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All Night Awake


Prologue




SCENE: A wooden stage, looking very real and solid, amid swirls of yellow-green smoke or fog. On the stage three women sit on wooden stools, beside a painted hearth. A beautiful maiden spins the thread, a strong matron measures it, and a wrinkled crone cuts it with a pair of golden shears. A man appears at the edge of the stage. He’s a middle-aged man who looks insignificant, with his receding hair- line and dark curls that brush the shoulders of his cheap russet wool suit. Only his eyes, sharp and intent, golden as a bird of prey’s, hint at curiosity and intelligence. He walks to the center of the stage and faces the women.


Will does not know if he dreams or wakes.

He walks on a creaking stage with hesitant steps and knows not how he got here. Only minutes ago he slept in his own bed, in his rented room in London. By what magic has he been brought hence?

Three strange women face him. Women they look to be, women they seem to be, and yet something about them proclaims them something else.

“All hail Will Shakespeare!” The maiden lifts her head from her spinning. As her blond hair falls back, it shows that she lacks ears. “Hail to thee, great poet.”

Will jumps back, shocked both at deformity and greeting.

Great poet? Did she indeed greet Will thus? He could scant believe it for he knew that his poetical talent was as yet all dreams and none of it survived the harsh light of reality.

“All hail Will, whose verse generations yet unborn shall recite.” The matron looks up from the thread she winds and measures. Her smile shows feral, serrated teeth.

“All hail Will,” the crone pipes. Lifting her head, she shows no eyes amid the wrinkles on her withered face. “All hail Will, whom death shall not defeat.”

Scared, Will takes three steps back. This is a mocking dream that thus torments him with the possibility of his dearest hopes. He takes his hand to his collar and seeks to loosen it, as though by breathing deeply he might regain his footing in real life and the waking world.

“Live you?” he asks. “Are you aught that man ought to question? Do I dream, or am I awake? You look not like the inhabitants of the earth. You should be women, and yet strange women you are. What are you?”

“We are not women but that of which women are spun. We’re images of dream, creatures of the mind. Through us do human minds perceive all. Through us, the mold and form of female reality, do human minds see the force like a womb that, within the universe, spins all that’s female in the world of men,” the maiden says. “We were created before man was man, from the dim minds of brutes in their caves, and since then have we been in human minds and actions and dreams. Our presence the more real for being illusory, our power the more true for being imagined, encompasses all and shapes all. Thus does the imagined mold the real and the real the imagined again.”

“By us is all life threaded and measured and cut, ours the weaving of human fate,” the matron says.

“But ours will be the undoing and the death, should we not find a champion to defend us.” The crone’s hair flies wild, framing her face in snow-white tendrils.

“Defend us,” the maiden says. “And you shall be the greatest poet born of woman’s womb. Your plays will be heard, your verses repeated world without end.”

Will clenches his fists. They mock him. Surely they mock him. “Six months I’ve been in London and no one will listen to my poetry. Six months of starving and spending. Now are all my money and all my hope run out. And yet you mock me.”

The maiden shakes her head. “We do not mock, but promise.”

“Only do as we wish,” the matron says. “And fame and ever-living poetry shall be your reward. For we command that part of the human mind that, dreaming, imagines itself awake and in that same place does poetry reside.”

“The kingdom of elves is in turmoil and the disarray of that sphere threatens ours. Sylvanus, who should be the Hunter’s slave, plots to rebel against his master, who, like us, is an ancient and powerful invention of humanity, an element and avatar of all that’s justice in males,” the matron says.

“Sylvanus, who was king of elves, and for his foul deeds was enslaved to the Hunter, the justiciar, the provider,” the crone says.

“Sylvanus will destroy us and thus remove both the male and female pillars that hold up the world as human minds have built it. Thus, like a cloak unraveled the universe shall fall, in tatters and threads with no meaning.”

“Into our place Sylvanus shall weave himself, within the mind’s warp,” the maiden says. “Like a rotted patch shall he sew himself upon a new cloth of dream, rendering the whole worthless.”

“Why do not you stop him yourselves?” Will asks.

The maiden shakes her head. “We can no more stop him than we can stop the tide. We spin the thread, we wind and cut. But our tools must be the human mind, the human heart. We cannot weave our own fate. We do not tie our own knot.”

“Stop Sylvanus.” The matron smiles, sharp teeth gleaming. “And the reward shall be yours, your poetry remembered, your words echoed through the ages unending.”

“Stop Sylvanus,” the crone says. “And we shall make you greatest of his kind, for words that burn and spell and bind.”

“I am dreaming,” the man says. “And in this dream, uneasy, do my fondest hopes mock me.”

He vanishes like smoke upon the stage, leaving the three women behind, spinning and cutting and measuring the eery thread that glimmers white in their laps.

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Framed