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It's 1825, in a version of America's past that doesn't look like the history
books. The folk magic of the American people really works, though whites,
blacks, and reds go about their acts of power in different ways.
The land we call America isn't just one nation. New England is still a colony
of an England ruled over by the Lord Protector. The slave states of the south
are the Crown Colonies, ruled over by the King in exile. In the middle is the
United States, struggling to exist half slave and half free. This story,
however, takes place in Nueva Barcelona -- once called New Orleans, when the
French founded it.
To this city comes Alvin Smith, the seventh son of a seventh son, who makes
his living as a journeyman blacksmith; and beside him is Arthur Stuart, a free
young man, half white and half black, pretending to be Alvin's servant while
they're in slave country. They're on a mission here, and they're determined to
accomplish it ... if they can figure out what it is.
"Walking on Water" is the first third of The Crystal City, the
penultimate novel in the Tales of Alvin Maker. It will be serialized on the
Hatrack River site in 14 parts, a new one appearing every five days or so. (The
first two parts of this serialization appeared previously in The Rhinoceros
Times.)
There wasn't any school now. The schoolroom became the sick ward, the benches
all stacked up against the wall. None of the other children were allowed into
the room. Instead they were sent outside to play among the skeeters. They could
still hear the screaming out there. They could hear it in their minds even when
nobody was making a sound.
Meanwhile, Papa Moose and Mama Squirrel were up and down two flights of
stairs with water, poultices, salves, and teas. A couple of the herbs in the tea
seemed to be a little help, and of course the water helped keep the fever down.
But Alvin knew that even with the ones that had a rash, the salves and poultices
did no good at all.
Of course he and Arthur Stuart helped -- chasing up and down stairs with
things so Papa Moose didn't have too, running errands in town, keeping food in
the house, tending the fire, hauling the chamber pots to and from the sickroom.
Moose and Squirrel didn't allow them to come inside, though, for fear of
contagion.
That didn't stop Alvin from spending most of his concentration on the sick
children. Having seen the disease at the end of its course in Dead Mary's
mother, he knew what to look for, and kept repairing the damage the disease was
doing, including keeping the fever down enough that it didn't harm them.
He also studied the sick children, trying to find out what caused the
disease. He could see the tiny disease-fighting creatures in their blood, but he
couldn't see what they were hunting down the way he could with gangrene or some
other sicknesses. So he couldn't find any way to help them get rid of the cause
of the disease. Still, he could see that it helped to keep the fever down and
the seepage of blood under control. With Alvin tending to their bodies, the
disease ran its course, but quickly, and never became dangerous.
And in the healthy children, whom he examined one by one, he found that most
of them were already producing the disease-fighters, and he took such preventive
action as he could.
What interested him, though, was the handful of children who did not get
sick. Were they stronger? Luckier? What did they have in common?
Over the days of sickness in the house, Alvin checked on each of the ones who
wasn't ill. They were of different races, and both sexes. Some were older, some
younger. They did tend to be the ones who read the most -- he always found them
curled up in some corner of the house, always indoors with a book in their
hands, now that Papa Moose wasn't patrolling to make sure none of them could be
caught reading. But how could reading keep them from getting sick? Bookish
people died all the time. In fact, they tended to be more frail, more easily
carried off by disease.
Meanwhile, it was Arthur Stuart who kept his eyes open outside the house. The
yellow fever was beginning to spread through the town, but the early cases all
showed up in the area around the fountain. It was inevitable that people began
to say that the "miracle water" had brought the fever back to Barcy. Many who
still had any of it threw it out. But others were just as convinced it was the
only cure, which God had sent in advance, knowing that the yellow fever was
coming to smite the wicked.
Arthur Stuart was glad, for the first time he could remember, that white
folks around here didn't pay all that much attention to a half-black young man
carrying water with his master. So far nobody had linked him or Alvin to the
miracle water. But that didn't mean somebody might not remember how he sat there
in the plaza, waiting for his master to come back from some Swamptown shack
where Dead Mary had said her mother might have yellow fever. No, said she did have it. The first victim of this
epidemic.
And it occurred to Arthur that however much danger the house of Moose and
Squirrel might be in, Dead Mary would face much worse, and much quicker, now
that the yellow fever was back.
When this thought came to him he was in the market down in the old town,
choosing whatever was cheap but still edible. He debated with himself for a
moment -- what was more urgent, to get food back to Alvin, or go check on the
girl?
What would Alvin choose?
Well, that made it easy. He always went for the dramatic over the sensible --
or rather, he chose whatever would cause him the most inconvenience and danger.
He'd already bought a sack of yams, and not a light one. It not only got
heavier as he walked, but it made it so he couldn't run -- nothing was more sure
to get him stopped than to be a half-black boy running with a sack of something
on his back. Everybody knew that slaves on their masters' business always moved
about as slow as they could get away with, without somebody pronouncing them
dead. So when a boy of color was running, it was sure to be a crime in progress.
So he walked, but quickly, and followed, as best he could find it, the path
he'd seen Alvin's and Dead Mary's heartfires trace through the swamps. He knew
he didn't see heartfires anywhere near as well as Alvin did, and once they got a
few hundred yards off, or mixed in with a lot of other folks, it was hopeless.
But Alvin's heartfire he could follow, it was so bright and strong, and not only
that, when he followed Alvin he could see, like a sort of backwash, something of
where he was, the terrain he was moving through. And he had traced along with
Alvin and Dead Mary all the way to her mother's house. He had seen her heartfire
flicker and grow strong, even if he didn't understand what Alvin had done.
Now it took a bit of splashing around and slapping at skeeters before he
finally got to the plank bridge leading to Dead Mary's house. He stood this side
of the plank and clapped his hands. "Hello the house!" he called. "Company!"
Which was wrong, of course -- he was supposed to call out, "Alvin Smith's
servant here!" Or, if the world had not been so ugly, "Alvin Smith's
brother-in-law!" Then again, he didn't know if Alvin had ever so much as told
Dead Mary his name. Maybe names wouldn't mean a thing here.
And they didn't. Because no one was home.
Or if they were, they weren't answering.
He walked swiftly across the bridge and pushed open the door, half fearing
that he might find them dead, murdered by fearful people. But he knew that
couldn't be so -- iffen some mob blamed Dead Mary for the plague and wanted to
kill her for it, they'd have burned down the house around them.
The house was empty. Cleaned out, too -- or else they didn't own a blame
thing. Most likely they had realized their peril and fled. He didn't need to
tell them how Dead Mary was
regarded in this town.
He shouldered his sack of yams and retraced his route back into the city.
Staying away from crowded streets and especially from the plaza with the public
fountain, he made his way back to the house of Moose and Squirrel, scratching at
skeeter bites the whole way.
He emptied the sack of yams into the bin in the kitchen, an action which
Alvin, who was stirring the soup, greeted with a raised eyebrow. Which made
Arthur Stuart feel guilty about how few of his errands he had finished.
"What?" asked Arthur Stuart. "It's not like I had a lot of money, and
besides, I got worried about Dead Mary and her mother, and so I went out to
check on them."
"I expect they were gone," said Alvin.
"You expect right," said Arthur Stuart.
"But that's not why I raised my eyebrow at you."
"Too lazy to wave?"
"You don't just dump out a sack of yams. They need washing. Or peeling."
"Why should I, when you can just talk the dirt right off the skins, or the
skins right off the yams?"
"Because knacks weren't given to us for frivolous purposes."
"Oh, like the time you made me work half a summer making a dugout canoe when
you could have made a canoe out of it in five minutes."
"It was good for you."
"It was a waste of my time," said Arthur Stuart. "And it nearly got you shot
by that bear hunter."
"Old Davy Crockett? I ended up kind of liking that fellow."
"Peeling the yams wouldn't stop you from healing those kids upstairs the way
you been doing."
Alvin turned slowly. "How do you know that?" said Alvin. "How do you know
what it costs me to do that work?"
"Cause it's easy for you. You do it like breathing."
"And when you run up a hill, how easy is it to breathe?"
"Maybe I'd know what healing was like if you ever tried to teach me."
"You only just started hotting up metal."
"So I'm ready for the next step. You're working so hard on healing those
children, I know you are. So tell me, show me what to do."
Alvin closed his eyes. "You don't think I wish you could?" he said. "But you
can't help if you can't see what's going on inside their bodies. And Arthur
Stuart, I tell you, you got to be able to see pretty small."
"How small?"
"Look at the thinnest, smallest hair on your arm," said Alvin.
Arthur Stuart looked.
"That hair is like a feather."
Arthur Stuart tried to get his rudimentary doodlebug inside that hair, to get
the feel of it like he got the feel of iron. He could almost do it. He couldn't
see the featherness of it, but he could sense that it wasn't smooth. That was
something.
"And each strand of that feather is made of lots of tiny bits. Your whole
body is made of tiny pieces, and each one of them is alive, and there's stuff
going on inside those pieces. Stuff I don't understand yet. But I get a sense of
how those pieces are supposed to work, and I kind of ... you know ..."
"I know," said Arthur Stuart. "You tell them how you want them to be."
"Or ... sort of show them."
"I can't see that small," said Arthur Stuart.
"Bones are easier," said Alvin. "Bones are more like metal. Or wood, anyway.
Broken bones, I bet you could fix those."
Immediately Arthur Stuart thought of Papa Moose's foot. Was that a problem
with bones? Was Alvin maybe hinting something to him?
"But the yellow fever," said Alvin. "I barely know what I'm doing with that,
and I think it's out of your reach so far."
Arthur Stuart grinned. "So what about yams? Think I could get the dirt off
yams?"
"Sure. By scrubbing."
"What about taking off the skins?"
"By peeling only, my friend."
"Because it's good for me," said Arthur Stuart, and not happily.
"Because if you do it any other way, I'll just put the skins and dirt right
back on them."
Arthur Stuart had no answer to that. He sat down and held a yam in his hand.
"All right, which is it? Peel or wash? Cause I ain't doing both."
"You asking me?" said Alvin. "You know what a bad cook I am. And I don't
think Squirrel wants me to toss these yams into the permanent soup. I think
they'd kind of take over the flavor for the next couple of years."
"So we'll roast them," said Arthur Stuart.
"Suits me," said Alvin.
And it occurred to Arthur Stuart that Alvin hadn't grown up watching Old Peg
Guester wash and peel taters and yams for twenty or thirty people at a time. All
this was new to Alvin. Of course, if Arthur Stuart had his druthers, he'd rather
be an expert on healing people with fevers or club feet.
"So I'll wash them," he said.
"And meanwhile," said Alvin, "I'll keep snapping beans from the back garden,
while my doodlebug works on the body of the most recent person to get the
fever."
"Who's that?"
"You," said Alvin.
"I'm not sick," said Arthur Stuart.
"Yes you are," said Alvin. "Your body's already fighting it."
Arthur Stuart thought about that for a minute. He even tried to see inside
his own body but it was all just a confused mass of strange textures to him. "Is
my body going to win?"
"Who do you think I am, Dead Mary?"
So it was on to snapping beans and scrubbing yams, while Arthur Stuart
wondered what had made him sick. Somebody cursed him? He walked into a house
that had fever in it a week ago? Dead Mary touched him? Yams?
Where was Dead Mary? Hiding
in the swamp? Traveling to some safe, familiar place? Or skulking somewhere,
hoping not to get killed by those who thought her knack caused the diseases that
she warned about?
Or was she already dead? Her body burnt somewhere? Her mother too? Caught by
superstitious fools who blamed them for something they had no part in causing?
Every terrible thing in the world was caused by a whole combination of
things. But everybody wanted to narrow it down to one cause -- and not even the
real one. Much better to have one cause -- one person to punish. Then the
unbearable could be borne.
So why is it, Arthur Stuart wondered, that Alvin and Margaret and I and so
many other decent people manage to bear the unbearable without having to punish
anyone at all?
Though come to think of it, Alvin did kill the slavecatcher who killed
Arthur's and Peggy's mother. In a fit of rage he slew the man -- and regretted
the killing ever since. Alvin hadn't flailed around at any old victim; he got
the right man, for sure. But Alvin, too, had needed someone to blame for the
unbearable.
What about me, then? I talk big, I have a mouth like no half-black boy ought
to have, my birth being so shameful, the rape of a slave woman by her master.
Haven't I had unbearable things happen? My mother died after carrying me to
freedom, my adopted mother was murdered by the catchers who came to take me back
to my owner. People tried to bar me from school even in the north. Being nothing
but a third-rate prentice maker in the shadow of the greatest maker seen in this
world in many lifetimes. So much that I've lost, including any hope of a normal
life. Who'll marry me? How will I live when I'm not Alvin's shadow?
Yet I never want to lash out and punish anybody, except with words, and even
then I always pretend that it's a joke so nobody gets mad.
Maybe that's how God will get out of it, when he gathers us at his judgment
seat and tries to explain why he let so many awful things go on. Maybe he'll
say, "Can't you take a joke?"
More likely, though, he'll just tell the truth. "I didn't do it," he'll say.
"I'm just the one who has to clean up your mess." Like a servant. Nobody ever
says, How can we make things easier on God? No. We just make messes and expect
he'll come around later and clean it all up.
That night in bed, Arthur Stuart sent out his doodlebug. He searched for Papa
Moose's heartfire and found him easily enough, sleeping lightly while Mama
Squirrel kept watch over the children.
Arthur Stuart wasn't used to examining people's bodies, and he had trouble
keeping his doodlebug inside the boundaries. But he began to get the knack of
it, and soon found the club foot. The bone was clearly different from the other
tissues -- and the bones were a mess, broken into dozens of pieces. No wonder
his foot was so crippled.
He might have begun to try to put the pieces back together, but it wasn't
like looking at them with his eyes. He couldn't grasp the whole shape of each
bone fragment. Besides, he didn't know what the bones in a normal foot were
supposed to look like.
He found Papa Moose's other foot and almost groaned aloud at his own
stupidity. The good foot had just as many bones as the bad one. The club foot
wasn't the way it was because the bones were broken. And when Arthur went back
and forth between them, comparing the bones, he realized that because Papa
Moose's foot had been twisted up his whole life, none of the bones were the
right shape any more to fit together like a normal foot.
So it wouldn't be a matter of just getting the bones back into place. Each
one would have to be reshaped. And no doubt the muscles and ligaments and
tendons would all be out of place, too, and the wrong size. And those tissues
were very hard to tell apart. It was exhausting work just trying to make sense
of them. He fell asleep before he understood much of anything.
"Walking on Water" is Copyright © 2003 by Orson Scott Card. All rights
reserved.