one of those old-fashioned milking stools.
Around his neck was a noose. The other end was tied to me roof beam of
the cage. It had become a gallows.

"Hey, what they done to me?" squealed the guy. "What's the game?"

No game.

They were serious ... dead serious.

"Mr. Cardinali," Virginia called in alarm as the stool wobbled. "Stand
still. Perfectly still."

"What they done?" The guy still had a dumbstruck expression on his
fleshy face. He couldn't work out what had happened.

But Ed saw.

Saw clear as day.

Their captors had drugged the man. Then, as he'd lain unconscious,
they'd somehow winched him upright, stood him on a stool with a noose
around his neck and his hands either tied or cuffed behind his back. Ed
couldn't tell which because the man stood facing him on the rickety stool.

But why didn't he strangle as he hung there unconscious? Then he saw.
They'd supported his body weight with a harness that had been buckled to
the roof crossbar. The guy couldn't fall and choke anyway. Even if you
kicked the stool from him.

So what's the deal?

The guy couldn't be comfortable.

But it wasn't as if he was in mortal danger, was he?

Then the light went out again. Moments later, cursing. A whispered 247

voice. Then a moan in the darkness. Cardinali? "Please. . . listen, I
apologize. From now on I'll be good. Please..." The note of defiance was
well and truly history now. Instead: pleading. "Please. I'll do
anything. But don't do that. Please, don't do that! Don't!"

Ed heard rustling. Chinks, something like chain links. A frightened gasp.

Then murmuring. Fast, too fast to hear properly.

Virginia said, "Listen to the guy. He's praying."

"Oh, Holy-Mary-Mother-of-God..." Cardinali's voice was low and rapid.
"Please-have-mercy-on-me. Mary-Mother-of-God, I'm-a-sinner.
I-ask-for-your-forgiveness-in-this-my-hour-of-darkness. . .."

The light flickered. Brilliance filled the room.

Ed looked across at Cardinali.

His heart lurched.

He heard a cry of shock in his own throat.

Bad.

This was bad.

The poor guy didn't deserve this.

"Oh, my God," Virginia breathed behind Ed.

Ed looked up at the guy through the bars of his cage. They were sadists.
They really should have their fucking hearts torn out.

Romero Cardinali still stood on the rickety three-legged milking stool.
Still had his hands cuffed or tied behind his back. Still had the noose
around his neck. But now something was missing.

The harness.

Now that he'd recovered consciousness, they'd snuck down here in the
dark and unbuckled it. They'd done it from the top, where it had looped
over the crossbar, not risking entering the cage with the conscious
gangster. His feet were free, he could have delivered a killer of a kick.

The web of the harness dangled down by the side of his waist now like a
strappy hula skirt. But it was Cardinali that drew Ed's eyes.

He stood there trembling. You could see the knees shaking. In turn, that
made the stool wobble.

"Take it easy. Take it real easy." Ed spoke in a soothing voice. "You're
okay ... just don't make any sudden movement."

"Please help me," Cardinali whispered as if fearing that talking

248

would unbalance him. "Please. I don't know how much longer I can stand
still." The stool wobbled.

Ed looked up at the man's face. It was a mask of terror. Terror turned
his eyes into shining balls in his head. Perspiration rolled from the
crown of his bald head down his face, down his neck, to slick the rope
around his neck. Even the hemp was stained dark with sweat.

Ed glanced back at Virginia. She stared in horror at the man.

"What can we do?" he whispered to her.

"What can we do?" She echoed the words in a helpless tone. "We're here;
he's there."

"Hey ... hey. I know ya talking about me ... what're ya saying?"

Ed turned. "You've got to stay as calm as possible. Keep still."

"Ha." The sound came as a squeal. "Keep still? Easy for you to say, kid.
But look at me, kid. Look at me!"

The moment his voice got louder his legs wobbled more, making the stool
rock.

"Keep as still as possible," Virginia told him. "We're working on it."

Ed shot her a questioning look.

She gave a little hop of a shoulder. "What can we do?" she seemed to be
saying.

Ed turned to the guy. "Just breathe nice and slow. Keep as still as
possible."

"I think I'm getting a cramp."

"You're not. Try to untense your muscles."

"Aw, Jesus, ya gotta be kidding me." The man sounded close to weeping.
His face turned tomato.

Ed saw him try to move his feet just a little further apart. Just a
little. To distribute his weight that much more evenly. In fascinated
horror Ed's eyes traveled up the sweat-soaked body to the noose around
the thick neck. The guy was doing his best to balance there. But he was
tiring. That stool was rickety. Ed would swear one of the wooden legs
was loose. Oh, shit, watching the guy was unbearable.

What if he sneezed?

Coughed? 249

Even developed an unbearable itch in the small of his back?

Maybe the noose line was slack enough for him to step down onto the
floor. No, not a hope. There was hardly any slack at all. If the guy
even tilted too much left or right, the rope pulled taut. That in turn
tightened the noose around the guy's neck. Already it had started to dig
a little into the soft flesh of his throat.

How long can you balance like that on a small stool? Especially with
your hands bound behind your back?

Maybe that's it?

"Sir," Ed said. "Can you loosen your hands?"

"They're tied . . . with wire."

The stool wobbled.

The man gave a sharp cry.

Recovered his balance.

Nearly that time.

Nearly . . .

Virginia spoke up. "It's the only way, sir. Can you work your hands from
the wire? Once you do that you can just reach up and pull the noose off
over your head."

"Okay, okay.. . I'm trying." With his lips pressed together in
concentration, Cardinali's shoulders worked as he tried to slip his tied
wrists from the wire.

"How's it going?" she asked.

The guy sweated hard. "Purgatory. Freaking purgatory."

"Keep trying."

"I am trying."

"Breathe slowly. Deeply. Don't panic."

"Hey, who's panicking, lady?" Cardinali sounded like more of his
cocksure self. "I'm doing it. The loops are slipping down my hands."

Ed looked at the man's dripping face. Triumph sparked in the eyes.
Cardinali raised his face, concentrating hard on those loops of wire
that held his hands.

"They're coming loose. Once I get them over my knuckles, I'll be off
this damn perch, I can tell you. Assholes."

"Careful."

"Nearly there. Nearly--"

Jerked his elbows. Trying to pull free.

250

Ed shouted, "Watch out!"

"Nearly there. Nearly--ahh!"

Cardinali fell.

The stool shot from under his feet to slam against the bars of the cage.
The force disintegrated it.

Cardinali didn't fall far. The rope snapped tight. Tongue sticking out.
Eyes poking hard from the sockets, he swung backward and forward. His
legs ran in thin air like a cartoon character who'd run off a cliff.

Then the guy's body started jerking. It didn't last long. In twenty
seconds he hung limp at the end of the line. His neck had stretched
thin, maybe as much as twice as long as it had been before.

Looks like we're back to two again, Ed told himself as the lights went out.

What now?

When the lights came on what must have been a couple of hours later,
Cardinali was gone. So was the rope that had hanged him. So was the
wreckage of the stool that his death throes had kicked against the cage.

Ed shook his head. "He didn't last long."

Virginia shrugged, "like I say, you must obey them."

"But how long can we last?"

"We're doing fine so far, aren't we?"

"Sure." Ed looked down at the scabbed foot. "My little toe's made it to
freedom. Now I only have to get the other ninety-nine percent of me out."

"Take it easy, Ed, save your--"

"Yeah, yeah, I know. Save my strength." He gave a sour laugh.

"Then save it."

He walked across the cage to look through the bars at the empty cell
next door.

Ouch.

The area of flesh that had once sprouted his little toe burned
furiously. He'd stubbed it on something.

He glanced down.

Hey. 251

Now that might be interesting.

Quickly he bent down, scooped up the object, and returned to his
mattress. He sat cradling it in his knee.

"What've you got there, Ed?"

"Ssh," he hushed.

She whispered back. "What is it?"

"One of the legs from the stool." He gave her a quick glimpse. Can't be
too careful. Lights might go out, then his prize would quickly vanish.
"They must have missed it when they cleaned up."

"What are you thinking, Ed?"

"See? It's more than a foot long. Look how it's broken at that end. It's
as sharp as a spear."

"Oh, my God."

"Oh, my God indeed. It's miracle time."

"Don't let them see it."

"Don't you worry. I'm keeping this baby safely wrapped up in my blanket."

"But what are you going to do with it?"

"Cast your mind back to when we were talking earlier."

"Go on."

"Remember we discussed the hole in the cage ceiling?"

"Yes."

"And how you wondered if I could somehow reach through it?"

"Sweet Jesus. You think you can?"

"Going to try." He took a peek at the wooden stake cradled in his arms.
"This needs some work first. By the way ..." He shot her a wild grin.
"Have you ever seen anyone harpoon a fish?"

253

CHAPTER THIRTY EIGHT

The telephone rang. Susan lowered the paperback she'd been reading and
glanced at the clock. Almost midnight. She got up from the couch.
"Expecting a call?" she asked Tag. He shook his head and returned his
eyes to the National Review. Susan picked up the phone.

"Hello?"

"Am I speaking to Miss Connors from the museum?"

The man pronounced each word with precision; someone educated the
expensive way.

"Yes, this is Susan Connors."

"I must speak to you at once about Amara."

"Who is this, please?"

"My name is of no importance."

"I would like to know whom I'm speaking to. This isn't--"

"I saw you on the television news."

"But you can't--"

"listen to me, please. This is vital."

"Do you know where Amara is?" Susan asked.

"I must see you, then I will explain."

"Maybe you should call the police."

"The police? They would scorn me or accuse me. They would not believe.
Perhaps you will believe. I saw in your face the eyes of one who
understands."

"What am I supposed to understand?" 253

"About Amara. May I see you?"

"Well..."

"Please, Miss Connors. This is of great importance."

She sighed. "Okay, when?"

"At once. You are at 2102 Coral Reef Road?"

"Yes. It's the Marina Towers. Apartment 325. But how did you--"

"I will be there soon," he said quickly, and hung up.

"Who was that?" Tag asked.

"Wouldn't say."

"Mysterious?"

"Whoever he is, he's coming by."

"Now?"

"He wants to tell me something about Amara."

"At midnight?"

"He sounded serious."

"Could be he's only serious about getting alone with you."

"I doubt it."

"That sort of thing happens when you get on TV."

"We'll see."

Imad, outside the Marina Towers, heard the buzz of the lock. He rushed
to the door and thrust it open before the buzzing could stop. The lobby
was plush, with thick carpets, soft lighting, paneled walls. It smelled
of pine-scented air freshener.

A little artificial, Imad thought. Not bad, however, if one must live in
the confines of an apartment.

He slipped Callahan's memoir under his arm and pressed the elevator
button. He was surprised that the elevator didn't open immediately.
Considering the hour, one would hardly expect to find it in use. After a
short wait, a bell rang quietly and the doors slid open.

He was prepared for the possibility of finding a person inside. He was
not, however, prepared for a person like this. She simply didn't belong
in a clean and ostentatious building such as the Marina Towers: she
belonged in a dark, shabby tenement reeking of stale cigars and urine.

"Going up?" she asked.

254

Reluctantly, Imad stepped into the elevator. The doors rolled silently
shut. Politely, he smiled at the filthy woman. She smiled back.

The smell of her filled the cubicle. A horrid stench like sour milk,
sweat, and something eminently suggestive of... well... Imad swallowed
to keep himself from gagging. Until the elevator stopped, he breathed
only through his mouth. Even then, something of her odor secreted itself
on his tongue.

The doors rolled back.

He stepped out.

The woman stayed.

Thank heaven.

Relieved, Imad breathed deeply.

A small sign on the wall indicated that Apartments 301-335 could be
found by following the corridor to the right. As he turned that way, he
glanced back at the elevator. Its doors were still open.

The woman must have one of her stumpy thumbs on the "door open" button.

Was she waiting for him?

Did she have an accomplice hiding nearby?

Feeling uneasy, he quickened his stride. The hallway was narrow and
dimly lighted. It turned. He followed it, watching the door numbers. He
was passing 319 when he heard a sniffing sound behind him. He looked back.

The woman stepped around the corner. She waved at him, wiggling the
thick fingers of one hand. The other hand, he noticed was behind her back.

He hurried forward. Past 321, 323. At 325 he quickly knocked.

The woman was getting closer. She had a peculiar way of walking, head
forward and tipped slightly to one side, legs far apart.

He knocked again. Still, the door didn't open. He plucked a scrap of
paper from his shirt pocket. He held it at arm's length to catch the
poor light. Read it again. Yes, 325 was correct.

He smiled nervously at the woman. She was close enough now to smell.

Her eyes fixed on him. They were dull, filmy, yet he saw some powerful
emotion there.

But what? 255

He knocked again. Open the door. Please.

The woman licked her lips. A squishing sound that turned his stomach.

"Who ya want?" she asked.

"The occupant of this apartment," he replied.

"Me too." The woman balled her fist. Then pounded on the door.

257

CHAPTER THIRTY-NINE

Brace Bucklan looked out through the windshield. The bright lights of
Hollywood. They burned in front of her, but they might as well have been
on the dark side of the moon. As the man said: so close yet so far.

Okay, so tomorrow we start knocking on doors, she told herself. Agents,
production offices. Hey, in a pinch maybe even some movie extra work.
That should bring in cash until they could . ..

"I can't sleep," Pix complained from the backseat.

"Try," Grace said.

"It's past midnight," Cody said, looking at the clock on the dash. "We
should all try and get some rest."

"Any more salami left, Grace?"

"No, just crackers."

"There was one piece left. You said that was mine." Pix's voice got all
whiny. "You promised, you greedy pig."

"You ate it twenty minutes ago." Cody made an effort to sound calm. But
the kid sister was really starting to eat him up. "Do you want a drink
of water?"

"No, I want some proper food. I'm hungry."

Grace snapped, "We've got crackers and that's it."

"We're gonna starve."

"We're not going to starve. I'll find some work tomorrow." 257

Pix snorted. "Yeah, Grace. You're gonna be a movie star by the end of
the week."

"I will find work."

"All you're gonna find is some guy who'll pay you fifty bucks a throw to
video you with your jugs out."

"Pix." Cody's patience was all gone. "Just cool it, this isn't easy for--"

"I want to go home!" Pix slammed the back of the seat with her palm. "We
can't live like this . . . sleeping in a parking lot? Geez!"

"We can't go home."

"Can."

"You know we can't go home."

"Yeah, because you say Mom's boyfriend took a shine to you."

"He tried to rape me."

"Drama queen."

"Pix--"

"He thought you were giving him the come-on."

"It wasn't like that. He--"

"If you didn't flirt with him--"

"He'd have raped you too. Don't you understand, Pix? We were both in
danger."

"Danger, huh?"

"Yes, in danger. The moment he got you alone he'd have--"

"Danger. We're in more danger here. Sleeping in a beat-up truck in a
deserted parking lot. We're gonna get mugged; we're gonna get raped;
we're--"

"Pix!" Cody slammed both hands against the steering wheel. "We're not
happy about sleeping like this. But this is the best we can do until we
can earn some money. Then we'll find a hotel."

"Wuppydo."

Grace rounded on her sister. "That's your problem. You're never
satisfied. You just want more and more. Nothing's good enough for you.
Why don't you take your things and just--"

"Hey, ssh.. . . Cops."

Cody pointed.

258

A black-and-white cruiser pulled into the parking lot. Without any fuss
or hurry, it glided across the blacktop toward them.

"Oh, shit." Grace groaned. "They've seen us."

Pix said, "So we took a crappy old truck without permission. It's hardly
the crime of the century. They're hardly gonna throw us in--"

"Pix." Cody pointed at the sleeping bags. "Hide under there; don't let
them see you."

"I'll do no such thing."

Grace pleaded, "Do it, Pix. Otherwise they'll send us back home. You
know what joe will do to us."

"Drama queen," Pix grumbled. Nevertheless, she lay down on the backseat
and pulled the sleeping bags over her.

The cruiser slowed down. A brilliant light filled the pickup as the cop
shone his flashlight at them. Cody glanced back to see Pix's foot
showing from beneath the sleeping bag. Reaching back, he thwacked it.

"Hey!" Pix squeaked.

But she withdrew her foot from the edge of the seat. Cody reached back
and adjusted the sleeping bag so no part of the sixteen-year-old could
be seen.

The police car pulled up alongside so they were
side-window-to-side-window. The cop twirled a finger, signaling Cody to
wind down his window.

Immediately a blast of light struck Cody in the eyes. He tried to shield
them with his hand, but he could see nothing. But he knew what was
happening well enough. The cop would be giving Grace and him a close
look-over, probably taking a good gander inside the pickup too.

If Pix should move ...

Maybe the cop would think Cody had kidnapped her?

He'd certainly realize something was amiss when he ran a check on their
license plate and found that the vehicle was stolen.

The cop switched off his flashlight. Cody blinked. Looked into the face
of a gum-chewing cop of around fifty.

"Okay," he said. "Which one of you two are going to confess?"

Cody fixed a polite smile to his face, but his insides felt as if they'd
just melted and run into his boots. 259

"Confess, Officer?"

"Yeah, confess to criminal insanity... or is it pathological stupidity?"

Grace spoke as pleasantly as she could. "I'm sorry. I don't understand.
We--"

"Yeah, yeah," the cop growled. "Don't take me for stupid. I've seen your
plates. You're from North Carolina. How long does it take me to figure
out what two kids from North Carolina are doing in Hollywood?"

"We were just--*

"Yeah, taking a nice vacation."

"We thought--"

"And now you've booked yourself into the luxurious Rodeo Drive Parking Lot."

"We were just taking a break, we--"

"Kid." He fixed Cody with a steel-eyed look. "Do I seem that stupid?"

"But--"

"No, listen to me, kid. I've seen this happen a hundred--a thousand
times before. A couple of kids from the boondocks decide to make it in
the movies, become big stars with a million in the bank and a house on
the beach, so they ship out from Wyoming, or Illinois, or"--he nodded in
the direction of the license plate--"or North Carolina. They come to
Hollywood. They spend all their cash. They live in their car or sleep on
a park bench. Before you know it they're into prostitution; into drugs.
Guys like me are pulling them off the streets and throwing them in jail.
Not long after that the paramedics are pulling them out of some ditch
where they've been dumped after being shot or beaten to death. Now, you
tell me, am I just stupid and you really have driven thousands of miles
to make out in a parking lot, or am I somewhere close to the truth?"

Grace didn't take this lying down. "But I'm not like the rest. I've got
acting experience. I worked on TV."

He shook his head. "Sorry to bust your dream, miss. But most of the kids
that come here are all like the rest. They've all got good reviews when
they starred in the school play or they've earned a few bucks appearing
in some TV commercial for Mighty Joe's Catde Feed

260

or whatever. They all come here so full of optimism you think they'd
crack open from head to toe." He wagged a finger. "But give them twelve
months and they wind up blowing some guy with the pox for twenty bucks.
And guys like you ..." He nodded at Cody. "Have to learn to take it up
the butt or go hungry. Now, am I painting a clear enough picture for you?"

Grace was about to protest, but Cody clasped her hand. Nodded. "We get
the picture, sir."

"Good. Now, you look like nice kids. So do yourself a favor: Go home. If
you haven't enough money for gas, call your folks, you can reverse the
charges. Get them to wire the gas money out to you. Whatever heat you're
gonna take from your parents for running away isn't going to be one
percent of the heat you're going to take out here." He paused. "And just
if I haven't concentrated your minds on the issue, check out the
newspapers. Some fine young people just like yourselves have been
disappearing from hereabouts over the last couple of years."

"Murdered?"

He shook his head. "Who knows? Never been found." He gave them a relaxed
wave. "Now, remember what I said. You point that truck back east. Don't
stop until you've reached your front door. Now you take care of
yourselves. Good night."

With that he drove slowly away.

A moment later Pix sat up primly in the backseat. "See? What did I tell
you?" She folded her arms. "Now can we go home?"

261

CHAPTER FORTY

Claire Thompson, propped in her bed, watched Casablanca on television
for the umpteenth time. She knew most of the movie by heart, and often
mumbled the words in unison with Rick and lisa and Victor Laszlo. It was
the saddest movie she knew.

She first saw it in the old Palace Theater in Charleston, Illinois. The
year was 1944. She was seventeen and in love with Junior Clyde. He took
her to the movie, to King's Drug Store afterwards for a cherry
phosphate, then to the Harrison house. The Harrisons were on vacation.
They sat on the porch swing of the deserted house, kissed. Petted. She
let Junior go further than usual that night. He wanted to go all the
way, but she refused. She never did let him. Not that night or the next
night. And then he was inducted. He became one of Uncle Sam's infantry
... the poor bloody infantry they called it. But Junior was proud to be
fighting. On the troop ship he enjoyed the camaraderie and used to lead
the singing in the mess with his buddies. Even on the ship they trained
hard. Physical exercise. Weapon skills: rifle practice, marksmanship,
bringing down the seagulls that trailed the ship; learning how to strip
a Thompson sub-machine gun blindfolded, then reassemble it so it was
ready to fire when the sergeant gave the command. And the endless
boot-polishing, of course.

In one of his letters to Claire, he said he'd been to North Africa. To
Casablanca. There really is a Rick's Cafe Americain, he'd written. But
where were the Germans? They were pulling back faster than the

262

Americans could advance. At this rate he'd be marching into Berlin still
with desert sand in his boots.

But then the Germans did make a stand in a narrow mountain pass in the
middle of nowhere. Their 88-millimeter guns lit up the night sky. Stukas
screamed down, dropping bombs, strafing with machine guns. Two weeks
later, Junior Clyde was killed in action.

On the screen, Rick said, "We'll always have Paris."

Claire gasped, a loud sob that made Herb groan and roll over.

She wiped her eyes. Felt her heart give as if this time it would break.
Stay broken forever. She thought about Junior's photograph she still
kept hidden in a drawer.

Then a long, wailing cry came through the open window. The eerie sound
made goose bumps rise on her flesh. She pulled the sheet up to her
throat. The cry continued. A cat. It had to be a cat.

It sounded so much like a baby, though, like a baby crying in pain and
terror.

Must be in the backyard. Must be close. Just outside her window. Close
as that.

Tossing back the sheet, she climbed from the bed. She walked to the
window and looked out. Her eyes scanned the moonlit concrete, the lounge
chairs, the shimmering surface of the pool. At first, she didn't see the
dark figure standing motionless near the diving board. Then it slowly
turned toward her. She gasped at the sight of the baby in its arms.

She stared. Shivers in her spine. The dark figure seemed to notice her
and stare back. Claire suddenly felt frightened and vulnerable. She
wanted to step away from the window, but she was afraid to move--as if
the least motion might trigger a horrible attack.

The thing didn't move. Claire felt its cold hatred. In the pool light,
it looked like a strange, starving woman. But all that red hair. Pouring
in glossy tresses down her back. Down over her shoulders. Such beautiful
hair. Yet the legs? Horribly withered. like dark sticks.

The crying baby couldn't possibly belong to such a creature. It must
have been stolen from its mother.

Her breath became a quiet, trembling whine.

The baby kept crying.

Kept pulling her heartstrings.

263

The thing continued to stand there, staring at her. Hating her.

Claire trembled, clutched the sill for support. Her knees were so weak
she sagged.

"For Christsake, what's all that racket?"

Herb's voice startled her. She flinched and turned to him. Quickly, she
sidestepped away from the window. Then she leaned weakly against the
wall, shaking.

"Claire? What's wrong?" He rolled out of bed and rushed to her.

"The window," she gasped.

He looked out. "Jesus H. Christ!"

"It's got a little baby!"

"I can see that. Quick, call the cops."

He hurried to the nightstand.

"No, Herb!"

He took out his pistol. Checked it. Six rounds. Man-stoppers.

"Please! Don't go out there!"

"I'll take care of it, you call the cops."

"No!"

He ran to the bedroom door.

"Herb, please!"

He didn't answer. She heard his bare feet thumping as he ran down the hall.

She grabbed the bedside phone and dialed 911. Then listened to the
ringing. Once, twice. Far off in the house, a door bumped open.
Footsteps sounded. On the sixth ring, her call was answered.

"Operator. How may I help you?"

"I need the police. It's an emergency."

"Where are you calling from?"

"Westing Vale."

"Just a moment, please."

"Hurry!"

She listened to more ringing.

This time no one was going to answer.

The phone would keep ringing. Herb's all alone out there.

The police are never going to come in time to--

"LAPD. Officer Kerry, how might I help you?"

"We need help! Quick!" Craning her neck, she tried to see Herb

264

through the window. She could see only concrete and a corner of the
pool. The wrong corner.

"What's your address?"

"Eight-two-five Ash Road."

"Name?"

"Thompson. Claire Thompson."

Herb shouted, "Stop!"

Dropping the phone, Claire rushed to the window. Her heart beat so
wildly against her ribs it hurt.

"Put it down!" Herb commanded. He was on the far side of the pool, close
to its edge, a dozen feet from the thing. "Put down the baby," he
repeated. His voice had a shrill, hysterical sound that Claire had never
heard in it before. His arm was straight out, the gun aimed high. "Put
the baby ..."

The creature raised it overhead.

Herb fired. The flash lit up the pool area, while the report of the gun
snapped as sharply as a firecracker.

The baby shrieked as it was thrown. Claire watched it fly at her
husband, its legs kicking as it tumbled through the air. He dropped the
gun. Tried to catch the tumbling child, but the force of it knocked him
backward. The baby splashed into the pool.

The creature rushed Herb, long hair flying out.

Claire ran. She ran to the bedroom door, down the hall, into the living
room. The poker. She needed the poker. Rushing to the fireplace, she
bumped a corner of the coffee table and cried out in pain. But she
didn't stop. She clutched at the stand of fireplace tools, knocking it
over with a metallic clattering .. . and grabbed the poker. It was
heavy, wrought iron, with a hook near the end. She ran through the open
glass door to the yard.

Across the pool, the creature was on top of Herb. His arms were up,
hands shoving its chest and shoulders. His harsh breathing had a
panicked sound, the way it did sometimes during his worst nightmares.

The thing bore down on Herb. Its stick arms reaching out on him, while
it tilted its head from side to side. In the meager light the hair
gleamed dull copper.

265

As Claire ran along the pool's edge, she glanced at the water. The baby
was floating facedown.

In a corner of her mind, she knew she might be able to save it. The
decision was simple: the baby wasn't hers. Herb was.

The thing's claw fingers tore Herb's face. His arms gave way. Its head
darted down.

"No!" Claire cried.

Raising the poker as she ran, she thought she saw the thing kiss Herb.
Its head jerked savagely, though. It came up, flesh hanging from its
mouth. Droplets of blood spotted the poolside tiles.

Screaming, Claire swung the poker down. It whacked across the creature's
back with a resonant thump as if she'd drummed a hollow log. The thing
paid no attention. It thrust its head against Herb's throat. Claire
turned the poker hook downward and struck again. She watched the curved
spike pierce the back. She noticed other holes already in the dark
flesh. Awful, gaping holes. In the moonlight, they looked deep and
empty. As if there was nothing inside. Nothing.

She started to bring the poker down again, this time on the head. But
suddenly the creature twisted. A hand grabbed the poker. Off balance,
Claire staggered forward, almost falling onto the thing. Its other hand
clutched her nightgown. It pulled her. Tossed back its head, flicking
the red hair from its face. In horror, she gazed into eye sockets as
empty as the holes in its back.

Letting go of the poker, she strained to free herself from the claws.
The claws were pulling her down to a gaping mouth, its teeth stained red
with Herb's blood.

She realized she was only caught by her nightgown. Quickly, she tore the
bodice free of the shoulder straps. The gown skimmed down her body. She
threw herself sideways, splashed into the pool, kicked away from the wall.

Coming to the surface near the pool's center, she felt her bare shoulder
brush against the baby. She stood in the waist-high water and lifted the
child. It was silent. Motionless. Its mouth hung open. Water trickled
out. Claire pressed her lips to its mouth and blew in gently, keeping
her eyes on the creature.

The thing seemed to be watching. Herb, beneath it, was

266

motionless. Legs sprawled out wide. In the moonlight it had become a
silhouette again. Hunched. Predatory.

Slowly, Claire began stepping backward. She continued to blow into the
baby's mouth and ease the air out by lightly pressing its chest. The
body felt warm against her bare breasts. She could feel its small chest
inflate as she blew, but that was the baby's only movement.

Finally, her back touched the wall. The entire width of the pool now
separated her from the creature. It was on hands and knees, facing her,
mouth hanging open.

Could she beat it in a race to the house? Unless it was incredibly fast,
her chances looked good. Her main obstacle would be climbing from the
pool. Once she was out, she could reach the open back door in seconds.

Keeping her eyes on the creature, she turned just enough to set the baby
on the pool's edge. In one fluid movement, the thing leapt to its feet
and began to run. Its feet made a hard clicking sound against the tiles,
as if it were dry bones striking the floor, not flesh and blood. The
hair flew up around its head as it moved, a copper-colored halo in the
moonlight.

Claire spun around. She flung herself forward, sprawling with a great
spray of water onto the concrete. Getting to her knees, she picked up
the baby. She looked back.

The thing was already past the diving board, arms out as if reaching out
to her; its hair flying behind it in the slipstream.

She scampered to her feet. She ran full out, baby clutched to her
breast, eyes on the open, sliding door. She felt clumsy and slow. The
strength drained from her legs. She didn't think she could take more
than a dozen steps before she collapsed exhausted.

If only she'd stayed in the pool!

Her feet slapped the pavement. Behind her, she heard the strange, dry
sounds of her pursuer's feet. Click.' Click! Click.' The sound of bones
striking the hard surface of the ground. So close! And closing all the time.

She even heard the crackle of static in the thing's hair. The rustle of
dry skin. 267

From inside the house came the ring of the doorbell, followed by harsh,
rapid knocks.

"Police!" a voice snapped.

She lunged through the doorway and spun round. The creature wasn't far
behind.

But far enough.

Claire's left hand grabbed the door handle and jerked. The door rolled
shut: a heavy glass partition that would give her time to reach the
front door and let in the police.

The outstretched arms of the creature dropped, but it kept coming. Full
speed. Those pit-like eyes on Claire's. Hating. She watched, amazed.

Its head smashed into the door. The glass exploded. It burst through,
that mass of red hair erupting inward into the house like napalm. Its
bone-thin arms reached for her.

With a yelp of surprise, Claire lurched away.

It caught her by the hair.

"Help!" she cried.

It tugged her off balance. She stumbled backward. Felt the slice of
glass shards underfoot. The penetration of fragments through soft flesh.

A sharp crash. The front door shot open. Just before she went down, she
saw a pair of policemen rush in, guns drawn.

They'll save me, she thought as she fell. They'll save me. And then
something like ice chopped into her back.

269

CHAPTER FORTY-ONE

Jason Brown crouched in a combat stance and aimed into the moonlit room.
He saw a naked white woman falling backward-- no, jerked backward--by a
weird-looking woman behind her. She had a baby in her arms. As she hit
the floor, her body jumped stiff as if jolted by an electric shock.

The weird one bent over her, its long hair cascaded forward to hang down
over the naked woman. The dark figure pulled the baby from her arms.

"Freeze!" Brown yelled.

The weirdo spun away.

Kraus, Brown's partner, fired a warning shot into a ceiling. The gal
leaped through the broken door and ran. She looked to be naked too. But
horribly bony. Horribly thin. Some disease maybe.

"Get her!" Brown snapped.

As Kraus ran out, Brown holstered his revolver and crouched beside the
fallen woman. She was lying across the broken door, back arched. Her
mouth and eyes were wide, her body quaking with convulsions. Brown tried
to lift her. No dice. She seemed to be stuck. Bracing himself, he
clutched the sides of her rib cage and lifted her straight upward. There
was momentary resistance before she came unstuck. He carried her away
from the door, set her down on the carpet, and looked back. A broad
glass blade remained where she had been. Still upright at the bottom of
the door's aluminum frame. 269

He searched her neck for a pulse.

Found none.

No sign of respiration either.

With a single shake of his head, he sprang away from her and rushed
through the break in the door, barely clearing the dark crescent of
glass that had ended the woman's life.

Outside, he saw a body across the pool.

"Oh, motherfucker," he groaned. He started forward, feeling sick,
thinking it was Kraus. Then he realized it wasn't in uniform. Relief
surged through him. "Kraus!" he called. "Kraus?"

"Over here. Quick."

The voice came from the right, from beyond a high wood fence. Brown ran
to it, holstering his revolver. He jumped, caught the top, scrambled
over it. Dropping to the other side, he found himself in an alley.

Kraus was standing close to a telephone pole, looking into the darkness
of a carport across the alley. There were two cars inside the shelter.

"She's in there behind the Pontiac," Kraus whispered.

"Put your piece away. We'll go in with batons."

"Christ Almighty, Jase, did you see the dead guy by the pool? This gal's
a brain case."

"We don't know she did that. We don't know anything about her, 'cept
she's got a baby with her. She still got the baby?"

"Yeah. I'm not so sure it's alive, though. It's been awful quiet."

"She armed?"

Kraus shook his head.

"We drop an unarmed lady, pal, they'll roast our asses. We hit the kid,
they'll fry us in Mazola."

Kraus holstered his service revolver.

They both slipped batons from the loops on their belts.

"I'll go in, flush her out," Brown said. He stepped briskly across the
alley, eyes searching the darkness in front of the Pontiac. "Come on
out, ma'am," he said in his best persuasive voice. "No call to be
alarmed. We won't harm you. We just want to talk."

He reached the rear of the car. Ahead, he still saw no sign of the
woman. He walked along the car's side, past its back door.

270

"Ma'am?"

He stopped beside the front tire, gazing toward a two-foot gap between
the bumper and the wall. If she was there, she had to be crouching
awfully low, or lying down. He leaned over the hood. Not there.

Not in front of the other car either.

Could she have crawled under one of them?

Perhaps. From what he saw, she was as skinny as they came.

He got down on his hands and knees and looked.

Nothing.

He climbed to his feet, dusting his pants with his hands as he did so.
Then walked quickly past the front of the Pontiac, angry, daring the
woman to show herself. She didn't. Nothing. Not so much as a hair. He
glanced down the space between the cars. He stepped past the front of
the other car, dropped to his knees, and peered under it. Then he
hurried toward his partner,

"She ain't there, Kraus," he snapped.

"She had to be."

"You see her run out?"

"No."

"You see her run in!"

"What're you driving at?"

"You fucking well know."

"I saw her go in there, damn it."

"Which way did she really go?"

"I told you."

"What happened? You figure it ain't healthy tangling with a brain case?
Figure she might do you like she done them?"

"I tell you, I--"

"You've pulled this shit before, Kraus. Accidentally losing suspects."

Kraus backed away, shaking his head.

"This time the sergeant's gonna hear about it."

"For Christsake, Jase ..."

"Yeah, for Christsake," he said, mimicking Kraus's whine. "That babe
killed two people, looks like. Snatched a kid, maybe killed it too. And
she's gonna be walking free and easy because you haven't 271

got an ounce of balls in your bag. Now you tell me which way she went,
man, or your name's going down engraved in shit. You hear?"

"Jase, you don't under ..." His face twisted. "I saw her, Jase. Saw her
up close. I chased her okay. I saw her go over the fence. She ... she
had to use both hands on the fence, and she had the baby, so she bit
into one of its arms and carried it in her mouth. Christ, man, it was
like a dog carrying a bone. The kid didn't. . . didn't cry or nothing.
I'm sure it's dead, Jase, or it would've--"

"Get on with it."

"See, I went after the gal and went over the fence... she was standing
right there, like she's been waiting for me. Close to me as you are."

"And you let her get away."

"Jase, it's not a her. It's an it. I don't know... maybe it was a woman
once. Not anymore."

"Just what have you been sniffing, man?"

"It hasn't got eyes, Jase. just a couple of holes. And its skin isn't
like skin .. . parts of it are smooth and like ... I don't know . ..
like shoe leather. other parts are all dark and shriveled and hard.
'Cause I touched it. See, I didn't know what the hell was going on,
maybe it's a guy in a mask or something. So I told it to put down the
baby and turn around ... I was gonna cuff it, see? But it just stood
there, like it was watching me, daring me to go for it. And the head's
just like a skull, only there's all this shiny red hair still stuck to
it... the hair even moved like it was ... I don't know. . . just weird.
Completely weird..."

"Then what?"

"Then I took out my cuffs and grabbed one of its hands. I never felt
nothing like it. like a dried-up old corpse, you know? Then the thing
... it opened up its mouth and I saw all these teeth and I... I just
backed off. I just backed off, Jase. You would've too. The thing's not
human, Jase. Or if it is, it's been dead a long time, like years and
years. I think it's that mummy, the one that disappeared from the museum."

"Bullshit. Which way did it go?"

"You going after it?"

"Fucking right."

272

"Don't, Jase. I'm telling you, it's a goddamn mummy."

"It's a perpetrator, asshole."

"Okay, okay. Fine. A perpetrator. Good luck. It went that way." He
pointed south down the alley. "I'll go to the car, call in for backup."

"You do that."

Brown started down the alley at a trot, eyes searching. No sign of it
ahead, it? Her! Kraus was out of his fucking mind. Seen too many horror
shows. Either that, or he made up all that shit to get himself off the hook.

Only thing, the asshole hadn't got enough imagination to invent stuff
like that.

The gal did look pretty weird, what he saw of her in the house.

At the end of the alley, he slowed down and scanned the cross street,
the shadows of trees along it, the lawns and houses.

That thing--that gal--could be anywhere.

Hiding in the shadows.

Waiting.

Then he noticed the street sign to his left. He ran closer to make sure.

The sign read, "Maple."

Holy shit! Some bad action had gone down on Maple while they were in the
Burger Palace. He didn't know what. They got this call to see the woman
on Ash as soon as they returned to their unit and checked in. Dispatcher
was sending all kinds of units over to Maple, though. Sounded like a
massacre.

Brown rushed across the street and entered the alley. Ahead of him,
nothing seemed to move. He might as well keep going, though. This was
the last block before the field. If it--she--headed that way, headed
into the field, she might be easier to spot. Long as she didn't hide in
the bushes or something.

He walked swiftly, looking into the darkness of the carports, of gaps
between garages, of shrubbery along fenced backyards. He was halfway
down the alley when a gate swung open. He whirled around.

A dark, gawky figure. Something in its arms. A pale bundle? Or maybe... 273

His hand jumped for his pistol, drew it, aimed. Drew the hammer back
with his thumb.

"Freeze, mother!"

"Don't you mother me, nigger."

A black woman. In a dark nightie. And the object in her arms was no
baby, just a plastic bag.

Brown holstered his pistol. "I'm sorry, ma'am."

"Lady can't take out her junk, she don't get jumped by a jive cop."

"Here, let me get that." He took the bag from her.

"Why, thank you." Her voice sang with sarcasm. "What you doing out here
in the middle of the night, if I might inquire?"

"Police business."

"I didn't think it was doggy business. But something sure smell not so
sweet 'round here . . . like onions. Or a deli that should be requiring
some spring cleaning."

Smiling politely, he dropped the sack of garbage into the can and shut
the lid. "I'm not aiming to alarm you, ma'am, but there's a murder
suspect in the area."

"It ain't me, so I'll haul my pretty tail right on out of here, thank
you very much." She spun away.

He watched her pass through the gate, and didn't like the feel of being
alone again. No one to watch his back. Now that's not a good situation
to be in for a cop.

He continued down the alley.

He was near its end when he noticed the pale shape on top of a garbage
can. He squinted, trying to make out its features. Looked like a kid. A
baby. Sitting naked on the lid of the can, arms hanging at its sides,
legs straight out, head drooping.

Brown shook his head, grinning with relief.

Just an old, plastic doll someone was tossing out.

Hell, Reba might like a doll like this if it was in good condition. No
point in letting it go to waste.

As he reached for it, he saw its light, wispy hair stir in the breeze.

"Oh, Jesus," he muttered. "Oh, Jesus Christ!"

He drew back his hand quickly before touching it.

"Jesus."

274

He staggered forward as a sudden weight struck his back. Pain lanced his
head. He fell against the garbage can, toppling the baby. It tumbled.
Its skull made a hollow cracking sound on the concrete apron of the garage.

Brown went down on top of it.

275

CHAPTER FORTY-TWO

It was going to be another of those nights. Loneliness worked at her
bones. It became an ache inside of her that could no longer be endured.
April Vallsarra turned on the bed, twisting the sheet in her hands.

Yes, there were tricks she used to while away the often-sleepless
nights. But they were only tricks. Made her feel cheap. Ate at her
self-worth.

She'd wake in the morning and rush to the shower, where she'd try and
scrub away the sense of shame.

Never quite scrubbed herself clean of those particular memories. No
matter how hard she worked with the soap.

Now here it was again. The hallway clock downstairs chimed away the
early hours. April was lying wide awake in that desolate, lonesome place
between late night and early morning. Those seemingly endless hours when
the rest of the world slept soundly and she, April Vallsarra, lay wide
awake and craving.

She craved companionship. A friendly voice. Sometimes she could hug a
pillow and make believe that she hugged a lover.

Didn't work tonight.

She shifted position in bed endlessly, trying to get comfortable. No
result. The bed was hard right now. Even when she could lie still for
more than a moment, she sensed that silence pressing down on her. Sensed
too loneliness haunting the house.

276

Being blind was no bar to moving around the house at night in the dark.
She did this now, walking from room to room, her negligee flowing. Even
though she could not see them, she knew her father's gold and platinum
disks hung in their frames in the room of his den. She couldn't bear to
be in the room. She caught the faint scent of him there. It brought back
too many painful memories.

Retreated to the kitchen. It seemed vast, an echoing, desolate place.

Moments later she found herself climbing the stairs. Blind from birth,
she moved with confidence, never missing a step or blundering against
the stair rail. She climbed quickly to the roof terrace.

The stars there would burn brightly above her. For a while she'd imagine
what stars would look like, having never seen them. But she'd heard they
were magical lights in the sky.

Wish upon a star.

She'd heard that phrase before.

She stood in the warm night hair. A gentle breath of wind tugged at her
negligee. Air whispered around her naked calves. The floor tiles were
cool beneath her feet. That coolness felt nice. What if I were to slip
out of my negligee and lay on the floor? That cool hardness would press
along the length of my body. It would feel wonderful.

The breeze came again. She heard the rustling of trees out in the
canyon. They were whispering busily.

"What have you heard?" She found herself asking them. "What's going to
happen tonight?"

Angry, she clenched her fists.

Now that was the curse of loneliness.

Lonely people talked to themselves. They talked to pets. They talked to
their TV. They even talked to the trees.

But who is there to talk to? I'm a blind girl. I live alone. I have no
friends.

So what else is there for me to do?

"You could wish upon a star."

She felt the grim smile on her face as soon as she made the flippant
remark. Yes, she could. It wouldn't do any harm. Wouldn't do any good
either. Nothing she did made any difference to her life.

Once, when she couldn't make anything good happen, she 277

decided she must make something bad happen. Anything to break the
monotony. She's pulled a knife from the block in the kitchen and cut her
finger. Cut so deep she heard the blade scrape across bone.

So she had a choice now. Cut her body again.

Or wish upon a star.

She moved forward to the wall that ran around the roof terrace and
looked up. Tried to feel the starlight falling on her face.

There was cool air, nothing else.

The stars would be up there, though. For a moment she allowed herself to
believe in the fairy tale.

Wish upon a star. Then dreams will come true.

"I wish ... I wish someone would come tonight. Someone who will change
my life forever."

The breeze blew harder. Trees rustled, branches creaked. The air moving
down the canyon gave such a moan that she looked around startled. The
moan sounded human.

No sooner had she composed herself than she experienced a moment of
certainty.

Someone will come tonight. They will change my life.

The force of the premonition caught her by surprise.

Yes.

Someone would come.

When they did come nothing would ever be the same again.

"Please," she whispered to the breeze. "Come soon."

279

CHAPTER FORTY-THREE

They only come out at night. That's what Grace told herself as visitors
to their pickup in the parking lot became a stream.

First had been the German hooker that tapped on the window.

From a hundred yards away she looked great. Slim body. Long legs. Big,
blond hair. Short skirt.

Close up.

Yeahhhuckkk.

She looked as if she'd been pulled from a coffin.

Her teeth were as yellow as the whites of her eyes. She'd tried to cover
blistering cold sores on her lips with lip-gloss that was a ghastly
pink. Her throat wrinkled as a scrotum.

"You vonna do some business?"

"Pardon?" Cody had said.

"Vont business?"

"I don't think--"

"Mebbe a threesome with your girlfriend there. We can make with the
suckling pig, ya?"

"I'm sorry... no, we're just staying here overnight."

"Sleeping here in der lot?"

"Yes."

"Good luck, honey." She gave a dismissive shake of her head. "You're
gonna need it." 279

Then she walked away, swaying her hips. The backs of her legs were a
mass of bruises.

Next up, a laid-back Mexican.

"Okay, bro." He pulled on a cigarette. "What's it to be? Smoke, blow, or
mainline."

"We don't want anything, thanks." Again Cody, always the polite one.
Never to cause offence.

"Suit yourself, buddy." The Mexican shrugged. "Enjoy the view."

As the time came up to one a.m., the people came and went. Hookers, rent
boys, drug dealers.

This was VicesRUs.

"We're never gonna get any sleep here," Pix complained.

"It'll quiet down soon," Cody said. "Once they realize we don't want
anything from them."

"For once I'm going to have to agree with Pix." Grace nodded through the
window to where two tall black women walked toward them with a
six-year-old child in stilettos. "We're not going to get any rest tonight."

The child turned out to be a dwarf. Age probably around forty, dressed
in black spandex, hair in pigtails. The three turned aggressive when
they realized they weren't going to be hired to turn some tricks.

The dwarf kicked the pickup door.

"This some kinda peep show?"

"Yeah, you got cameras? Is this TV?" The one in the Carma Miranda fruit
hat was clearly a man; stubble bristled through face powder. "If we're
gonna be on TV, we want five hundred bucks a piece."

"We're not a TV crew. We only want to--"

"Come out here and I'll scratch your eyes out, mister."

"That pussycat next to you too."

The dwarf sneered. "These people from the 'burbs, they drive up here and
watch people like us. Then they grope each other and get all horny."

"Yeah," said the she-male. "If you do that, we should get paid."

"Sex ain't free 'round here, y'know."

Cody held out his hands, placating. "We're just spending the night here.
We've got nowhere to stay."

280

The dwarf looked at them shrewdly. "I know a place. Got entertainment
too, if you know what I mean?"

"Here's fine," Grace said.

"Here's not fine," Pix muttered from the back.

The dwarf looked them over. "Hundred bucks a night. You three can watch
while we--"

Grace said. "Please, we just want to sleep."

"Sleep here ain't cheap either." The transvestite curled a crimson lip.

"Yeah," the dwarf said. "Hand over twenty bucks and we'll leave you to
get all warm and snuggled up. How's that sound?"

Cody held out his hands through the car window, a gesture of
helplessness. "We don't have any money. We can't--hey ... hey! My watch.'"

"Cody. Cody! Stay in the truck. No ... don't follow them."

"But they... shoot."

"Great, oh, great," Pix sang out. "You let a midget and two guys dressed
as girls steal your watch."

"They just grabbed it, I--"

"What's for an encore, Cody, you big lummox, you gonna let someone steal
your pants too?"

Grace turned on her sister. "Just shut up, can't you?"

"Why should I shut up? We're thousands of miles from home. We're out on
the streets. We're broke. Would anyone shut up when they're up to their
ears in this kind of crap?"

"It's only temporary, Pix." Cody tried to keep his cool.

"Temporary my butt."

"I'll find work tomorrow as an extra," Grace said. "They pay by the day."

"I'll find work," Pix mimicked. "The only work we're gonna find is the
same as these people coming up to the truck."

Grace fumed. "Pix, stop causing trouble. Lie down ... go to sleep."

"Fat chance."

"Try."

"Yeah?"

"Please try, Pix." 281

"I don't see it myself."

"Why not?"

"We've got more visitors."

Cody sighed. "Oh, shoot."

Two men walked up. One black, one white. Both big. Big as pro wrestlers.
They wore T-shirts with the sleeves cut off to reveal their bulging
biceps. Even though it was the middle of the night and dark, they wore
sunglasses.

Pix slid down in the backseat. Just before she covered herself with the
sleeping bag, she murmured. "These don't look friendly."

"Shhh," Grace hissed.

"Betcha they've got guns. Betcha they start shooting at us."

"For crying out loud, Pix," Cody whispered.

"Just keep quiet, Pix. Please." Grace turned to see the two men come up
to the side window.

Just like the cop earlier, they made the turning motion with their fingers.

Wind your window down.

No way. Grace didn't like the look of these men at all.

Muggers?

Rapists?

Or maybe they just shoot people for fun.

They made the turning motion again. Grace saw the chunky gold rings on
their fingers.

"Best wind the window down," Cody said.

"Cody? No."

"Just a little," he said. "If they have got guns, the glass isn't going
to stop any bullets."

"Oh, Jesus, Cody." A sob caught in the back of her throat.

This pair oozed pure menace.

She opened the window a crack. One of the men leaned closer until his
lips almost touched the glass.

The man slipped his sunglasses down so his penetrating eyes could lock
on to Grace's.

"Yes?" she said in a small voice.

"Lady. Do you believe Jesus Christ died in order to save your immortal
soul?"

282

"Jeepers creepers!" Pix exclaimed when the two heavies had gone. "You
can't escape Jehovah's Witnesses. Even out in a parking lot in the
middle of the night."

Cody pulled a smile. "At least they weren't peddling sex or pushing drugs."

"No, only religion." Pix folded her arms again, lips pouting sulkily.
"Are we ever gonna sleep tonight?"

Grace sighed wearily. "Maybe we should move on, Cody?"

"But where?"

"There must be somewhere peaceful in Hollywood."

"Yeah." Pix sneered. "The graveyard."

"Pix, how many times have I told you not to ..."

Christ on a motorcycle, Cody thought sourly. Here we go again. The two
sisters had been at each other's jugulars ever since they'd started this
journey... this crazy journey. Yeah, the future wasn't so rosy now.
Gloomily, he watched prostitutes strutting their stuff on the road by
the lot. Johns came . .. then they came... then they went.

If I have to spend another night in this truck with those two, I'll go
nuts. Grace is beautiful. She's the one I want to stay with ... but with
that kid sister tied to them like a ball and chain? Oh, brother.

Something clunked the side of the car. Startled, Cody looked sideward to
see a brown face looking in at him. He recoiled from the eyes.

Hell.

He'd never seen eyes like that.

Not natural eyes anyway.

They sent his heart racing.

He heard Pix and Grace react in fear too, giving squeals of fright.

A finger tapped on the glass. A hard clicking sound as the nail struck.
Cody looked into the eyes. They shone pure silver. They were alien eyes
that made him think of some creature from a monster movie. The voice
that came from the mouth wasn't at all extraterrestrial.

"Hey, you guys," came a drawl. "It's time we had a talk."

Cody rolled down the window. 283

"You've been sitting out here some time," said the guy with the silver
eyes. "What ya doin'?"

Sighing, Cody repeated their story. "We're just trying to get some sleep."

"Sleep?"

"Yes, we haven't anywhere to go."

"Motels are plentiful, y'know?"

"I know."

"So rent a room."

"We don't have any money."

"That a fact?"

"We only got in today."

The man with the silver eyes nodded. Cody could see now that the eyes
were silver only because of silver contacts. So no close encounter of
the third kind tonight.

Not that.

Worse. Far worse.

A close encounter of the Colt .38 kind.

Cody saw the man pull aside the bottom of his jacket, to reveal the
black metal butt of the firearm jutting from the pants.

"I think maybe you're sussing out Andre's territory."

"We're not cops," Cody said quickly.

"Who said you were?"

"But you suggested--"

"I suggested nothing about the police force, man. What I am suggesting
is you might be thinking of moving into my territory." He pronounced
"territory" with in an easy drawl, like each syllable was a separate
word: "terry.. . tory."

"No. We're only staying here tonight."

"But figuring to do some dealing, huh?"

"No."

"What? Coke? Grass? Speed?"

"No." Cody sounded annoyed now. He bunched his fist on the steering
wheel. "Now go away and leave us alone."

"Oh, big guy."

"Listen, we've just about had enough tonight."

"Listen, baby, you haven't had nearly enough." He grinned, the

284

silver eyes catching the moonlight. "If you've come looking for trouble,
you've come to the right place."

"Leave us alone."

"Or?"

"Leave us. I'm warning you."

"You're doing the warning?" The man's hand went to his pistol.

Pix shrieked. "He's going to shoot us."

"He's not," Cody said, angry.

The guy grinned again. "So which of you two are right?" He looked at
Grace. "And you, pretty lady, what do you say?"

Cody opened the door, looking as if he was about to take on the guy with
the silver eyes.

The guy stepped back, nodding. "So you do want to muscle in on my
territory."

"No, we've had a hell of a day. We want to be left alone." Cody growled now.

Grace reached across and grabbed Cody's arm. He was polite, he was slow
to anger, but once his fuse was burning . .. well, watch out.

"Leave it," Grace pleaded.

"But we've been pushed around by every jerk in LA." Cody quivered with
rage. "I'm not taking it anymore."

"But he's got a gun," Pix cried. "He'll shoot you, Cody."

"She's right, Cody," Grace said. "Get back in. We'll drive away. Find
somewhere quiet."

The man rested his hand on the gun and gave a shrug. Okay, so what's it
going to be?

"All right." Cody closed the door. "We're leaving."

"You think I'm going to let you just go after you've insulted me? Tried
to walk into my territory?"

"I did no such thing."

"You sure did, baby."

"Look. We don't want any trouble. We just want to find somewhere quiet--"

"But you've got trouble. You're in Andre's territory now. You insult me
to my face. 'Jerk' you called me. I want reparations, you hear?
Reparations." 285

"We're awfully sorry," Grace placated. "We really are. We're tired.
We've driven--"

"Not good enough."

"Well, what is good enough?" Cody clenched his fist again, his face
burning with anger.

All that shit today.

Now this.

A jerk.

A jerk with a gun, though. How dangerous is that?

"Tell you what, baby." The man's eyes glinted silver. "I'm a reasonable
guy. The girl in the back. She gives me a good blow and I'll consider
that full and good reparation."

Pix cried out. "No, I'm not doing that."

"That's the price, babes." He eased the gun from his pants.

"No way," Cody said. "You'll have to put a bullet in me first."

"Suits me."

Pix grabbed Cody by the shirt collar, shook hard. "Cody, you can't let
him make me!"

"She's only sixteen, she's just a kid," Cody said.

"Kids younger than her working these streets."

"Cody?"

"Now I'm gonna unzip my fly."

"Cody!"

"Moisten those lips for me, baby."

"No." Pix bunched herself into the corner of the seat, arms tightly
around her knees. Eyes wide and scared, she shook her head muttering,
"No, no, no ..."

The guy pointed the gun into Cody's face.

"Listen up, babes. That's the price of you driving away from here. The
girl in the back with the tight little mouth's gonna give me the best
blow job in town."

"No, she won't," Grace said.

"Oh, won't she?"

"No," Grace said firmly. "I will."

287

CHAPTER FORTY-FOUR

Through the peephole, Susan saw a swarthy, black-haired man with a grim
face. She opened the door.

He lunged into her. She stumbled backward, and the man fell to his hands
and knees. Susan landed on her back.

In the doorway stood Mabel Rudge, hunched slightly, grinning and
panting. She held a butcher knife.

"Hi, petunia," she said, and pushed the door shut with the heel of her foot.

Susan climbed to her feet. She stood motionless. "What do you want?"

The man started to get up. Mabel kneed him over. "Stay down, fella, or
I'll slit your gizzard."

"I'll happily leave," he said.

"Lay on your back and shut up."

He obeyed.

Mabel stepped past his feet. She held the knife out, waving it in small
circles.

Susan backed away.

"Know what's gonna happen to you, whore? I'm gonna cut your face--gonna
cut your nose off, that's what."

Susan glanced at the bathroom door. It was open a crack.

"That's for starters. I'm gonna make you look so bad Tag Parker'll puke
when he sees you." 287

"Tag!"

Mabel charged.

Susan dodged and flung a lamp in her path. Mabel kicked it aside.
Snarled like a dog. Raised the blade.

"Freeze!" Tag shouted. He stood in the bathroom doorway, pistol aimed.

"Gonna fix her!" Mabel yelled. She ran at Susan.

"Stop!"

"Shoot her!"

He didn't fire. His eyes weren't on Mabel, but on the dark man dashing
across the room.

The man sprang onto Mabel's back. She plunged forward, arms swinging,
blade flashing. Susan leapt out of the way, and the big woman plowed
into the sofa with an "Umph!" The man, still on her back, grabbed her
right arm. He twisted it. Mabel growled and dropped the knife.

Susan rushed forward. She grabbed the knife and backed away.

Mabel, no longer struggling, lay motionless beneath the man. She was
half on the couch, her face pressed to its rear cushion, her knees on
the floor. The seat of her grimy dress was torn, exposing a strip of
doughy buttock. It dimpled. Susan looked away.

Tag came forward, holstering his revolver.

"Why didn't you shoot Mabel?" Susan asked.

"I might've hit our friend here."

The small man looked over his shoulder and smiled. "Imad Samdall."

"Taggart Parker. This is Susan Connors."

"Ah, yes. Miss Connors. And this is Mabel?" Reaching back, he patted her
soft rump. It quivered.

"Hands off," she muttered.

He smacked the back of her head. "Shut up. You threatened my life.
Because of that I need not be civil to you." He climbed off Mabel's
back. "Sit on the couch and be silent."

"You fuckin'. . ."

He slapped her. This time her whole face quivered with the force of the
blow.

Mabel's eyes narrowed. Her mouth shut. She turned around and

288

flumped down onto the couch. This time she sat there. Said nothing. Her
cheek began to burn bright red from the slap.

"You've really done it this time, Mabel," Tag told her. "Assault with a
deadly weapon."

"I just wanted to throw a scare into her."

"Yeah." He stepped toward the phone.

"Oh, you ain't gonna arrest me, Tag?"

"You'll go to jail for this one."

"I didn't hurt nobody. I just did it for you."

"I warned you not to interfere." He reached for the phone, and flinched
as it rang the second he touched the handset. He picked it up. "Hello?
Yes, she is. Just a moment, please." He nodded at Susan.

She took the phone. "Hello?"

"Susan? This is James Blumgard. I'm sorry to disturb you, but I received
a most disturbing call from the police department. I'm sure there's some
mistake. They're bewildered themselves. They seem to think, however,
that our mummy has been involved in several killings that occurred tonight."

"Involved?"

"They apparently believe Amara committed them. I know that sounds
ridiculous. I don't know how they could even suggest such a thing. It
appears, however, that one of the officers actually confronted the
killer. He's convinced it was a mummy. What's more, he's convinced it
was Amara. Now maybe this was someone in disguise. I can hardly believe
otherwise, though the officer insists that isn't the case. At any rate,
the police would like a representative of the museum to be on hand as a
consultant and so forth. I thought you would be the logical choice,
since the Callahan collection falls within your area."

"What would I be doing?"

"They'd like you on the scene. I realize this may be an imposition___"

"No. You were right to call. I do have a problem, though. Maria's off
for the night, and I don't have anyone to leave Geoffrey with."

"Perhaps you could take him along. I'm sure there's no danger. The
police simply want you to interview the officer involved; to establish
whether his description does, in fact, fit Amara. They may ask 289

for suggestions and so forth. I doubt it will take more than an hour."

"Well..."

"I would go myself, but you're far more conversant on the subject."

"I'll go," she said.

"I appreciate this very much, Susan. Let me give you the address." He
told it to her and she copied it. "Keep me informed."

"I will."

"Good night now."

"Good night." She hung up, turned to Tag. "That was Blutngard. There've
been some killings and get this ... the police think Amara's involved."

"As the perpetrator?"

She nodded.

Imad frowned and walked toward the door.

Susan said, "I have to go over and talk to the police. Will you come?"

"Of course."

Imad knelt near the door and picked up a black notebook.

"We'll have to take Geoffrey."

"Before you leave," Imad said, "it would be wise for you to read this."

"Now? I don't think there's time for--"

"Please. It is important."

"What is it?"

"The journal of Robert Callahan. I was his ward and companion, you see,
before his demise. He left instructions that this be placed in
responsible hands should Amara walk. Unless I am mistaken, that
situation has developed."

"It's walked before?" Tag asked.

"Indeed."

He gave the journal to Susan. She flipped through it, glancing at the
handwritten pages. "It's awfully long."

"It tells you many things you must know."

"Why don't you come along and fill us in on the way?"

"I'm sorry, no. I wish to have no further dealings in the matter.

290

If you would permit me, however, I'll assume responsibility for Mabel."

"Can you handle her?" Tag asked.

"Most certainly. We could telephone the police from here if you like. If
not, I'll be pleased to escort her elsewhere."

Susan glanced at Tag.

Tag nodded.

"You're welcome to stay."

291

CHAPTER FORTY-FIVE

Cody looked through the windshield. The lights revealed the road as it
twisted ahead through the trees. At either side of them, the rocky walls
of the canyon rose up into the night sky. He drove without speaking.
Beside him, Grace sat gazing out the side window. In the back Pix, flat
on her back, stared at the truck's grimy ceiling.

He downshifted as the road in front ran downhill. The gully widened a
little. Here there were only rocky outcrops and trees and brushes. No
houses. No gas stations. This was a dark slice of wilderness tucked away
in the corner of L.A.

At last Pix asked, "Grace . . . how could you do that?"

"Pix," Cody warned.

"Shit.. . you sucked the guy's dick."

Grace said nothing. Just stared at passing trees.

"You didn't even know him. And you let him put his dick in your mouth."

Grace still said nothing. Jerkily, she grabbed the water bottle and
drank from it, her pink lips tight round the end of the wide neck of the
bottle; her mouth forming a perfect seal. Cody found himself looking at
her mouth, unable to shake the memory of what had happened half an hour ago.

"Afterwards, why didn't you spit?" Pix asked.

"Pix," Cody said. "Your sister did what she had to do, okay?"

292

"I think I'd have chosen the shooting." Pix shook her head. "Oh, man ...
he'd even pierced the end of it... a gold stud."

Cody glanced back. "Don't talk about it. Your sister doesn't need
reminding."

"But to suck a stranger's dick like that. Geez, Grace, I thought he was
gonna choke you, it went in so--"

"Pix, enough now."

Cody glanced at Grace. Still she hadn't spoken. Hadn't spoken since the
guy. .. since she'd ... oh, shit. He didn't want to activate the mental
playback.

"Couldn't you have jumped him, Cody? You yellow or something?"

"He had a gun, Pix."

"Yeah, but he was distracted, you dork."

"And you think I could have grabbed the gun off him while--"

"Yeah, if you'd got your ass in gear."

"Hell, you try pulling a stunt with a gun in your face."

"While he had his dick in my sister's mouth you could have done something."

"Yeah, slugged him with the cracker box maybe."

"But then maybe you enjoyed watching him unload himself into Grace's
mouth. I saw you getting all hot and sweaty and--"

"STOP!"

Cody's head spun as Grace shouted.

"Stop the truck!"

"Don't worry about Pix. She'll be quiet from now on, won't--"

"No! It's not that. Look!"

"What?"

"Don't you see?"

"See what?"

"Stop the damn truck and look!"

He braked.

"What've you seen, Grace?"

"There, through the trees ... no, further to the right."

Pix sounded worried. "What is it? What's wrong?"

Cody looked.

Saw nothing. 293

Nothing except trees and boulders and the rock walls of the canyon.
There were no houses, no buildings, no cars--zilch.

Cody began, "Grace, I still don't see--"

"I saw a woman in the trees."

Pix snorted. "Forget it. We've had enough stranger danger for one night."

"No, it was a woman. She was holding a baby." Grace stared into the
darkness. "She was hurrying."

"But what would a woman be doing out here in the middle of nowhere
carrying a baby?"

"She must be in trouble," Grace said. "I'm going to help."

With that she swung open the door, jumped out of the truck, and ran away
into the trees.

"Don't let her go, you big lummox. You don't know what's out there."

"Okay, okay." Cody grabbed the flashlight from under the dash.

"She might get herself killed."

"I know that too," he said grimly.

He climbed out, began to follow. He caught a glimpse of Grace through
the trees as she ran through a shaft of moonlight. He also glimpsed
another figure further on. For some reason, it seemed to move strangely.
Moonlight glinted on it, and he thought he saw long red hair cascading
down the figure's back. And was it clutching something pale to its chest?

Too far to see properly.

But for some reason just that glimpse of the hurrying figure, hunched
over the pale bundle, sent a chill down his spine.

Something not right about it, Cody.

Something dangerous.

"Grace," he called. "Grace ... wait!"

But Grace ran after the figure.

He switched on the flashlight and ran through the trees after her.

Behind him he heard cracking twigs.

Looking back, he saw Pix following him.

"Wait in the pickup," he told her.

"Yeah, as if."

"It might not be safe out here."

294

"It's gonna be safer out here even with a big lummox like you than alone
in that heap of junk." "Pix--"

"I'm coming with." "Okay... but stay close." Together they ran up the slope.

295

CHAPTER FORTY-SIX

Knife in hand, Imad watched the door swing shut. He turned to Mabel. She
sat motionless on the couch, glowering at him.

"Now Mabel, tell me. What is so special about this man whose name is
like a game played by children?"

She shrugged.

Her thick lips pouted, sulky-looking.

"What is so special that you would risk prison, even death, to mutilate
or kill his girlfriend?"

Her eyes narrowed. She said nothing. Her plump fingers knitted together
on her lap.

"Tell me." He reached for the telephone.

"I like him," Mabel said.

"You like him. Isn't it evident that he doesn't like you?"

"Huh?"

"And he certainly wouldn't like you any better if you harmed Susan."

"He was nice to me."

"To protect Susan, he was prepared to empty his revolver into you. He'd
have done exactly that if I hadn't intervened, Mabel."

"So?"

"I saved your life, did I not?"

"So what?"

"Isn't that a rather special gift?"

296

"What do you mean?"

"I gave you back your life when it could have been so easily taken."

"What do you want from me, you filthy Arab?"

"Tsk, tsk, so impolite."

"I don't owe you nuthin', Arab."

"And incorrect too. By parentage I am Egyptian. But legally I am as
American as ... how would you put it? Momma's apple pie."

"You American? You're putting me on."

"Oh, indeed I am telling the truth."

She frowned. "So what do you want from me?"

"Want?"

"Must want something."

"Now, let me see." He rested his fingertips together. "Mabel, it's now
in my power to grant you another favor. I needn't call the police, you
realize."

She stared at him. Her glower softened. "Will ya let me go then?"

"Oh, Mabel, my dear, I can hardly do that. I told Susan that I would
assume responsibility for you. To let you go would be the height of
irresponsibility. You might simply attack her again."

"I won't. I promise."

"Words. Mere words. As long as you're infatuated with Tag, you'll
continue to be a threat. No, I cannot let you go. I can, however, take
you with me."

She rubbed her hands on her soiled dress. She licked her lips.

"You will be in my custody, as much as you would be in police custody
should I decide to call them. The difference is this: There will be no
handcuffs, no jail, no trial. I'll give you a comfortable room and good
food. There will be a TV for you to watch. And books if you should wish
to read... ah, no books perhaps. Reading might not be to your taste. But
magazines and a radio."

"What's the catch?"

"Isn't there always a catch?" He smiled. "This is the catch. You will
not be allowed to leave the house alone until I'm satisfied--"

"A house?" she asked, suddenly beaming.

"Indeed. I live in a rather elaborate house. One might call it a
mansion." 297

"Shoot... you want me to live there?"

"For the time being."

She slapped her knee. Her calf quivered. "I get it! You're wantin' to
poke me. Gee, I've never been poked by an A-rab before."

"Poke?"

"Sure. Whyn't you just come out and say it?" Bouncing off the couch, she
lifted her dress. Her pasty-white thighs were mottled with bruises. Her
knees were scabbed. There was a fresh scratch from the recent tussle the
length of one meaty thigh.

Imad saw she wore no panties, but her groin was hidden below the roll of
her stomach. Her huge breasts quivered as she struggled to pull the
dress over her head. Tufts of black hair hung from her armpits.

She talked excitedly. "No, sir. Never been poked by an A-rab. I've been
done by a Mexican and a whole bunch of Cubans. And there was this guy
from Austria--or was it Australia?--he tied me up with a clothesline and
nailed me good and hard. Couldn't sit down for a week, I can tell you.
Here, just help me get this dress off, then we can screw."

"No!" Imad snapped.

"I know it's what you want, hon. Mabel don't mind what you do, or how
you do it." She stretched out her arms to him. "Come here, hon. Enjoy."

"No! I insist you lower your dress immediately. Cover yourself, for
God's sake. Or I will phone the police. Believe me, I will do that
unless you behave with correct modesty."

"Correct modesty," she grunted as she pulled the dress down. She scowled
at him. "You queer?"

"Hardly."

"Wish I was a boy?"

"Mabel--"

"Cuz if you are, I can take it like a man."

"Mabel. This is neither the time nor the place, however, for--"

"Good a time as any."

"It is not."

"Might as well mess up someone else's couch as your own."

"You are filthy and you smell like a garbage truck."

298

"Can't get it up?"

"I dirtied myself enough when I was forced to subdue you. I certainly
don't relish any further contact at such close quarters."

"Fuck you, Charlie." She dropped to the couch.

"So there'll be no further contact until you've bathed and brushed your
teeth. Which you will do immediately after we arrive at my home.
Understand?"

One side of Mabel's mouth curled upward. "You do want to prong me."

"No," he said. "Not until you are clean."

"Oh, baby. I get the picture."

"So what shall it be, the police or me?"

Licking her lips, she slumped on the couch and lifted her dress. "Do me
now," she said. "Show me how you do it Arabsryle."

"You're wasting your time with these antics."

"Aw."

"Come along, Mabel."

"What's your name again?"

"Imad."

"Imad." She stroked her hands down her hips and raised a knee. "I like
you, Imad. Don't you want to put it right in here?"

He set the knife on a lamp table and went to her. She smiled up at him.

Smiled as, moaning, she used her fingers to massage and probe herself.
Her fingernails became slick.

"Oh ... Imad. Right here, right here," she whispered.

Imad slapped her cheek so hard her face wobbled.

"Hey!"

He slapped her again. A loud thwack filled the room. "Get up."

She got to her feet. Her face was red. Imad saw tears in her eyes.

"Whatcha gonna do? Beat up on me before you poke me?"

"Mabel--"

"Cuz that's happened to me before when I got gang-banged. They beat the
crap out of me, then ... then one after another they poked me." Tears
ran down her face. The cheek with the burning red handprint grew slick
with them. She used both plump paws to rub her eyes.

299

"Mabel--"

"I thought ya liked me," she sobbed.

"You must learn to obey, Mabel. Once you understand that, you will find
inner contentment. Understand?"

"But I... I--"

"Mabel. Learn to obey. Now, follow me."

Imad led the way across the room. As they passed the lamp table, Mabel
grabbed the knife.

"No!"

301

CHAPTER FORTY SEVEN

Amara held the baby to her dry chest. Her red hair had spilled forward,
partially covering it. She walked through darkness, her shins whispering
against the dry grass.

She'd been walking for a long time now. At first there'd been dwellings.
Lights had shone from windows as if they'd been lit by burning torches.
But after she'd been walking for some time, the houses had ended. She'd
walked away from the town and into a range of barren hills.

As if by accident rather than purpose, she moved down one of the hills
and into a canyon. She held the baby tight, her talon-like hands
pressing the baby against her withered breasts.

Amara continued walking through the darkness. She entered a wood and
passed among the trees, weaving in and out, never pausing.

Never tiring.

Driven by ancient purpose.

It was as she walked some distance from a road, yet parallel to it, that
the truck stopped. Its lights lit a shining path in front of it.

Then a figure left the truck at a run.

A man's voice sounded on the night air. "Grace ... Grace. Wait!"

The figure of a woman ran into the trees. A moment later two more
figures left the truck. A man and a second younger woman. They ran after
the first, who'd already disappeared.

Amara walked on. She knew the first woman followed her. But 301

that was of no importance. The ancient purpose drove her on. Nothing
would distract Amara.

Nothing would get in Amara's way.

Nothing.

No one.

Death would come on swift wings to anyone who interfered.

302

CHAPTER FORTY-EIGHT

Ed, what're you doing?" He glanced up through the bars at Virginia.
"I've already told you. I'm making a barb. When this baby goes in, it's
going to stay in."

"You're making too much noise... and the sawdust on the floor... they'll
see it."

He groaned with frustration. "Look, Virginia. The point of the stake is
sharp enough, but it needs a barb to stop her from escaping."

"But they'll hear you. And they'll see the sawdust when they bring in
the food."

"Virginia--"

"And when they see it they'll know what's happening."

"I'll think of something."

"And you'll wind up like Marco and Cardinali."

"Okay. Lemme think."

"Ed. The lights could go out any minute, then--"

"Whammo. I know."

"Move the sawdust bowl so it catches the sawdust."

His face burned. Seemed so obvious. Catch the sawdust in the wee-wee
bowl. Why didn't I think of that?

Because you're busy planning on doing some hunting with that harpoon of
yours, Eddie old buddy.

Yeah, gonna harpoon me some fresh meat.

303

"What's so funny?" she asked.

"I'm just imagining the bitch's surprise when she sits on this instead
of my pecker."

"Don't get overly optimistic."

He ran his finger over the wickedly sharp stake. "Oh, I just know this
is going to work like a dream."

"You've got to avoid being caught with it first. Okay, Ed?"

"Okay, Virginia."

"We've solved the sawdust mess, so what do you figure to drown the noise?"

He gazed at the edge of the cage bar that he'd been using as a file. It
worked surprisingly well.

But noisy as hell.

Squeaked like a chorus of mice every time he ran the wooden stool leg
backward and forward across it.

"Could use less pressure?" she suggested.

"Tried. It doesn't scrape away any of the wood when I do that."

"How much further to go before you've made the barb?"

He looked at the wooden shaft. About four inches back from the point
he'd managed to file a cleft. A V shape, it went maybe a quarter of the
way through the stool leg.

"Another half an inch. Then I have to work on making the point of the
barb sharp too. When I've driven it into her, I need to pull back
quick." He demonstrated thrusting the chair leg up, then tugging back
hard. "So the barb here digs into her flesh. Then I've got her like a
hooked fish."

Virginia looked suddenly uncomfortable and crossed her legs. "I get the
picture."

"Barbaric. But needs must."

"Yeah, needs must."

"Let's see if this works." He licked his finger and ran it along the
edge of the bar he used as a file, moistening the metal. This time when
he worked on the barb, it didn't squeak. He nodded. "Slippery when wet."

"It's stopped squeaking now, but is it cutting?"

"Yeah, it's cutting. I just need to keep wetting it."

He worked for a while. Then ...

304

He ran his finger along the eighteen inches of hard wood to lightly
touch the point. A thought occurred to him. An interesting one at that.

"A bit like staking a vampire," he told her. "Only I'm not going through
the ribs." He stabbed upward with the wood. "I'm going up through the
crotch instead."

"Oh, Jesus... You don't have to state the obvious." She scrunched her
face, imagining the pain. "You're going to inflict one hell of an
injury, you know?"

"I do know. But after what she's done to us? Couldn't happen to a nicer
person."

"Well, I'd stuff some tissue in your ears, she's going to scream the
place down after you push that thing..." She grimaced. "You know where."

His grin became wilder. "You know something. . . it's going to be music
to my ears."

Lights out.

All right.'

Ed was in a state of readiness.

Ready, Eddie?

He stifled the grin in the dark. They'd see with their nightscope
goggles. They'd know he planned some surprise.

He sat on the blanket. The sharpened wooden chair leg that formed the
lethally sharp stake he'd slipped down the leg of his pants.

Is that a harpoon in your pocket or are you pleased to see me?

It was all he could do to stop himself laughing out loud. He'd waited
for this. Payback time. Once the bitch had this rammed up inside of her
as far as her spleen, she'd be going nowhere fast.

Scream like a stuck pig, though. Which, as analogies go, was pretty
accurate. He rested his fingers on the harpoon, feeling the thick, hard
roundness of the shaft through the material of his trousers.

This is a stickup, honey.

A stickup you're never gonna forget.

He sat there in the dark waiting for the command to climb up onto the
platform and to "present himself" through the hole in the Perspex. 305

Drafts slipped into the room. A door had opened somewhere. He heard
rustling. A whisper of feet moving lightly across the concrete floor.

Nearly here.

Not long now.

Ready, Eddie?

I'm ready.

He stroked the thick shaft inside the leg of his pants.

Then he heard whispering.

"Okay." This was from Virginia.

Shit.

Oh, shit, shit!

Their sex mistress had chosen Virginia, not him, for this session's
entertainment. Maybe he could still stake their captor as she worked on
his neighbor. But it was dark. Dark as hell. He couldn't see squat in
the darkness. There wasn't a hope of skewering her by sheer chance.

No. Must be patient. Must wait.

He covered himself with the blanket, just in case his captor should
glimpse the rod-shaped protuberance in his pants. There was little
chance that they'd mistake that for his dick.

He heard murmuring from the next cage. Virginia began to breathe
heavier. The breathing became panting. Then she moaned.

Oh, that moaning.

Erotic moans.

Sexy moans.

It always fired him up inside. He imagined Virginia standing facing the
cage, feet apart. Naked. Her hair spilling down the long curve of her
back to her gorgeous butt. Her long thighs. Shapely calves.

And there's a shadowy figure doing great things to her.

Working at her between the legs with slick fingers.

Stroking, parting, entering.

She gave a little cry.

Oh, Eddie. That is the sound she makes when being entered. Those fingers
are inside now. Finding her clit. Toying, pressing gently, probing. Teasing.

306

Shit. His heart hammered.

The sounds of pleasure were making him horny.

Horny enough to distract him from what he planned to do with the sharp
stake when he got chance.

He listened hard, his eyes straining into the darkness. Hearing moans,
little gasps, muttered sounds of "Please" and "Yesss."

Then it went wrong.

The note of the whispering altered.

He heard Virginia give a frightened gasp. "I'm sorry... I didn't mean to
.... I'll try harder."

More whispers. They sounded as if they could be instructions, but Ed
couldn't be certain.

Their captor's voice boomed. That same deep timbre that made the bars of
the cage quiver. "Stand with your back to the bars. Slip your hands
through the loops. Quickly."

"Please ... I'm sorry. I--"

"Do it."

Sounds of movement. Then silence.

Ed listened. All he could hear was his blood thumping in his ears.

What was going to happen to Virginia? What had she done wrong? He
thought of Marco with the grinning slit in his throat. The blood. The
image came blasting too of Cardinali toppling off the stool to hang by
his neck, jerking, choking.

Had their captor grown bored with Virginia?

Then he heard a sound. It was the swish of an object moving fast through
the air.

Thwack.

A stick or a belt.

Swish.

Thwack!

"Uh! Please!"

Virginia pleaded with the invisible sadist. But still the beating went
on. Swish. Thwack. Then Virginia's sharp gasp. She panted. Moaned.
Cried. Still the blows fell. A blistering snap of a weapon against soft
flesh. 307

Later, when the lights came on, Ed saw Virginia lying facedown on the
foam mattress. She was completely naked. Her hair fanned out across the
floor where she'd thrown herself down.

Ed blinked.

Saw the injuries.

Saw a dozen or more cruel red lines that seemed to burn bright across
the soft rising mounds of her bare buttocks.

She winced as she moved.

Gingerly raising her head, she looked at Ed. Her eyes brimmed. "When you
get your chance, don't hold back. You've got to hurt the bitch. Hurt
her. Do you hear me?"

He nodded.

All he had to do now was wait.

It would happen soon. He knew that. Felt it in his bones. Endgame.

309

CHAPTER FORTY NINE

Cody thought: This is crazy. 'Who on earth is Grace following out there?
He paused as he ran up the wooded incline. Maybe that's it. Maybe Grace
is crazy. The incident with the guy with the gun back in the parking lot
might have sent her over the edge.

"Slow down, you big lummox," Pix panted. "I can't keep up with you."

"You should have stayed in the pickup."

"Yeah, and waited for the next oral-fixated weirdo to come ambling by?
Think again, Cody, you simpleton."

"Pix, shush." He held his finger to his lips.

"What you mean shushing--"

"Ssh. Pix, I'm trying to listen for your sister."

He stood for a moment, shining the flashlight ahead through the trees.
Listening for the sound of footsteps. Where was Grace? She took off
after the strange-looking gal like a missile. Now she was out in the
woods alone. Hell. .. who knew what might happen to her out there?

This canyon was such an out-of-the-way place.

Might be bears?

Or Hell's Angels ready for some fun?

Or backwoods boys who were bored of making pigs squeal?

Hell.

Might just get killed out there. 309

"Cody?"

"What?"

"I don't like it out here. I wanna go back."

"You should've stayed in the pickup."

"I wanna stay with you."

"Make your mind up, Pix."

"I wanna stay in the pickup with you."

"We've got to find your sister." He scanned the forest. All he saw were
boulders, tree trunks, and a glimpse of stars through the branches.

"Cody?"

"What is it now?"

"Will you hold my hand?"

"No." He looked at her, startled by her suggestion.

"Please." Suddenly shy-looking, almost demure, she held out her hand.

He shook his head. "Pix, just stick close behind. I think she went this
way." Without waiting for a reply, he struck off through the trees,
shining the light in front of him. He was sure Grace had headed along
the path. He walked quickly, not looking back.

He knew Pix followed.

Was positive about it.

Heard her whispering, "Please, Cody. Hold my hand . . . please ...
please..."

Grace hurried along the woodland path. It zigzagged down the hillside.
She followed the figure that moved downhill in front of her. The figure
had long red hair. It clutched something pale to its chest. Its arms and
legs were very thin.

It was difficult to see clearly in this mixture of moonlight and shadow,
but Grace was sure it was a woman. What's more, the woman seemed to be
clutching a baby.

But the stick-thin woman appeared odd. Seemed to move strangely. There
was something about the gait. Something stiff-jointed.

And what would a woman be doing out here in a godforsaken canyon at two
in the morning? She had to be in trouble. She might be on the run from a
bullying, abusive boyfriend.

310

After what had happened tonight to Grace, after she had been forced into
oral sex with the armed stranger, she was determined not to sit back and
let innocent people suffer. The world couldn't be such a cruel place.
There had to be times when good people did the right thing--they had to
help people in need.

She moved down the sharp incline at something like a run, catching hold
of tree trunks to steady herself. Her feet raised puffs of dust that
showed as white clouds in the moonlight. Sometimes branches caught at
her clothes, her hair, but she surged on breaking free.

If she could break free of the memories of the past few hours.

Break free of that salt taste that still clung to her lips.

If she dedicated herself fully to helping the poor woman with the child,
then maybe that would be enough to make her forget. Once she thought she
heard Cody calling her name. Only there wasn't time to stop. Once she'd
caught up with the woman she could go back.

Grace saw herself in her mind's eye leading the dazed (maybe even
battered) woman and babe back to the pickup truck. Then they could drive
her to a women's refuge where she'd be safe from the abusive rat who'd
made her flee in the middle of the night.

Grace was sure her imagined scenario about the woman was right.

Yet the woman did look strange. There was something about the round
shape at the front of her head. It was almost skull-shaped.

Of course it has to be skull-shaped, you're seeing her head, stupid.

But it's more like a skull bereft of flesh. .. .

No ... that's your imagination, she told herself panting as she ran down
the hill. Imagination and a trick of the moonlight.

There goes a woman in trouble.

Your mission? To help.

You're gonna do this. By saving her you're gonna save yourself from
those memories. Those dirty, corrosive memories of the ... of the way he
filled your mouth.. . how he pushed in so deep you thought you'd choke
on his--

No.

She snapped off the thought.

Save the woman and her baby.

She ran harder through the near-darkness. 311

And ran straight into the arms of a phantom. They closed round her. A
leering face with a twisted nose pressed hard against hers.

The phantom held her tight. Bony fingers pressed into her shoulders,
seeking her throat.

Struggling, panting, she fought to free herself.

As she pushed herself away, a shaft of moonlight fell through the branches.

Her attacking phantom was a tree. Nothing more. The phantom's arms were
branches; its face marks in the bark where a branch had sheered off.

Stupid runaway imagination, she scolded herself. Stay focused.

Taking a deep breath, she found the path again. Scuff marks in the dirt
showed that the woman had passed this way. But that was odd. Grace
squatted down to look closer at the dry dirt. She saw something that
made the hairs on her head stand on end. There was a footprint. But it
was a bare footprint.

Could the woman have walked all this way along the canyon without some
kind of footwear?

Or perhaps she'd lost a shoe walking down the steep slope, and was too
exhausted or too frightened to stop and put it back on?

This was getting stranger by the minute.

Grace hurried along the path. Soon she reached a break in the trees that
afforded her a better view of the canyon ahead. In the distance she saw
a lone house.

In the distance, she also glimpsed the slight figure of the woman. She
seemed to be making for the house.

Okay... me too, Grace told herself.

314

CHAPTER FIFTY

It's not gonna work." "It is."

"Not."

Ed wished she'd shut up. They'd been on this subject for a long time.
Too damn long. Damn pessimist.

He glared at Virginia.

"Don't look at me like that, Ed Lake."

"I'll look at you how I damn well please."

"Look," she began. "It's because we're getting tense about the whole
situation."

"I'll say we're tense."

"Eddie--"

"We're locked up here in cages. We're used as sex toys. We're probably
gonna be murdered."

"Eddie--"

"We're probably gonna wind up in a shallow grave out in the woods."

"Eddie, you haven't thought it through, you're missing--"

"I haven't. I've got the harpoon." He brandished the stool leg. "I'm
going to use it." His face burned. "And another thing, don't call me Eddie."

"I thought you might like it." 313

"I don't. Eddie reminds me of some dog from a comedy show."

"Okay, Edward..."

"Ed. Please."

"Okay, Ed."

"That's better."

"Sheesh." She touched her forehead as if she'd lost her train of
thought. "You've told me the plan. You impale the woman. The barb holds
her in place. You have her trapped, right?"

"Right."

"But that doesn't get us out of these cages, does it?"

"But she'll be no longer a threat."

"And you've forgotten something else."

"What?"

"We think there's two of them."

"Shit." He slapped his forehead. Holy Christ, I'm an idiot. A g<M-plated
idiot.

"The one we've nicknamed the warder. What's she going to do when she
sees her partner squirming on top of that pole?" She fixed her green
eyes on the stake in Ed's hands. "She'll probably get hold of a gun and
... well, for you and me: Los Endos."

"Holy Christ. I just didn't think. Virginia, I'm an idiot. But I was so
sure about this. I thought I saw a way out."

Virginia looked him in the eye. "Ed. I'm not saying don't do it. I'm
just stressing that the end result might not be what you expect. But..."

"But?"

"But if you want to go ahead and do it, do it. Okay?"

"You mean at least nail one of the bitches?"

Virginia nodded. "And you never know, you might hurt the Sex Queen so
bad that her friend panics and runs for it."

"So we sit here then and starve."

Virginia gave one of those little hops of her shoulder. "Can't say that
everything will turn out rosy for us. But you never know. We might get
lucky. Sex Queen might have the keys to these padlocks. Then we're free
as birds." "So you're with me on this?" lightly he pressed the lethal
point of the stake with his thumb. "Even though it might not work out
one hundred percent?"

"Go for it, Ed. It's getting so we've nothing left to lose."

315

CHAPTER FIFTY-ONE

There is someone out there, April told herself with a growing sense of
wonder. Someone's coming through the trees toward the house.

Her years of blindness had developed in her an acute sense of hearing.
She listened.

Heard the nighttime breeze running in hissing swirls along the canyon to
play among the trees. Depending on her mood, it could be such a lonesome
sound. Now it had become strangely thrilling.

It seemed to be whispering to April. "They're here, they're here,
they're here."

Here is my savior.

Someone to banish loneliness.

She tilted her head to one side, feeling the breeze fingering her long
hair. It stroked her neck, tugged lightly at the hem of her negligee,
sending a delicious shiver up her thighs.

Concentrating now, she filtered the sounds.

The cry of a bird.

The breeze in the branches. The groan of a tree trunk. Rustling grass.

A whispering through the potted shrubs on the roof terrace, where she
stood with her hands on the terrace wall that separated her from the
twenty-foot drop to the driveway below.

316

She heard another sound too. Faint but distinct to her sensitive ears. A
rhythmic scrunch, scrunch.

That was a pair of feet advancing along the gravel drive to the house.
Even though very light, there was something purposeful about the stride.
She lifted her hand to push back her hair from the side of her head.
Turned it slightly, so she could hear more.

Sometimes she could even hear the respiration of the visitor.
Occasionally she could even catch their scent too. But not tonight. The
breeze was too strong. It would carry the visitor's scent away down the
canyon before it could reach April's delicate nostrils.

She imagined what her caller would be like. From the lightness of step
she pictured someone young and slightly built.

Even though she couldn't imagine their looks, she knew one thing.

Her visitor would be beautiful. A divine spirit had brought them here to
put an end to her loneliness.

The scrunch-scrunch of feet on gravel grew louder as they neared the house.

April Vallsarra waited. Almost here. Almost. . .

Then a moment later the footsteps stopped. There was no sound but the
breeze in the trees, whispering, sighing.

Her caller--her savior--would be standing there below her in that
magical radiance that sighted people called "moonlight."

April waited. She was patient now. She sensed that her caller might be
nervous or even afraid. She didn't want to say anything that would
frighten them away. Perhaps they'd spent days trying to pluck up courage
to make this trip to the remote house in the middle of the night.

So, nice and easy does it.

Take your time.

Don't rush.

Make them feel comfortable.

She smiled down in the direction of the figure, even though she could
only guess at where they stood. But it must be close. She heard a
crackle of stones beneath their feet when they shifted their balance.

Even so, they must be standing still. Gazing up at her. Perhaps tongue-tied.

A young man? 317

Shy, but quite beautiful.

Was he as lonely as she had been? Spending solitary nights praying for a
companion? Another person to love and to be loved by?

Softly, April spoke. "Don't worry. I can't see you but I know you're
there." She paused. "My name is April Vallsarra. Have you come here to
see me?"

There was no reply. Her visitor was so shy as to be tongue-tied. She
hoped they wouldn't flee in a fit of nerves.

So she spoke reassuringly. "It's a lovely night. I wish I could see the
stars, but I guess you've already noticed. I'm blind. Can you describe
the stars to me?"

No reply.

"Don't worry. I can imagine them. I imagine them as little round
cushions that are soft and warm to touch, if only one could touch them."
Her laugh came as a light trill. "That sounds absurd, I know. But I've
never seen them, never seen anything, come to that, so when people try
and describe what objects look like, I have to translate it in the only
way I can. The sun I think of as being pointed to the touch and quite
hard. The moon for me is soft and cool. Stars are soft and warm and if
one could touch them they'd tingle against your fingertips." She smiled
downward. "And I imagined as a girl if you listened hard enough, you
could hear them singing... small, light voices that sang sweet rising
harmonies. See?" She shrugged. "If something as profound as sight is
missing from one's life, it's hard to replace it with a substitute." She
paused, thinking. "The same goes for love. If you don't have someone to
love in your life, you try to find substitutes. But they're only clumsy
facsimiles of the real thing, because there is no genuine substitute for
real love." She paused, suddenly feeling awkward. "See, there I go. You
can tell when someone lives alone, they start talking too much. What
about you, tell me about yourself?"

No reply.

"You can't live that close. The nearest houses are three miles away. And
I didn't hear the sound of a car...." Silence.

"Did you walk?" Nothing.

318

"Then I guess it must be a nice night for a walk Nice and cool now."

Again a faint crackling, as if her caller shifted their center of
balance on the gravel drive.

"It doesn't matter," she said gently. "You don't have to talk. I
understand." She smiled. "It's nice to have someone here. Believe me,
incredibly nice."

She felt the breeze stroke her bare shoulders. It pressed her negligee
against her body. It felt like cool hands, gliding down her back.

Lovely sensations.

She shivered. A kind of thrilling shiver that made her tingle all over.

"We'll talk here as long as you want," she said. "Or if you wish you can
come inside."

Grace could see what was happening but couldn't get through. Between her
and the driveway to the house in the wood was a thicket of thorn bushes.
She'd be torn to shreds if she tried to force a way in.

Instead, she would have to walk along the path for a further two hundred
yards into the wood, then, she figured, double back somehow in order to
bring herself to the entrance gates.

But she saw. What she did see didn't make a lot of sense. Leastways,
there was something strange about the scene.

In the moonlight, a good hundred yards or more away, stood the figure
she'd been following.

The figure stood at the base of a flat-topped house. Grace looked up at
a second figure. A woman with shoulder-length dark hair.

They seemed to be having a conversation. But it was way too far away for
Grace to hear what was being said. She looked hard at the figure. The
moon wasn't all that bright and now some cloud scudded in front of it,
so the scene went from silvery radiance to deep shadow.

The figure Grace had followed through the wood was a woman. She had a
head of long copper-colored hair. When the moon shone at its brightest,
Grace saw metallic-red tints. Awesome hair.

Only, the body looked so thin as to be emaciated.

Legs like sticks, Grace told herself. Thin arms too. They held the
still-silent baby to her chest. 319

There was some quality about the woman on the driveway that made Grace's
skin want to crawl off her bones. Something wrong about it.

Once when the moon flickered through the cloud, the figure had turned
briefly as if to look at Grace.

She had recoiled.

That's not a woman ... that's a dead body. She has no eyes, only empty
sockets.

But a dead woman walking?

Surely a trick of the meager light?

And that baby. It never moved once. Never made a sound.

She shivered.

She didn't like what she was seeing... leastways, she didn't like what
her imagination was telling her she was seeing.

Corpse of a woman carries dead baby to house in the middle of night.

Snap out of it, Grace Bucklan. You've gone through hell. You're a
teenage runaway. You've driven thousands of miles. You've been attacked.
You've been forced to go down on a stranger at gunpoint. Now you're out
in some godforsaken canyon alone. You haven't slept properly in days.

"No wonder your mind is playing weird stunts on you.

That isn't a dead woman--a dead naked woman--you see. It's a woman in
distress. Now somehow, she's reached this house. The homeowner is
talking to her from the roof.

Telling her to go away?

Driven by the sense of injustice in the world, and an overpowering
desire to help someone in need tonight, Grace walked along the woodland
path.

She'd do the right thing.

She'd help the half-starved woman and the infant.

Then her conscience would be clear.

April spoke softly to her caller. She knew they were still there below
her on the drive.

"It's late... I guess it must still be dark. Are you hungry? Thirsty?"

No reply.

320

"Surely you must be ready to rest after your walk all the way up here?"

April heard the crackle of gravel as her caller moved a foot. She
interpreted that as them being tired.

"Why don't you come in for a while? You can rest. Have a cold drink."
She fingered the soft fabric of her negligee. "There's no hurry to
leave, is there?"

Again a crackle of stones beneath feet. She interpreted this in the
affirmative. She'd bring her caller into the house. They'd like her
home. They'd like her. They'd want to stay. She was sure of it.

Her heart surged with happiness.

For a split second she could hear her father's admonishment: "Now, now,
April, you simply don't invite strangers into the house just like that.
...."

You're not as lonely as I am. You don't know what it's like. Lonely
people don't even feel the touch of another's hand for so long, they
fear they will go mad. Isolation is cancer. Loneliness, the death of spirit.

She patted the top of the wall in excitement. Anxiety too. She didn't
want her caller to retreat into the woods. Clearly they were incredibly shy.

"Just stay there. Please be patient. It will take me a little time to
find my way downstairs and open the door. But please stay a while."

Lifting the front of her negligee with one hand so she didn't trip, she
hurried for the doorway that led to the stairs.

In her heart she was certain. After tonight nothing would be the same
ever again.

Cody glanced back at Pix. "What's wrong?"

She stared at him. Her eyes were bright in the moonlight. Her expression
looked ... it looked .. . well, odd. Cody shifted uncomfortably. He'd
just climbed onto the fallen trunk of a tree to see if he could get a
better view. Perhaps spot the AWOL Grace.

His girlfriend had acted so weird. But then she'd suffered stress and a
half over the last twenty-four hours.

Only now it was little sister's turn.

She stood with her feet apart so the little skirt was stretched tight. 321

Her arms hung down by her side. Her shoulders were high, though, as if
she was tense.

And worse?

It was that stare of hers. She stared right at him.

The moonlight's falling on her. . . she's turning into a werewolf ...

Nope.

Worse than that.

"Cody?"

"What's wrong? Do you feel ill?"

"I've been thinking. I'd like it if you kissed me."

"What?"

"I can't get it out of my head. I want you to kiss me."

"Pix, stop fooling around." He forced a grin .. . she was pulling his
leg. She'd done plenty of that in the past. "We're looking for your
sister. She might be in trouble." He jumped down from the log.

"She's just using you, Cody. She wanted you to bring her here just so
she could be in the movies. She doesn't really love you. Not the way--"

"Pix."

"I love you."

"Pix. Stop fooling."

But she didn't seem to be fooling.

Not by a long shot. She lunged forward, grabbed his head in both hands,
and yanked it down so her lips slammed against his.

"Pix. No. Stop it." The words came out in a garble. Her tongue was
already straining through his lips into his mouth. "S'not right, Pix.
Grace . .."

"Grace isn't here. Hold me tight, Cody."

"Nn--ghhh." Her tongue shot into his mouth again, working with a
muscular ferocity against his. Her hands went everywhere. Everywhere.
Cody couldn't believe it.

Was there madness in the Bucklan family? First Grace, now Pix?

"Pix, you mustn't do that, it's ... Pix.'"

She pushed herself forward against him. He felt her small, firm breasts
against his midriff. She kissed like a demon. As much fury as passion.

322

He retreated.

Caught the heel of his cowboy boot on a branch. Fell heavily on his rear.

She pounced.

Trying to unbuckle his belt.

Tried to tug down his zipper.

All the time her mouth clamped on his.

"Pix ... Pix, stop it!"

He reached up, grabbed her by the shoulders, and swung her down so she
slammed back against the forest floor.

Even though he heard the "Uph!" of her breath knocked from her, still
she didn't let up.

He rolled on top of her, gripped her wrists.

That's when she melted beneath him. "Okay," she whispered. "You be on
top. It'll be nicer."

"No, Pix. Listen, I don't want you. I love your sister."

"But I love you, Cody." A little of the old whiny note returned.

"No, you only think you do."

"But I can't stop thinking about you. I keep imagining you kissing me. I
imagine you--"

"Pix, no. It's wrong."

"Is not."

"It is."

"But I can't get you out of my mind," she whispered.

"When did all this start?" he asked.

"When we left the pickup."

He looked at her, astounded. "You mean you've only started having ..."
He searched for the word. "Having feelings for me in the last few minutes?"

"Yes." She nodded, solemn. "Now I can't stop thinking about you."

"Oh for Pete's sake, Pix. You don't fall in love as quickly as that."

"Love at first sight."

"You've seen me plenty."

"Cupid's arrow."

"Lack of sleep more like." Still holding her wrists, he rose to his
knees. "Now, I'm going to let you go. But no weird stuff. Okay?" 323

She looked up at him with big, gooey eyes. "Whatever you say, Cody."

"All right." Releasing her, he stood up, dusting off his pants as he did
so. "Now you get up onto your feet. Then you're going to follow me as we
go look for Grace."

"Whatever you say, Cody."

Her meek voice made him uneasy, but at least she was no longer trying to
suck the lips off his face.

She held up her hands.

"Help?"

"But no more wrestling me, all right?" He switched on the flashlight.
"Now stick close, d'you hear?"

"I will." She gave him a shy, girlish smile.

Dear God. This I don't need.

They walked on through the trees. In a little while they reached a
clearing that revealed a house.

"Sheesh," Pix breathed. "If ever there was a haunted house, that's the one."

In the moonlight Cody could see a figure move cautiously through the
open gates and along the driveway. He shook his head, puzzled. "There's
Grace. But what on earth is she doing?"

Pix slipped her hand into his. "Looks to me as if she's paying a visit
to the spook house."

Grace reached the gates to the drive. They were old and rusted and
didn't look as if they were even capable of closing anymore. She moved
quickly along the driveway in the direction of the house that stood
perhaps fifty yards away.

The curve of the driveway meant she lost sight of the front of the house
for a few seconds. She walked in deep shadow. The trees reached over her
in a way that was nothing less than nightmarish.

What was she getting herself into?

This was trespassing now.

Might just get myself shot by a jittery householder.

The half-starved woman with the baby might already be inside. This could
be her home.

But it had just looked so odd. How she'd stood there clutching

324

the silent baby to her while the woman on the roof, dressed in nothing
but a negligee, had talked.

Had to be something peculiar going on here. Mighty peculiar.

Grace glimpsed the roof of the house above the bushes. It was empty now.
Whoever the occupant was had gone down into the main body of the house.

She rounded a bend in the drive, gravel crackling beneath her feet. Her
heart was thumping. She was close to finding out exactly what was going
on here. The urge to answer the mystery was more powerful than the urge
to turn back and find Cody.

She needed closure on this. She had to know that the woman and baby
would be safe.

But what if this was her home, and the home of her abuser? Grace might
land herself in hot water. If she caught the woman's husband, boyfriend,
or whatever beating up on her, what would the man do to Grace to keep
her silent?

Heart pounding, she paused behind the last bush before open ground.
There was the lawn in front of her. The house. It seemed to tower above
her now. A forbidding structure.

More like a castle than a home.

A castle with ghosts. She shivered.

Do it, Grace. Solve the mystery. If you're satisfied the woman and baby
are safe, leave. If not, call the cops.

She peered over the bush.

Nothing happening. There was the woman and baby. The woman's copper hair
cascaded down her back to below her buttocks.

Those thin dark legs. So stick-like.

like bones without flesh.

As Grace tried to decide whether to approach the woman or wait, there
came movement from the bottom of the house.

A door opened. A large one. It could have led to a basement garage.

That was all.

No one appeared to welcome the woman. The door opened and that was that.

For a second the woman with copper hair stood still. She faced the dark
opening where the door had been. 325

Maybe she's afraid to enter?

Wondering who's in there?

The pause didn't last long. The woman with copper hair moved forward to
be swallowed by the doorway.

Now Grace was alone in the dark. And she was still none the wiser about
what had happened to the woman with the baby in her arms.

What would become of them?

There was no movement, but something was happening. Grace heard a thin
squeaking. A mechanism maybe.

Metallic clanking. Not loud, but definitely coming from the house. Then
a rattle, as if a shutter had been lowered.

But still the mystery.

What was happening to the woman and her baby?

Now Grace knew she couldn't turn and walk away.

She was involved now. That meant acting decisively. A life might have to
be saved.

Without hesitating she ran lightly across the lawn, avoiding the noisy
gravel. Her feet whispered on grass.

She was at the doorway.

Then she was inside.

Darkness. She could see nothing but the pale opening of the doorway
behind her. Finding a wall, she followed it, running her fingers across
its hardness, into the depths of the house.

328

CHAPTER FIFTY-TWO

What did Grace go into the spook house for?" Cody glanced across at Pix.
She stood there in the moonlight. Her arms were folded and a mystified
expression creased her

face.

"I don't know. She had to have had a reason, I guess." "Reason, huh?
She's gone crazy, that's reason enough." "Come on," he told her. "We've
got to get her out of there." "Somehow." Her expression showed she
didn't like this. "We've got to do it, Pix. She might be in danger."
"Yeah, that's what I was thinking." She shook her head. "I guess

that means we'll be in danger, too." "Pix, come on." "Better not be
another guy who wants to put his dick in my

mouth. That's really gonna send me over the edge this time."

He gave her a reassuring smile and held out his hand. "Don't

worry, I'll look after you."

She looked delighted that he'd offered her his hand. Taking it,

she walked with him, keeping up with his brisk pace down through

the woods in the direction of the house.

Spook house. The words came to him as he looked down on the

lonesome place. Yeah, Pix might not be far from the mark at that. 327

Grace tripped on some object in the dark. Why hadn't the owner of the
house turned on any damn lights?

She hit her knee on the floor. Bare concrete. Ouch. That stuff's pretty
unyielding.

Keeping her lips pressed together, she got to her feet. Now she kept her
back to the wall as she moved on. This was smooth and slippery, almost a
wood texture, but her fingertips felt a myriad of small holes too.

Just what was this place? It seemed way too big for an underground
garage. She heard clanks of metal on metal. The sound didn't echo back
as she'd expect in a garage. It died instantly, as if something
swallowed the echo.

This smooth material under her fingers perhaps.

Even as she slid along it, she felt fabric. It yielded slightly, as if
there were a layer of stuffing under it.

Smooth hard walls? Now walls that yielded under fabric. Who'd fix
padding to the inside of their garage? She frowned. If only someone
would switch on the lights.

This wasn't just weird.

It was frightening.

All she wanted was to see if the emaciated woman and her baby were safe.
Now this had taken a whole more sinister turn.

She was in a strange underground room.

A bunker?

There was total darkness. Yet sounds of activity. Clanks, rattles,
scraping sounds. The squeal of a mechanism in need of some lube. And the
sounds were swallowed up somehow as soon as they were made.

Her hip knocked against an obstruction. Racks of some kind? Her hands
reached out. Touched objects. Files? Books?

She realized the racks and the wall made a kind of gully. Quickly she
slotted herself in. Crouched. If the lights came on, she might not be seen.

Not right away anyway.

And suddenly it seemed safer to be out of sight.

329

CHAPTER FIFTY THREE

The deep masculine voice boomed out of the darkness, "lake... Lake. Move
up to the platform. Present yourself. Do it Quickly." A breathless
panting filled the room. It sounded amplified. "Obey, Lake. You will be
punished if you do not hurry."

Grace hunkered down between the racks and the wall.

Holy Christ. What kind of place was this? What was that voice?

Whose was that voice!

It thundered from every direction. She looked around. But could see
nothing in that absolute dark.

And where were the woman and child?

Shit. She wanted out. Wanted out now. Before ...

Before what?

Before something BAD happens.

She didn't even like the smell of this place. Disinfectant odors hung in
the air. Those were mingled with something like the smell of stale herbs
and onions. A musty unpleasant smell that worked its way into her
nostrils. The kind of smell that made you want to go shower.

"Lake, onto the platform. Present yourself. Hurry!"

Who's Lake? That bass voice was commanding him to go to a certain place.
A platform?

And to do what? 329

Present himself. That's what it sounded like. Present himself for what?

Grace scrunched herself down between the shelving and the wall.

Didn't want the lights on now.

Didn't want to be seen.

Because this was a bad place.

A mad place too.

Something terrible had happened here.

Right then she knew: Something terrible was going to happen again. Soon
.... real soon.

"Lake... Lake, move up onto the platform. Present yourself. Do it quickly."

The moment Ed Lake heard the words, he thought: All right. Let's roll!

Knowing that his captor--his Sex Queen--could see him through the
nightscope goggles she must wear, he moved across the cage in a hunched
walk, feeling the sharpened stake beneath the leg of his pants. Its
cold, hard shaft pressed against his bare thigh.

Here goes, buddy. No retreat now.

He squirmed onto the platform. He lay flat on his back, hearing it
squeak as it began to raise him to the Perspex roof of the cage. Toward
the hole that he'd slipped himself through so many times before.

He had to go through with this.

Even though it had been different tonight. He'd heard a lot of movement.
Clanking sounds. Rattling. The squeal of a mechanism. A door to the
outside had opened nearby. Even though it had been dark, he'd fancied
he'd caught sight of some dim radiance. He'd felt fresh air come blowing
through the bars of his cage.

He'd heard Virginia catch her breath before whispering, "They're
bringing someone new in."

"But they've never done it like this before."

"No," she'd agreed. "Must be someone special."

Then there'd been the smell of onions and spices. A musty smell. Stale.
Unpleasant.

"Lake! Present yourself} Hurry... Hurry!"

330 no

Okay, here goes nothing.

If it works... payback time!

If not, he'd be joining the late Marco and Cardinali before you could
say, "RIP."

He slipped the wooden stool leg from the waistband of his pants.
Quickly, he pressed his thumb against the point.

Just checking.

Gotta make sure it goes in sharp end first. And, my God, it's sharp. The
barb too. Wickedly sharp.

Please, Jesus, bless this weapon of vengeance.

For vengeance shall be mine, sayeth the Lord. Vengeance shall be mine.

Ed exulted.

I'm in!

April Vallsarra's body burned with exultation. Tonight she'd done it all
by herself. She hadn't needed Lettie to help her.

Tell the world blindness isn't a handicap!

Tell the sighted they're not all-powerful!

Because I've done it. I've caught one all by myself.

Exultation melded with excitement. Excitement generated lust. White-hot
lust that flamed and burned and seared.

Got to have release. Got to let it out!

As she fastened the belt that held the radio mike transmitter about her
slender waist, she reviewed the stages of her near-miraculous feat.
She'd moved unerringly downstairs after telling her visitor to wait.

She'd switched off the lights in her father's basement studio, then
moved swiftly down the steps with the confidence of a sighted person in
brilliant daylight. There, she'd unlocked the padlocks that held the
empty transfer cage in place. This she'd wheeled single-handed to the
steel roller door.

If you could have seen me, Lettie. The times we hauled that together.
Today I did it by myself. I don't need you anymore.

I'm self-contained.

I need no one to nursemaid me.

After that it was surprisingly easy. With the open-ended transfer

331

cage close to the roller door, she's pressed the switch to open it. It
had scrolled up.

In the darkness her visitor had unwittingly walked forward. Not knowing
they were entering the cage.

Not realizing they were entering the trap. Then it had been simplicity
itself. She'd pressed the quick-release lever. The cage door had clanged
shut trapping her visitor. By touch, using her bare feet, she'd located
the loops on the floor, and quickly snapped the padlocks in place,
locking the cage in place so its occupant couldn't tip it up and escape.

Then she'd returned to the roller-door controls and pressed the button.
Seconds later it had rolled back, clanking into place, sealing the
basement studio from the outside world.

Now she had a third prisoner.

She'd done it all by herself.

April wanted to laugh and to spin around and around, her arms out,
reveling in the moment.

Relishing her victory over the world of sight.

Instead, she knew to keep silent until the microphone was in place. In a
second she'd slipped on the headset. Now whenever she spoke, the radio
mike would carry her voice to the electronic synthesizer that her father
had once used to compose his music. Its circuits would transform her
voice into one of those deep male movie-trailer voices.

Her captives would believe they were dealing with some thundering giant
of a man. Not a slightly built blind girl.

Now she was so horny she could burst.

She would have loved to pleasure herself using her new guest, but that
would have to wait, until all the formalities had been gone through,
when the new guest would be transferred to the third, static cage and
conditioned to obey her orders.

No ... it would have to be Lake tonight. She would make good use of his
body.

She switched on the radio mike, issued the order: "Lake... Lake, move up
onto the platform."

She would enjoy his body tonight. She'd make good use of him as she had
before.

332

She thrilled at the recollection of his male hardness entering her. How
she'd knelt on the cool Perspex and felt his hot erection jutting proud
of the hole in the cage roof to work inside of her. Exciting her. Making
her shudder with pleasure, until she .. .

No, don't hurry.

Don't rush this.

Take your time.

Virginia and the new guest--the oh, so silent one--would hear the sounds
of love tonight. Now isn't that an exciting concept? They hear. Only
they do not see.

Tantalizing, isn't it?

Teasing.

Might make them want to touch themselves.

And what of her new guest? April Vallsarra didn't even know its sex. Not
that it mattered, like many an adventurer before her, she'd drunk deeply
of many different springs.

By sense of touch alone, she moved from the elevated walkway that ran
around the basement studio and onto the Perspex roof of the cage. Her
body throbbed with anticipation. She hungered for Lake's hard member to
push deeply into her.

She felt the hole with its smooth edges in the Perspex. There would be
Lake lying just below her now. He'd be anticipating too. She knew he
loved this as much as she did now. She'd felt his tremors of excitement
through his cock as he entered her. And felt many times his passionate
eruption that flooded her with his liquid warmth.

Oh yes ... yessss. She couldn't bear to wait another minute.

Kneeling down on the cool roof of the cage, April reached down, clasped
the hem of her negligee, and raised it up to her hips.

When she spoke, her voice came back to her in a boom. "Lake, present
yourself."

She went down.

Ed Lake heard the command.

"Lake, present yourself."

Above him a weight settled, slightly flexing the Perspex.

What if she reached down to touch his cock with her fingers first? Then
she'd feel the wooden stool leg. She'd know what he

I

333

planned. His heart hammered in his chest as he lay there, gripping the
pointed shaft in his hand.

Because it was too long to push straight up, and his own body was still
partly in the way, he'd have to push at an angle. He clenched his fists
around the wooden shaft, ready to force every ounce of his strength into
the upward thrust, through the hole into the most intimate part of her body.

"Lake. Present yourself. That is in an order."

I hear and obey, oh mighty one!

He drove the point up through the hole. Thrust as hard as he could.

Then flinched at the sound of the deafening scream.

335

CHAPTER FIFTY-FOUR

Jesus H. Christ! What's that? Grace smacked her palms to her ears. That
screaming... hell, it sounded like sheet metal being torn in two.

Her eyes stretched wide. But she could see nothing in this darkness. It
was black as damnation down here. Not a glimmer of light.

And the place shook with screams.

Deep male ones.

Only they were weird.

There was no single direction to them, like being in a cinema with
surround sound. The yells came from everywhere at once... they were
distorted too, with a kind of electronic overdrive that powered them to
a nerve-stripping intensity.

Madhouse.

Freaking madhouse.

Now Grace really did want out.

Had a burning need to bug out of the house. A burning need to run into
the woods and hide in the cool silence until her ears stopped ringing.

"Aaaaa--hhh--gugh." Skull-cracking decibels. "Lake... why? Why/ Uhhhgh!"

Now Grace heard rushing sounds. The same you get when someone breathes
into a microphone. Snapping and deep umph sounds too. A mike being
knocked. 335

Then came the sound of amplified weeping. Someone was in pain. In real
pain that you couldn't even begin to imagine.

Another voice rang out in the darkness. "You deserved that, you bitch!"

"Lake. I loved you."

"Yeah, loved me enough to keep me in this stinking cage. Loved me enough
to put me in fear for my life every single minute of the damn day...
that's what I call tough love."

A third voice; this one female. "Ed. Can you reach her? Can you find a key?"

"I've got her hooked, Virginia. Got her damn well hooked. All I have to
do is twist the shaft a little."

"lake, no. please!."

"What's it like to be on the receiving end, huh?"

"Lake, pleee--"

Grace cringed as the voice rose into a scream.

The one called Lake must have twisted the shaft and caused pain.
Whatever that involved.

"Uu... ugh.'"

"You took us for a pair of saps," Lake said. He sounded triumphant. "We
know that you're a woman. We know that you altered your voice with some
gizmo."

Grace had to get away from the madhouse. She started crawling along the
floor on her hands and knees.

"Lake, please! I'm hurt real bad..."

The female voice pitched in. "And serves you right. Suffer, you bitch!"

Grace wanted to curl into a ball until the screaming stopped. Only, by
now she thought it never would.

Gotta get out.. .

Gotta get away...

Must be a door somewhere near.

She felt along the wall, fingers hunting for an exit... a door... then a
window...

What's that?

Her fingers found something.

336

Hard. Oblong. Fixed to the wall. Size of a peppermint. Her mind swum
dizzily. It's a... . .. light switch ...

Not being able to see in the darkness, Ed Lake could still feel.

He lay on his back on the platform and hung on to the harpoon he'd made
from the stool leg.

Fish wriggled.

Fish squirmed.

But let go?

Never!

No sirree.

He'd caught her. He'd felt the point of the stake punch through skin
deep into flesh. In his mind's eye he saw how it was. He was lying flat
on the platform, she was directly above him just inches away on the
other side of the Perspex roof panel. The two people were connected by
the stake passing through the hole into her... well... go figure.

What made it difficult now was the blood. It ran hot down the wooden shaft.

Blood's slippery stuff, he thought, surprised. It made it hard to grip
onto the shaft. What's more, his Sex Queen writhed and screamed. One
hard tug and she could pull the slippery thing from his hands.

Then what?

She'd order her accomplice to slit his and Virginia's throats.

Or maybe she'd just abandon them here. Leave the two of them to the of
durst in the dark.

And where was the accomplice?

Maybe she'd panicked when she saw the Sex Queen suddenly convulse in agony.

Ed Lake knew he must hang on to this bloody pole, slippery as it was.
Sex Queen could have keys to the cage. They could bargain. Her life for
their freedom.

"Hang on in there, Ed!" That was Virginia shouting encouragement. "And
while you're at it, hurt the bitch!" 337

Even in darkness, Amara saw. Amara waited. ...

April Vallsarra writhed in agony. The pain was overwhelming. Could
hardly form two words in a row before the sheer hurt overwhelmed her
thought process. Then she howled in pain.

At first the synthesizer returned the screams to her in a deep bass roar.

Then the microphone headset was thrown clear of her by the convulsions.
Instantly, her cries of pain became a high shriek.

But down through the blazing red inferno that was her pain one word
roared through her head.

Revenge.

Damned if you do, damned if you don't.

Grace wrestled with the problem. If she switched on the lights, she'd be
able to see. But then the people doing the shouting and the terrifying
screaming would be able to see her.

Then maybe it would be the turn for one Grace Bucklan to do all the
screaming.

Shit to that, she thought.

But if I switch on the lights, then run for the door, maybe they'll
never catch me? Besides, they sound too busy doing stuff, jreafey stuff,
to one another. Just listen to that woman howl. Sounds as if she's
making out with a branding iron.

And if I stay hiding in the dark here, they're going to find me sooner
or later.

What about the woman and her baby?

Uh ... solve that one when you get to it.

Still keeping her finger on the light switch, she levered herself to

her feet. When that light came on, she wanted to be running hard.

Away from this madhouse. Back to Cody.

She took a deep breath. Here goes.

Grace flicked the light switch.

338

Still lying on the platform, still gripping the slippery shaft, still
praying for a miracle, Ed Lake blinked in surprise as the light came on.

He looked at his hands.

Somehow he was wearing crimson gloves.

Ugh ... only they weren't gloves.

Contorted with agony, April Vallsarra gulped down lungfuls of air,
trying to suppress the pain.

Blind, she didn't see the light.

Grace raised her hands to shield her eyes. The strip lights were dazzling.

She'd intended to run.

Run like greased lightning for the door.

But she didn't.

Couldn't.

What she saw fixed her tight to that square yard of concrete.

She looked at the scene, which could have come from a carnival for the
damned. In the harsh light were four cages. Three were the size of
pickup trucks. One was a smaller wheeled cage.

But Grace's eyes were drawn to the cage nearest her.

Now that was weird.

That was a tableaux as bizarre as it was terrible.

A young guy dressed in pants, shirt, and with no shoes lay on a platform
just below the underside of the cage roof. On the cage roof knelt a
beautiful woman dressed in nothing but a flimsy negligee-- the same
woman Grace had seen on the roof of the house.

She was kneeling with her face down, almost touching the roof that was
made out of glass. She was writhing, her two hands gripping a dark stick
that protruded from the guy's hands below into her throat.

A splash of ice shivers crashed over Grace's body.

Dear God...

She saw what was happening now.

The guy had stabbed the woman in the neck with some kind of spike. The
woman couldn't drag herself off the point. She was caught. Bled
profusely. 339

Blood ran down the spike, over the guy's hands, dripped down onto the
cage floor.

Gross-out... she must be in agony. Must be dying too.

Holy shit!

Ed Lake stared up at what he'd done.

Now in that brilliant electric light he could see the damage. And what
exactly had been damaged.

It wasn't as he'd thought.

She hadn't sat on the hole this time to receive his cock into her. No.
Instead, she'd been going down on him when he stabbed upward in the dark
with his homemade harpoon. The point had gone into her throat just below
her jaw.

Gone in deep enough for the barb to hook.

She was going nowhere now.

No escape.

But, Jesus, look at all that blood.

The red stuff gushed from her.

Wet his hands, slicked his chest, pooled on the raised platform. For the
first time he got a good close look at his Sex Queen as she knelt above
him on the Perspex. He was looking through a rose-tinted smear of blood
on the transparent material. But he saw enough.

She was around thirty. Shoulder-length dark hair. Slim. Wore a negligee.
Its transparency permitted him a glimpse of curved orbs of breasts
tipped by dark nipples.

But no nightscope goggles?

"Ed ... Ed ..." Virginia called him. "Ed. She can't see you. She's ¦blind!"

Blind?

Holy shit. So that's how she moved through the darkness.

The Sex Queen was weakening. The microphone headset that piped her voice
through the synthesizer had slipped off to lie on the glass roof of the
cage. She still cried out, but it was softening to a moan.

So when the next scream came, Ed was starded by its power.

It also came from another part of the room.

340

Virginia?

No.

Not from her.

Still holding on to the wooden shaft, he twisted his head. There,
outside the cage, was a girl in her late teens.

Who the hell was she?

But there was no time to worry about identities. The girl screamed
again. The scream was pure terror. She was pointing too.

But not at the skewered blind woman.

At something else entirely.

341

CHAPTER FIFTY-FIVE

Just when it seemed as if it couldn't get any worse, it did just that.

Grace had watched the guy holding the blind woman down in a kneeling
position. The spike he held driven deep into the woman's throat. Harpooned.

Sickened by the scene, Grace wrenched her gaze from it.

Only to see something else.

Something far worse.

For a second she'd stared uncomprehending at the figure in the smaller
cage, the one nearest the steel roller door. It was the woman she'd
followed through the woods.

Now she stood there in the center of the cage. A dark emaciated body.
Long copper hair.

She stood almost casually, as if her surroundings didn't faze her.

Then Grace realized why.

She's dead.

Grace stared at the corpse standing their motionless. Her eyes swept
over the corpse. It was naked. Ancient-looking. Its breasts had
shriveled. Around the neck the flesh was wrinkled, then further down the
chest it became smooth. For some reason it reminded Grace of melon skin.

A melon-skin torso; a beef-jerky neck? Gross.

342

Then, framed by beautiful copper hair that glinted in the light, was the
most hideous face....

Little more than a skull, its lips shrunk to expose the teeth. There
were no eyes in the head. Where they should have been were empty sockets
that plunged twin pits of darkness deep into the head. Across the
corpse's stomach was a long gash that had been crudely stitched.

Grace's own skin suddenly felt as if it wanted to crawl off her back.
Her stomach shriveled. Her knees went weak.

Hanging from one claw hand was a dead baby. Held by one leg, it swung
gently. Apart from that motion, the figure didn't move.

Grace had seen things like this in museums. In history books. On TV.

She was looking at a mummy.

An ancient Egyptian mummy that had been stripped of its bandages.

But why the baby?

Why here?

Why now?

In this madhouse?

She realized the guy laying on the platform and the girl in the
adjoining cage were staring at the mummy too. Trying to work out in
their heads what was happening.

They seemed to guess. Both wore expressions of disgust melding with horror.

I wanna go now.

I wanna run from this place. Never look back.

This is a place that should be burnt to the ground and the earth sown
with salt. That's what you do with haunted houses, isn't it? That's the
Biblical way to deal with evil places.

Silence settled onto the big room.

All Grace heard were soft moans from the wounded woman on top of the
cage. She'd grown feeble now from the blood loss.

It was the thing in the third cage that had gotten everyone's attention.

It was during this pregnant silence that it moved.

The mummy slowly raised its face, as if those eyeless sockets could gaze
up at the lights in the ceiling. 343

Slowly the head lowered. Rotated left. Rotated right.

Looking at its surroundings.

It uncurled its fingers. The baby fell with a thud to the concrete floor.

In no hurry, it moved.

Dear God, the mummy walked.

It crossed the cage, long tresses curling down its back, bouncing softly
as if they moved with a life of their own. It stopped. Reached slowly
out. Fingertips brushed the bars of the cage. The mouth parted slightly
as if it said something to itself.

Grace moved with her back pressed to the wall. She'd get past the caged
mummy, then race for the roller door. She'd heard it clank as it rolled
down. She knew she could find the control that opened it.

Then she'd be away from here.

She wouldn't stop running until...

"Please help us."

Grace's head jerked back. The girl in the second cage was speaking to her.

"We've been held here ... we've been prisoners. Find a key to unlock the
cages."

The man nodded furiously. "Please help. We're dead if we don't get out
of here."

"But..." Grace pointed at the mummy that ran a claw finger down the bar
of the cage.

"Don't worry about that." The woman talked quickly. "It's in a cage, it
can't hurt you."

"But it's dead . . . it's dead.'"

Only, she saw the dead thing move. Saw the copper hair flow out of the
skull and down its back. She saw dead, hard flesh that was beef-jerky brown.

Saw holes in the torso.

Bullet holes?

"Please help us!" The guy let go of the spike. Bloodstained, he
slithered from where he'd been sandwiched between the platform and the
glass roof of the cage and let himself down to the concrete floor. The
blind woman flopped down onto the cage roof. Lay still.

344

The guy reached out a bloody hand through the bars of the cages toward
Grace. She looked in horror at the slick fingers, the drips of crimson
forming on his fingertips.

"Help us." His eyes were huge in his head. "Help us ... Hey! Where are
you going? Don't leave us here. Please don't leave us...."

345

CHAPTER FIFTY-SIX

Grace ran by the cages. She gave the one containing the mummy as wide a
berth as possible.

The bloodstained man shouted, "Where are you going? You can't leave us
here ... we're dead if you go."

"Come back," called the woman in the second cage. "Please!"

Grace ran to a shelf on which stood a metal box. "I'm not leaving," she
panted. "I'm looking for tools. I'll need something to break open the
cages."

The woman in the second cage reached through the bars to grip one of the
pair of padlocks that sealed the doors. "These are tungsten. You'd need
dynamite to smash them. See if you can find a key."

"A key? Where?"

The guy spoke up. "There's gotta be keys somewhere nearby. Look for them."

"But they could be anywhere in the house." Grace shrugged. "It'd be like
looking for a needle in a--"

The woman jerked her head at the mummy. "The padlocks on that one were
unlocked sometime in the last half hour... the keys must be close by."

Grace ran around the room looking at the walls for a hook. Those elusive
keys might be dangling nearby. Or were they slipped into a drawer in the
desk that was just around the corner? Did the harpooned woman still have
them?

346

Unlikely. Sure as hell don't have pockets in a flimsy negligee.

Even so, Grace craned her head to look at the blind woman. She wasn't
moving. Her lips had turned blue and her whole body was a glistening
mass of blood.

Grace turned again, searching through shelves. Dozens of shelves. In
seconds she was dizzy with the exertion. Blundering by the cage with the
guy, she decided to start her search again at the entrance to this
chamber of horrors.

The guy gripped the bars of the cage, shouting encouragement.

Breathless, her head spinning, she ran down the other side of the cages,
thinking only about the key that must be somewhere nearby.

Then something appeared to block her path.

She stopped blinking, then screamed.

It was a thin, dark arm.

Hell and damnation!

The mummy had lunged out at her. She'd been focused on finding the key;
she'd almost forgotten the monstrosity in the cage. Only, now it had
suddenly gotten mobile. Its fingers slashed through the air, reaching
out, flexing, trying to grasp her.

Grace screamed again, stumbled back as the fingers swiped, catching the
material of her T-shirt. She looked down--the thing's sharp nails had
slashed four vents in the cotton. She glimpsed her own skin.

And God, that hurts. The monster has scratched me.

Don't let it come close again. Don't!

As the mummy lashed out at her once more, Grace flung herself back
against the wall.

"Keep your distance from it," called the woman in the second cage. "It
can't reach you if you keep away from it."

Damn right.

I'm not going near that thing again.

Grace stumbled to the far end of the room, her heart thumping hard in
her chest. Dazed, she found herself hitting the steel roller door. The
crash reverberated in her head. Taking a deep breath, she looked for
what must be there.

And there it was.

Come to Momma. 347

Set in an oblong panel beside the door were buttons marked Up and Down.
With her balled fist she pounded Up. Immediately she heard the hum of an
electric motor. With a rattling sound the roller door began to scroll
upward. But it was slow . . . too slow.

She willed it to move faster.

Inch by inch it rose.

But at last moonlight spilled between the bottom slat of the door and
concrete floor. A cool breeze stroked her ankles.

I could leave, she told herself in surprise. I don't have to help these
people. I don't have to stay in this place with the dead creature with
copper hair and its dead baby. I could slip through the gap between the
door and floor now. Then I could run.

I could leave this chamber of horrors. Never look back.

But...

Conscience. She knew she'd have the fates of the two people laying
heavily on her for the rest of her life if she ran out now.

Had to help.

Got to.

She backed away from the door, her gaze searching the wall as she did so.

Got 'em!

There by the door was something like a coat hook. Hanging from it was a
large steel ring that held a dozen or more keys.

She glanced back at the guy and the girl in the cages. They weren't
saying anything. But they were staring hard at her. Perhaps fearing that
she would simply run out through the now-open doorway and into the
night, never to be seen again.

Instead, she grabbed the key ring.

This time she moved by the mummy's cage with caution, walking with her
back to the wall and facing the emaciated creature in the cage.

Uh, but now that's bad... that's really bad.

As Grace walked, the mummy rotated its head. It had no eyes, but Grace
knew the thing was tracking her. Watching.

In case she got too close again. Got within striking distance of those
raking fingernails. The mummy's upper lip curled back. The thing was
snarling at her.

348

"Virginia," the guy cried, "she's got the keys."

"Great," the one he'd called Virginia breathed, "but get us out of here
real quick, huh? Something tells me time might be running out."

Grace advanced on the guy's cage. He gave her a winning smile. "Thank
you. You are an angel." He moved to the cage door as if ready to run the
moment she released the padlocks. "My name's Ed, by the way. My roomie's
called Virginia... oh, thank you, thank you . . ."

He beamed with such gratitude that Grace felt herself blushing.

"My name's Grace," she said, studying the keys. "It looks as if you've
got yourself into a situation here?"

"A situation and a half.. ." He nodded at the key ring. "It's probably
one of the smaller ones. Something like a Yale."

"Make it quick," Virginia pulled the blanket round her, looking suddenly
cold. "I don't think our new neighbor's gonna be patient for long."

But which key?

Now that she had them in her hands, there looked to be nearer two dozen.
The key for the padlocks might not even be among this bunch.

"Try one at random," Ed suggested. He flashed her a grin. "Process of
elimination."

Tried one with a green fob.

"No go," she said. "Doesn't even go in."

"Okay, go to the next."

Her hands were shaking. She'd grip a key. Then the thing would slip from
her fingers, clinking around the ring.

Got a grip, then tried it in the lock.

"It goes in. But I can't turn it."

"Must be getting close," Ed encouraged.

"Hurry it up, guys." Virginia sounded worried. "The new girl's making a
move."

Grace started back.

"Don't worry," Ed told her. "Whatever the damn thing is, it's staying
put. It can't bust out of the cage. It's--"

Clang! 349

The noise was terrific. The sound of a hard object slamming into metal.

All three whirled round. The mummy had moved across the cage. With the
flat of its hand it struck the cage door as if to knock it open. The
whole cage shook with each blow.

"Don't worry," Ed shouted. "It'll hold . . . it'll hold."

Grace saw him turn back to her. Fix her with his eyes. In a calm voice
he said. "Just work through the keys, Grace. It'll be there, trust me."

Her hands shook so much that when she tried the next key, the entire
bunch slipped from her perspiring fingers to the floor.

Take your time, she told herself. Concentrate. Don't panic. You can do
this. You can really do this.

She selected a key with a yellow plastic grip.

Now nice and easy does it. Slip the key into the padlock.

"This is it!" The words burst from her lips. The key turned easily.

She pulled open the padlock hasp and slipped it from the steel loops
that secured the cage door.

"Well done," Ed told her. "One down one to go." He smiled. "Knew you
could do it, Grace."

Grace smiled, encouraged. "Piece of cake."

Then she did the wrong thing.

She glanced across at the mummy. Her insides turned to water as she
watched the creature extend one of its beef-jerky paws through the cage
bars. Then without any hurry, without any fuss, the fingers crept around
one of the pair of padlocks.

The hand tightened into a balled fist around the tungsten padlock. For a
second the hand quivered as the monster applied pressure, then--

Crack!

The padlock snapped as if it were made from nothing stronger than pastry.

Slowly the monster uncurled its fingers, allowing the destroyed padlock
to fall to the concrete floor.

Then it paused.

Grace looked into the twin pits of darkness in the thing's face.

And she knew.

350

That monster's watching me. It's thinking, "I'm coming for you now...
I'm going to finish what I started .. ." Grace felt the tingle on her
stomach where the monster had slashed her with its razor nails. Gonna be
more of the same soon. Slashing, scratching, ripping.

"Grace," Ed spoke firmly. "Snap out of it."

"Uh?"

"You've got to unlock the padlocks."

As if awakening from a dream, she shook her head. Then she selected
another key. Tried it.

"Not the right one," she said.

"You can do this, Grace. We trust you."

She tried another.

And another.

No luck... no Goddamn luck.

Her heart began to hammer again. Her respiration quickened.

Beads of perspiration slid down the small of her back.

Next up. A key with a white plastic grip.

She tried it.

Then stood there blinking. Not believing what happened.

"Way to go, girl!" Ed was jubilant. "You've done it."

He reached through the bars, worked out the hasp, then flung the padlock
to one side. He pushed open the cage door. Free at last.

He breathed deeply as if the air outside the cage was so much sweeter.

"Hey, guys . .." Virginia sounded nervous. "You won't forget me, will you?"

Grace turned to see the mummy reach through the cage door again. It
snapped off the second--and final--padlock.

Slowly it pushed open the door.

"What the hell's going on here?"

Grace turned sharply when she heard the familiar voice.

"Pix?"

"What's with the cages?"

"Pix, get out of here ... run!"

Grace waved her sister back as she walked through the doorway. She saw
Cody at the girl's side.

"Both of you . .. run! Get away from here!" 351

Cody started to walk toward her. "What's the matter, Grace? What's going
on here; you--"

Then the thing leapt. Its copper hair flared out behind it as if the
monster had somehow caught fire.

Then it was on Cody. Pix screamed.

Grace ran to help. She saw, in horror, the thing knock him flat to the
ground. Then it was crouching on his chest, its bare, shriveled rump
pressing on his stomach as it gnawed at him.

"Leave him ... let go!" Grace shouted at the creature.

For what good it would do.

Grace saw its teeth gnawing.

Cody screamed, his arms went out spasming.

Then came a fountain of blood from his throat.

His body convulsed, twitched, then lay still. Eyes staring at the ceiling.

"Cody!" Pix screamed. She hurled herself onto the mummy, punching, clawing.

The creature sprang to its feet, turning as it did so. The savage
movement threw Pix clear across the concrete floor. Dazed, she went
sprawling.

"Bitch! Murdering bitch!" Grace yelled.

"Grace," Virginia warned. "Don't go near it! Keep away!"

Ed moved so the cage was between him and the mummy. "Grace, come this
way around . .. don't let it spring at you."

"I've got to help my sister."

By this time, Pix had managed to sit up. She looked groggy from the blow.

"Hey, don't forget me, guys," Virginia pleaded.

Grace remembered the keys in her hand. She threw them through the bars
of the cage. Virginia picked them up.

Ed jerked his head toward the mummy. "I wouldn't be in a hurry to get
out just yet, Virginia."

"Don't worry... I'm going to bide my time."

Grace cast a despairing look at Cody. He lay in a growing pool of blood.

He was my first love ... he was the first man I'd slept with ... now this...

352

Pix groaned. "Oh, my head hurts."

The mummy turned. It must have noticed Pix move.

In a weird way ... almost gliding... it crossed the concrete toward her.
Even as it moved, it altered its posture. Tipping its top half-forward,
hand coming up ... This was attack mode ... it was going in for the next
kill.

"Pix! Run!"

"Run? Can't even stand ... my head."

With a yell, Ed charged. Intercepting the mummy, he grabbed it by the
waist, lifted it from the floor with it facing him.

Grace watched in disbelief. It looked almost as if he danced with the
creature. The mummy opened its mouth... its teeth dripped crimson. Then
it plunged the head downward so fast the copper hair rippled in the air
behind it.

In a few gnawing bites, it had torn Ed's face off.

But even with nothing remaining but a bloody mass, he still moved with
the mummy. Waltzing it across the floor toward a cage ¦ with an open door.

Grace saw Virginia move fast. With lightning dexterity. She worked
through the keys on the ring. In ten seconds she had both padlocks open.

Then the cage door crashed open.

Not stopping to look back she ran.

Grace glimpsed her face, wild with terror, loom close to her own. Then
she was gone through the doorway and out into the wood.

"Help me, Grace ... my legs don't feel right," Pix pleaded.

But Grace had to see what happened to Ed. He'd sacrificed himself to
save them.

Ed had managed to carry the mummy as far as the cage, but didn't have
the strength to push it in. He pressed it as hard as he could against
the bars. They could have been a pair of lovers necking against a wall.
He pressed the creature back hard. The creature held his head in both
its hands while pushing its face against his in a grotesque parody of
kissing.

But this was gnawing. Teeth ripped. Crushed. Tore.

Grace heard the ripping of muscles and cracking of facial bones. 353

Blood pattered down to the concrete, pooling in a slick mass that
reflected the lights above.

Then Ed's legs lost their strength. A moment later his arms dropped by
his side.

Still gnawing at his face, the mummy didn't let him go as he slowly
folded down to the floor.

"Come on!" Grace pulled Pix to her feet, then gripping her hand so hard
that the girl cried out in pain, she dragged her outside.

Then she ran.

She didn't stop running until they were both back at the pickup.

When she started the motor, Pix managed to rouse herself Groggily.
"Where now..."

"Home," Grace panted. "We're damn well going home."

355

CHAPTER FIFTY-SEVEN

While Tag drove, Susan sat beside him. Geoffrey lay snug and asleep in
his baby seat in the back of the car. The journal rested lightly on her
lap. Susan skimmed it by flashlight, looking for the first mention of Amara.

She was halfway through the journal before she noticed the words
"sarcophagus" and "mumnuform."

"Here we go," she said, and began to read. ""... the mummy beneath him.
A portion of its head was visible. I saw its red hair, its eyeless
sockets; I had the impression, for a moment, that it was kissing the
dead man's neck.'"

"Charming," Tag said.

" 'I raised the man's head. The mummy's head also lifted, and I realized
its teeth were buried in the throat.'"

"Same M.O.," Tag commented.

Susan read silently for a while. " 'The bride of Set,'" she finally
said. And then: " 'She will arise from the dead to seek the blood of her
slayers.'" She read more in silence. "Callahan wants to take her out of
the tomb."

"That was his first mistake."

" 'You have broken the seal of Osiris guarding the doorway. Its magic is
destroyed. Without it, Amara will walk the night.' The seal. Remember
the gold disks on the coffin? Same idea. We had written instructions
left by Callahan. They said that on no account should 355

we tamper with them, but they were already broken when the coffin was
delivered. Without the seals, she walks the night."

"Pretty damned hard to swallow, Susan."

"Your own police officers claim she killed these people."

"I just can't believe that someone who's been dead almost four thousand
years--or four seconds--can be walking around murdering everyone in
sight. I mean, can you?"

"I don't know."

Tag flicked his turn signal. Its quiet clicking was the only sound in
the car as he steered up a long, curving off-ramp.

"On the other hand," he said. "Damn. On the other hand, there wasn't any
evidence at all of any human presence. And plenty to support the idea
that Gonzalez and Beckerman were attacked by the Goddamn mummy. Gonzalez
obviously shot it. His fingernail scrapings ... I mean, there are
certainly a few ways to explain all that. We've been through them. But
everything falls neatly into place if you accept the mummy as perpetrator."

"Callahan's death too."

Tag nodded. "The business about the dogs always did sound suspicious.
Where was the .22 he used to shoot them? I think the Burlingdale boys
just jumped to the obvious conclusion, and didn't worry about the
discrepancies when they closed the case."

"But Callahan knew about Amara."

"Maybe he didn't know the seals were broken. Or maybe he broke them
himself for some reason."

"A form of suicide?"

"Could be. He was old, his health failing, his wife recently killed.
Maybe he just wanted to end it all." Tag shrugged. "Or maybe he had a
different reason for breaking the seals. Could've done it, I suppose, to
sic Amara on the robbers."

"That could be it. Something sure made them leave in a hurry-- and
empty-handed."

She shined the flashlight onto the journal and flipped through a few
pages. Then the car turned a corner. Spinning red and blue lights
flashed on her face, and she saw four police cars on the road ahead.
They were double-parked, blocking half the street. A coroner's van sat
in the driveway of a house on the left, its rear doors open. Another

356

van, this one marked Eyewitness News, blocked a driveway across the street.

Susan saw people everywhere: in clusters on the sidewalk; a couple
strolling directly in front of the house, glancing toward it as if only
casually interested; others peering out of windows and doorways of
nearby houses.

At this time of night, she told herself. It was the early hours of the
morning, but the lure of a crime story had drawn enough people out of
their houses to fill the sidewalks as if it were the middle of the
afternoon.

On a lawn, somebody was being interviewed by a TV newsman. The camera
lights lit the scene vividly.

"Looks like Vasquez," Tag said. He drove slowly past the patrol cars and
parked.

They climbed from the car. Geoffrey stirred in Susan's arms as she eased
him from his baby seat. The lights flashed against his shut eyes. She
pulled the comforter so it hung over his face.

They were halfway up the driveway when a voice called, "Miss Connors!
Susan Connors!"

"Oh, damn," she muttered.

Tag grinned. "You're already a celebrity."

A short, curly-haired man hurried toward her, followed by a man with a
mini-cam on his shoulder, another with a glaring light.

"Lenny Farrel, Eyewitness News."

"Yes, I remember."

"Miss Connors, are tonight's killings related to the recent
disappearance of the mummy from the Charles Ward Museum?"

"There appears to be a connection. That's why I'm here."

"Did the police request your presence?"

"Yes."

"What would be the nature of the connection?"

"No comment."

"We've heard speculation that tonight's killings were committed by
someone resembling the missing mummy, Amara. Do you give credence to
such speculation?"

"Do you?"

"According to a reliable source, a patrolman reported over the air 357

from his radio car that he confronted a suspect near the crime scene and
that said suspect conformed to descriptions of the mummy."

"I wouldn't know,about that. Now, if you'll excuse me."

"Before you go. Miss Connors, would you care to elaborate on your role
with ..."

"Excuse us," Tag said, stepping between the newsman and Susan. With an
arm around her shoulders, he led her away.

They entered the house. Vasquez followed them inside and shut the door.
Susan glimpsed several men near a woman's body. She looked away.

"What'd you tell that SOB?" Vasquez asked.

"Nothing. He seemed to know plenty, though."

"Kraus spilled his guts over the radio. Every bastard in town with a
police scanner thinks we've got a homicidal mummy on the loose. The
mayor's gonna go crazy."

"What do you think?" Susan asked.

"I think we'd better get our hands on a suspect fast and it better not
be a Goddamn zombie." He looked around. "Kraus, haul it over here."

A thin, gray-faced policeman hoisted himself from a sofa. He came across
the room, squinting through the smoke of a cigarette pinched between his
lips. As he reached the group, he took out the cigarette. "Yessir."

"Kraus, this is Susan Connors from the museum. You want to tell her what
you saw?"

"I don't know what I saw."

Vasquez's eyes narrowed. "Give it your best shot."

Kraus dragged on his cigarette. "I think it was the mummy."

"We'll be the judge of that," Vasquez said. "Describe it."

"Well..." He sighed, blowing smoke out his nose. The skin around his
eyes was red, sore-looking. "I pursued the suspect into the alley. I'd
say it was a female, five foot four, red-haired. Long, right down her
back. Reached her legs. Very thin, like a ... like a pile of bones." His
shaking hand poked the cigarette between his lips. He stared at the
bundle in Susan's arms. His right cheek began to twitch.

"Tell her about the eyes," said Vasquez.

"Didn't have any. Just... empty sockets. I saw right into her head, like
the head was empty... just a shell, you know?"

359 "What else?"

"Well, there were these holes. In her chest and back. But no blood or
anything. They looked like bullet holes. Some of them did. She looked as
if she'd been stitched up across here." He ran his finger across his
belly. "Clumsy-looking job of it too."

"What was she wearing?"

"Nothing."

"Nothing at all?"

"She was naked."

"What else?"

Kraus shrugged. His eyes were still fixed on Geoffrey. "Is... Is' that a
baby you've got there?"

Susan nodded.

"Christ, that isn't. .. Not the one she had?"

Susan frowned, confused.

"The suspect was carrying a baby," Vasquez explained. "The McLeash
child. We had three fatalities at their place. Baby-sitter, her
boyfriend, and a kid. The baby's missing. Apparently our suspect grabbed
her."

"Wiled her," Kraus said.

Susan felt sick. She took deep breaths, trying to control her sudden
dizziness and nausea.

"Okay, Kraus. Tell her what happened after you confronted the suspect."

He tapped a length of ash into his open palm. The palm was shiny with
sweat. "Well... it ran up the alley. South. With the dead baby. Brown
went in pursuit, and I returned to the car to call for backup."

"And did a fine botch of it."

"Yessir," he said. The ash turned muddy in his wet hand.

"Where's this Brown?" Susan asked.

"Someone knocked him cold. Probably the perp. The doc says we won't be
able to talk to him until the morning."

"And there's no sign of the mummy now?"

"We've given the alley a search. Our men came up with zip. Right now my
men are combing the field by the museum. The alley led right to it.
Maybe they'll come up with something."

360

CHAPTER FIFTY-EIGHT

Amara held the baby by one arm, dangling at her side, its feet swinging
so close to the ground, they caught the dirt every now and again,
raising a puff of dust. Moonlight cascaded through the branches.

Once Amara stopped in one of the silver beams to gaze up at the moon.
Her shining hair fell back from her head, cascading down her back. Her
eyeless sockets admitted the lunar radiance to her empty skull. Her lips
peeled back from the teeth in a silent snarl.

A wild dog howled somewhere in the distance.

Amara stayed, allowing the moonlight to bathe her face. Then she walked on.

After a little while, the canyon ended. It opened out into fields.
Beyond the fields lights burned in streets. She walked faster; sometimes
during her progress through the undergrowth, bushes tugged at the baby.
Each time, she kept walking.

She joined a trackway that ran through the fields.

She wasn't far away now. She could sense it.

Felt its pull.

Amara walked faster.

Soon.

361

CHAPTER FIFTY-NINE

"Momma's gonna kill me," Mabel said from the backseat. They were her
first words in nearly fifteen minutes.

She doesn't have to know," Imad told her.

She's gonna know. That was her best knife. She's gonna kill

me.

"I'll buy her a new one."

"Ain't the same."

"A knife is a knife."

"This knife ain't."

"Oh?"

"John Wayne gave it to her."

Imad glanced at her in the rearview mirror. "John Wayne? Really?"

"Back in 1958. She won it as a prize and John Wayne presented

"That's what she told you?"

"Sure, don't you believe it?"

"It's not for me to believe or disbelieve."

"So she's gonna kill me. It was a genuine bowie knife like cowboys use."

"Mabel, whatever kind of knife it was, I was not about to let you bring
it along."

"Think I'd stab you?"

"It did indeed cross my mind." 161

"You're my friend, Imad."

"Well, thank you."

"Even if you do call me names and say I stink and won't let me sit in
front with you and hit me."

"I'm sorry about that."

"I don't call you names."

"I'm aware of that."

"Or say you stink."

"I do not stink. I've always been particularly fastidious about personal
hygiene. I expect others to be equally fastidious."

"Huh?"

"I'll teach you, Mabel."

For a few moments there was silence. Imad took his foot off the gas,
slowing as they approached the gate. The car's lights shone against the
tall ironwork.

"Imad?"

"Yes."

"How come you're being nice to me?"

"So you'll allow me... now how do you put it? Allow me to prong you."

She snorted. "That ain't the reason. How come? Nobody's ever nice to me.
How come you are?"

He shrugged. "To atone for my sins perhaps." "You're a sinner?"

"Indeed I am."

"You a Catholic?"

"No."

"Good thing. My momma, she's against 'em." She leaned forward in the
rear seat. "You won't be Jewish then?"

"No, I am not."

"Mohammedan?"

"No."

"Must be something, Imad."

"My mother's family fonned part of Egypt's Coptic Christian community."

"Coptic Christian?"

"That's right."

362

"Good," she said, satisfied. "Momma never said nuthin' against Coptic
Christians."

"I'm pleased to hear that."

He pressed the remote button. The gates swung open. He drove through and
the gates swung silently shut behind them. Ahead, the house was brightly
lighted.

"What's that?" Mabel asked.

"That, Mabel, is home."

"Whose home?"

"Mine."

"No shit."

"It most certainly is."

"No, it's not."

"It's not?"

"Is it?"

"It is."

"Well, I'll just squat."

363

CHAPTER SIXTY

For more than an hour Grace Bucklan drove the pickup through the
darkness. Its nose pointed east.

You shouldn't run from monsters, she told herself. You should confront them.

I'm going home. I'm taking my sister home. I'm going to kick Mom's
boyfriend out of the house. If Mom or the molesting skunk protest, then
they can just try explaining it all away to the cops.

Grace's head was in a whirl. Images of the last couple of hours fired
through her brain like machine-gun bullets.

Pix sat beside her in a daze, eyes staring into space. She had a bump on
her forehead where she'd collided with the concrete floor in the chamber
of horrors. But she didn't seem badly hurt.

But maybe Grace wasn't thinking straight.

Maybe she should tell the cops about what happened? About Ed and Cody.
They'd been eaten alive back there. Now both were dead.

She might tell one day. She could even write the whole thing down in a book.

But not now.

Now all she wanted to do ... longed to do ... was to drive east.

They were going home. Leaving the madness behind.

Grace heard Pix give a horrified gasp.

"What's wrong? Pix?"

364

Pix said nothing. Instead, she stared with horror at her hand as it lay
open in her lap. Grace glanced down.

She saw strands of copper there, shining in the light from the dashboard.

It was hair from the creature's head. The shank of hair was close to
three feet long. Pix must have yanked it from the mummy when she
launched herself on its back as it attacked Cody.

Hell, there were even shreds of black matter at the ends of the hair
where the godforsaken stuff had rooted into the scalp.

Grace wound the window down, snatched the copper hair from Pix's hand,
and tossed it out. For a second it stayed with them, pulled by the
slipstream of the truck.

It's following....

Grace floored the accelerator. In the mirror she glimpsed the hair
writhe in the moonlight before slowly spinning down to lie on the road.

With the last trace of the thing gone from their lives, Grace eased off
the gas. She glanced at Pix. Her sister sat with her eyes closed. A tear
rolled down her cheek.

Grace's own eyes pricked. When she touched one with her knuckle, it came
away glistening wet.

There'd be a lot more tears ahead, she knew that. But they'd make it.
They truly would.

365

CHAPTER SIXTY-ONE

It had been a long walk back from the canyon to the edge of town where
her destination lay. Amara walked on, untiring, indefatigable. The baby
hung by one arm, its feet sometimes catching the grass with a whispery
sound.

All the time the moon burned down, sending a silvery light through
Amara's empty eye sockets. When she turned her head in that predatory
way, the copper hair swished in waves down her back.

Once a feral cat, attracted by the smell of the baby, padded up close
behind her as she walked. It closed in, attracted by the faint odor of
milk still clinging to the infant.

The cat slinked in closer, its eyes on the silhouette of the figure with
the moon shining behind it.

The cat moved noiselessly, confident that its presence was undetected.

Closer, closer. Its nose almost brushed the head of the baby as it swung
backward and forward.

The silhouette of the human moved quickly, yet with a smooth rhythmic
walk. The cat's sensitive nostrils picked up strange scents from the
human. It didn't have the same odors that it was accustomed to.

Its nose touched the head of the baby; it chanced an appraising lick.

At that moment the figure turned on the cat, the hair flaring out;

366

an explosion of blazing copper. The human head lunged at the cat, lips
curling back, baring teeth that smelt of congealing blood. The cat
screeched. Turned. Bolted into undergrowth.

Presently the mummy neared the brilliant lights of buildings. Before the
track ended, it turned and walked through a broken section of fence into
an overgrown field. She walked smoothly, unhindered by the vegetation.

The field ended.

She walked across the asphalt of the deserted parking lot to the building.

Once there, she scraped at the museum's rear door. Her fingernails left
score marks. She found the knob, as if by accident, and pulled. The door
stayed shut.

In the distance dogs began to howl. Every animal in the neighborhood
raised its snout to the moon. Soon the howling of dogs filled the air in
eerie chorus.

Amara pulled at the door again, then staggering away from it, she
wandered in circles. Now her movements were aimless. Weak.

She pushed her way into a thick border of geraniums. There she lay down
on the dirt.

She hugged the baby to her breasts. Virginia returned to the basement
where she'd been held all these weeks. Light burned brightly. The cages
were empty now. She stood for a moment breathing the scent of the place.
That same smell was in her skin now. She'd smelled it as she'd walked
from the house and into the canyon, trying to find her way back to the city.

For some reason she'd found herself sitting on a rocky bluff gazing at
the city lights for a long time. Then she'd turned around.

Returned to her place of torture.

Now she stood in the void of the basement. Two torn corpses lay on the
floor. Streams of crimson congealed on concrete.

Without even thinking it through . .. without thinking what she was
doing or why she was doing it, she entered the cage that had once
imprisoned her.

She sat down cross-legged on the foam mattress. She gazed up at the
hairbrush, toothbrush, and water bottles hanging from cords tied to the
cage's roof crossbars. This was a horrible place. But somehow
outside--and freedom--seemed even more horrible. Inside here, there were
strict rules and order. Outside in the city, there was lawlessness and
disorder.

She closed her eyes. That's the way she stayed until she heard a faint moan.

368

She looked dead. She ought to be dead.

The stake was a bitch to remove as well. Ed Lake should have been proud
of the barb he'd carved into the stool leg. It had worked well. The
harpoon had gone in deep. It had lodged tight. Virginia had to work hard
to loosen it from the woman's throat.

An inch either way, it would have gone either through the windpipe or
through the major arteries. As it was, it had lodged in soft muscle tissue.

After a great deal of work the blind woman lay on the bed, her throat
wadded and bandaged. the blood had seeped into the white crepe.

Virginia watched the blind woman sleeping on the bed. Her respiration
wasn't at all deep, but it was regular. The woman's eyelids were black,
the lips blue, and her skin white as porcelain through blood loss. But
with rest, along with plenty of fluids, she'd make up the lost blood
inside a few days. The wound would heal.

Virginia walked around the house. She soon saw that the woman lived
alone. The one she and Ed had referred to as "the warder" was nowhere to
be seen. Maybe she just dropped in on an occasional basis to help out.

Letters on a bureau soon gave Virginia her one-time captor's name. April
Vallsarra.

Knowing the name was important to Virginia. She rolled it around her
mouth, repeating it as she climbed the stairs back to the bedroom.
"April Vallsarra . . . April Vallsarra ..."

When she reached April's bedroom, she went to the woman's bed and sat
down on it.

April was beautiful. Her complexion flawless.

Then some thoughts came to her that were startling.

Virginia had never experienced such an intense relationship before as
the one with April Vallsarra. What's more, Virginia realized she didn't
care for her old home, or her day job.

"Hell, I might live to regret this," she told herself as she gazed down
at April. "But I've reached a decision."

Virginia leaned forward to kiss the sleeping woman on the lips and
whispered, "I'm staying with you."

370

CHAPTER SIXTY-THREE

The large brown dog named George pushed through the weeds to the edge of
the parking lot. He stopped on the asphalt, and sniffed the air.

Then he trotted to the rear door of the museum. He sniffed the seam at
its bottom, his tail swishing.

Backing off, he sat down. He stared at the door. He barked impatiently.

A sound in the bushes caught his attention. He cocked an ear toward it,
still watching the door. When the sound came again, he got up to explore.

He walked along, nose to the asphalt, sides heaving as he sniffed.
Sometimes a snorting sound escaped his mouth as the scent grew stronger.

Near the geranium border, he began to growl. A thick strip of fur
bristled upright on the nape of his neck. The growl rumbling deep in his
throat, he sprang into the bushes.

For a few seconds, the night's quiet was broken by the clamor of the
dog: his barks, snarls, his yelps of pain. The flowers swished, petals flew.

Then he backed out of the bushes, tail down. He swung round and ran
across the parking lot, favoring his left foreleg. Halfway across the
lot, he stopped and looked back as if to check that he wasn't being
followed.

Then he broke into a run again, dragging the baby by its leg.

371

CHAPTER SIXTY-FOUR

What do you make of it, Miss Connors?" Susan shook her head, frowning at
Vasquez. "I don't know what to think. Officer Kraus's description does
seem to fit the mummy. Apparently there's also some evidence that Amara
was involved in the museum deaths."

"Do you honestly believe ... no, I can't even ask. It's too ..." He
fished for the appropriate word. "Outlandish. The fact is, though, that
unless Kraus has completely lost his marbles, our suspect has a physical
appearance similar to your missing... artifact. Do you have photos of
the thing?"

"At the museum."

"All right. I'd like you to go over there and get them. We'll run them
by Kraus and see what he has to say. If he gives us a positive make,
we'll want to run off duplicates for my men." He glanced at his
wristwatch. "We'll be here another half hour or so wrapping things up.
Can you get back here by then?"

"No problem. We can make it in ten, fifteen minutes."

"Excellent."

As they left the house, Lenny Farrel of Eyewitness News rushed across
the yard. "Mrs. Connors! A few questions, Mrs. Connors!"

"We're in a hurry," she called back.

He kept coming. Tag pointed at his face. Farrel stopped and stood
motionless as if frozen in place. Only when Tag lowered his 371

arm did the newsman move. He turned away, muttering to his cameraman.

"Persistent bastard," Tag said.

"It's his job."

"He can have it."

Tag opened the car door for Susan and she climbed in. He pushed it
gently until it latched. At his own side, he took the same care to make
as little noise as possible. He leaned across the seat to look at
Geoffrey. Susan uncovered the baby's face.

"Still asleep," she said.

"That kid'll sleep through anything."

"Pretty near. Once he's zonked out, he's out for the night. Till
daybreak at least."

Tag started the car.

"Nothing wakes him up but his stomach."

"I'm the same way," Tag said, pulling away from the curb.

With the night still warm, they drove with the convertible's top

blocked back. Tag took it nice and steady so as not to disturb the

baby despite what Susan had told him about the way the baby slept.

The warm slipstream feathered their hair.

Susan reached under her seat and picked up the journal. "Wish I had time
to read all this."

"Plenty of time later."

"Later might be too late." She opened the journal to the page where she
had left off, and used Tag's flashlight to continue reading above the
gentle rush of air through the open-top car. " 'She is of the dead who
lives,' " she read aloud.

"Great."

" 'The banished god Set, slayer of Osiris, he came in the night to Amara
.... gave her the seed of his loins, that she might bear him a son. In
return for her favors, he promised Amara the gift of eternal life.' "

Tag shook his head. Concentrated on the road in front of him.

Susan read on in silence.

Then they reached the museum driveway. The car's lights shone on the
pair of mock-Egyptian columns that flanked it.

"Go on to the back. We'll take the rear stairs. It'll be quicker."

372

"What about the guards?"

"Aren't any. Blumgard decided against it after what happened last night.
I think he feels responsible for those poor guys. Doesn't want any more
killings on his conscience."

Tag drove around the side of the building to the deserted parking lot in
the rear. He pulled up to the back door of the museum and shut off the
engine.

They climbed from the car into the moonlit lot.

"Look," Tag said.

In the field beyond them were the distant, sweeping beams of
half-a-dozen flashlights. Far across it, Susan saw the spinning lights
of patrol cars.

"Hang on a second," Tag muttered. He opened the trunk of this car.
"Somewhere in all this junk ... in case Amara's returned to her lair . . .."

Standing beside Tag, Susan watched him push aside a sleeping bag, a coil
of rope, a pack of road flares, a first-aid box, tools, hiking boots,
odds and ends of clothing. He pulled out a hatchet. "Bullets might not
stop her, but I bet this will. This was my grandfather's; he'd keep it
as sharp as a surgeon's scalpel." He touched the keen edge. "I try my
best to keep it as old Grandpa would have wanted." Shooting her a smile,
he tossed its leather sheath into the trunk, then closed the lid.

"Want me to get your keys?" he asked.

She nodded. Tag opened the purse that hung from her shoulder as she held
Geoffrey in her arms. The kid didn't peep. He slept the sleep of the
innocent.

Tag looked in the purse. "Phew. A lot of junk in here."

"Not as bad as your trunk."

"Ah." He pulled out the key ring and held it in front of her eyes.

"Third from the left... no, your left."

"Got it."

He pinched it away from the others and led the way to the door.

He turned the key in the lock and pulled. The door opened noiselessly,
releasing a wave of cooler air from within.

He held the door open for Susan.

She entered, the baby held securely in her arms. Her eyes 373

immediately lowered to the concrete floor where the guard named
Beckerman had been found. In the light of the new bulb overhead, she saw
that the area had been cleaned. A shaded area remained on the concrete,
though--it would probably always be there.

She climbed the stairs behind Tag. They reached the first landing. Where
Gonzalez had died. His blood was no longer visible on the green paint on
the wall, but it lent a rust tint to the porous concrete at her feet.

Turning, she followed Tag up the next flight of stairs. Hatchet in hand,
shirttail half untucked, he might have been a maniac in a horror film.
Even the shadow he cast became a menacing doppelganger.

Nicholson in The Shining, she thought.

Come and take your punishment, Susan.

Gonna crack your head good and hard, girl.

Gonna feel your entrails tonight. ..

Damn, imagination. Slippery as I don't know what.

Every shadow seemed to harbor some waiting demon.

Now she couldn't look at her lover without seeing him as some homicidal
maniac with his grandpa's hatchet.

Why isn't Tag saying anything?

What's gotten into him?

The spirit of a dead murderer. Redrum, Susan, redrum ...

She hugged Geoffrey more tightly to her chest, ready to take the hatchet
blows to her own back rather than allow them to fall on her son's
unprotected head.

No.

Just her stupid imagination.

Tag's probably nervous too.

Not like him to be so quiet.

"Tag?"

"Huh?"

"You okay?"

"Just hoping the goddamn thing doesn't come charging down at

us.

"Lovely thought." "Isn't it, though." "Just give the gal forty whacks."

374

"Sure."

"I don't think she can be in here. She hasn't got keys."

"If a four-thousand-year-old mummy can walk around biting people, maybe
she doesn't need keys."

"Walks through walls?"

"Why not?"

"Yeah."

"Wish we hadn't brought Geoffrey," he told her.

"Wish you hadn't said that."

"If..."

"What?"

"If something does happen, take him and run. Don't look back. Don't
stick around to see how things turn out. Okay?"

She clutched her baby more tightly. Just hearing the words made her skin
crawl. "Okay."

He reached the upstairs door, opened it.

Peered out.

"Looks all right."

Susan was glad to get out of the stairwell. Just for a moment back
there, the walls seemed to be closing in on her. Her heartbeat was so
loud, she drought the noise would wake Geoffrey snuggled against her breast.

She hurried along the corridor, staying close to Tag's side. At the door
to her office, she pointed out the correct key. Tag slid it into the
lock. Opened the door. He turned on the lights and they entered.

Tag held the baby, supporting its head in the crook of his elbow, while
Susan went through the file cabinet. She flipped through the folders,
found one bearing Amara's name, and slid it out. She checked it. The
photographs of the mummy were inside. "Okay. Let's go."

She took back her sleeping baby. Switching off the lights, they left the
office.

"Wait here a second," Tag said. "I want to take another look at the coffin."

"What for?"

"See if she's there."

"Oh, Tag."

"The old bird might have come home to roost." 375

"The museum door was locked. She couldn't--"

"Susan, it's worth just a peek."

"I'll go with you then."

They walked further up the corridor. Tag shined his flashlight into the
Callahan Room. "Wait here," he said, and stepped over the rope cordon.

She watched him cross the room, the beam of his light sweeping its
corner, illuminating faces of statues--animals, men, gods ...
demons--the painted eyes stared back. Finally he aimed the beam down
into the open coffin.

Suddenly feeling a chill on her back, she whirled around. She gazed down
the dark hall, but saw nothing.

.. Nothing but shadows. Nothing but gloomy doorways. Moonlight glinted
through window glass.

Far away, just on the edge of her hearing, she heard a dog howl.

Stepping to the rail, she looked down at the gallery below. There were
figures down there, but they were all carved from stone. Nothing moved.

Tag climbed over the cordon.

"Nobody's home," he told her. "Coffin's empty."

"Now can we go?" Susan asked.

"Sure."

"Let's take the front way. I don't think my nerves can handle the
stairwell again."

"Fine." He shot her a reassuring smile.

They walked silently down the carpeted corridor, and down the sweeping
main stairs. She chose a key for Tag once again, and soon they were
exiting through one of the broad glass doors. Susan breathed deeply of
the warm night air. "Feels good to get out here," she murmured.

"It'll feel even better getting home."

They walked down the concrete steps. She missed one, tumbled forward.
Tag reached out for her.

Missed her.

She turned in midair, determined not to fall on Geoffrey. As she went
down, the walkway pounded her shoulder, her hip. Her neck

376

muscles took a savage yank. She rolled onto her back. Geoffrey squawled.

"You okay?" Tag asked, concerned. He crouched over her, helping her.

"I think so. Christ, what a klutz."

He helped her to her feet.

She cradled Geoffrey, patted his back. "It's all right, honey," she
whispered. "It's all right. There, there ..." To Tag she said, "Scared
the hell out of the little guy."

"The big guy too. You sure you're okay?"

"I'll probably have some dandy bruises."

Geoffrey continued to wail as they hurried toward the rear of the
museum. The sound carried way across the field.

"I've got a bottle in the car," Susan said. "That'll calm him." She
kissed the baby's wet face. "Yeah, you had a nasty shock, didn't you?
Didn't know your mom has two left feet."

"Hope he didn't inherit them. It'd make it tough buying shoes."

"Yeah, you want your bottle, don't you? That'll do you just fine, won't it?"

They reached the car. Tag pulled open the door for her. She climbed in.
As Tag hurried to the other side, she slipped a plastic bottle out of
her diaper bag. She thumbed its cap off, then slipped the bottle into
Geoffrey's wide, pink mouth. The crying stopped. He sucked on the
nipple, the bottle hissing as he drew out its creamy contents. Susan
watched the drizzle of bubbles running up through the transparent plastic.

This night journey had made her son hungry.

"There," Susan soothed.

"Fantastic," Tag whispered. "All praise the magic bottle."

She smiled. "He'll be asleep in no time."

Steering out of the parking lot, the convertible's lights blazing, he
put his arm around Susan's shoulders. "It's been a rough night."

"I wish we could just go home. Go to sleep. Forget everything."

"We'll just drop off the pictures of old mummy gal and let them worry
about the rest of it."

The long, straight road led through the museum park. It was lined 377

with cherry trees. Beyond the trees, the grounds looked peaceful and
deserted in the moonlight.

"This whole business ... I don't know ... My life has always been nice.
Basically nice, I guess." She shrugged, sleepy. "And now all this." She
stroked Geoffrey's head. "There are horrors all around us. You know?
Hell, you're a cop; you know that better than me."

"Life's like a stroll through the park," Tag said. "Enjoy, but beware of
the dog piles."

She laughed wearily.

Tag grinned.

Then he shrieked.

The car swerved wildly. Twisting, Susan saw the head of the mummy behind
the seat. The copper hair bloomed around the head, the eyeless face
loomed forward, its lips curled back baring the teeth. The jaw clamped
onto Tag's shoulder. It began ripping shirt and flesh.

Geoffrey started to howl.

"Hatchet!" Tag cried.

It had been on the seat between them. Now it was gone.

379

CHAPTER SIXTY-FIVE

A car horn blared. Headlights flooded the scene of the creature grabbing
at Tag's face and hair with its shriveled hands. Its teeth snapped,
trying to rip his face.

Susan jerked the steering wheel. The car swung right. The on-rushing car
sped past, kept going.

Careful not to crush Geoffrey, she dropped sideways, her head pressed to
Tag's lap. She clawed the floor, found nothing.

The hatchet must have slid under the seat when it fell.

Damn.

The monster was going to rip Tag to shreds.

She glanced up to see blood smear his cheek. His eyes blazed as he
fought to control the car.

Blazed as he fought the attacking mummy too.

Brakes screamed and the car spun out, throwing her against the dash.
Head twisted toward Tag, she saw Amara above him, teeth tearing his hair
as he tried to bat it away.

And with no roof on the convertible, the creature could reach freely
over him to attack his unprotected head.

She saw all this. Saw the emaciated cadaver of the mummy now supple and
swift, invested with an uncanny life force. Its long hair billowed out
behind in the slipstream. Once, twice, three times, it ducked its head
snapping at Tag's face. A gash opened above his left eyebrow where the
teeth struck. 379

Then she saw the pistol at his waist.

The car stopped with a rough jolt. Geoffrey slammed against her breast,
making the baby squeal. Her back hit the dash again. Tag was flung
forward against the steering wheel, bringing Amara halfway over the top
of the seat.

Susan, wedged into the space between the seat and the dashboard,
realized she was stuck.

She struggled to free herself. Above her, the withered arms of the mummy
flapped, hands savagely pulling at Tag as its jaws worked, snapping
teeth shut like a steel trap. It lunged forward again and again. The
withered breasts crinkling against Tag's head.

He punched upward trying to keep the lethal jaws at bay.

Pushing Geoffrey along the seat, she clutched Tag's belt. Got her hand
on the pistol.

Tugged. ? The pistol was stuck.

"Hatchet!" Tag yelled.

Her fingers worked a strap off the pistol's hammer. She jerked the
pistol free. Aimed at the ravaged face with the dark shadowed pits for eyes.

Christ, it's right by Tag's head, biting his shoulder, trying to get at
his neck. If I miss . ..

She writhed sideways. Knees on the floor, hips to the seat front, she
thrust the muzzle toward the mummy's forehead.

Fired.

The gunblast resounded, deafening her. A big, empty hole appeared just
below the hairline. A patch of hair blew off the top as the bullet
exited. The bullet, still so hot it glowed, sped into the night sky as a
spark of silver.

The mummy, apparently undisturbed, tore off Tag's collar.

Tag's eyes were closed.

Unconscious?

Dead?

Susan lunged forward. Snarling, she rammed the muzzle against Amara's
shut mouth, shattering the front teeth. She shoved hard, forcing the
head backward. Her forefinger snapped the trigger. Explosions thundered
in the air, one after another, crashing together so fast

380

they sounded like a single roar. Bone and skin sprayed from the exit wounds.

Strands of hair flew, filling the air with a glittering red.

Susan fired the last round. The head jerked, wrenching the pistol from
Susan's hand.

Now it moved for a different target.

The mummy's hands reached for Geoffrey.

"No!" Susan shouted.

Scooping the baby off the seat, Susan hugged him tightly. She lunged
sideways.

With a free hand she levered the handle. Threw herself against the door.

It shot open. She rumbled to the road, knocking the breath from her
body. Geoffrey whimpered. Not pausing, she scurried to her feet, then
looked back at the car. With the roof folded back, she could plainly see
Tag in the moonlight. He was motionless, slumped over the steering wheel.

A shadow within the car moved, rising, falling, then rising again.
Something that moved in an uncanny, unnatural way.

A second later--thump.

The mummy flopped to the road. Its ruined face appeared under the open
door. Susan even heard the rustle of the heavy tresses of hair.

Geoffrey's crying was like the scream of a siren in Susan's ears as she
started to run.

She ran up the middle of the unlit road, Geoffrey clutched to her
breasts, her long legs pumping, her sneakers almost silent as her feet
flashed. Soon her breathing came in noisy spurts, her heart hammered.

Looking over her shoulder, she saw Amara in the headlights.

On its feet. Running.

Running strangely, arms flinging in the air, long hair fluttering.

Running like a blind lunatic.

Running with awful speed.

Running with dreadful purpose.

Running.

Susan felt a scream in her chest. As she ran. she heard it: her

381

own piercing scream mingling with Geoffrey's howl. The hysteria of the
noise added to her fright.

She clenched her teeth, cutting off the scream.

With a glance back, she saw the ghastly creature gaining on her.

"Jesus!" she gasped. "Oh, sweet Jesus ..."

She tried to run faster. Her legs felt like stone. They seemed to be
tightening, cutting the length of her stride.

Feet now . . .

Growing heavier.

It felt as if the soles of her sneakers were stuck against the asphalt.
Each step became a physical effort. Pains ran up her calf and thigh
muscles. Her heart clamored. She wanted to scream again, only there was
no air left in her lungs.

From behind, she heard the mummy's approach. No gasping from it. No
breathing at all. The only sounds, the quick, papery scrape of its feet
on the pavement and the faint crackle of hair as sparks of static ran
through it like witch-fire.

Pain suddenly seared her shoulder. She heard the rasp of tearing cloth.
Felt a tug. Twisting, she whipped her arm across the swatch of fabric
torn from her back. The mummy held on tight, but the cloth gave.

Suddenly free, Susan stumbled sideways.

Amara stood motionless, cloth in hand, as if confused.

Scrambling to the side of the road, Susan set down Geoffrey on the dirt
shoulder. She stepped back, looking down at him briefly; his eyes were
bright in the darkness. Then she turned to face Amara.

The strip of cloth dropped from the mummy's blackened paw. A breeze
caught it, tumbling it against her bony leg before blowing it down the road.

With her forearm, Susan wiped sweat out of her eyes. She was panting
heavily, her heart racing.

The mummy staggered sideways as if to go around her; its hair swayed.

Susan sidestepped to block the creature. She backhanded sweat from her
upper lip.

The mummy sidestepped. So did Susan.

382

Its mouth slowly opened, lips pulling back like a dog snarling, baring
bullet-shattered teeth.

With a snarl of rage, Susan attacked. She threw herself low against the
creature, driving into its belly, throwing it backward, like tackling a
mannequin of papier-mache. It doubled over her. Its nails raked her back.

Then its head slammed the asphalt.

Susan clutched its throat, panting in rage. Through the gaping mouth,
she saw asphalt where her bullets had taken out the back of the head.

Her thumbs punched through the brittle windpipe; the same feel as
breaking dry spaghetti in your fingers.

No effect. Why should it? The thing hasn't even got lungs.

No lungs, no brains, no heart, no blood.

Yet she was trying to kill it.

She had to kill it. It wanted Geoffrey.

Its flailing hands clawed the side of her face, tore off a front panel
of her blouse, scratched gullies in her breasts and down her ribs.

If she could just keep the head down, just keep the teeth away ... but
the pain was numbing. Her strength ebbed with the flow of blood.

And the thing was so strong.

A crooked hand darted at her face. She turned quickly. The fingers
missed her eye, but dug into her cheek. The other hand clubbed the side
of her head, stunning her.

She saw herself falling sideways. Felt the creature move.

This time it seemed to make no effort, as if the earlier battle had just
been a simple exercise in toying with her. One-handed, the creature
reached around, gripped the collar of her blouse, and lifted her from
the ground as easily she could lift a puppy by the scruff of its neck.

The road, trees, moon swung crazily.

Then she was lying winded in the grass at the side of the road.

The mummy had just thrown her ten feet or more.

From the facedown sprawl, she lifted her head just enough to see the
mummy climb to its feet, then lurch across the road, closing in on
Geoffrey, who lay kicking his legs on the curb. 383

"No!" she shrieked.

She scrambled to her feet.

Swayed.

Moon and trees whirled around her head as she tried to keep her balance.

"No!"

It kept walking, heedless of Susan's staggering approach.

Copper hair hung strangely behind the mummy, clumps of it gone, a huge
empty hole where the back of the head should have been.

With both hands, Susan grabbed the hanging hair and yanked The mummy
stumbled backward against her.

She hooked an arm around its head, another across its chest The skin
felt hard and scratchy. The touch of it made her retch, her own skin
felt as if it would crawl from her body, but she didn't let go.

She stumbled back, dragging the writhing creature Farther away from the
roadside where Geoffrey lay sobbing.

A hand reached backward. Fingernails dug into Susan's belly.

In pain and rage, she cried out. Wrenched the head with all her strength
She heard ripping, crackling sounds--a loud snap-before she fell back to
the ground.

Amara stood above her. Slowly turned away. Walked with awkward,
staggering steps toward the baby.

Susan still clutched the mummy's head to her breasts. Shaking violently,
she flung it aside. As it rolled from her, she got to her hands and
knees. She fell as she tried to stand.

Raising her face off the road, she watched the thing

Headless.

A deep cleft revealed where the neck had been torn out. Vertebrae poked
out of desiccated skin. Susan tried to stand. Couldn't.

She wanted to weep in frustration.

Her baby...

A roar filled her ears.

She didn't know what it was, didn't care.

Then the headlights burst across the mummy. Tag's car slammed

384

into it, kicking it high off the road. It cartwheeled over the car,
bouncing off the trunk. An arm broke off.

Susan watched the torso hit the road. The arm fell nearby, hand-first,
as if trying to break its fall.

The brakes squealed. The car swung into a tight U-turn. Blue smoke from
the spinning tires filled the air.

Susan saw Amara stand.

The car started forward.

The mummy staggered toward it.

The car hit more slowly this time, knocking Amara backward onto the
road. It turned and its rear tire bumped over the legs.

The car stopped. Tag looked backward out of its side window.

Susan gazed at the mummy. Its legs were crushed flat, but it used its
remaining arm to raise its torso off the road.

Tag slowly backed up.

Susan heard the awful crunch as the tire rolled onto Amara's chest.

The car door opened. The hatchet flew out, its head clanking on the
pavement. A moment later, Tag hauled himself out. At the end of a bloody
arm, he held his pistol. He fed cartridges into its cylinder.

Susan climbed to her feet and went to him. A wry grin reached the corner
of his mouth. She kissed him gently, then hurried to the roadside. She
picked up Geoffrey. His small hand clutched a hanging strand of her hair
and tugged.

"Over here," Tag said.

She crossed the road.

"Stand back," he told her. "Well behind me."

She stepped farther back from the car.

Two quick shots split the stillness. Through the ringing in her ears,
Susan heard a heavy, liquid spatter. A dark puddle began to form beneath
the car. The stench of gasoline stung her nostrils.

Amara's remaining hand reached toward Tag, fingers hooking into claws.
Clutching.

He lit a match.

Tossed it.

The burning match rose in an arc, then fell toward the pool of gasoline.

385

With a soft whup like a flutter of a bedsheet on a line, flame engulfed
the open-top car.

And Amara's body.

Tag stepped back, moving a safe distance from the car. A few moments
passed and the gas tank exploded, sending a ball of fire into the night sky.

In the red light, Tag looked to Susan like a strange, avenging phantom
as he picked up the mummy's severed arm and tossed it into the flames.

The hungry fire consumed the dry stick of a limb, blue sparks popped
from the crackling bone.

He limped across to her. He smiled at Geoffrey, stroked his cheek, then
put his hand across her back. She leaned against him, relishing the
strength of his encircling arm.

"Awful thing to do to your car," she said in a small voice.

"After that passenger, it'd have never been the same again anyway," he
told her, then laughed wearily.

Susan jerked. Gasped with pain. Looking down, she screamed.

The head of Amara was clamped to her ankle, gnawing, its hair stretching
out behind it like the copper body of a snake.

"Christ!" Tag yelled.

Susan shook her leg. The teeth worked, biting deeper. Gnawing. Embedding.

"My God! Get her off! Get her off me!"

Tag ran for the hatchet.

"Hurry!" Pain burned her leg like fire. She couldn't shake free. She
couldn't use her hand to try and pry the head loose--not without putting
down Geoffrey. She clung to him tightly. "Tag!"

He ran to her. The hatchet chopped into Amara's head. Split it. But the
teeth didn't loose their hold. He chopped again.. . again. Each blow
knocking off clumps of the head, each blow jarring the teeth so they
ripped more flesh from Susan's ankle. "Shoot it!"

"Hit your foot," he panted.

With a final blow, he broke one of the jaw hinges. He worked the wedge
of the hatchet head between the bones. Then pried them apart.

386

The teeth spread. Loosened. Susan felt them leave her skin. She limped away.

Though only one hinge of the jaw was still connected, the teeth clung to
Tag's hatchet. He tried to shake them off.

Couldn't.

Without leaving Susan's side, he hurled the hatchet and the clutching
remains of Amara's head. They disappeared into his flaming car.

The long hair caught fire. It crackled fiercely.

Red sparks swirled high into the night sky where they faded and... at
last... died.

387