The Cutting Room
            a short story 
            by Yvonne Navarro 
    



"Daddy, down!" 
Roger Nadab grinned at his two year old son's demanding voice and upstretched 
arms. He lowered himself to a crouch and looked the boy in the eye. "Brian," he 
said patiently, using his best teacher-to-pupil tone, "you want to go up, not 
down. When I'm holding you is when you want to go down. Okay?" 
The toddler smiled at him and pulled at the sleeves of Roger's shirt with chubby 
fingers. "'Kay, daddy. Down?" The gray eyes that mimicked his mother's twinkled 
and Roger had to laugh. "Up!" he cried as he swung the boy to his shoulders and 
Brian giggled delightedly. "Let's go find your mom, okay?" 
"Ma!" Brian agreed. For emphasis he tugged at a handful of Roger's hair as his 
father piggy-backed him through the door and into the yard, bending his knees to 
keep the child's head from discovering the top of the door frame. Roger spied 
Miriam across the yard, kneeling in the midst of a tangle of vegetable plants 
with some type of clawed mini-garden tool in hand. He ambled over with the boy 
still on his shoulders and yanking at his hair like he was a horse in human 
form. 
"What're you doing?" he asked. "Hoeing?" 
His wife looked at him and rolled her eyes. "Not hardly, Rog. A hoe is a full 
sized tool with a long handle." 
"Well, at least no one'll ever mistake me for a redneck," he said, raising his 
brows at the sunburned skin on the back of her neck. 
Miriam laughed outright. "With those glasses-­ no way!" 
"Ma, up!" Brian said gleefully. 
"Down," Roger corrected. He lowered the toddler to the ground and wondered if 
anything was left of his scalp besides smooth skin and a missed tuft or two of 
hair. He watched Miriam for a few moments as Brian began to make a small path of 
destruction through the plants. 
"It's almost time for the news," he said finally. "Are you coming in?" 
"Sure," she answered. Her fingers quickly snatched the garden shears out of 
Brian's range. In the late afternoon sunlight Roger could see no difference 
between this woman whom he had married and created a child with and the 
fresh-faced girl he had pursued in his senior year of high school. The light 
stippling through the trees made the shine of her thick blonde curls more 
intense, until her hair resembled the fur of some strange, albino leopard; for a 
second he felt a little breathless. She glanced up and caught his gaze, then 
smiled. "And what's on your mind, mister?" 
"Me?" Roger asked innocently. He offered his hand and she used it to stand. "I 
don't know what you're talking about." 
"Sure," she said. She tossed her gardening gloves next to the tools and scooped 
Brian into her arms. "You get that look, you know?" Her eyes, pale gray and 
almost washed out by the bright sun, glittered like colorless stones. 
"Yeah," Roger said happily as he put an arm across her shoulders and they went 
inside. "I know." 



Watching the newscast was habit for both of them, something which had been 
ingrained in almost everyone, Roger was sure, from birth. Every evening at six 
o'clock he gathered his family and sat in front of the television. The thought 
that he was already carrying on the tradition by "training" Brian made him 
uneasy, yet he seemed helpless to do otherwise. Most of the time Roger thought 
that he didn't really want to watch the newscast, and he was sure that most, if 
not all, of what was shown was little more than lies disguised by the colorful 
words and painstakingly correct smiles of the newspeople. Yet the thought of 
actually missing the newscast, even accidentally, left him feeling unfulfilled. 
He knew that if he got up in the middle of the program, went outside and walked 
down the street, the chances were better than ninety-nine percent he wouldn't 
see another human being on the sidewalk until the hour was over. It occurred to 
Roger that even Brian, with his never-ending supply of wriggles and gurgles, sat 
far more quietly than one would expect of a boy just entering his terrible twos. 

He felt slightly sick as he wondered what unseen messages were being imprinted 
on their minds as they sat before the tube like good little soldiers. 
Nonetheless, he settled back, watching as the news anchor, a meticulously 
made-up woman in her mid-thirties, smiled widely at her unseen audience and 
began. 
"In nearby Atlanta this morning, the Reverend Jerry Ackerson led a group 
comprised of parents and members of his parish in what was supposed to be a 
local book-burning festival in the parking lot behind his small church. While 
only a small number of participants had been expected, news of the event had 
apparently spread to neighboring suburbs and literally thousands of people 
turned out, packing the streets and causing major traffic problems in the area 
surrounding the New Age Ecumenical Church. When questioned by reporters, 
attendants who had been stranded in their cars for over an hour insisted they 
didn't mind the wait, pointing out that the firefair had been organized to 
destroy books on the so-called Darwinian theory of evolution, a theory 
speculating that man was not created in the image of God but grew instead out of 
the inferior forms of life on the planet." The newswoman gathered her papers and 
tapped them neatly on the desk in front of her. "The festival is still in 
progress at this hour and the Atlanta Police Department has indicated that the 
New Age Ecumenical Church will receive its full cooperation and support during 
the remainder of the book-burning, regardless of its duration." 
"That's terrible!" Roger said. The senselessness of it made his fingers twitch 
in frustration. "They shouldn't burn those books-­ what will happen when they're 
gone? There might be people who believe in that Darwin theory." 
Miriam shifted Brian's weight and glanced at him. "You'd better be careful, Rog. 
Talk like that..." She let the thought go unfinished. 
He shook his head. "But it's not right," he insisted. "There used to be 
libraries where you could go to read anything you wanted, even check out books 
and take them home. People should be able to choose for themselves what they 
want to believe­­" 
"Stop it!" Miriam snapped. Her tone of voice made Brian's eyes go wide. "Times 
change and it's too late to be radical. You have a family to think of. Me, 
Brian-­ we depend on you. Things happen to people who still talk about the old 
ways, Roger. Things so bad that no one speaks of them." She stared at him and 
her expression was a complicated mix of fear and anger. "Don't bring that kind 
of talk into this house ever again." 
Roger opened his mouth, then shut it and turned back to the television. Five 
minutes ago there had been something he thought he should share with her; now he 
knew the words would most likely remain forever unspoken. He was suddenly afraid 
to look at her, afraid her love and terror would pull his secrets unwillingly 
from his thoughts.. 
A different anchorperson was on now, another woman. She was young and black and 
her face was unlined; Roger thought she looked as if she'd never had to solve a 
problem of her own. Her practiced voice rolled out of the television in stereo 
and flowed around them almost hypnotically. 
"On a local matter the City Police have discovered the makings of a small print 
shop in the basement of one of our own junior high schools. School officials at 
Folcott Intermediary School told police that a student tipped them to the 
location of the press and the identity of a Folcott social studies teacher who 
has, according to the student, published an "underground" newspaper from this 
basement location for several months. The student, who will remain unidentified 
due to age restrictions, even supplied the law enforcement agency with a copy of 
the publication that he said has been circulating for some time in the school. 
The dissident newspaper, which calls itself Return to Freedom, is packed with 
propaganda and articles which claim that the New Age Commonwealth continuously 
withholds and/or alters information which the editor of Return to Freedom feels 
is pertinent to the people of the United States. Local officials have turned the 
matter over to the Federal Bureau of Administration, and here live to comment on 
these allegations is Virgil Thayer, Director of the FBA." 
The hold the newscaster's voice had been maintaining over Roger abruptly broke. 
"What!" he gasped, jerking forward. 
On the television the young woman turned slightly to her left and tilted her 
head upwards; in the corner of the television screen a mini-box appeared showing 
a coolly groomed middle-aged man with a bland face. "Director Thayer," said the 
anchorwoman, "what kind of publication is Return to Freedom, and why has the FBA 
become involved in this matter?" 
Oh my God, Roger thought frantically. He sensed Miriam looking at him 
quizzically but he couldn't risk eye contact with his wife right now, not yet. 
MY GOD MY GODMYGOD­­ 
"--involved because of the highly sensitive nature of the statements made in 
this newspaper, which statements are entirely false and considered detrimental 
to the New Age Commonwealth." The mini-picture expanded to fill the screen as 
Virgil Thayer stretched his lips into a small, calm smile. Roger felt a lump 
grow in his throat until it threatened to cut off his air. "But you can rest 
assured that the party responsible is being placed in custody at this very 
moment." 
Somebody was pounding on Roger's front door. 



The two officers sent to arrest Roger allowed him just under three minutes, time 
only to throw on a jacket, quickly kiss Miriam and hold his son for one terribly 
brief moment. He nuzzled the top of Brian's head, breathing deeply of the soap 
and baby smell, and wondered when he would see his family again. For an instant 
he squeezed too tightly and the child squirmed within the tight circle of his 
father's arms. 
"Daddy," Brian said solemnly, "down." 
He couldn't believe the kid had finally gotten it right. 
The last thing Roger saw as they led him out the door was Miriam with Brian in 
her arms, her face twisted in shock and indecision, sinking robot-like back onto 
the couch to watch the rest of the newscast. 



"What is this place?" 
In spite of his fear, Roger was filled with awe at his surroundings. The two 
officers had driven him to the Commonwealth Building and escorted him to a 
secured elevator, then down to something called "Sublevel Six". There the 
younger of the two officers had been replaced by none other than Director Virgil 
Thayer himself. Now the three men stood just inside the entrance to a dimly lit 
cavernous room, the size of which made Roger almost stutter. The place was so 
big, in fact, that he could barely make out some kind of podium at the far end 
of the corridor in which they now stood. Surrounding them were seemingly endless 
shelves housing thousands upon thousands of videotapes. A closer scrutiny 
revealed that the rows of shelves were really units placed end to end; beneath 
his feet he discovered tracks in the floor that followed a grid pattern and 
disappeared into the far shadows. None of the shelves were above reaching 
height, and it was at this point that the light ended, giving Roger the 
disconcerting impression that there really was no ceiling in the place-­ just a 
great, black void suspended a few feet above their heads. Scanning the shelves, 
he saw that nothing was labeled and he wondered how it was possible that the 
Administration could find anything. For a second he had the oddest notion that 
the tapes were all the same, simple countless copies of the same topic. 
He hadn't been hurt so far; no one had threatened or beaten him, there had been 
no hint at behavior modification and he was starting to think that, in terms of 
the bad things that supposedly could happen to a person, brainwashing was 
nothing but one of the more vicious rumors. And beyond that, or perhaps a prison 
sentence, what could happen? 
Roger looked around with nervous curiosity. His fear had finally receded enough 
so that he tried to take stock of his situation. There was nothing here, Roger 
decided warily, that could bother him, at least not immediately. The one thing 
that did strike him as a little odd was a metal door behind him slightly off to 
his right, although he didn't know why the sight of the plain black door should 
disturb him so. There was nothing to see about it beyond the opaqued glass 
window across which were printed black block letters that read simply: 
CUTTING ROOM
"This way, Mr Nadab," Thayer said. The older man headed toward the podium and 
Roger followed obediently, the guard so close behind him that Roger thought the 
guy might even be monitoring his prisoner's heartbeat. The podium might have 
been a block away or a quarter-mile; Roger couldn't tell. The rows of shelves 
seemed to engulf him and distort his sense of distance. When they finally 
reached their destination, he saw that it wasn't a podium at all but a small 
computer console set in a black plexiglass case. He looked around again and 
realized that they must be in the center of the room, because all the units 
seemed to branch from this location. 
"Your social security number, Mr Nadab?" Thayer waited expectantly. 
His terror returned with sudden, startling force and Roger remained silent, 
incapable of speech even had he wanted to try. Thayer glanced at him in 
annoyance then nodded at the guard, who reached a hand into his jacket and drew 
out a notebook. This he handed to Thayer, and after quickly referring to a page 
inside, the Director was tapping the needed number into the keyboard. Roger 
watched with dread as each digit of his social security number appeared on the 
screen and Thayer pressed a key labeled LOCATE. The computer made a soft 
whirring sound for perhaps ten seconds, then the noise stopped and the screen 
went dark. 
Behind the men a chain reaction of whispering noises began and the trio turned 
and watched as case after case of videotapes shifted smoothly along the tracks 
in the floor moving on nearly invisible wheels. The scene reminded Roger of 
those tiny plastic number puzzles that had once been sold in vending machines in 
restrooms, where the person struggled to put the numbers in order by pushing the 
little squares around. The movement seemed to drag on impossibly but Roger 
realized it was only apprehension causing his mind to turn each minute into a 
quarter hour. 
The shifting stopped abruptly and Roger realized with surprise that to his left 
a whole new corridor had been created within the maze of shelves. It stretched 
away into what would have been blackness had not a single videotape at its end 
pulsed with horrid red light. Thayer strolled down the new passageway and Roger 
and the guard followed; with each footfall Roger's foreboding built until his 
stomach was a churning bowl of acid and his legs were weak and barely 
cooperative. By the time he watched Virgil Thayer pluck the tape from its 
highlighted slot, Roger was almost stumbling. The trip back was even worse. 
Thayer and the guard had to each take an arm to get him through the CUTTING ROOM 
door. 



"Your little newspaper was quite an interesting read, Mr Nadab." 
Roger was recovering on an uncomfortable wooden chair, much like the ones on 
which his students spent most of their days. The chair was facing a steel desk 
painted institutional gray, and behind it Director Thayer sat on a likewise gray 
chair. Behind Thayer rose an entire wall of dials and knobs, slots and blinking 
multi-colored lights with digital counters. In the midst of it all was a large 
television screen, now dark. "You have some very... pointed opinions about the 
New Age Commonwealth and its Administration. As I recall you used the word 
'censorship' quite frequently." 
"Yes!" In spite of his fear, the old outrage took over and the word blurted from 
Roger's mouth. "You have no right­­" 
Thayer held up a hand, stopping him. "I am not here to debate the policies of 
the Administration with you, nor to persuade you that the Commonwealth's 
methodologies are correct. I'm quite sure that in a short while you will 
convince yourself that our way is, if not to your liking, at least preferable." 
From the pocket of his suit jacket Thayer produced the videotape he had taken 
from the shelf a few minutes earlier and held it up casually, then rotated it so 
that Roger could see his own social security number pressed along its spine. A 
pulse began to jump in his throat as Roger watched the dull black square of 
plastic turn. Virgil Thayer smiled, and his teeth were impossibly perfect. 
"This is your life, Mr Nadab." 
In one smooth motion, Thayer spun his chair and jammed the tape into one of the 
slots in the wall of machinery behind the desk. An instant later the television 
screen brightened, then began flashing Roger's social security number, name, 
address, work address-­ finally rolling a litany of information top to bottom on 
the screen, far too fast for anyone to read. Suddenly it stopped and the word 
"Pause" blinked in the top left corner, followed by "Press Play to Continue". 
Thayer hit a black button next to the screen without hesitation. 
Silent scenes from his life blazed into light on the television and Roger 
watched in disbelief as he saw himself, twenty pounds lighter and gangly in a 
high school basketball uniform, his youthful face unsure but sincere as he asked 
a seventeen-year-old girl named Miriam for a date. 
More soundless shots of he and Miriam as they went through school, in the park, 
in class, at the drive-in. He sucked in his breath as the holder of the unseen 
camera panned a clearing in Brewer's Woods and showed an unobstructed view of 
the beater he had driven throughout his senior year, its windows heavily fogged. 
The night of his and Miriam's senior prom-­ how well he remembered it. 
The unknown voyeur sped on: their wedding, the move into their first apartment, 
buying their first home, even a close-up of his perspiring, hopeful face during 
his teaching interview four years ago. By the time the tape had given him a 
sliver of each of the dozens of visits he and Miriam had made to the fertility 
specialists, Roger was too stunned to be embarrassed as he saw his wife with her 
legs spread in the delivery room, giving birth at last to their son amid sweat 
and sweet agony. 
The last scene on the tape was a shot of the three of them, performing the 
mundane yet precious act of grocery shopping at the supermarket just a few weeks 
earlier. 
As soon as it stopped, Thayer slapped a finger on the button and the tape slid 
partway from its slot with a quiet whirrr. 
"Censorship, Mr Nadab, can be applied to many things in many ways. What you have 
probably never considered is just how far-reaching its implications can be. 
There are also many terms that can be used to define the concept, and a few that 
you might find in any given dictionary would be 'excise', 'delete', or even 
'purge'." Director Thayer pulled Roger's tape from the slot, rolled his chair 
two feet to the right and inserted it quickly into another opening, this one 
framed by a row of digital counters and a red button labeled PROCESS. 
"The New Age Commonwealth prefers the much more neutral term of 'edit', Mr 
Nadab. While it is quite impossible to allow your infractions to go unpunished, 
we do not condone the use of violence, or even its threat. We do, however, 
believe that you should be made to realize that what we think is best for the 
people of this great nation to think or do, is best." Roger found himself unable 
to move as Thayer leaned forward and calmly folded his hands on the desktop. 
"I'm afraid it has become necessary to edit a part of your life, Mr Nadab. Given 
the difficulty of what must be done, the Administration has found it best to 
maintain a diplomatic point of view. It is, therefore, your choice." 
"What?" Roger asked. "I'm not sure I understand­­" 
Thayer sighed and Roger thought dazedly that the exasperated look on the 
Director's face was probably much like the one on his own as he tried to explain 
something to an underachieving student. 
"One of the two important people in your life is to be edited. It only remains 
for you to tell us which one." 
 "Edited?" Roger realized his voice had climbed at least two octaves. "You mean 
murdered!" 
"Not at all," the other man explained impatiently. "No one's going to be 
murdered, just... erased." Thayer sat up abruptly and threw up his hands. "I've 
no more time to spend with you, Mr Nadab. You will have to make your choice now. 
There are other... projects that require my attention. Your wife or your son, 
one or the other." Thayer looked at him. 
Roger opened his mouth but nothing would come out and his lips fumbled 
helplessly around his teeth. Could they really do this? 
"If you don't choose, Mr Nadab," Thayer said softly, "we'll have no alternative 
but to edit both of them." 
"Oh, I can't," Roger whispered brokenly. "I-­ my son­­" 
"Nonsense, Mr Nadab," Thayer said cheerfully. His finger found the PROCESS 
button with terrifying speed. 
"You'll forget the boy in no time at all." 



Roger discovered his wife standing outside the spare room, staring into it with 
a black, longing look on her face. Somehow the Administration had managed to 
alter the physical shape of his and Miriam's life as it intertwined, although 
the room that had been Brian's nursery was still there, of course, and the 
tangible shape of their home remained the same. But this was no longer a 
toddler's room; the stuffed animals and airplane mobile were gone, replaced by 
boxes of junk and a sewing machine, all manner of crafts and odds and ends. It 
had become the typical extra bedroom and Roger knew that if he looked in their 
attic storage area he would find it empty of everything save his old and 
perpetually flat-tired bicycle. 
He thought that at least they might be able to have another child; while he 
would still have two-year-old Brian if he had chosen Miriam, he knew that after 
a couple of months he would begin to wonder who the boy's mother had been and 
what had happened to her. Brian would have meant a lifetime of unanswered 
questions-­ how could Roger spend the rest of his years wondering why a 
faceless, nameless woman had gone away? 
He looked at Miriam and felt her hate at what he had done, what he had caused. 
But like everything that had been taken or censored or forbidden, the memory 
would fade, and probably sooner than expected. Today her loss was still fresh 
and bleeding in her heart and Miriam despised him; next week she would look at 
him with disappointment and perhaps a little irritation, and the memory of their 
son would bring a bittersweet lump to her throat. 
By the end of the month it would be, for both of them, as if their child, their 
son, had never existed. 
And they would forget. And neither would miss what they had once known... 



Afterword 
Inspiration for "The Cutting Room" came from an article I read in TV Guide 
Magazine (at least I think that was it -­ it's been quite a long time) about, of 
all people, Carol Burnett. At the time, I'd been invited to submit a fiction 
piece to Barry Hoffman for the first issue of Gauntlet, a magazine on 
censorship. I didn't have any ideas, and the line that jumpstarted the story 
from the article was something about so much of the footage ending up "on the 
cutting room floor." I started thinking about what would happen if people had to 
suffer through having pieces of their lives "cut out," and "The Cutting Room" 
finally took shape. 



Story and illustration © Yvonne Navarro 1990, 1998
"The Cutting Room" first appeared in Gauntlet #1, 1990



Elsewhere in infinity plus: 
    stories - Zachary's Glass Shoppe; I Know What To Do 
    features - about the author 
    contact - e-mail the author 
Elsewhere on the web: 
    Yvonne's web site, Darke Palace, has all the usual book info and a full 
    bibliography. But there's more: skydiving photos, art gallery and -- for the 
    Christmas of 1997 -- even a festive dog... 
    In her "spare time", Yvonne runs a small web site design company, Webette 
    Designs. 
    ISFD bibliography. 



Let us know what you think of infinity plus - e-mail us at:
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