PARRY There was a knock at the door, so hesitant as to be almost inaudible. Parry opened it. A giri stood without, huddled and childlike. Her flowing honey hair was bound back from her face by a fillet: a narrow band of cloth that circled her bare head. Her frightened eyes seemed enormous, me irises gray-green. "I am Jolie," she whispered, her hands making a tentative gesture toward her bosom. She had come! Suddenly Parry's mouth felt dry. He had known she would, yet doubted. He had wanted her to, yet been afraid. Now the test was upon him. "Please come in," he said, his voice sounding considerably more assured than he felt. She gazed at him. Her face crumpled. "Oh, please, my lord, please let me go! I never did you harm, or even spoke ill of you! I never meant to give offense, and if I have, I apologize most abjectly! Please, please do not enchant me!" She put her face in her hands, sobbing. Parry was taken aback. "I am not going to enchant you, Jolie!" he protested. "I have no grievance against you." Pwvs Assthoisy Those marvelous eyes peeked from between her fingers. "No?" "None. I know you have done me no harm. I want only to—" He found no appropriate word. "If you will come in, I will explain." Her tears ceased, but not her fright. "The Sorcerer said I would not be hurt," she said somewhat defiantly. "My tamer spoke truly," Parry said. "I mean only to talk with you. Please come in; it is warm inside." She hesitated. A gust of wind tugged at her garment, and she shivered. It was evidently her best dress, but it was some- what soiled linen, given shape only by the cord at her waist. It was inadequate protection against the chill of me fall evening. "You order me, lorel?" Parry grimaced. "I am no lord, Jolie. I am the Sorcerer's apprentice. I am hardly older man you. I cannot older you, nor would I if I could. I only want your company this night." Her face crumpled again. "Oh, please, spare me this! To you it may be nothing, but to me it's my life!" Parry had realized mat there would be difficulty, but he had not properly appreciated its nature before. The giri believed mat she was doomed if she set foot inside his house. He could let her go. But mat would mean the loss of what might be his sole opportunity, and failure in his first significant challenge. The Sorcerer had little sympathy for failure of any type. "How can I persuade you mat I mean you no harm?" he asked. "I swear to you that I will do nothing to you without your leave, and mat I will not force mat leave-giving." "Will you swear by the Blessed Virgin Mary?" she asked disbelievingly. "I swear it by me Blessed Virgin Mary." She watched him for some sign of disaster, but mere was none. He had not been smitten for false swearing; therefore it must be safe. Still, her doubt loomed almost tangibly. "Come in before you freeze," he urged. "I have a fire within." That did it; her shivering was not entirely from fright. "Re- member, you swore," she reminded him nervously. FORLOVEOFEVIL 3 "By me Virgin," he agreed. She stepped in through the doorway, her eyes fixing on the fireplace within. There was indeed fire, radiating flickering heat. He had banked it so mat it gave off little smoke and warmed the chamber without depleting me air; it was one of me arts the Sorcerer had taught him. Jolie knelt before it, extending her hands to the warmth. Now the threadbare nature of her garment became evident; me light of me fire shone through, showing her thin arms, and there were holes. But she was oblivious; for me moment that warmth was all that she craved. Parry closed and barred me door against the wind. It was of stout oak, and chinked around me edges, but some drafts still leaked through. He went quietly to his pantry, which was a niche to the side, separated by a dark linen curtain. He brought out a loaf of bread, a cup of butter, and a jar of blackberry jam. He set these on a tray and added a pitcher of goat milk and a knife and two mugs. He brought these to the main chamber and set them on me wooden table. "I have food," he said. Jolie tore her rapt gaze from the fire and turned to him. For a moment her eyes met his; then she turned away without speaking. "For you," he clarified, picking up the sharp knife. She looked again—and screamed. She lurched to her feet and ran for the door. She would have been out and away, but me bar balked her. "No, wait!" Parry cried, dropping me knife and hurrying to join her. "I meant—" Perceiving herself trapped, Jolie turned on him a stricken countenance, then fainted. He caught her as she fell. It was no ruse; her body slumped in rag-doll fashion. He had to transfer his hold from her shoul- ders to her midsection as she sagged. She was so light she seemed indeed like a doll; there was little flesh on her bones. He tried to walk her to a stool, but couldn't make it work. Finally he picked her up and carried her. He eased her down by me fireplace, propping her against the warm hearth wall, then fetched pillows for comfort. 4 Piers Anthony In a moment she recovered. Her eyes popped open, and she glanced about like a snared bird. "You are safe, Jolie," Parry said quickly. "You swooned, but you are safe." "The knife—" Then it burst upon him: the knife! He had been about to slice the bread, and she had thought he meant to use it on her. No wonder she had spooked! "I gave my oath," he reminded her. "No harm to you." "But—" "I was cutting bread for you." "But the sacrifice—" "My oath," he repeated. "By the Holy Virgin. You can trust that." "Yes," she agreed dubiously. "I am going to cut you a slice of bread," he said carefully. "Or you may do it yourself, if you prefer." "No . . ." she said, evidently afraid that the knife would turn in her hand and seek her innocent blood. Parry picked up the knife, slowly, and oriented on the hard loaf. He sawed through it, severing a thick slice, and set down die knife. Jolie's eyes remained locked on the knife throughout. She relaxed only when it left his hand. "Would you like butter on it?" he inquired. "Or jam?" "Oh, my lord ..." she demurred. "I am no lord," he repeated firmly. "Call me Parry." "Oh, I could not!" Parry smiled, a trifle grimly. "Call me Parry," he said, touching the knife. "Parry!" she cried, shrinking into her dress. "That's better," he said. "You know I am only a year older than you. I see you as an equal." "But you are the Sorcerer's son!" "Butter or jam?" he asked. "Or both?" "For me?" She simply could not believe. "For you. I will have a separate slice. Here, I will cut it now." He picked up the knife. FOR LOVE OF EVIL 5 Again her eyes locked on it, and her breath became shallow. It was as though he were torturing the loaf. "I will put the knife away," he said as he finished. He earned it back to the pantry and set it behind the curtain, safely out of sight. Only then did the girl's breathing revert to normal. He used a wooden spatula to spread butter generously on both slices of the coarse black bread, then poured jam on each. He picked up the slices and walked to her, proffering one. "For you," he repeated. "I will sit on the other side of me fire and eat my own." Hesitantly, her tiny hand came up, as if ready to dart away at die first sign of menace. Her whole arm was shaking. He set the bread firmly in it, then took his place on the other side as promised. He had been uncertain how to proceed, but now he felt more confident. "Jolie, I would like you to understand me. May I tell you my story?" "Yes, lord," she said. Then, as his glance went to the table where the knife had lain, "Parry!" He smiled. "You learn quickly, Jolie. That is one of two reasons I asked for you." "You gave your oath!" she cried. "I asked only for your company this evening. Your father owed my father, and this is the manner of the payment: your visit here. After this you will be free; we shall never require this of you again." "Oh, please—I never homed you!" "And I will not harm you!" he snapped. "Eat your bread and listen; then perhaps you will understand." She looked at the bread she held as if seeing it for the first time. "I—really can eat?" "Slowly," he cautioned. "One small bite at a time. Like so." He took a delicate bite of his own. "Chew it well before swallowing." He was aware that a hungry peasant tended to gulp good rood, fearing it would vanish. He did not want the girl to make herself sick. She took a bite, emulating him exactly. "Fifteen years ago, me Sorcerer was preparing a major spell," 6 PiersAwthony Parry said.' 'For this he required a blood sacrifice. So he bought a baby. As you know, such babies are for sale by poor families who have too many to feed already." She knew. She chewed deliberately, watching him. "I was that baby," he continued. "It was my destiny to be cut and bled on the altar, my life's blood lending substance to the potency of the spell. I believe it was a weather spell; there had been a drought, and the Lord of the Manor feared for his crops and the wild animals on his preserve. He did not want to suffer poor hunting. So he hired this service of the Sorcerer, in the year of our Savior 1190. The sacrifice was to be private. because the Holy Church frowns on human sacrifice." He paused, glancing at her. She watched him as if mes- merized, slowly chewing. "But the Abbot somehow learned of it," Parry continued after a moment. "He showed up at the site in person. 'What's this noise of sacrifice?' he demanded. 'You know it is forbidden to cut a living human baby!' And naturally the Lord had to disavow it, because the Abbot could make things very difficult for the progress of his soul to Heaven. 'No, no. Abbot, you misunderstand!' he protested. "This is no human sacrifice! We have a fine sheep for that!' And he signaled his minion to fetch a sheep from the herd. " "Then what is mis human baby doing here?' the Abbot demanded, for he was no fool. The Lord had to think fast. 'Why, this is the Sorcerer's newbom son,' he explained. 'But the Sorcerer is not married,' the Abbot pointed out. "That is why he is adopting this fine baby,' the Lord said. "The Abbot looked at the Sorcerer, whom he didn't like because magic was, strictly speaking, forbidden outside the auspices of the Church. But on occasion the community did need the professional touch, as now, so the Sorcerer was tol- erated. The Abbot saw a way to make the Sorcerer really uncomfortable, and he pounced on it. 'I am very glad to hear that,' he said, rubbing his hands together. 'Children are the Lord's blessing. I shall perform the ceremony of adoption straightaway.' And the Sorcerer was trapped in this bed of thistles of the Lord's making; he would have to adopt and raise FOR LOVE OF EVIL 7 the sacrificial baby. Thus was my life spared, and I have not had occasion to regret it." He looked again at Jolie, and caught her in a tentative smile. He smiled in return, encouraging her. She was now halfway through her feast of bread, still chewing deliberately, as di- rected. "The sheep arrived, and the sacrifice was made," he re- sumed. "And do you know, the weather did tarn, and rain came within the day. It seemed that the sacrifice had been effective. The Abbot performed the ceremony of adoption, and I became the Sorcerer's son. I understand it was difficult for the Sorcerer to mask his scowl, or the Abbot his smirk. Even the Lord, when he pondered the matter, considered it a fine joke. But he remained neutral, for he required me good offices of both the Abbot and me Sorcerer. He went so far as to guarantee a nominal stipend for me care of die boy, so mat he might never be in want. The Abbot matched him by guaran- teeing a proper and churchly education for the lad. Thus I received both material and spiritual blessings, to the discom- fiture of my adopted father. It was impossible for him to renege, or to dispose of me privately; me Abbot watched like a hawk. Thus me joke became a fact, and I was indeed the heir to me Sorcerer. But do you know, I somehow never did take a liking to the notion of human sacrifice? I am not certain I ever quite figured out why." Now Jolie could not prevent her laugh. Her face illuminated with me momentary pleasure of it, becoming pretty. She had finished her bread, while Parry's had only one bite from it. "Here, take mine," he said, offering it to her. "I find I would rather talk man eat; you are a good listener." She tried to demur, but she remained hungry, and her protest lacked force. She accepted the bread, and ate it with better confidence. "Then the oddest thing developed," Parry said. "I turned out to have a talent for magic. It was as if God had chosen this way to provide me Sorcerer an heir mat he would never have chosen for himself. The Abbot died when I was ten, and the Lord when I was twelve, but the need for any coercion 8 Piers Anthony had long since passed. My father now saw to my education and welfare with enthusiasm, and indeed, I have never wanted for either. I have long known the trotfi of my adoption, and have no resentment on that account; I know that had I not been sold for sacrifice, I would now be a completely igno- rant peasant, or perhaps dead of a fever. I believe Has Lead in his mercy and discretion did intervene to make of my life what it could be. I was never in danger of death from the knife; God knew that, if the others did not." He smiled again. "But you may be sure that when I pick up a knife, it is to cut bread, and not to harm a visitor. Do you believe that now, Jolie?" "Yes," she whispered. "Will you have some milk? I have plenty." She nodded mutely, seeming afraid to speak such greed aloud. He got up and went to the table and poured a mugful. He brought it to her. She took it, and sipped it carefully. He knew she was hon- oring his cautions, which she took to be meaningless; but he knew also mat she was far more likely to keep the food down if she went slowly. She was a typical peasant girl in that she had seldom if ever been properly fed. "And so I learned the disciplines of law and medicine and magic," Parry said. "Also combat—and the arts. The art of communication among them. I doubt you have had much dif- ficulty understanding me." She nodded, her smile coming more freely now. "But I suspect you are wondering why I asked for you." The fear flared up again, and the remaining milk slopped in the mug. "I have done you no harm!" "And I shall do you no harm," he replied automatically. "I am fifteen years old now, and in good health. I am becoming a man. That means I am ready for a woman." Now the milk slopped over the brim. "Oh, please, lord—" "Surely you know that my father would have brought me any woman I wished," he said. She nodded, her hands still shaking. "Obviously I asked for you. Why do you think I should want an illiterate peasant girl one year my junior?" FOR LOVE OF EVIL 9 Her breathing was becoming labored. "Oh, please—" "Stop that!" he snapped. "Answer the question." She took a shuddering breath. "Be—because I am the only virgin without disease in die village." "No." "But it is true, lord! No man has touched me." "I know it is true, but that is not why I asked for you. Try again." "Because my father owed—" "No! All the villagers owe the Sorcerer!" She shrugged. "Then I do not know, Idd." "Pany! Call me Parry! That's my name. I am tow-born, like you." "Parry," she agreed faintly. "I asked for you because I want the best woman I can get, and you are that one." Now she laughed. "You do ill to tease me so, lor—Pairy." "It is true that you are young, but so am I. You are poten- tially the smartest and Ae prettiest woman of the village. That is why—" This time her laugh was wholehearted. "I am the thinnest and dumbest waif in die village!" she protested. "How can you pretend otherwise?" Parry leaned forward, leaching for her. She shrank away, but he persisted, catching hold of a hank of her hair at her shoulder. "Look at this," he said earnestly. "Golden nesses, like few known here in the south of France. Look at your face: perfect. Not even any scars from die pox." "I have scars," she said, almost eageriy. "But they don't show." "All you need is some feeding, and you will flesh out into sheer loveliness. You have die frame already; I can see it clearly." She drew her dress more closely about her, fearing diat her body showed. "You shouldn't look!" "Figuratively, I mean. I have learned to see folk for what d»ey are and for what diey can be; my father taught me that. He had me took at tiae villagers whenever we were in die village, and choose die best woman. Had I chosen 10 PiersAntlwny wrongly, he would have served me as I deserved for my error." She was not persuaded, but she was flattered, and curious. "How would that be?" "He would have delivered that wrong girl to me." Again she laughed. "And so he did!" "No. I have no doubt of this. You are the one." Her doubt remained, but she was beginning to accept the fact that he believed. "What will you have of me, then?" "Your love." She looked stricken, having briefly dared hope for escape. "I dare not deny you. Parry." "I said your love, not your body! I want you to love me." "I fear you," she said. "Is that enough?" "No. You must come to know me, and to love me." She spread her hands slightly. "You promised never to sum- mon me again, after this night." "And I shall not! You must come only if you choose." "If (he Sorcerer chooses." "No! It must be free. It shall be free." "I do not understand you." Parry got up and fetched a sheet of paper, one of the valuable supplies his father provided him with. He took a stick of char- coal and began to mark it, gazing intently at her. "I have been trained also in the art of persuasion," he said. "This is my test: to persuade you. If I prove unable to do so, then I will fail, and my father will be disappointed. I must not fail, for there is no other woman as right for me as you. I must have you with me as I step out into the worid as a sorcerer." "I have no truck with magic!" she exclaimed with some asperity. "It is the work of the devil!" "No. Black magic is the work of the devil. White magic is die work of the Church. It is white magic I am learning. It is beneficial to man and good for the soul." She shrugged. "I wish you would let me go. I fear what sorcery you may work on me." "Give me one more hour," he said earnestly. "If I cannot persuade you in that time, then I will know it is not to be." FOR LOVE Of EVTL 11 "You talk so foolishly! I am not to be persuaded! I am here to be—" She hesitated, then forced herself to finish. "Taken." "Persuaded," he said firmly. "Just as I was given a far better life by the intervention of the Lord God, so may you also be. I can offer you good food, better than what you have just eaten. Good clothing, better than what you wear now. The warmth of the fire, every night. The respect, even the awe, of the villagers—" "Why torment me like mis?" she protested. "I know none of it can be true!" He set aside his charcoal and turned the paper to her. "What do you see?" Her eyes rounded with surprise. "You drew this?" "You saw me doing it. Who is it?" "The Madonna!" she exclaimed. "You can draw! But you had no model!" "I had a model." "But you were looking at me—" She faltered. "It cannot be! She is so lovely!" "It is you, Jolie—as you can be. When properly fed and dressed. When your beauty manifests to others as it does to me now." "No!" she said, bemused and flattered. "It is what you will be, if you come to me. If you love me, and let me love you. It is the potential I see in you, mat I know will appear if it is allowed." She stared at the sketch, fascinated. "You believe this?" "I know this. Yet this is only the lesser half of it. Even as the soul is more than the flesh, your mind is more than your body. You can be brilliant!" "I cannot even read," she said. "Or figure." "I can teach you these. I know you can learn. I believe you have the desire. Will you not allow me to try?" Her gaze became canny. "So I will return to you every night for your pleasure? You would fool me with impossible prom- ises, so that this night will be not the end, but only the begin- ning?" 12 FOR LOVE OF EVIL 13 Piers Anthony "Only the beginning," he agreed. "But not of delusion. All that I have told you is true—or will be true, if you accept it. Please, I beg of you—give me this chance!" "You beg of me? You have no need to beg, only to com- mand. You know that." "A command is made to an unwilling person, without love," he said. "A plea is made to a person one respects." "Peasants are not respected!" she exclaimed. "Jolie, I will offer you a job, so it is legitimate. To be my servant. I will pay you a fair wage. I will give you a coin tonight, mat you can take home and show as evidence. Then will you return?" "But you said you don't want my body, you want my love. A servant doesn't love." "It is only a pretext. I will not treat you as a servant. I will treat you as an apprentice." "An apprentice! To be a sorcerer?" "And to be my wife." "Blessed Mary!" she breathed, staring at him almost in shock. "What more can I promise you?" he asked. "I want your love. I want you to know me and to love me. I will do anything you ask." She sighed.' 'I know my place. I am a poor, ignorant peasant giri. I know that none of this is to be believed. I wish you would just do what you mean to do and let me go, so that I need not fear evil anymore, because it will be behind me. You have no cause to mix up my mind." Parry saw her slipping away despite his best effort. He could not let it happen. He realized he would have to do what he had sought to avoid. He would have to enchant her. "What do you fear of me?" he asked. "I cannot tell you that! The uttering of it might make it come true." "Do you fear that I will ravish you and cast you out de- spoiled, so that your father will beat you for being of lesser value on the marriage market?" She nodded, agreeing without uttering. "Do you not wonder why I have not done it long since, instead of talking with you?" "I have been asking you that!" "Can you not accept that what I am telling you is true?" "I cannot." "Then let me show you the nature of my power." She tried to shrink back against me hearthstones. ' 'I believe it already!" "Look at me, Jolie. Gaze into my eyes and do not flinch." She nerved herself for the inevitable and obeyed. Parry invoked the magic of mesmerism. He accessed her mind through her eyes and made it responsive to his verbal commands. She would now obey any reasonable directive, and any unreasonable directive if it were suitably couched to seem reasonable. Almost anything could be done with a mesmerized person, if the sorcerer was sufficiently skilled. "Listen to me," he said. "Believe what I say. Do not question it." She nodded, her eyes fixed on his. "I am about to teach you to fly," he said. "Follow my instructions, and you will fly. Are you ready to fly?" She hesitated, obviously wishing to question this, but con- strained by his injunction against that. She nodded, ill at ease despite the power of the spell. "Spread your arms," he said. She did so. Now the holes in her dress were revealed; she had held her arms close to her body before, hiding the condition of the dress. Stitching had made up much of the damage, but it was not enough; he could see a portion of her right breast through the stitching. The breast was small, because she was young and because she was ill nourished; still, it threatened to distract him from this dem- onstration, so he forced his gaze away from it. "You are now poised for flight," he said. "When you flap your arms you will rise into the air. Be careful, because the space is limited here; you do not want to bang into the roof. Do it slowly, and remain in control." Still she looked doubtful. "Flap your arms," he said. 14 PiersAnthony She lifted and dropped her arms, imitating the motion of the wings of a bird, awkwardly. "You are now rising from the floor," he said. "Look down. What do you see?" She remained on me floor, moving her arms. But her face as she looked down changed. Sheer wonder showed. "I—I am hovering in the air!" she exclaimed. "I have taught you to fly," he said. "But you are as yet clumsy. It takes practice to do it well. When you can do it well, we can fly outside. Now come down, carefully." She changed her motions, men her knees bent and she almost lost her balance. She recovered, and stood normally, her bosom heaving. "I am down!" "The lesson is over," he said. "Do not attempt to fly again tonight. Fix this experience in your memory. When I snap my fingers you will be free of my power." He waited a moment, then snapped his fingers. Her attitude changed. She looked warily at him. "You en- chanted me!" she exclaimed. "I enchanted you," he agreed. "But I flew!" "You did, and you did not. It is a matter of perspective. I made you seem to fly, but later I can make you fly in reality. This is an aspect of my power." She looked about the room. "It was so real! But I didn't really fly?" "You had a vision of flying. It would not have been safe for you really to fly at this time. You aren't dressed for it." She glanced down at herself, and quickly pulled in her arms, covering the flaws in her dress. "Why did you do this to me?" "To show you the kind of power I have, taught me by my father, the Sorcerer. I appeal now to your logic: if I can make you believe you are flying, do you understand I could make you believe that you must undress and do whatever I ask of you?" She considered. "Yes," she whispered, awed. "Can you now believe that what I am telling you is true? That I value your person, and want your love, not your en- chantment?" FOR LOVE OF EVIL 15 "Almost," she whispered. "That I will teach you these things I know, that you may join me in the practice of this kind of magic, for the good of the village?" "Almost." He saw that it wasn't enough. If she had this doubt imme- diately after the experience, that doubt would grow when she went home. His effort of persuasion had not been sufficient. He had only one more thing to try. It seemed the weakest of his devices, but it was all that remained. If it failed, then he would have to admit defeat. "I will sing to you," he said. "Then you may go, your father's debt acquitted. But here—I promised you a coin, in token of the employment I offer you. In token of all I ask of you. Take it, and return to me if you will." He fetched me tiny copper coin from his pocket and gave it to her. "You are letting me go, without—?" "After my song.'' Then he breathed deeply, twice, and sang. He composed me words extemporaneously, and the melody; it was a thing he had always had a talent for. That was part of what the Sorcerer had discovered in him. There was asso- nance and meter in the language he used—French—but those hardly mattered; the sentiment would manifest in any language. Yet the words were only the lesser aspect of it, a convenience of the moment, tuned to this passing purpose. The song filled the house, for it was buttressed by the sorcery he had mastered best: the ethereal accompaniment. It was as if the finest musicians of the realm sat behind him, playing their instruments in perfect accord, buttressing and amplifying his voice, making of it a sound no natural human throat could issue. The power of that orchestra infused the building, making the floor vibrate and the low fire quiver in resonance. There was, literally, magic in it. Jolie! I sing of the beauty I see in you, Of the glory in you, waiting to be evoked, Of the joy I would have of you, If only you could love me. If only you could love me. 16 Piers Anthony Jolie! I sing of your elegance to come, Of the envy of those who once knew you, Who will take you for an Abbess, If only I may love you. If only I may love you. The girl stood as if transfixed, listening. Her tresses seemed to waver with the sound, and faint washes of color crossed her eyes. She was indeed beautiful, and intelligent; only the pov- erty of her situation had masked her qualities. With food and care and confidence she would be a woman to reckon with. Parry had not deceived her in that; she deceived herself. He did want her love, for he knew her to be a treasure. Her name meant "Pretty," and that she was, in many senses. His com- prehension of this infused his song with passion; he loved her already. He finished. He said nothing; he walked to me door and lifted the bar, and stood aside, waiting for her to leave. Dazed, she clutched her dress about her and walked out. She hesitated just outside, afraid of the night, shivering with its chill. Parry took a cloak from a hook and carried it to her, and set it on her shoulders. Still she stood. He realized that she was concerned for the creatures of the darkness. The village dogs knew her and would not attack, but they were not out now, which meant that wild animals could encroach. The village was some distance from Parry's house. It could be dangerous for a woman to walk alone. He took down a cloak for himself, and fetched a stout staff. Then he joined Jolie. Without a word he set out for me village. She followed, grateful for the protection. He slowed, en- couraging her to catch up. Then they walked together, silently. The distance had seemed formidable; now it seemed short. No animals encroached. When they came to her house, he stopped. She paused, glancing at him, then removed her cloak; it was not hers to keep. Gravely, he accepted it. Then he turned and walked away. FOR LOVE OF EVIL 17 Would she come to him again? She had been moved by his song; he knew that. But how long would the effect last? She was free now; she had paid her father's debt. Parry slept irregularly. He had put himself across as an urbane young man of considerable power, and he was that, but this was his first attempt to accomplish a major thing by himself. It was his rite of passage as a sorcerer—and it was something he truly wanted. Jolie was me best possible woman for him in the region; with her he knew he could achieve happiness. There would be a great deal of work to develop her, of course, but there would also be much pleasure in the doing of it. He did not know what he would do if she did not come to him. He had at me moment no other ambition than to bring her to his house and keep her. He woke before dawn, and dressed and ate and performed necessary tasks, his mind elsewhere. The day passed with routine chores. One villager had chick- ens who ranged too far; neighbors had complained and threat- ened to kill them for their own pots, but the hens were undisciplined and could not be restrained. The man had paid the Sorcerer for a solution to the problem, and the Sorcerer had given the task to Parry for practice. If he bungled it, me Sorcerer would make it right, but Parry intended to handle the matter competently himself. He pored over his text on law, and in due course found it: a procedure covering exactly this situation. It was not known locally, but had been used in other countries, and it had the force of common law. It was this: the owner of the hens had to stand at the ridge of the roof of his house, and pass his right arm under his left, and reach up and grab his own hair. Then he was to take a sickle by its point, in his left hand, whose motion was at this stage restricted. He would fling the sickle as far as he could, and its landing would define the distance his hens could go with impunity. It happened that this particular peasant was athletic and co- ordinated; he would, with a little practice, be able to fling the sickle quite far. That should give his hens enough room to 18 Piers Awtbony range. The Sorcerer would advise die client of this, privately; then, in a few days, present the procedure. It would be done in public, so that all the villagers would see how the man vindicated his chickens. Once again, the Sorcerer would earn his fee. The Lord of die Manor, seeing the matter settled amicably, would not interfere; he might even come to watch the sickle-throwing himself. Parry was well satisfied. But as evening approached he be- came nervous. Would Jolie come? He thought she would, but also he doubted. He had done the best he could to convince her; if it wasn't enough ... The day waned, but the girl did not show. Parry's gloom deepened. He had tried so hard to persuade her! What could he have done differently? He had a whole life to live with her, if only she chose it. He lit a fire on me hearth. The air was turning chill, but that was not what motivated him. It was that he had had die fire going when she had come before, and she had sat beside it. Almost he could visualize her there! But he stopped mat vision; a sorcerer had no business succumbing to die illusions he foisted on others. A sorcerer had to deal in reality, whatever it was, wherever he found it, being always undeceived. Magic, science, law and illusion were merely tools to be understood and applied. Reality was his truest master. Even die reality of a woman who chose not to come. But he had pinned so much on mis! He knew she was right for him; he knew he could offer her a better life man any peasant of die village could. But did she know? The fire blazed up, and smoked, and gradually settled into place as the draft became established. The average peasant cottage had no internal fire; it would have been dangerous for the thatched roof. But Parry had been raised in comparative luxury—a luxury he had hoped to share wiui— He stiffened, listening. Was that a knock? He doubted it, for me sound had been so faint as to be coincidence, but he hurried to the door anyway and threw it open. Jolie stood there. "Did you mean it?" she asked tim- orously. FOR LOVE OF EVIL 19 Parry opened his arms to her, realizing even as he did it mat he might be making a mistake. He had asked for her love, but promised her only a job. She stepped into his embrace. Her action, like his, was answer enough. FOR LOVE OfEVIL 21 CRUSADE There was not much more to it, that night. They embraced, then separated, aware that such intimacy was premature. She had only come to inform him that her father had acceded to her employment by the Sorcerer's son, and wanted to know the rate of pay. She would come in the morning for work. "Yes, of course," Parry agreed. He was so relieved that she had come that he had no concern for the details. He guided her to the fire, and brought her bread and milk. "I should do that," she said. "Tomorrow you shall," he said, smiling. "My father thinks I am to be your mistress," she confided. "He wants an extra coin for that." "He shall have it!" Parry agreed before he thought. She averted her gaze. "Then it is true?" "Only if you wish it. I told you before—" "You desire me?" "Yes." "But will not force me?" "Yes." "And if I do not wish it?" 20 Parry spread his hands. "I want only what you wish to give." She shook her head. "I do not understand you. Parry." He tried to explain. "I could pay a village girl, and she would do whatever I asked, because of the money. But she would not love me, only my money. I want your love, and that I cannot buy." "I wish I could believe." "I wish I could make you believe." She glanced sidelong at him. "I thought you would give me a reason." He was puzzled. "What reason?" "That you wished to catch a unicom." He laughed. "And for dial I would need a virgin! I should have thought of that!" "Is it true?" "That you can catch a unicom only with a virgin? Yes, in a manner. It is possible without, but the animal is killed in me process." "I meant, that this is why you want me?" He spread his hands. "No. I could have gotten an ugly or stupid virgin for that. You are neither." "But you could make me feel safer with you if you tell me that it is for me unicom." "It is an assurance I cannot give you." "Then why do I feel reassured?" "Because you realize I am telling you the truth, and that is more important than a facile rationale for your presence." She considered. "Am I really neither?" "Neither what?" he asked, unable to follow her thread. "Ugly or stupid." Ob. "Yes." "You could take me now, and I would not protest." "Do you love me?" "I fear you." "I will wait for your love." "But I fear you less than I did." "That is good." He liked die fact that she spoke her mind 22 FOR LOVE OF EVIL 23 Piers Anthony directly. Some in the village evidently took that for social ignorance, but he took it for innocence. "I must go home now. But I will return in the morning." "I will walk you home." "No. It is not fully dark yet, and I must conquer my fear." "Then let me give you a spell to ward away bad animals." She considered again. "Yes, mat would help." He gave her a pouch that exuded a foul odor. "Open this at need. Hang it outside your cottage, or it will drive out your family." She tittered. "Bad animals!" He nodded. "The smell is versatile." She departed, and he clenched his hands together in an expression of sheer joy. He would win her! Jolie came me next morning, and the morning thereafter. He prevailed on her to wash herself; she was distrustful of this peculiar requirement, but acceded and became clean in the new dresses he provided. Her hair became lustrous, and her skin as smooth as milk. But when she went home each evening, she donned her old garment and smudged her face with dirt, so as not to cause suspicion. She was, as he had judged, a bright girl, and Parry used mesmeric techniques to teach her more rapidly and fully, just as the Sorcerer had used them on him. There was an enormous amount to leam, for sorcery was mainly a matter of knowledge and experience in the correct lores; true magic could be mas- tered only by those with special talent and dedication. Pew folk had me cleverness or the patience to do it well; most who claimed to be adept were to some degree charlatans, buttressing their minimal magic with illusion. She learned to read, and to fight, and the arts, so that she could study on her own or defend herself from molestation or play prettily on the little harp he gave her. Her flesh quickly filled out, because of the good feeding, and she became the woman of his picture: not the Madonna, but as beautiful. This progress did not pass unnoticed in the village, despite her effort to conceal it. Rags and dirt could hide only so much. The peasant boys oriented on her, and Parry had to give her a spell to repel them. But he knew mis would not be effective for long, for she was nubile and the other girls her age were getting married. Jolie's emotional progress was as dramatic as her physical and intellectual progress. One day she accompanied him with her harp as he sang, and drew on the magic she was learning to make of it far more than a single instrument. He had always had a fine voice, but with her it was better than ever. The music was truly beautiful. Then she set the harp aside. "Parry, today I am fifteen. Will you marry me?" He choked. She had caught him entirely off guard. "You said you wanted my love," she continued. "You have not touched me, because you wanted my love, not my body. I love you now, and would give you all that I have. Please marry me." He gazed at her. She was no longer pretty, or beautiful. She was stunning. All that he had foreseen in her had been realized in greater measure than anticipated. He had loved her virtually from the start, for her potential, but had reined it in in me interest of giving her room to grow. His love had become direct as her potential was fulfilled. He could have said a great deal. He did not; it wasn't nec- essary. "Yes, Jolie. I will marry you." She flung herself at him. "You had me worried!" He had had her worried? They kissed. Jolie's original fear had become an equal mea- sure of passion. But in a moment he drew back. "You have second thoughts?" she asked, perhaps having one herself. "I want to marry a virgin." "And you think I am not?" "I flunk you will not be, if we embrace much longer." "But I would be cheaper if despoiled," she pointed out teasingly. Her confidence had grown enormously. He realized mat it was her attitude that accounted for much of her beauty; now she believed in herself. "It is a burden I must bear," be said with mock sadness. They risked another kiss, but kept it restrained. 24 Piers Anthony * * Parry had to pay an exorbitant bridal price for her, because of the enhancement of her value he had fostered. But the Sorcerer, pleased with his son's judgment and success, ar- ranged it, and the ceremony was held. Some anonymous party, perhaps jealous, arranged to have a unicorn driven at the group. The ploy failed; Jolie, radiant in her bridal gown, called to the animal, and it came to her and suffered her to stroke its head. All the nasty gossip about her relationship with Parry was by this stroke abolished, and its perpetrator made ludicrous; now none could doubt she was still a virgin. Parry was especially pleased by the look of astonishment on the face of Jolie's father, who had thought that he was overcharging for her, and that Parry had paid only to maintain the pretense of licit dealings. Parry and his bride retired for the evening to their house. Seldom had such a precious commodity been thrown away with such abandon! The following two years were for them such as legends could be fashioned from. Parry became a full sorcerer in his own right, and Jolie joined him in his practice. For appropriate fees they saw to it that the local weather was good for crops, that the King's taxes fell on the village less strenuously than before, and that the Lord of the Manor prospered. So did the local peasants; their dire poverty became only nominal, and some individuals even became fat. But their main effort was shrouded from village view. The Sorcerer precipitated it. A few days after the wedding, he paid a call on his son. He was now a venerable figure with a white beard. He had been traveling more widely as his son took up the burden of local service, and had been absent for weeks at a time. "As you know. Parry, I did not adopt you by choice—but had I the choice to make again, knowing how it turned out, I would have done it eagerly. You have been a source of great pride to me." "Thank you, sire," Parry replied. The Sorcerer seldom ex- pressed himself so directly and positively. "Not the least of it has been your way with mis woman," FOR LOVE OF EVIL 25 the Sorcerer continued. "You fixed on her with unerring ac- curacy, and developed her with consummate skill. As a result, you now have far greater power than you could otherwise have had." "And joy, too," Parry murmured. Jolie arranged to flush prettily, though her naivete had been among the first of her qualities to change. She now knew, indeed, that she had been the best Parry could have chosen, and that she had lived up to her potential. He had been me diamond cutter; she had been the diamond. "I do not begrudge you that joy," the Sorcerer said. "But it was for another purpose I challenged you to acquire the best possible woman. Even as I adopted you for cynical reason, and gained more joy of it than I deserved, you acquired her for reason, and your joy of her is incidental." Both Parry and Jolie gazed at him, realizing that his visit was not at all social. Something serious was afoot. "Through my arts I divined that the Homed One has slated great evil for this region," me Sorcerer continued. He did not name Lucifer directly, because that would invite mischief. "But this is a poor region, even after our efforts," Parry protested. "What interest could such a being have here?" "It is the entire southern region of France that has evoked the interest," the Sorcerer explained. "Our village is not the object, because I have labored long to mask its improvement from me notice of the Crown, for tax purposes. But elsewhere in die region peasants and their masters are doing well, too, partly because of me Albigensian heresy." "Heresy?" Jolie asked. Parry kept silent, because he knew something of the matter. Heresy meant trouble, certainly! "You of the country and village remain loyal to die tenets of die Church, but in me growing towns men are becoming more liberal. They question me corruption of die priests, and indeed die entire priestly hierarchy. They are dualists, seeing only good and evil without shades between, and to diem die choices are clear enough wiuiout die intercession of die priests. Indeed, they see little need for any interpretation between them- selves and God." "But mat means mere is no need for—" Jolie said. 26 Piers Anthony FOR LOVE OF EVIL 27 "For the Church," the Sorcerer concluded. "And that is heresy, plain and simple." "But if they do honor God—" "Forgive me if my cynicism offends your sensitivities, daughter." The Sorcerer had called her that since her marriage to his son. "I do not subscribe in my heart to any religion; I cannot afford it, professionally. I see no reason why a man should not honor God directly, in his own way. But consider the welfare of the Church, if the people should choose to bypass it. If they no longer tithed. No longer attended services or honored the sacraments. No longer heeded the word of the Pope." "Why, it would destroy the Church!" she exclaimed. "Therefore the very notion is heretical. The Church cannot tolerate that which would destroy it—and the notions mat are prospering among the Albigenses would indeed destroy it. The Church has kept its place by being vigilant in the suppression of rival notions, and it shall surely continue so. Its power is being threatened, and like any creature it will react with fe- rocity." "But are me Albigenses so bad?" she asked. "No, they are not bad at all; they are good folk, as these things go. They are industrious and increasingly educated, and though they subscribe to asceticism, those who associate with them are more tolerant of wealth, hi fact, some of the Lords are using the precepts of me Albigenses to avoid the payment of taxes to the Crown." Trouble, compounded! Parry had to speak. "So the Evil One sees an opportunity for mischief, because of the irritation of the Church and the Crown!" "It is not smart to annoy both at once," the Sorcerer agreed. "The times are charged; any spark will set things off. Now that spark has occurred, and I recognize the handiwork of the Evil One. He cares nothing for Church or State, only for mis- chief, for in troubled times his harvest increases." "Spark?" Parry asked. "A Cistercian monk has been murdered. That provides me catalyst for action. We cannot abate it now." "What will happen?" Jolie asked. "There will be a crusade against the Albigenses. They did not kill the monk, but they opposed his teachings, and they will not be able to defend their innocence. The Pope will determine mat the Albigenses must be abolished. They must recant their heresy, renew fealty to the Church, and pay men- taxes, which are in arrears." "But they will not do mat!" Parry exclaimed. "They are stout folk, firm in their belief and their independence, and they have powerful support." "Hence the crusade. They will be converted by force. Their heresy will be abolished. But mere will be much pain in the doing of it. That is why we must prepare." "A crusade," Parry said. "Troops will come here?" "Yes. We are on their main route; this I have determined. Our time is limited; within a month they will be here. I regret I was involved in absorbing research and did not survey the political situation earlier; me crisis was well developed before I was aware." "How can we prepare?" Jolie asked. "We must get away from here with our valuables," the Sorcerer said. "Quietly, leaving no trail. In the north the dis- ruption will be minimal; we can survive there nicely." "But what of the folk here?" Parry asked. "They cannot move." "They are lost. They cannot be helped." "But surely if the warning is given—" "That will only make our own escape complicated. We cannot afford to alert them." Parry knew his father. The Sorcerer was not an evil man, but a practical one; if he said the local folk could not be helped, it was surely so. Yet he had to argue. "The Lord of the Manor—he could do something! If we tell him privately of me threat—" "I have done so. He refuses to believe mere is genuine danger. He will not change." "Change?" "I explained to him what would be required to save his demesnes and die welfare of the villagers. He and all others must renounce die Albigensian heresy. They must swear re- 28 Piws Anthony newed fealty to the Christian doctrine as espoused by die Church. They must pay taxes and penalties." "But such penalties can be ruinous!" "True. Therefore he will not budge. But he courts disaster. I gave him good advice." Parry nodded. The cost of compliance was too great; the Albigenses and the Lord of the Manor preferred to take me risk of noncompliance. They lacked the perception of the Sor- cerer; they did not accept me full validity of his divinations. "Then we must flee," he agreed. "But I cannot desert my family!" Jolie protested. The Sorcerer stood. "Talk to her, son. She must be per- suaded." He departed, for he had preparations of his own to make. Parry talked to her. It was no good; she was too much a creature of her community, and she loved her family. It was one of the good things about her, and he could not fault her for it. But he knew they had to get away. He compromised. He fashioned a temporary retreat in me forest whose location was secret from all but himself and Jolie and his father. When the soldiers of the crusade came, they would hide there. After the soldiers passed, Jolie's family would either be all right or it wouldn't; she would be free to leave men, having remained near during the crisis. To this she agreed. They set about their preparations for the disaster. The soldiers of the crusade evidently had advance infor- mation. They struck first at the Sorcerer, knowing mat me most effective local resistance would be organized here. They could handle peasants, but magic was more formidable. They sent a mission to bum his house and slay him, before moving on to me Manor. The Sorcerer had seen them coming, of course. This had required not divination but plain common sense. He had moved his key supplies and texts out long before, but to allay suspicion had left enough of the lesser material at his residence to give the impression that he had been caught by surprise. For similar reason he had to defend it. Parry was there to assist, while FOR LOVE OF EVIL 29 Jolie hurried afoot to the village to bring out her family. She had not yet mastered form-changing, so was limited by her human body. Parry and his father would change to avian form and fly away after making a respectable and unsuccessful defense of me Sorcerer's house. It was a loss that had to be taken; after that they should be free of pursuit, and could relax. They would seem to die here, so mat no fear of them remained. Their route north had been planned; they knew at which taverns to stop, and where to stay for the nights. They would be like other refugees, unidentified. They watched the troops arriving. It was a contingent of about a dozen: common soldiers wearing helmets, hauberks and boots, carrying bills. Parry studied the soldiers. He had in the course of his ed- ucation learned me basics of military outfitting, as well as those of combat itself. "Never can tell when such knowledge will be important," the Sorcerer had told him. Now he appreciated that importance, for he was able to determine me nature of the force ranged against the house. These were common soldiers from all over France. Their helmets were standard sugar-loaf types, basically metal caps shaped like the pointed end of an acom. Knights had better headgear, but commoners could not afford it. Their hauberks were long coats of mail worn over their jacks: quilted garments mat protected the body from bruising when the mail was struck. This, again, was standard, though the quality of individual hauberks varied. The main distinction was in their weapons: the bills. These were assorted pole arms, with heavy curved blades mounted on poles, buttressed by points and spikes. The helms and mail might be provided by the one who organized me crusade, but the weapons tended to belong to the individual soldiers, who became proficient by long familiarity and prac- tice. Each local smithy had his own variant, and the locals swore by it, and used it in preference to other variants. The particular curve of the blade, the sharpness of me hook, me length and stoutness of the spike—these served to identify the regions from which the weapons came. The bill had started as an agricultural implement, and some were still used as such, 30 FOR LOVE OF EVIL 31 Piers Anthony but most had been modified for war. Certainly it was an ef- fective weapon in the hands of one who knew how to use it. Parry had entertained a notion of fighting off the soldiers and saving his father's house, which still contained much of value. He saw now that this had been unrealistic; only for- midable magic would suffice, and the makings of that would be better saved for later use. The Sorcerer was correct: they would have to let this house be destroyed, and make it seem that the two of them died with it; it was the only practical way. "Now we must show ourselves," the Sorcerer said. "They have to know we are within when they torch it, so that no doubt of our deaths lingers. This may not be easy." Parry swallowed. He was aware that their supposed deaths could all too readily become genuine if they miscalculated in any way, or simply had bad luck. Escape was easy; escape after seeming death was more complicated. The leader of the squad hailed the house. He wore a surcoat over his mail, which meant that he did not expect to fight. "Sorcerer! Come out and renounce your heresy!" It was a ritual challenge, done in the name of the crusade, which was theoretically to convert the heretics. Once the de- mand had been made and rejected, the soldiers would be free to do what they had come for, in me name of God. Normally they would take plunder, for this was the most substantial part of their recompense, but the orders for this mission were surely to destroy the house and occupants without ceremony or delay. They would not want to give the Sorcerer opportunity to dem- onstrate his power. The Sorcerer opened the door and stepped out. Parry fol- lowed. Neither was armed with any physical weapon. "Will you spare my life and mat of my son if I do?" the Sorcerer called. The leader seemed to consider. "Funny you should ask mat." Then he gestured to his men. "Take them." The soldiers came toward die two, their bills poised. They looked grim. "Do I have your word you will not harm us if we submit?" the Sorcerer asked. The leader did not answer. The soldiers closed in. That was answer enough. "That's what I thought," the Sorcerer said. He flung out his right hand, throwing powder. It glinted in the sunlight, forming the shape of a dragon that glowered at the soldiers. The men backed hastily away, their fear of the Sorcerer becoming justified. "Don't be fooled by his tricks!" the sergeant cried. "It's illusion! It has no substance! Just march right through it and cut him down!" The men hesitated, but then, at the continued urging of their leader, they braved me dragon and found it was true. It was only a specter fashioned from the powder, having no more substance than that powder. It was theoretically possible to conjure real animals, but this was well beyond the Sorcerer's ability, while illusion was cheap. But the delay had allowed Parry and the Sorcerer to retreat into the house. Stage One had been negotiated: the soldiers now had no doubt of the Sorcerer's presence and nature. "Surround the house," the sergeant commanded. "Don't let them escape." Parry watched from the windows as the men spread out. They remained wary, though they had overcome the illusion of the dragon. "Now torch it," the sergeant said. "And kill them as they come out." "But what about spoils?" a soldier demanded. "There must be good stuff in there!" "Our orders are to kill the Sorcerer and destroy his house," the sergeant said firmly. "No spoils here. Anything you took could be enchanted to kill you in your sleep. That's how they operate." The soldier was silent. His fear of the supernatural overrode his greed. That was just as well, for the Sorcerer would have had to kill any men who entered the house, lest they interfere with the escape. They hauled brush and straw to the walls of the house, half the men working while the others guarded them with their 32 Piers Anthony bills. When they had a fair pile of dry material, they brought a torch and started the fire. It blazed up vigorously, sending clouds of smoke aloft. The Sorcerer turned to Parry and nodded. This was exactly what he had planned for. They had navigated the situation without a hitch. They waited until the fire was raging all around the house. Then they climbed to the loft, where the Sorcerer opened a panel he had prepared. They had an avenue to the outside, now concealed by the billowing smoke. The Sorcerer changed form, becoming a hawk. He spread his wings and flew up into the swirl. Parry became a crow, and followed. Changing shape was relatively easy, once the appropriate level had been achieved; it was the change of mass that was difficult, and the mastering of the ability to use the altered body to fly. As far as Parry knew, they were the only two human beings in Prance who could do this. In time Jolie, too, might accomplish it. "There they go!" a soldier cried. "I got the hawk," the sergeant snapped. "You take the crow." Parry saw to his dismay that they had two crossbows, and seemed competent in their use. The sergeant let fly his shaft, and it transfixed the hawk. Parry swerved—and the shaft in- tended for him missed, brushing his right wingtip. The Sorcerer fell. Parry could not help him, for he was defenseless against the deadly shafts of the crossbow. He winged strongly toward the trees, losing himself among their branches before the soldiers could reload. The soldiers had known what to expect! They had come prepared for the form-changing. This had been a more com- petent trap than the Sorcerer had realized. Their accuracy of information was unnerving, apart from its effect on the Sor- cerer. Most ignorant peasants believed that sorcerers could accomplish anything, no matter how outlandish; most educated folk prided themselves on their ability to doubt, so professed not to believe in magic at all. Between the two extremes, a clever sorcerer could prosper, as Parry's father had, using only that minimum of magic required to accomplish his purposes. FOR LOVE OF EVIL 33 But this party had targeted him precisely, and so accomplished me mission: Sorcerer dead and house destroyed. Parry had escaped largely by luck. He had been the second to fly, so the less-accurate soldier had been assigned to him. He had dodged involuntarily, and thereby saved his life. He soon lost the soldiers; it was impossible to pursue a black bird flitting through low shadows. When he was sure he was safe, he paused to rest and take stock. Then the full realization of his father's fate struck him. The Sorcerer was dead! All his plans for escape and success else- where were ended, by that single shot from the crossbow. Parry's surge of grief was overridden almost immediately by rage. He would go back and destroy those foul soldiers! He would make a fire that would engulf them, as their fire had engulfed the house! It required only minimal magic to start a fire; then it fed itself. His father would be avenged! But then a new concern overtook him. Jolie! She was at the village, and if they had known of the Sorcerer, they might know of her, too. If they sent a contingent to the village— He spread his wings and flew into the air. The crow could travel more swiftly than the human being, cross-country. Part of what made this form so difficult was adapting his con- sciousness to fit within it; mat alone had taken Parry months of practice, but now he blessed that effort. Even so, it took him many minutes to cover the distance. By the time he reached the village, he knew from the clamor that his worst fear had been realized. The soldiers of the crusade were there, and they were before the house of Jolie's family. Something was happening there, and Parry dreaded to imagine what. He landed and returned to his human form. He was naked. He had not yet developed to that sophistication of transfor- mation that enabled him to change his clothing, too. But he had prepared for such an event; he had a cache of clothing in a hollow tree just beyond the village. He hurried to this now. Just as he was reaching into it, a harsh voice sounded: "We have you. Sorcerer!" Parry jumped up, whirling on the man, but found himself facing a cocked crossbow aimed at his chest. He froze in place. 34 Piers Anthony "Before you try magic, know this," the crossbowman said. "We have your girl, and she will die the moment you oppose us. Then we shall hunt you down, too; we know how to do it.'' Evidently they did! Twice now, in two places, the soldiers of the crusade had sprung successful traps. They had known exactly where to find his father and himself, and who else to look for. It was too neat. There had to be magic involved— and until he knew its source and nature, he would have to cooperate. Unless his hand was forced. They marched him, naked, into the village. None of the villagers was in evidence; the soldiers had evidently cowed them and sent them to hide in their cottages while waiting for Parry. Now they had him. He could change form and escape, or conjure a weapon and attack; he was not at all helpless. But he was sure they were not bluffing about Jolie, and he could not risk precipitating harm to her. They did have her. Another sergeant held her by the arm. Her dress was torn, and the other soldiers were ogling what showed. She had evidently fought, but been overcome; the white cross on the sergeant's tunic was smeared with dirt. Because she lacked the ability to change form, she had been unable to escape that way. How he wished now he had taught her that, and let some of the other arts wait! Still, she did have effective abilities. She could mesmerize, if she could gain and hold me direct gaze of a single person. If they could maneuver things so that she could stun her captor with a glance, then Parry could change to a horse and carry her swiftly away. "Bind him!'' the sergeant commanded.' 'Blindfold him, too; that will stop his magic!" They were wrong in that; Parry had limited second sight, so that he could see almost as well without eyes as he could with them. They were underestimating him, and that was an asset. He needed every advantage he could muster! They bound him tightly with rope, and put a hood over his head, tying it closely about his neck. They thrust him against the wall of the cottage. "I don't know," a soldier said. "I've heard those sorcerers cannot be bound if they don't want to be. How do we know FOR LOVE OF EVIL 35 he isn't pretending helplessness until he's ready to wipe us out?" The sergeant considered. "You're right. We were warned to take no chances. If anything goes wrong at me old sorcerer's place, we want to be sure we've got this one secure. So we'll test it. Keep the crossbow on him, and kill him if he moves." "But he could wait till night, then make a vision to distract the guard and break away," the soldier pointed out. That soldier was too smart! "I had a good test in mind," the sergeant said. "I'm going to take the wench inside and have some fun with her. If he can get free, that's when he'll do it. If he doesn't budge, we'll know he's secure." The sergeant was too cocksure. He knew less about sorcerers than he thought. Parry could break free anytime, but he would not—because it was not his safety but Jolie's he was concerned with. But the sergeant was giving her the opportunity she needed. The moment he tried to rape her, she would mesmerize him. Because they would be out of sight of the soldiers, she would be able to stun him and tie him up. Then Parry would burst free and change and cany her away. Ah, but there was the crossbow. With his second sight, he could see the soldier clearly. Parry was facing away from him, but it didn't matter; second sight did not depend on direction. He generated an image mat caused his own body to seem to blur. The soldier blinked, but this blurring was not of his eyes but of the subject. Parry's form wavered rhythmically, in a manner mat induced mesmerism. The soldier's mind became clouded, and then the soldier drifted gently to sleep, his eyes still open and his weapon still pointed. But now he would not fire when Parry moved. Parry diverted his sight to Jolie. Her parents' cottage was empty, or perhaps the people were bound in me stall half of it, leaving the living chamber clear. Jolie was tied, her hands bound up behind her head, her ankles crossed and tied in mat position. That made it possible for her legs to spread, but not to kick. She was lying on die straw bed. The sergeant was in me process of removing his hauberk. The mail garment covered him from head to knee, and was 36 Piers Anthony heavy; a sexual act would be problematical in it. So the sergeant drew it off over his head, and pulled his arms from the mitten- sleeves. Now he stood in his jack, the padded undergarment. He approached Jolie. He took hold of her shoulders and made her look him in the face. "Scream, wench!" he said. "I want your man to hear!" She did not scream. She stared at him, using the mesmerizing gaze. The sergeant laughed. "Your tricks won't work on me, wench! I have an amulet to protect me from them!'' He touched a silver medallion that hung from his neck. "We were warned about your kind!" Parry had not thought of that! Most of the power of mes- merization lay in the recipient's belief; a counterchann de- stroyed that belief, and therefore the effect. The amulet dangled near her face. Jolie lifted her head and took it with her teeth. She wrenched it away. The sergeant cursed. He grabbed for the amulet, but Jolie's gaze caught his own, and now her power was unfettered. The sergeant threw himself back, and brought up his hands, covering his eyes, breaking the contact. She scrambled up as well as she could with wrists and ankles bound, pursuing him. She had to catch his eyes again, to complete the mesmerization. Then she could make him untie her, and she would be ready for Parry to act. But the sergeant, aware of this threat, scrambled to fetch his sword. His hand caught it as Jolie made it to her knees and lurched to her feet despite the bindings. She hopped at him. Parry realized he couldn't wait. He drew on his reserve of strength and snapped the rope that bound his hands. Then he snapped his feet free. This was more physical discipline than magic; the cords that were effective against the average man did not have too much extra capacity. "He's escaping!" a soldier cried. "Shoot him!" The crossbowman, jolted from his trance, pulled the trigger. The arrow fired out. But Parry was already out of its line, and it struck the ground. He ripped the hood from his head. His second sight remained. While he moved, avoiding the FOR LOVE OF EVIL 37 soldiers, he saw die sergeant lift die sword and jam it at Jolie's approaching body. Parry leaped for die door, changing to wolf form as he did. But fast as he was, he was too slow. As he burst inside, die sergeant's sword plunged dirough Jolie's chest, and was with- drawn: a swift but deadly strike. The man oriented for a second, more precise attack. Parry reached the sergeant. His teeth closed on die sergeant's mroat and sliced dirough die flesh, tearing out die jugular vein and puncturing die carotid arteries. The sergeant was dead on his feet. But so was Jolie. She and die sergeant fell togedier, dieir blood mingling. Parry sniffed Jolie. The sword had driven dirough her right lung. She was grievously wounded, but alive. He shifted to human form. "Jolie, look at me," he said, taking her head in his hands. Her pain-glazed eyes gazed into his. Instantly he mesmerized her. "You feel no pain," he said. "Your body will bleed no more. You will sleep in stasis until I wake you. I love you." Her eyes closed. Her bleeding slowed. She would endure for die time required. This had been part of her training: to respond instantly to healing mesmerization. Quickly he took die soiled sword and used its edge to slice die mattress. He cut stout strips and fashioned diem into a harness. A soldier's face showed in die doorway. Parry glanced at him, and exerted his power of mesmerization. "I am your sergeant," he said. "I have dealt widi die sorcerer. I have not finished with die wench. Remain clear until I emerge." The soldier nodded and retreated. Parry returned to his work. It was easy to deal widi a single enemy, but difficult to deal widi many in dlis manner, because he could focus his mesmeric gaze on only one at a time. The single soldier's intrusion had been a stroke of luck in an odierwise disastrous situation; it gave Parry time to do what he needed. He rigged die harness to support Jolie's body. Then he formed die long straps of it into two great loops, such as might encircle 38 PwrsAwthony flie body of a horse. He fitted Jolie into her part, then stood in die loops, draping one around his neck and the other around his midsection. Then he heaved Jolie up to his back, bent forward, and changed to horse form. His abruptly larger body took up the slack, filling out die loops. Now Jolie was bound to his back. He shook himself, nudging her into proper place so she could not slide around and down. Then he leaped out die door. The soldiers gaped. Parry took advantage of their momentary inaction to locate die crossbow and stomp it with a forehoof. Then he galloped out of me village, unscathed. He was in animal form, but his human intellect remained, as it had in die other forms. That was a key part of die magic. A person who transformed without making allowance for me mind could be in bad trouble! But it was not easy to master, and this was one reason that Jolie had not yet reached this stage. If only Parry had realized earlier that she would need it! There was no pursuit. The death of die sergeant and die speed of Parry's escape must have thrown die soldiers into confusion. That enabled Parry to go almost directly to then- prepared retreat in die forest. Once mere, he reverted to his human form and took Jolie down from his back. He carried her into die shelter and eased her to die mattress. Now he drew on his expertise in medicine. He had herbs and elixirs to reduce pain, cleanse infection and promote heal- ing. Few folk realized me importance of cleanliness in such matters; die worst threats to life were not huge monsters, but invisibly small ones that multiplied in dirt. The wound was bad, but his magic should fix it. But he realized now dial die trip to die retreat had been hard on her. Had he attended to her immediately, in die village, he could have done her a great deal of good. But he had had to use a stopgap measure, and then carry her, and she had bounced on his back. Her wound had been aggravated, and die blood had flowed despite die control lent by her mesmerized state. Now she was in serious trouble. Her breathing was labored, for only one lung was functioning adequately. FOR LOVE OF EVIL 39 He worked desperately, but mere was much he could not do. His father had greater expertise—but his famer was dead. Parry didn't know how to make up for the extensive internal bleeding he realized had occurred. He had no substitute for blood! He would have given her his own, but knew mat wouldn't work; me humors of one person inevitably fought those of another, and made die transfusion worse dian none at all. She had to survive on her own blood—and she no longer had enough. Perhaps if he gave her plenty of nourishing liquid to drink it would restore die blood. But to do dial, he would have to wake her. He didn't like diat, because she would then become aware of her pain; yet diere seemed to be no choice. He prepared brodi, duck widi die needs of life. He set a warm bowl of it beside her. Then he roused her with a word. "Wake," he said. "Wake, Jolie." Her eyelids flickered. "Parry," she breathed—and winced. "You were wounded," he said quickly. "A sword dirust. You have lost blood. But I have you safe, and if you will drink mis good brodi—" Slowly, she shook her head. "Parry, I hurt," she gasped. "Please let me die." He was horrified. "Jolie, I'll never let you die!" ' "It is no use," she whispered with half a breadi. "I love you, but I cannot—cannot survive. The pain is ter—terrible. Kiss me and let me die." It was worse dian he had supposed. She would never have yielded to mere pain; she was a stout girl at heart. She knew her body, and knew it could not be saved. He had to honor her last request. He leaned forward and kissed her with infinite tenderness. He felt her response. Then she sighed and sank into uncon- sciousness. A hooded figure stepped dirough me wall. Parry started up, astonished and dismayed. He had not heard die soldiers coining! But this was no soldier. It was a man in a voluminous black cloak, widi a deep cowl that hid his face in shadow. He leaned over Jolie, one hand reaching for her. 40 Piers Anthony FOR LOVE Of EVIL 41 "Stop!" Parry cried, outraged in his grief. "She is my love and my wife! I will suffer no stranger to touch her in her last moment!" The figure turned to him as if in surprise. The surprise was mutual. Now Parry discerned the face— and it was a fleshless skull. "I am no stranger," the bare teeth said. "I am Thanatos. I have come for this woman's soul." It had to be true. The figure had stepped through the wall without disturbing it, at the very moment Jolie was sinking into oblivion. He remembered something his father had told him. There were Incarnations, and Death was one of them. But he came personally only for those whose souls were in doubt. "Jolie is a good woman!" Parry protested. "She has been everything to me! How can her soul be in doubt?" The hood tilted. "I shall ascertain that for you." The hand moved again, this time reaching into Jolie's body and catching something there. In a moment it emerged, holding something like a netting of glowing spider web. It was her soul. Thanatos studied it. "She is a good woman," he agreed. "There is virtually no blight on her soul. Yet I was drawn to her. Let me investigate." Then, suddenly, the world stopped. Parry was frozen in place, unable to move, even to breathe, yet was in no discom- fort. It was as though time had stilled. This was magic of a far superior order! Then, after what could have been an instant or a day, motion resumed. "I have inquired," Thanatos said. "She is not evil, but the circumstance of her death precipitates monstrous evil. We do not know its nature, for we find no current evidence of it, but it is nonetheless present. When it coalesces, it will be known that this was the site of its initiation. Therefore the goodness of her soul is balanced by the evil of its situation, and I was summoned." "She cannot go to Heaven?" "I think she cannot escape the mortal realm," Thanatos replied. "She must remain as a ghost, until the evil abates." "Then let her stay with me!" Parry cried. "I will care for her ghost!" Thanatos shrugged. "Take a drop of her blood on your wrist," he said. "She can inhabit only her own essence." Parry touched his left wrist to Jolie's wounded breast, pick- ing up a smear of the blood. Thanatos set the soul against that smear. It shrank into the blood and disappeared. Parry was silent, gazing at the blood. By the time he thought to ask another question, Thanatos was gone. Parry was left with Jolie's body, and his grief. Then he heard the soldiers coming. He had to flee, for they would kill him on sight. He could not even remain to give his beloved a decent Christian burial. That was grief upon grief. He became the wolf and leaped from the shelter. An arrow sought him, but missed. In moments he was away and hidden among the trees. He escaped unscathed—in body. FOR LOVE OF EVIL 43 3 FRANCISCAN He ran till he was leagues from his home region; there was no longer anything to hold him there. His father, his wife— He paused in his motion, to revert to his natural form. Now his grief struck with full force. What was he to do, without Jolie? All his other losses he could handle, but hers he could not. He had based his future on the assumption that she would be with him. He sank down to the forest floor and wept. Then he heard the baying of the hounds. He did not need to guess their quarry. The Soldiers of the Cross had picked up his trail and were closing in. He would not be permitted even his hour of grief in peace! He was tired, for the physical exertion was wearing, and so was the energy required to change form. But he changed into his crow form, spread his wings, and ascended to the open sky. He flew at right angles to his prior trail, so that the dogs would have no hint of his location. He reached the edge of a village north of the one he had left, and landed. He reverted to man again. He was naked; he would have to get some clothing. His cache of valuables was back in the retreat, now forfeit. He would have to scrounge. There was a cottage outside the main village area. It was a standard peasant dwelling, with stout posts buttressing thin logs, the walls chinked with twigs and mud, the roof thatched with straw. The occupant might be friendly or unfriendly; Parry would just have to risk it. He went up and knocked on the twisted board that served as the door. In a moment an old woman appeared in the dark interior. She stared at him apprehensively. "I have lost my clothes," Parry said quickly. "I—I'm a refugee from the soldiers. They killed my wife. If you have anything I can wear, I will work for it." The woman considered. He knew she was trying to judge whether he spoke the truth, and whether it was safe to help him. "Are you Christian or heretic?" she asked at last. "Christian, with heretical leanings." That was the literal truth. "Whatever kind of Christianity the crusade represents, I'm not it." "Get in here, then," she said, and lifted the board clear. Parry ducked his head and entered the cottage. This was the stall chamber, and several sheep were in it. Their manure flavored the air. They passed into the second chamber, which was the resi- dential one. The woman evidently lived alone; there was a single bed of straw at one side. She dug out a ragged old tunic. "My husband's, rest his soul." Parry accepted it and quickly donned it. "My thanks, good woman. I will earn it." The thing was patched and restitched and dirty, but did not seem to have fleas; it had been too long unused. That was a blessing. She found some battered shoes. "You're about his size." He tried them on. They were a bit tight, but would do.' "This is more than I—" "You hungry?" Parry realized that he was; he had been too busy to eat recently. 44 Piers Anthony She fetched a soiled wooden bowl and poured some cold pease porridge into it. Parry tilted it to his lips and took a swallow. It was bland, formless stuff, but it was food, and he was duly grateful. But before he finished, there was the sound of baying dogs. "Oh, no!" Parry exclaimed. "They are after me again, and I have brought mischief on your house!" "Run out and lead them off," the woman said. "Then loop back; you owe me some work." "Agreed!" He hurried out. He realized mat the boots would mask his smell, so he took them off and carried them. Then he walked quickly through the village, attracting no attention; ragged peasants were common, especially now that war had come to this region. The sound of the dogs was coming closer. He walked on beyond the village, until out of sight of it. Then he walked into me forest on the left, looped about, intersected his own trail, and put on the boots. He tromped back across the road to the right, finding a passable path. He followed this back around the village. He heard the dogs arrive at the village. Then, as he moved back me way he had come, they progressed forward the way he had gone. He smiled briefly; they would encounter the loop, mill about uncertainly, and the handlers would conclude that he had changed to avian form and flown. End of that trail! They would not suspect a pedestrian ruse from a sorcerer. At least, that seemed worth gambling on. He was too tired to fly again, when the old woman had offered him further hospitality. He returned to the cottage. He knocked on the door. "Get in here!" the woman snapped. "They'll be back." He got in. "Hide under the straw," she said. "Till it's clear." He wedged under the matted straw, and arranged it to cover him. Now he could not see out, but he could hear. If they came back, and the woman betrayed him, he would be helpless. But what motive could she have for that? He owed her some work for his clothing. Shortly they did return. He heard them at the door. "Keep FOR LOVE OF EVIL 45 those dogs clear!" she screeched, outraged. "They'll spook my sheep!" There was a muttering outside he could not hear. Then the woman spoke again: "Of course he's not here! What do you think I am? May (he wrath of our merciful Lord Jesus fall on me this instant if I speak falsely!" She was baldly lying, compounding it by invoking Jesus! This was not an ordinary peasant woman! Yet she had asked if he were a Christian, and he had assumed that it was the positive aspect of his answer that had persuaded her to take him in. Her vehemence evidently convinced the pursuers, for the sounds of the hounds departed. The woman remained for some time at the door, perhaps watching to make sure they were not lingering. Then she returned to the living chamber. "Very well, boy, they're gone," she said. "Now get up and tell me why they want you so bad." Parry climbed out and shook off the straw. "You lied for me," he said. "A villain hag can't afford integrity,'' she said.' 'But you're no serf. Honor means something to you." "How can you be sure of that?" "I worked for years as bondswoman to the Lady of me Manor, minding her children till they came of age. I can spot (he manner at a glance, and I got a good glance at you." Parry grimaced. He had stood before her naked. "You had no calluses and not much dirt, and your posture was mat of no peasant. When you spoke, you had the in- flection of education. And you were being chased. They don't chase dispossessed serfs; who cares about them? They chase those who are dangerous to them: the lords and their leading servants. A lord would have honor, a servant maybe not. When you kept your word and came back, I knew you were no servant." "Maybe I just wanted shelter for the night." "At a hovel like this? With company like me?'' She laughed, a hideous cackle. "You'd go to an inn and talk the serving wench into your bed for the night." Parry had to smile. "If I had the money." But as he spoke, 46 FOR LOVE OF EVIL 47 Piers Anthony the word wench brought about a chain of thought that brought him quickly low. The crusade sergeant had called Jolie a wench, and then— "Say, lad, I didn't mean to insult you," the woman said. "I just meant—" Parry realized that his horror of the memory had shown on his face. "My—my wife—" "Oh, I shouldn't have joked about a wench! I'msorry, lad." "They took her to—to rape, and when I tried to save her, the sword—she was the most beautiful woman of the region, with hair like honey and eyes like tourmaline, and—" "The Lady Jolie!" she exclaimed. "She who married the Sorcerer's son!" "The same," he said, startled. "And you are that son!" she concluded triumphantly. "The one who picked out a villain girl and made her the loveliest creature of all France! Now I know you!" "Now you know me," he agreed heavily. "Are you sorry you helped me?" "I'm glad I helped you! I have no truck with magic, but your father's a good man." "He's dead, too." "Yes, he would be the first they would kill, and you the second. He brought good weather to the region, so our crops prospered, our village as well as yours. I never heard a tale of either of you wronging a villain." "Villains are people, too." "Not that any lord knows of! I gave the best years of my life to mine, and raised his children right, and I thought he would take care of me when they were grown. But he married me to a field bondsman and forgot me, and the grown children never looked at me again. I was just lucky my husband was a decent man, so I got by." Parry realized that me Lord of her Manor might have re- warded her in his fashion, by giving her a decent man for a husband in her retirement. But it did not seem expedient to argue that case at the moment. "Then my husband got the fever," she continued. "I prayed for him, day and night. I used our last coins to buy holy candles to bum to our Savior, that my husband might live. But the Lord Jesus let him die, and now I am alone, and winter coming." So she remained a Christian, but a disaffected one. That was why she was willing to swear falsely by Jesus' name. "The .Lord Jesus does not seem to have his eye on southern France at the moment," he said wryly. "And this crusade is a pot of sheep manure,'' she continued. "They're out to get the Albigenses, who are good folk, and they're laying waste the countryside while they go about it. I wish they'd stayed at home!" "So do I!" he agreed. "I did figure when I saw you that anybody the crusade didn't like might be someone I'd like. Well, I know what it's like to lose a mate. I'll help you all I can. Sorcerer." "You helped me before you knew who I was," he said. "I did not know your name, but I knew you were someone." "I can return the favor, perhaps in greater measure than you hoped for." "All I wanted was some good wood for the winter. I've got this ague in my bones, and when I go out in the cold I get the chills so bad—" "I'll fetch you wood," he agreed. "But you know I can do magic. If there is something more I can do—" She nodded. "Let me think about it. It's late, and you are tired. Sleep the night, and in the morning we shall see." Parry was glad to do that. She fetched some fresh straw for him, and he lay on the other side of me chamber from her bed. At first sleep would not come, because of the horrors of die day. Jolie . . . Then he mesmerized himself, making the memories distant, and fell out of consciousness immediately. In the morning she fed him more gruel and some sheep's milk. Then he went out to gamer wood from the forest, bringing back many armfuls of sticks. "But you know," he said, "you could make do with less fire, and less smoke, if you had a warmer house and warmer clothing." "I was thinking the same," she said. "Does your magic conjure good clothing?" 48 FOR LOVE OF EVIL 49 Piers Anthony "No. If it did, I would not have come to you naked! I can mesmerize, and change my form, and transmute certain sub- stances to certain others—" "Lead into gold?" she asked eagerly. "No, unfortunately. My father was working on alchemy, but had not progressed to that level, and I am far below it. Water to wine is my level." "I'll take it!" she exclaimed. "Wine would warm me!" "I'm not sure that it really would," he said cautiously. "My observation is mat it may make a person feel wanner, but that me effect is illusory." "I'll take it," she repeated. "I have water skins!" "Very well. I'll transmute them. Then we can see about insulating your cottage." She brought a skin full of water. He invoked the magic ritual, and the skin wanned and quivered as if something had come alive within it. "That's it?" she asked. "That's it. Magic doesn't have to be spectacular when it's not for public show. I merely draw on the ambient power that exists, and channel it to my purpose. You could do the same, if you studied the technique and had an aptitude." "Glory be!" she breathed. "Try some. See whether the flavor is right." She squeezed some into her mouth. She smacked her lips. "Best wine I ever tasted! Ah, my winter seems wanner al- ready!" She had two other water skins. He converted them, then went out to fetch more wood. Had he learned to conjure, he thought ruefully, he could have brought good wood into me cottage with far less effort. But he was as yet only an apprentice sorcerer. It took decades to become truly adept, and then only with the proper application and training. He had planned to get into more advanced techniques at the same time Jolie did. . . He had to invoke his mesmerization again to restore his equilibrium. His future was in ruins, his love destroyed. Why didn't he simply lie down and die? He pondered that as he gathered the dry sticks. It was be- cause, he realized, his skein had not yet run its course. At me moment he was destitute and grief-stricken, but his life had . been spared. Thanatos himself had come for Jolie, and revealed that there was some great evil associated with her death. Cer- tainly Parry regarded her death as evil! He had to live to discover the nature of that evil, and to set it right. To settle his account with whoever and whatever was responsible for that evil. Until he accomplished that, he could not lay down his life. He had to be strong, and survive his losses, until he could accomplish his settlement. And what a settlement that would be, once he came to it! He glanced down at his left wrist, where the stain of her blood remained. Was her spirit really there in it? Or had Than- atos merely tried to make him feel better by the suggestion of her presence? Certainly no such presence had manifested. Regardless, he would avenge her murder. Even if her ghost should come to him, what good was that? It was her living self he craved, his lovely and accommodating wife! First he would have to get himself suitably situated. Then he would have to extend his second sight, to spy out the source of the evil. Then— He paused in his reflections. Was that me sound of baying? Yes, it was. The hounds were moving again—and coming this way! He dropped his bundle of sticks and ran for the cottage. But he was some distance from it, having wandered far in his quest for fallen wood, and the dogs were moving rapidly. By the time he got in sight, they were there. He ducked behind a large tree, knowing it would be folly to show himself. He could do nothing at me moment. "We know you have him!" a soldier was shouting at me door. "You lied to us, old crone! Bring him out now!" Parry couldn't hear her reply, but he saw its effect. "Then we'll roust him out the easy way," the soldier said grimly. He gestured to a companion. "The torch!" Suddenly a torch was flaming. They touched it to the thatch of the cottage, which blazed up. In a moment all of it was burning, sending coils of smoke into the sky. Parry could do nothing. He lacked magic potent enough to 50 Piers Anthony douse a fire of that magnitude, and had he had it, he could not have gotten close enough to use it without being spotted and captured or killed by die soldiers. His best choice was to wait until die soldiers departed, then help the woman craft another shelter. He was sorry he had brought this mischief upon her. How had they known of his presence? They had been turned away before, but this time had been certain. No one had seen him except the woman, and he knew she had not betrayed him. They had erred only in their conviction that he remained in me cottage. That had saved him—but cost me proprietor. Yet where was she? He saw me soldiers, but not the old woman. She would not have remained within me burning house! But she did not seem to be outside it, either. He watched with growing alarm, men with honor. The woman had not emerged! Had she refused to leave her only refuge, or had the soldiers cruelly kept her in there to die in the flames? At last me flames died down. The house was gone; its straw and wood had been consumed, leaving only me shoring of mud. Satisfied, the soldiers departed. Parry was going to check the ashes, but now the villagers were coming out. They had to have seen me fire, but wisely stayed clear until me soldiers were gone. What would they make of Parry? He doubted they would be kind. He knew he was respon- sible for the old woman's death. She had refused to tell me soldiers where he was, so they had burned her out. Perhaps they had stabbed her, so mat she fell back into me flames and died. He had not thought to use his second sight—and what good would it have done, anyway? It would only have fixed his blame more precisely. It was his fault, regardless of the details. The woman had helped him, and he had tried to help her, and for mat she had died. To his grief for his father and his wife was added mis score for me old woman, whose name he had never learned. There was nothing remaining here for him. He would have to get far away from here, where the soldiers did not know of him and did not seek to kill him. He could change form and move rapidly. He had been re- stored, physically, by me food and the night's rest. But mat FOR LOVE OF EVIL 51 would cost him me clothing the woman had given him, and he was reluctant to lose it. It was tattered material, and the shoes chafed, but it was clothing, and it was all he had left of me generosity of mis brief acquaintance. But to trudge afoot, with the shoes wreaking blisters on his feet—that was not ideal either. He considered, then retreated to the deep forest and got out of the clothing. He formed it into a bundle, the shoes inside the tunic, and gripped it with his teeth. Then he changed form to a small horse, still holding the bundle, and set off north at a trot. He could travel a long distance rapidly this way. He did so. By nightfall he was many leagues north. But he could not keep running forever; though he was very like a horse in this form, he had not perfected a horse's digestion, so could not graze. He was tired and hungry, and had to revert to his natural form for me night. He did so, when his ears told him he was near a town. He pried the bundle from his locked teeth and untied it. He donned his tunic and shoes. Now he had to find a decent inn, and find a way to pay for his keep. He did not relish the notion of cheating the innkeeper, but he had no money. He scouted about and found a naturally faceted stone. He concentrated on it, transmuting its silica to glass. It was harder to change a solid than a liquid, but silica was close to glass in composition, which facilitated me process. Soon he had a pretty faceted glass stone, translucent with a blue tinge. He walked toward the town. He was in luck; there was an inn at the edge. He entered. The innkeeper eyed him warily. "Refugee, eh? Let's see me color of your coin." "I am a refugee, and I have no coin," Parry said. "All I have is mis pretty stone I found. I doubt it is worth much, but if you would be kind enough to accept it in lieu of payment for the night's lodging—" The man peered at me stone. He brought it to me fireplace and held it before the dancing flames. The light refracted, and (he blue showed through. "One night?" the innkeeper asked. "Then on in the morn- ing?" 52 Piers Anthony FOR LOVE OF EVIL 53 "I'm traveling north," Parry agreed. "As I said, that stone may not be worth much, but it is pretty, and—" "Done." The man pocketed the stone. "Go ask the wench for soup, and she'll show you your room after." The wench . . . Parry quelled his surge of grief. All day he had kept it at bay, focusing narrowly on his effort of running, of finding his way along little-used back trails so that he would not encounter many people. A runaway horse was fair game for anyone! But now, abruptly, that grief threatened to overwhelm him. He went to the girl, who was a blotchy-faced creature with just one fetching feature: a deep cleavage that she flaunted knowingly. She leaned forward to serve him a bowl of soup, and he gazed down the proffered valley, not because of any interest but because it would have marked him as odd had he not done so. Satisfied that she had his proper attention, she | straightened up so that the view suffered. She was a natural tease. What a contrast to— Again he clamped down on it, and marched to a solitary table with his brimming bowl. As he slurped the soup, he saw the innkeeper showing something to another man. The stone, surely. Well, Parry had never told him it was valuable; he had protested that he thought it wasn't. If the man had convinced himself it was a diamond, worth an abbot's ransom, could Parry be blamed for that? The innkeeper thought he was cheat- ing an ignorant refugee peasant. It served him right. Still, Parry felt some guilt. Then he realized that the man would probably sell it to some equally ignorant trader, and make a tidy profit on the deal. The stone might in time be- come as valuable as others thought it was, and no one would suffer. He had a good meal, and a good night, except for the looming anguish of his memories. Again he looked at the smear of blood on his wrist. Perhaps he was just being foolish, but it seemed that his wrist was warm in the vicinity, as if heated by a kindred spirit. Jolie . . . But just before dawn he came abruptly awake with another concern: had he heard the baying of hounds? No, of course not—and even if it were true, they would not be after him. Not this far from his origin. Still, he scrambled into his shoes and hurried downstairs. The innkeeper was up already, stacking loaves of bread in his pantry. "If I may have one of those, kind sir, I'll be on my way," Parry said. He needed no second sight to fathom the man's thought process. One loaf was a cheap price to be so readily rid of his patron, so that no one would know the origin of the precious stone, or be able to reclaim it. He handed Parry a loaf. "I thank you most humbly for your generosity," Parry said, tucking it under his arm. Then he hurried out. The dogs were definitely closer. Parry walked on through the town, ducking around corners. Then, unable to control his suspicion, he looped back until he could see the inn from cover at the rear. The dogs appeared, with soldiers holding them on leashes. They looked like the same soldiers who had pursued him be- fore. How could they have followed him this far? Then he heard loud voices. "Sorcerer . . . killed a sergeant . . . price on his head . . ." Now there was no doubt. He was the one they were after! Parry moved away; this was no safe place for him. But as he fled, he wondered: how had they traced him down so fast, so accurately? And, that being the case, why did they not realize when he was right within sight or hearing? Twice they had run him down, only to overlook him when he was virtually under their noses. How had they even known he was alive, after burning down the villain woman's cottage? For all they should have known, his charred bones were there with hers. Yet obviously they did know—and as obviously, they had no really precise fix on him. That was why they used the dogs, who nevertheless could not penetrate the mask of his changed shoes. It was as though they were hunting a fox, who had been spotted in the vicinity but now was hiding well. They knew he was here, but not accurately enough to nab him. What could account for this odd combination of precision and imprecision? He thought he had escaped cleanly when he fled as a wolf, and then as a crow, and then as a horse . . . 54 Piers Anthony Then, abruptly it burst upon him: the transformations! They were tuning in on the magic! The exercise of magic had its own aura, that a sorcerer could detect, even from afar. His father had known that there was no other of his caliber in the region, because he would have detected the magic. But ob- viously the crusaders had a competent sorcerer, who was spot- ting the magic of others, so that those others could be tracked down and killed. What a way to abolish effective resistance! No wonder they had fixed so swiftly on his father, and then on Parry himself! Every time he performed magic, he made a beacon for them to orient on. He had transformed to his own form after running as a wolf, and they had come; he had thought it was a straight tracking, but now saw that it was not. He had flown from them, and they could not follow, but they had noted the location of his transformation back to a man, and sent a party there in the morning. Or perhaps they had overlooked the form-changing, and picked up his transmutation of the water to wine; the timing made more sense that way. Even the best of sorcerers could not remain on watch all the time; he had to sleep. So he watched mostly by day, and gave the soldiers a fix when he picked it up. He would have noted Parry's changing to horse form, but of course the soldiers could not keep that pace. So they had followed more slowly. Then Pairy's transformation back to his natural form had registered, too late for them to reach the town that day, but they had made sure to close on it first thing in the morning, hoping to catch their quarry asleep. And they had almost done so! So now he knew his liability. A powerful sorcerer was watch- ing, with his own version of second sight. The soldiers were not apt; they merely went where directed, with the dogs con- finning what scent there was, and inquired. Thus Parry had escaped, narrowly, twice. What could he do, against determination like that? They really wanted him dead! He knew what he had to do. He had to hide, long and well. To do that, his first step was to do no more magic. The magic he had used to help the villain woman had cost her her life. Future magic would surely cost him his own life. FOR LOVE Of EVIL 55 How, then, would he survive? He had no money, no assets. He would soon enough starve, unless he found some gainful employment—and if there were a price on his head, how could he risk mat? Then he heard faint music. Someone was singing. The sound was strangely evocative. Parry paused to listen, though he feared that any delay was foolish. Then he walked toward the sound. It was a friar, a singing friar, with an alms bowl. He was begging musically for his breakfast. But his voice was strangely good; it was a pleasure to listen. Then it burst upon him: he. Parry, had an excellent voice! He could sing for his sustenance! Who would suspect a poor singing friar of being a sorcerer? He approached me friar. "Oh, holy man, I have heard your singing and admire it. What denomination are you?" "No denomination, my son," the man replied. "I am not a holy man, merely a member of the Brotherhood." Such a brotherhood might be easy to join. "Do you accept converts?" "We welcome them! Can you sing?" "Very weU, Brother." "Let me hear you, then." Parry sang the refrain the friar had just rendered. He was apt at music, and could repeat anything he heard. He sang it well; indeed, surely better man the friar had heard it done before. "Come with me!" the friar exclaimed, excited. As they moved, they exchanged introductions. The friar was Brother Humble; he explained how they adopted appropriate names at the time they joined the group, to exemplify then" intentions. "Then I think I would be Grief," Parry said without feeling any cleverness or delight. "As you wish. We do not inquire into our backgrounds; the name signifies me devotion." They went to the local Brotherhood headquarters, which was merely a stone and wood house of the type becoming common in towns: more permanent man the country cottages 56 Piers Anthony FOR LOVE OF EVIL 57 but just as dirty. Another friar was there, introduced as Brother Lowly. "I would like to be called Grief," Parry said. Brother Lowly looked at him, nodding. "The mark of it is on you. Brother Grief." "Here we each contribute what little we have to the group, and take what little we need," Brother Humble explained. Parry took the hint. "I have this loaf of bread. I give it to the group." "Bless you. Brother," the man at the house said gratefully. "We knew the Lord would provide." Other friars appeared as if by magic. They shared me loaf, and soon it was gone. "Brother Grief has the finest voice I have heard," Brother Humble said. "I believe we should work as a group today, to show him our way, and to benefit from his ability." The others were agreeable, and so was Parry; this would be the perfect concealment. Then they found a bowl for Parry, and a hooded cloak, marking him as a lay friar. They went out into the town for the day's work. The routine was simple. Wherever there was a reasonable group of people, such as at a shopping mart, the monks would start singing, forming an impromptu chorus. Parry picked up their melodies quickly, and developed appropriate counter- points that amplified the effect. The result was dramatic. Parry had always had the ability to project his music, making it seem to the listener as if mere were an accompaniment. Now, for the first time, he was using his talent for other than selfish purpose. Whether it was because of this, or because of the added feeling his grief lent to it, or because he was singing in company with others, or because the Lord approved and augmented their effort, the music be- came more than it had in me past. The voices of the other friars assumed greater stature, becoming closer on key, and blended more harmoniously with each other. The music they made together was truly beautiful. The audience responded immediately. The shoppers formed a circle around the friars, and when the song was done, dropped small coins into the extended bowls. The friars glanced down, evidently trying to mask their surprise; they had not been this generously rewarded before. Brother Humble squeezed Parry's arm. That said it all: rec- ognition that Parry's voice had made the difference. The other friars, somewhat reserved before, now welcomed Parry com- pletely. They might have dedicated their lives to God and poverty, but they saw no point in taking the latter to extremes. The day was a success. As they retired for the evening meal, they had more than they ever had before, for the coins had bought decent food instead of die usual scraps. More than one friar approached Parry with a message like this: "I deeply regret the sorrow that brought you here. Brother, but there can be some good even in the worst of cases. Welcome to our Brotherhood!" Parry's grief was real, and his faith was suspect, but he was as quick as the others to recognize a good situation. He had a new home. If only he could have shared it with Jolie! A year passed. Parry practiced no magic, protecting himself from discovery by the searching sorcerer. He sang with the friars, and their group nourished. They traveled from town to town, singing and preaching the glory of God and begging amis. Parry had reservations about the glory of God, because he was certain mat no just God would have allowed a crusade in His name to wreak me kind of havoc it had in southern France, or to kill as perfect a creature as Jolie. But he preached me wold too, for to do otherwise would have made him suspect. The sentiments were easy enough to cover: that God in His greatness deplored the conditions of the world, and required a return to the fundamental values of generosity and forgiveness. But a strange thing happened as time passed. Parry discov- ered that his belief began to follow his words. Generosity was good, forgiveness was good, and the ways of the Lord might be strange at times, but perhaps did have merit. He could not accept the loss of Jolie, but he was coming to accept the notion that his present life might be doing more good in me world than his past one. Before, he had helped the folk of a single 58 Piers Anthony village, for suitable fees; now he helped the folk of the entire nation to see die error of their ways, so like his own of prior times. Yet the evil of the deaths of his father the Sorcerer, and Jolie, and the villain woman who had helped him could not be justified by this. Had God simply come to him and asked him to become an impoverished friar, he would have done so; it had not been necessary to have good folk murdered. This was not me way of the kind of God he could accept. Where, then, had the evil originated? Parry thought about mat increasingly, as the cutting edge of his grief abated and left his mind free for thought. He considered and reconsidered every aspect of it, and slowly came to the conclusion that only one entity could be responsible. That was Lucifer, the figure of evil. Lucifer must have seen me advantage in turmoil and warfare, so had generated a situation that brought war to south- ern France. The crusade, waged in the name of God, had actually to be the work of the Lord of Evil. This was a phenomenal revelation, and one he dared not publicize. He had trouble, initially, believing it himself. How could God tolerate such an inversion? The answer had to be that God was not paying proper at- tention. God was starting wormy projects, but Lucifer was perverting them almost as fast as they developed, so that in the end the gain was Lucifer's. Thus me worthy crusade became unworthy almost as it formed, and Parry's grief was only a tiny part of the result. Another strange thing happened in mis period. The drop of blood on Parry's wrist continued to heat, seeming to possess a kind of life of its own. Finally Parry realized that it might be Jolie's spirit trying to communicate with him. "Jolie," he said. "Come to me!" That was all it took. Her ghost rose from the blood and hovered before him, vague and wavering, but definitely pres- ent. Thanatos had spoken truly; she was with him, in the blood! The ghost could not speak or act. But as time passed, he encouraged it, speaking to it, loving it as the remnant of his wife. Gradually it learned to manage, until it was able to assume her living form. Bit by bit, she learned to talk, not FOR LOVE OF EVIL 59 verbally but by sending her thoughts to his mind as if in speech. Progress was slow, so that later he could not remember when the stages of her renewed presence occurred. But he had his wife again! But his grief for her remained. This was the mere shade of Jolie, and could never match the living presence of yore. Still, it was a great improvement, and it enabled him to deal with his grief more effectively, and to focus instead on what he intended to do about his vengeance. He still did not dare to practice magic himself, but he continued to rehearse the spells in his mind, perfecting them for the time when he could safely practice sorcery again. That year a former Italian soldier, who had renounced his ways and become devout, set out to preach. He was Giovanni di Bemardone, and when he took his small band of followers to Rome, he was permitted to form a band of friars. Now his mission was spreading to other countries, and a group came to France. The originator called his mother the Lady Poverty, and his father the Lord Sun, and his values seemed much like those of the Brotherhood Parry associated with. They called themselves the Franciscans, because of Giovanni's father's travels in France. The local friars considered, and decided to join the Fran- ciscans. In this manner they achieved the approval of the Church. They continued their singing and preaching much as before, but now their influence was greater because of that approval. In 1213 Simon de Montfort, the leader of the crusade, won a victory at Muret that made the fate of the Albigenses certain. Parry felt private anguish, but said nothing. As long as the crusade continued, he had to remain in hiding. In 1214 King Philip of Prance won the battle of Bouvines, and established the French monarchy as dominant in Europe. Parry continued singing, preaching and thinking. hi 1216 Dominic Guzman, of Castile, who had been preach- ing to the Albigensians, was given a house for his growing band. Parry attended, providing moral support as a represen- tative of the Franciscans. The Dominicans, officially me Order of Preachers, became known as the Black Friars, because of their black mantle over the white habit. They were more in- 60 Piers Anthony terested in the philosophical aspects of evil than were the Fran- ciscans, who simply preached the virtues of poverty and humility. In 1221 Dominic died. The Franciscans held an assembly, becoming more formally organized. Parry, as a member in excellent standing, could have stepped into higher office. But his thinking about Lucifer caused him to do something others might have deemed foolish: he decided to leave the Franciscans and join the Dominicans, because they seemed to be orienting more specifically on the problem of evil. Parry had never forgotten the injury Lucifer had done him. Now he was ready to begin moving more directly against the Lord of Evil. Lucifer had to be made to pay. But first it was necessary to study the ways of evil, to ascertain exactly how Lucifer operated. Once the enemy was truly known, he would be vulnerable. Parry intended to be there for the counterstrike against the Kingdom of Evil. Parry had survived more than a score of years after the loss of his father and Jolie. But he had a secret: the soul of Jolie. She had learned to travel increasing distances from him, and to bring him news of far folk and far places. She could do what he could not: search out the source of the enemy sorcery. The time was coming when he could accomplish his purpose. 4- INQTJISITION hi 1230 Parry and another friar. Father Service, were dis- patched by the Dominicans on what was expected to be a routine case. As it turned out, it was not. For one thing, Jolie had indicated that there was something special about this one. She had been searching for the mysterious sorcerer who had brought them so much mischief in the past, and his aura seemed to be associated. That was enough for Parry; had he not been assigned, he would have petitioned to accompany the friar who was. If he could locate that sorcerer . . . The local magistrate had arraigned a wealthy lord on the charge of heresy, and sought to confiscate his possessions for distribution to interested parties. This sort of thing was be- coming more common, but the action could not be completed without the approval of the Church. Therefore it was necessary for a priest or other appropriate figure to examine the case and make the final decision. Jolie did not like the routine dispossession of accused persons of their assets, and therefore neither did Parry. He lived as- cetically himself, owning nothing, his very clothing technically me property of the Church. But she reminded him that property was a necessary thing for those who existed in the material 61 62 Piers Anthony FOR LOVE OF EVIL 63 realm, and fairness in its disposition was essential. Too often, folk were deprived on trumped-up charges so that their accusers could benefit. Something like that had happened to Jolie's own family. Father Service, in contrast, tended to bear down hard on any accused, and to exact the maximum penalty. He had no villain- girl conscience to ameliorate his dedication