HE DISCOVERETH
DEEP THINGS OUT OF DARKNESS,
AND BRINGETH OUT TO
LIGHT THE SHADOW OF DEATH
The Book of
Job
Verse 12, Line 22
THE DREAMING CITY 6
THE BREAKDOWN 19
YOUR OWN LIGHT-HEARTED
FRIEND 27
CUSTOS SANCTORUM 40
ENIGMA 53
THE TAKING 54
ISHTAOL 71
Front cover
by Stella
Hender.
"Your Own
Light-Hearted Friend" by Garen Ewing 2
"Ishtaol" by
Dallas Goffin 80
Back cover supplied
by Roger
Johnson,
actor as well as
author.
"Deep Things
Out of
Darkness" is published
and edited
by
Garrie Hall
93 Beaumont Road
Loughborough
Leics LE11 2JA Co-editor: Angela Toone
COPYRIGHT C 1987 GARRIE
HALL
Individual copyright
is retained
by the
author and artists and none
of their work may
be copied
or reproduced
in any
way without
prior consent.
FOREWORD
If you
have bought this book because
you've enjoyed reading Tales
After Dark,
then Garrie Hall is doing something
right. If it's because you've enjoyed
reading my own stories in
Tales or Ghosts &
Scholars or Dark Dreams or whatever, then I'm
doing something right. Either
way, I hope you're not
disappointed with Deep Things
Out of Darkness.
No writer
is totally
self-sufficient. I owe
a very
real debt to Janice Arter, who
introduced me to the small
press scene, and to Rosemary Pardoe and David Rowlands, without
whose dedicated editorial work
at least
two of
the stories
in this
brochure (as Dr Watson would call
it) would
be less
satisfactory than they are. To
me, at any rate: for you
I can
only hope.
Other debts
should be acknowledged. The perceptive
reader will recognise that "The Dreaming City",
"Custos
Sanctorum" and "Ishtaol"
were written consciously under the
influence of the late H P
Lovecraft, using as seemed suitable
elements from his "Cthulhu
Mythos" - or "Yog-Sothothery" as he called it.
I should
add, though, that "Custos
Sanctorum" is not
quite like anything the Old
Gentleman himself wrote. If
imitation Lovecraft is what you're
after, put this book
down and get yourself a
copy of August Derleth's
The Mask of Cthulhu or The
Lurker at the Threshold. Similarly, "The Taking" and "The Breakdown" were deliberately written
in the
tradition of the late M
R James,
though both break at least one
of Dr
James's rules for writing ghost
stories. Again, if you want good
Jamesian imitation, read Ron Weighell's An Empty
House.
So, if
not pastiche,
what have you got between
these covers? The three "Mythos" tales are an attempt
to use
Lovecraftian
themes in a fresh way. When
I started
writing horror stories (longer ago
than I care to recall), it
seemed that the only way
to use
the Lovecraft Mythos was to try
to write
like Lovecraft. It was a
long time before I realised that the
apparent ease with which I
could imitate his style was only
apparent, and that the best
of his
disciples (like Robert Bloch) were
not
in fact
writing pastiche
Ramsey Campbell, I think, who first showed me
that the result could be more effective than straight forward imitation.
M R James, on the other hand, has had few
direct imitators. I'm merely one in a long line of writers (R H Maiden, A N L Munby, David G Rowlands - many others) who have realised
that it's very difficult to better the manner in which James presented his hauntings. "The Taking" and "The
Breakdown" are part of a continuing series of "Tales From The Endeavour" which began publication with
"The Wall-Painting" in Rosemary Pardoe's Saints
and Relics. Be warned: there will
be more.
As for the other two stories . . . "Your
Own Lighthearted Friend" derives from a possible, though very improbable,
theory about the Whitechapel murders of 1888. If it
makes a good story, that may be because the writing was to an extent influenced
by the works of Sir Arthur Conan Doyle, which are by far the best model for
anyone attempting to write about the late nineteenth century.
"Enigma" is just a joke, but it does worry me a little, since it's
the only story in this book for which I can't recall any conscious influence.
There must be an influence, though, mustn't there? I mean, no-one writes in a
total vacuum ...
Here you are then. Horror
stories? Yes, in a way, all of them. Fantasies?
Again, in a way, all of them. For the rest, let the
stories speak for themselves.
ROGER
JOHNSON
THE DREAMING CITY
Mordecai Howard was mad.
That much is agreed, at least by those who attended him after his return from
the East. The archaeologist must be a man of imagination, but surely only a
madman would seek for the remains of a city with no more basis
for his search than scraps of ancient magic and the vaguest of legend.
It was true that Howard had made some
particularly important contributions to the scholarship of the monumental ruins
at Great Zimbabwe, but his allusive references to "the ancient texts"
and his suggestion of still-extant cults as a source for his thesis were merely
passed over by the archaeological establishment. Only with the eventual
publication of his journals for the Eastern Expedition did it become clear that
this was no mere occultist aberration but the very basis of his scholarship.
The result, of course, was to cast doubt upon all his work, which is
unfortunate, both for his own reputation and for the advancement of knowledge
in his field. I am certain that the Expedition did uncover something
remarkable, though whether it was quite what Howard himself believed must be a
matter for conjecture.
It began in 1924, with the return from
Shanghai of Howard's friend, Philip Wendigee, who in
his day was an archaeologist of some repute, particularly in his native
Holland. At this time, he was in his late sixties and employed in some
unspecified capacity by the Dutch Government. The latter fact is relevant only
in that his journey to China had a semi-official basis. The conversation
between the two men that followed his return made no reference at all to
international politics, a subject that held no interest for Mordecai Howard,
but turned instead to the younger man's conviction that the dry wastes of the
Gobi hid some remnant of a city that predated by centuries - perhaps by
millennia - the coming of the present nomadic inhabitants.
This notion had been acquired from his
reading of certain obscure
volumes of occult
lore, books to
which few reputable scholars attached
any importance
except as manifestations of the
eccentricities of the human
imagination. Nevertheless, Howard appeared
to take
them seriously. He had spent
many hours in the British Museum, consulting Ludwig Prinn's Mysteries of the Worm, the Necronomicon, and
even the notoriously fraudulent Book of Eibon. This
latter, he informed the sceptical Wendigee, he regarded as particularly
important, since it purported to
date from almost the same inconceivably
remote age as the hidden
city itself. It was, indeed, from
Eibon that he
learned the name of the
city: Ishtaol,
translated as"The Mighty". Further details could
be gleaned from the cryptic text
of the
poet Alhazred, whose Necronomicon
refers to an immeasurably ancient and long-abandoned city in the Sandy Desert
to which
he gives
the unexplained
and alien name of Sath' gon-Thargn. That
this was the same place
was made apparent by allusion to
the patron
god or
demon of the city: the name
given by Alhazred
to this being
Ib-steoll, which
is clearly the same as Eibon's "Ishtaol".
At length,
Howard had thought to consult
an old
book that had sat upon his
own shelves
for some
months since he had acquired
it at auction with the contents
of a
private collection. This was the
1843 edition of De
Potentiae Deorum Antiquorum, written
in the
mid-twelfth century by that elusive
figure Sir Geoffrey de Lacy
and translated (and considerably
expanded) in the 1760's by
one Thomas
Dashwood Morley,
who described
himself as Frater
Mednamae
- a
Brother of Medmenham. Since de Lacy's original is now lost,
it is
difficult to be sure
how much
of the
present text is interpolation, and of course it is
entirely possible that the references
that Howard found to "Ishtaol"
were derived by Morley from
his own
readings of Eibon's grimoire, with
which he is known to
have been familiar. Still, whether it
were truth, legend or fiction,
the equivocal tale that Howard had
read, of how old de
Lacy had actually journeyed to the
fastnesses of the great desert
and there
found the aeon-haunted ruins of the
Mighty City, excited him strangely. It could not, he
thought, be all the spawn
of imagination, and even
if the
old man
merely repeated legend - why,
had not Homer done
the same? And
did not
Homer's epic tale, so long dismissed as "only" myth,
lead Heinrich Schliemann to discover the very walls of Ilium? Even while he
disregarded de Lacy's circumstantial account of the
spells and sacrifices employed to reveal to him the wonders of lost Ishtaol, preferring to rely on his own ability as a skilled
and seasoned archaeologist, his inner eye saw him returning to England the
discoverer of something as important as Schliemann's Troy and immeasurably more
ancient. The truth of the elder texts would be confirmed, and the scholarship
of history turned upside-down. All things would be his for the asking ...
Dreams! Ah, dreams! The might of the Mighty City, the dreams of the Dreaming City ...
"The Dreaming
City".
That was what the unsavoury Ludwig Prinn called it, deriving the name from the Arab's
allusions to "Sath'gon-Thargn". Information
from certain dubious occult sources had persuaded him that after many centuries
of prosperity under the patronage of the god Ishtaol
the human dwellers in the city (Prinn stressed their
humanity in a curious way) had undergone a sudden and disturbing change. The
Mighty God had died, by what means none could tell, and with him died the might
of the Mighty City. Prosperity faded, and in its place came illusion, madness
and dreams. Prinn's account, here as elsewhere in his
magnum opus, is so cryptic that it is hard to be quite sure of his
meaning, but Howard understood that at least a devastating mental disturbance
came upon the citizens of Ishtaol; those who did not
succumb utterly to madness fled, until only the stones, the riches and the god,
or his effigy, remained to mark the resting-place of the countless tortured
dead. Whether the exiles were absorbed into the other communities of that
then-flourishing region, or whether they perished as shunned outcasts, is not
made clear. It is certain, however, that the city itself was sedulously
avoided, for experience proved that the plague of nightmare delusion still
infested the abandoned metropolis. No longer the Mighty City, it became known
and feared as "Sath'gon-Thargn" - the
Dreaming City.
Philip Wendigee
listened to this tale with a sceptical amusement that
rapidly lessened, for he had heard something of this before, and recently.
"Shortly before I left
China," he said, "my business took me north to Tientsin. Here my
host, knowing my personal interest in the exotic and bizarre, introduced me to
another guest of his, a Mongolian merchant who dealt principally in the sturdy
horses for which his country is famous. The social disorder following the
recent death of the ruler, the Living Buddha of Urga,
had made it inadvisable for this man to return immediately to Mongolia. Well,
to be brief, my merchant responded most cheerfully to my questions about the
legends and traditions of his land, telling a little that I already knew and
much that I did not, but one thing he said puzzled me rather. He spoke of an
area within the great Gobi that is shunned by the nomads of the desert, an area
which they regard as sinister, because it 'affects their dreams'. That is what
he said according to my host, who had to act as interpreter. You will
understand that it was most frustrating for me not to be able to question the
man directly, for even though he could tell me little of this bad place, what
he did say was so vague and improbable that I thought at times that the
translation must be at fault. He told me, for example, when I asked just where
the shunned place was, that he could not be certain, for accounts differed
strangely, and indeed one old fellow whom he suspected of not being entirely compos
mentis averred that the area of bad dreams actually moved, so that one man
might stumble upon it in one location and another-well, elsewhere. A patent absurdity, of course, but curious nonetheless."
"Curious and
convincing," said Howard. "It must surely be the place referred to in
the ancient books. Why, man, this is the key! Did your merchant tell you if the
bad place had a name?"
"Indeed he did. And this again is odd,
for the name he gave it was Tse-Quong T'ang or Tse-Quonq
Tao, which seems Chinese rather than Mongolian. Despite the apparent
reference to the eternal truths of Tao, however, I am assured that it has no
meaning at all in either tongue. Mere nonsense, in fact.
And yet ..."
"And yet," Howard concluded
triumphantly, "this meaningless word bears a singular resemblance to the
name given by Ludwig Prinn as 'Sath'gon-Thargn', which he translates
as 'The Dreaming City'.
Assuredly, my friend, this is nothing less
than a survival from the unthinkably ancient days before even the Mongol
herdsmen came to the sandy dessert. Before, in fact, it was desert at all. Can
you doubt now that something is there to be discovered?"
The Dutchman paused before replying.
"No," he said at length. "Something is there, to be sure, but I hesitate
to suggest that anything material might have survived the ages. Should you
carry this plan through, as it seems you are determined to do, then I fear that you will find only a lingering and malign
psychic influence. You are prepared to credit the one aspect of the Mongolian
legends; do not neglect the other!"
But the younger man's enthusiasm had raised
him beyond the reach of warnings. What he wanted now was help and advice, of a
purely practical nature, and these at length he received from Wendigee. Together they studied the ancient texts,
collating the information that appeared to be sound and rejecting the greater
part that did not. Indeed, so many of Prinn's and de Lacy's references were ambiguous or merely vague that they
felt justified in ignoring them utterly, while the tales attributed to Eibon of Mhu Thulan
were so outrageous as to be clearly the products of a deranged imagination.
Wendigee offered to contact the Mongolian
authorities, but the dearth of information he received merely confirmed his
fears that the practical thinking of the newly established People's Republic
had no time to concern itself with anything so
backward-looking as peasant superstition. Maps were obtained with great
difficulty, bearings taken and routes plotted. Permission to enter the country
was somehow gained, and at last, by the spring of 1926, Mordecai Howard felt
himself justified in assembling a small team to accompany him on his
expedition.
It must be said that this team did not meet
his fullest hopes, for many of the most reputable members of his profession had
refused to associate themselves with such a wild venture. Still, the two
archaeologists who did agree to come had proved themselves to be both competent
and enthusiastic, and Geoffrey Challenor, the elder
of them, had
gained some distinction by his participation in the first
of Francis
Luttrell's major earth-boring investigations in Western Australia. Less was
known about the capability of his colleague Julian Hardwick,
but certainly
nothing could be said against him. The photographer, Ian Dakin, had accompanied
two previous expeditions to exotic regions,
and the
work he had produced had been
very well received, both by
the cognoscenti and by the public
at large.
Howard's journal
describes very fully the difficulties
encountered in his search
for the
ruins of Ishtaol, but
there is no need to describe
them here. There is a
single note in the journal
to the effect that calculations based upon the "Trone Tables"
from The Ethics of
Y'gor had been
invaluable in enabling him at
last to locate the forgotten city,
but there
is no
further reference to this particular work. However, three days
later, on the 15th of
May, an entry triumphantly
records that the city had
indeed been found, in the form
of gigantic
blocks of a whitish stone
whose regular shapes could be discerned
beneath the all-covering sand. The camels
were tethered, tents were pitched,
and a
small celebration was held
- which
is to
say that
a bottle
of whisky
was broken open and shared between
the four
men before
they retired. The following morning's entry
in the
journal begins with the happy
remark: "All slept soundly.
No bad
dreams at all. What price
superstition, Wendigee?"
Howard had
drawn up a conjectural plan of the city,
based upon Geoffrey de Lacy's account of
his own
visit to the haunted spot,
but he found great difficulty in relating it to
the waste
of monumental masonry that his little
team was uncovering. Most of
the great stones, although
plainly artificial and still bearing
vestiges of incised decoration,
seemed to conform to no
pattern that he could discern, and
as the
excavations proceeded he was disturbed to find he was
becoming subject to rather curious
optical phenomena. Angles seemed
to behave
wrongly. He would glance at
an apparent vast jumble of separate
and unrelated
blocks from a distance and instantly
see them
connected in a clearly intentional
way, yet when he
approached he found the connection
lost. The independent megaliths
were now exactly that.
At first the journal tells
only of Howard's own susceptibility to this disconcerting effect. Perhaps he
did not speak of it to the others, not wishing to arouse suspicions in their
minds. It becomes clear, however, that he was not the only one to suffer from
these illusions, for on the 24th of the month Challenor
and Hardwick reported a most singular occurrence. It had seemed to Hardwick
that two great blocks, roughly cubic and measuring some five feet by five by
six, belonged together, since each bore a part of a representational bas-relief
- severely eroded, to be sure, but still apparent. Making strict measurements,
he drew each design to a scale of precisely one sixth and found that they
fitted perfectly. This picture, representing a creature apparently ophidian but
with a certain disturbingly humanoid overall semblance he showed to Challenor, who suggested that the two of them should
attempt to move the two stones together so that the theory might be confirmed.
This was achieved, with some help from Dakin, the photographer, but to the
astonishment of the two archaeologists the result was not at all what they had
expected. When Hardwick had measured them the two blocks had appeared to be
within a couple of inches of the same size; now it was clear that one was fully
a foot smaller on all sides than the other, and the relationship that made the
two sculpted designs into one was lost. Yet there remained Hardwick's drawing
to show that to him, at least, it had existed.
Conversation inevitably arose about the
disconcerting optical effects that were an evident property of this strange
place, and it was now that Ian Dakin confessed that he too had been plagued by
odd phenomena. He showed the archaeologists a number of photographs that he had
taken, and made the singular remark that the photographs did not show precisely
what he had seen. Where only a disconnected confusion of stones had been
apparent to him, the pictures showed evident relationships between the stones.
He had not liked to mention it before, because ...
Strangely, perhaps, it was Dakin's
photographs that proved to be the key that unlocked the mystery of Ishtaol. Howard and the others took to using the pictures as
a guide, and found that the pattern observable
in them
matched very closely the plan
that had been derived from old
de Lacy's description. It was perhaps
the most bizarre method of working
that any of the archaeologists
had encountered, but in
the end
it proved
effective, and much was achieved. By digging at the
points indicated, they were able
to place precisely a number of
the major
buildings of the city. None
of them was complete,
of course,
though two at least were
in a
quite astonishing state of
preservation, and identification was as
certain as it could
be in
the circumstances.
It is
at this
point in the journal that
Howard mentions an extension of the
disquieting visual effects. At various
times all the members of the
party, with the exception of
Dakin, who seemed to be growing
more withdrawn and uncommunicative, reported the strange impression of seeing one or
more of their fellows in
places where they were not. Frustratingly,
these were never more than
indistinct glimpses, though occasionally
two of
the men
would seem to see a third
- always
in conditions
that made it impossible to be certain of his
identity. They would hail him,
and be
answered by a call from a
different direction. Once, Howard, Challenor and Dakin were together when
the two
archaeologists caught a
most disturbing half-sight of
two other figures. Whether the
photographer also saw them cannot be
established, for he remained as
taciturn as the others had come
to expect.
Needless to say, Hardwick was
not even
near the spot where
the figures
had appeared
to be.
Two important
discoveries now took place in
quick succession. On the 17th of
June, the lifting of what
had appeared
to be
a large
triangular stone slab revealed
a similarly
shaped space underneath, to which it
had acted
as a
lid. In this space were
two human
bodies; they were no
more than skeletons coated with
skin, and over the next few
hours they disintegrated in a
manner which Howard, with restraint, merely describes as "unusual".
Of the
bodies themselves, he says
that they were unmistakably those of a man
and a woman, and that the
shape of the skulls proved
them to be of a
quite different racial type
from the native Mongolians. He adds further that they
gave the curious appearance of being "elongated", amplifying this word only by
the addendum: "not tall as we
understand it, but stretched". His
vagueness upon this point is
typical of a regrettable
lack of precision that becomes
more and more evident in the
journal.
The second discovery
was even
more momentous, and it led
directly to an unexplained
tragedy. The principal building of
the city, from its earliest days,
had been
the temple
of the
god Ishtaol,
and it
was this
that the party finally located,
upon the 25th of June. "Building"
is not
actually the right word, for
the temple, as de Lacy had
made clear, was entirely subterranean.
Howard's account again is
not all
that one could wish, but
it is
apparent that he himself,
with the assistance of Dakin's
photographs, identified the enormous
block whose almost obliterated carven device of a single
non-human eye proved it to
be the
doorway to the temple of Ishtaol.
The journal mentions
here "the pit of the
six thousand
steps", but this appears
not to
be a
reference to the temple itself,
for a
little later Howard gives
the number
of steps
down to the great vault as precisely sixty-three. The relevance of "the
pit", in fact, is left unexplained.
By means of
some mechanism, unthinkably old but
still functioning, the immense
door could be swung open
with surprisingly little effort.
Howard says nothing
about the quality of the
air thus released, which suggests that
it was
not utterly
stale, as one might have supposed.
The hole
revealed was a good twenty
feet square, and the steps leading
down into the blackness appeared
to be in a state of
perfect preservation. They were carved
of the
same whitish stone as
everything else in the city,
and were
arranged in a rather
curious fashion. There were three
steps, about eighteen inches high, and
then a level platform ran
forward for fully twelve feet, after
which three more steps led
downward-and so on to the
bottom. The vertical faces were
carved with designs whose clarity of
outline contrasted utterly with the ail-but eroded
incisions and bas-reliefs of the
stones upon the surface. Of the
designs themselves, Howard says little
beyond noting a slight occasional resemblance to the Babylonian.
Generally they appear to
have been utterly unrelated to
anything that survives elsewhere.
At the bottom of the huge staircase, the
floor ran forward for about twelve feet to an immense monolithic doorway, some
twenty feet high. The electric torches revealed that in contrast to the profuse
decoration upon the steps this great entrance was totally plain, except that
over it was repeated the symbol of the single eye. Within the huge vault beyond
was the first touch of colour that the men had seen
in this ancient metropolis, for the floor was paved with mosaic tiles in sombre greens and greys, laid in
an apparently random fashion. This was not immediately noticed, however, for
the thing that stood in the centre of the floor took everyone's attention. It
was nothing less than a statue of the god itself, and it was as totally alien
as the carvings of its eye had suggested.
In shape, it resembled nothing so much as an
immense lump of clay that had been allowed to settle into a rounded, bulbous
cone, some ten yards across and six high. No individual features could be
discerned, except for a dozen or so globular bulges freely arranged towards the
summit. The material of which it was made appeared to be an immensely hard
stone, differing from that elsewhere in the city in that it was pure white.
Howard draws a comparison with a monstrously mis-shapen
maggot - this may give a clue to his state of mind, since he is known to have
had an unreasoning horror of maggots. Perhaps the most remarkable feature of
the idol is that the flashlights revealed no sign of joints anywhere; the thing
appeared to have been carved from a single block.
Nothing is recorded of the size or shape of the sunken temple, nor of
any mural decoration. This may mean that there was nothing of note to be seen,
but it seems more probable that the three men were so awe-stricken by the vast
blasphemy before them that they had no mind for anything else. They spent no
longer than fifteen minutes in the vault before Hardwick, who was not noted for
nervousness, abruptly turned and left. The others followed immediately.
At the top of the great staircase they were shaken to find
that the great slab which formed the door had swung closed, though no sound had
penetrated to the depths beneath. To their unspeakable relief, the door was
opened as easily from the inside as from without, but its opening disclosed
tragedy. Ian Dakin was dead, his head crushed to pulp. It seemed that he had
been leaning over the edge of the pit, looking downwards, when the mighty slab
had descended. They could only hope
that he had died instantly.
Hardwick, who seemed to have been the
worst-affected by the exploration of the sunken temple, showed clear signs of a
nervous breakdown now. He was of no practical help at all in the gruesome
business of interring the body - for transporting it home to England was out of
the question - and his behaviour rapidly became
distressingly erratic. Howard and Challenor had
themselves been severely shaken by the death of their colleague, and now their
equanimity was frequently disturbed by Hardwick's tendency to wander aimlessly
among the cyclopean ruins, muttering scraps of verse from the metaphysical
poets. As his behaviour deteriorated, so did the
nervous condition of his colleagues. Perhaps influenced by hints made by
Hardwick - or perhaps not - Howard and Challenor
separately became convinced that among the shadowy figures that occasionally
appeared on the edge of their vision was one who strangely resembled Ian Dakin.
For the first time, too, Howard's journal
mentions his dreams. Although he had so proudly recorded upon that first day
that none of the party had been subject to nightmares, he now began to suspect
that this had not always been so, that their conscious minds in fact had
rebelled at remembering the dreams. It seemed to him at last that his own ego
was losing its strength to resist, and that something or some force within the
city was determined to prove the truth of his Dutch friend's warning.
The journal is frustratingly reticent
concerning the content of Howard's dreams - there are equivocal references to
"the dwellers in the wheel", "the swimmer in the darkness"
and "the silence of the dragon" - but of their quality there can be
no doubt, and it was a quality that increased rapidly. Each morning he would
find it less
easy to awaken to full cognisance of his position. "My brain," says one
late entry, "is merely liquid, and its every motion can be felt."
The entries become increasingly incoherent,
except on the rare occasions when Howard makes an evident effort to analyse his own mental and physical condition. Even then, a
strong vein of fantasy is apparent. Little more is said about Challenor, or even about Hardwick, until the final note.
Towards the end, after a description of the unnatural and excessive wasting to
which his body had become subject - a description that impresses the more
because of its impersonal rationality - appear such entries as: "Weather
continues charming" and "Father must not know!"
The last entry is dated the 30th of August, though of course, it is
impossible to gauge the accuracy of this date. I find something chilling in the
very prosaic and orthodox nature of it, for it says simply: "Hardwick is
dead. Challenor has gone to the temple. I think that I shall join him."
On the 4th of September a group of nomadic herdsmen arrived at the camp,
accompanying a minor government officer. It appears that one of his superiors
had become aware of the permission so casually granted to Howard's party to enter
the country and had decided that it was not after all in the best interests of
the Mongolian People's Republic. The deputy had been sent, therefore, to see
that the foreigners left Mongolia without delay.
Possibly this man expected to find a group of
capitalist spies; one cannot be sure. What he actually found was three corpses
and one other, a man perilously close to physical death, and mentally dead.
Mordecai Howard alone of his party had survived, reduced to a state that the
horrified Mongolians assessed variously as lunacy and idiocy. At first they
naturally ascribed the deaths of the others to the one living man, but closer
examination of the corpses gave them reason to doubt this assumption. One man,
whose head had been thoroughly crushed, as if by a great weight, was buried in
a shallow depression, from which the wind had blown most of the covering sand.
Certainly he had died by violence, though the wound could not be related to any
weapon that could be found. The other
two had apparently been stricken by some emaciating disease. The bodies were lying some hundreds of yards apart, but each showed
identical symptoms; it was clear that they had not been dead long, and that the
wasting had occurred before and not after death. Indeed, the same symptoms were
already far advanced in the survivor. The report that accompanied the madman on
his eventual return to England described the dead men's frames as being
unnaturally attenuated or stretched.
The government officer who drafted the report
had evidently read Howard's journal, for he scornfully dismisses the notion of
a ruined city in the great desert, describing it as "diseased
fantasy", though he does mention the destruction by his junior of certain
"shamefully fraudulent photographs".
If any reference was made by the nomads to Tse-Quonq T'anq.the
"bad place", the report does not acknowledge it. Perhaps the hint was
taken.
THE
BREAKDOWN
"It was
only three nights ago," said Alison Myers, with
a rather charmingly shy earnestness. "Richard happened to see
Mr Cobbett yesterday
and mentioned
it to
him."
"Right," said
George Cobbett. "I thought that
you might
be interested in hearing the story,
and as
young Richard wasn't able to come
along this evening I asked
Miss Myers here to tell
it to
us." He pulled a
face. "She might be more
coherent than he was. In any
case, I think you'll find
it's rather up your street."
The girl
smiled. She was clearly making
an effort
to appear
self-possessed, but her slender
feet were fidgeting nervously under
the table. "I'll do my best," she said. "And please,
call me Alison."
"Thank you,"
I said.
"Now we're all friends, so
there's no need to stand on
ceremony with the old man
here. Address him as George; that'll put him in
his place.
Now, tell it from the
beginning and in your
own way
- oh,
and if
you'll forgive a jealous question, who is Richard?
Your fiance?"
She smiled
gratefully and nodded. "That's right. He lives in
Romford, and
that evening he'd picked me
up from
my home
in Epping
and taken me to
a party
somewhere in the country not
very far from his own home
- about
ten miles,
I suppose.
It's fairly near Ongar and fairly
near Brentwood; the village is
called Navestock, and it seems to
be all
spread out and terribly rural.
You probably
know it a lot better than
I do,
because it's only a few
months since my family moved to
Essex from Sheffield.
"Well the
party was a good one,
very good fun, and we
met a
lot of nice people. There was
music and food and drink
and dancing
- all that you'd expect; but
the party
itself isn't important. What is important
is that
it found
us as
we came
away right in the depths of the countryside at about half-past two
in the
morning. Oh, I know it's very
near London - it can't
be much
more than fifteen miles from
the City - but somehow it seemed far
more cut off
than anywhere I could remember being before. You see, I've been used to cities,
or to great open stretches of moorland and mountains. This area around Navestock isn't like that at all: it's all hedges and
trees. The roads twist and wind until you don't know where you are. It's like
being in a maze. You can't see more than a few hundred yards,
and whatever is around the next corner you know that it'll be countryside still
- hedges and trees and perhaps a farm or a pub. You feel that you're miles and
miles from the nearest town, and that you could go
wandering along those narrow roads forever and always take the wrong turning,
so that you'd never get back to civilisation. Maybe
I'm making rather much of this, but I want you to see the place as I saw it.
I'm familiar with the open country, but this is all so closed-in that it seemed
just a touch spooky. I didn't mind it on the drive out to the party because it
was all so fresh after a day working in Town, but in the small hours I found it
- well - oppressive. I could fancy that a little voice was telling me that I
was trapped, that we'd be there forever, just driving on and on.
"It didn't happen, of course, because
we'd only been gone about ten minutes from the party when the engine of the car
began to knock. I felt a sort of tight feeling in my stomach, and I'm sure that
I actually said to Richard (though he denies it), 'Oh Lord! We are going to be here for ever.'
"He just said, 'She's done this before,
love. Don't worry. She'll get us back to Romford, at
least, and you can spend the night at my parents' place.'
"He's a good driver, but honestly he
doesn't know much more about cars than I do. That car certainly didn't sound to
me as if it would get us even as far as the next bend in the road. I wasn't
frightened, but after the high spirits of the party I suddenly felt very low.
And sure enough, just around the next turning - it was to the right, I remember
- the noise in the engine developed into a rapid drumming sound, and even
Richard realised that things were not good. He
stopped the car and hastily turned off the ignition. There was a very grateful
silence, and I suddenly realised that I'd been quite unconsciously
holding my breath. Even the feeling of being caught in a labyrinth couldn't
prevent me being relieved.
"The relief didn't
last long. Richard gave the engine ten minutes or so to cool down and then he
turned the ignition key again. Nothing. Absolutely nothing. And at last he began to lose his
patience. I won't tell you exactly what he said, but part of it was apology to
me, and the gist of the rest of it was that he would have to call out the A.A.
It's silly, but I remember quite clearly thinking, 'Surely they don't have phone boxes
out here?'
"Richard said, 'Now, let's make sure
just where we are. If I haven't made a wrong turning -' (If?
My heart sank. I hadn't realised that he'd never
driven along these roads in the dark before.) '- we should be about on Horseman
Side. I seem to remember a pub along here where there might be a public
telephone.'
"What could I say? I was a total
stranger to the area, and all I could do was to trust him. I was terribly
afraid that he would tell me to stay in the car while he went off to find a
phone. He didn't, though, and I blessed him for it. I don't think I could have
borne to be alone in that weird place just then. We locked the car and started
to walk along the road in the direction that we'd been heading.
"Thank heaven it was a fine night. The
sky was quite clear; the stars were bright and hard,
and there was an icily light half-moon low down. It was a little cold, as you'd
expect in late September, but not bitterly so, and our raincoats were quite
enough to keep us comfortably warm. The road was dry and firm, and there was no
traffic at all. You'd think that we might at least have heard the odd late car
at a distance, or seen the reflection of headlamps on a nearby road, but there
was nothing. Nothing, until
"That road just went on and on, and we
could never see more than about twenty yards ahead. They say that a long road
has no turning, but that's certainly not true around Navestock.
We can't actually have walked more than about half a mile, but oh! it seemed so much farther. More than once I thought of
taking my party shoes off and walking barefoot, but the road was so hard and
cold that I couldn't bring myself to do it.
At last I said that I really must stop for a few minutes and rest my
feet. And it was then that we heard a car at last. Richard squeezed my hand
tightly and said, 'Pray that he's coming this way.'
"I still don't know whether that car was
coming our way or not. Certainly we didn't see any sign of it, though we heard
it quite clearly. I suppose it must have been some lunatic driving without
lights on a road parallel to ours - and yet I could swear that as it seemed to
pass us I could actually feel the breeze it set up as it rushed along.
"Richard didn't seem to notice anything
unusual. As the sound, it seemed to me rather suddenly, faded away, he just
said, 'No help there. We'd better
carry on walking, Ali.'
"No help from the car, maybe, but as we
reached the next shallow bend in the road it seemed that fortune was with us
after all. Ahead of us, not more than ten yards away, was the one sort of
person we could most have wished to see. No details were apparent, but the
shape was unmistakably and blessedly that of a policeman. He was standing quite
still and seemed to be facing in our direction, so that there was no need to
run up to him - even if I'd felt capable of running. All we had to do was walk the few yards and explain our problem. He could help us if anyone could.
"He wasn't facing us, though, as we
could see when we got nearer, for the moon was pretty well behind us now. He
was standing quite still, as I said, and his back was turned towards us. I
think that at that moment I began to feel truly uneasy. You see, my shoes were
clicking quite sharply on the hard surface of the road, and it seemed to me
that this man must have heard, and turned to see who on earth could have been
walking in that lonely place at such an ungodly hour. But the policeman didn't
move. Not until Richard came right up close to him and said, 'Excuse me. Constable.' Then he turned around, and the moonlight fell
full upon his face.
"I think I screamed, though Richard says
not. I know I felt deathly frightened and turned away to avoid the sight of
that face. Then Richard's arms were around me, and we were both, for a moment,
shivering uncontrollably. When we looked up
again, the policeman was gone.
"There was nothing in the expression of
his face to upset one, because it had no expression, but it was the saddest,
most horrible thing I've ever seen. It had no eyes. There were just two holes,
ragged and circled with crusted blood. He was dead. He must have been. And yet ...
"That's really all there is to the
story. We ran. I lost the heel of one of my shoes somewhere, but I kept on
running, and in a hundred yards or so we heard the welcome sound of a car
approaching and saw the gleam of its headlamps. Thank God, it was on our
road. We flagged it down and explained our predicament - though you won't be
surprised that we said nothing about the ghostly policeman. The driver was a
doctor on his way home after a late call, and he gave us a lift to his own
house, not very far away, where we were able to phone the A.A. A patrolman came
within the hour and fixed the car sufficiently to get us home. And - well - there you are."
"And here you are," I said.
"Thank you for telling us about it, Alison. It must have been quite a testing
experience for you."
She shook her head soberly. "No, I'm
very grateful to you for listening. You're the only people I've felt could hear
me out without making fatuous remarks. But now it's your turn. Mr Cobbett - George -" (She gave him a shy smile.) " - implied that you might have some idea of what's
behind it all."
Perhaps I had, at that. "I
think - " I began.
But George interrupted me: "I'm sure you
do, boy. But if you don't mind, I'll take over, since I spent some time
yesterday evening checking the facts." He turned to Alison. "First of
all, young lady, tell me whether you noticed anything in particular about the
policeman's uniform."
"His uniform? But he had his back to us, as I told you,
and it was really too dark to see any details .. Oh! Just a moment. Yes, there was something about his helmet.
You know that the County Police wear those Roman-style helmets, rather like the
City of London Police? Well, this man's wasn't like that: it was what I'd call
the traditional kind of helmet - like the Metropolitan Police wear. You don't suppose he could have been a
member of the
Met,
do you? I mean, we weren't all that
far from their area."
George shook his head. "I don't think
so," he said. "You see, up until 1 969 ,
when they merged with the Southend Constabulary, the
Essex Police did wear the more usual kind of helmet."
He paused to fish his pipe out of his pocket,
and I took the opportunity while he filled and lit it to get another round of
drinks in. "There are," he continued eventually, "many theories
about what ghosts actually are - assuming you believe that they exist, of
course. I've my own ideas, naturally, and it seems to me that you and your
young man have been privileged (not the right word, perhaps, but I can't think
of a better one) to see something very sad and in its way rather noble. Now,
what was the date when all this occurred? The 26th - am I right? Very well then. I'll tell you what Roger and I believe lies
behind your experience.
"In the early hours of September the
26th, 1927, two desperadoes named Browne and Kennedy went by train from the
East End of London to Billericay, with the intention
of stealing a particular car: a Riley that was garaged in the High Street.
Fortunately for the owner, they were frightened off by a dog, but that's where
good fortune ends. They were still determined to take a vehicle, and they
walked through the town until they found one that was suitable. As it chanced,
the one they chose belonged to a doctor. They forced the door of his garage and
pushed the car out onto the road. Then
they started driving back to London.
"Not surprisingly,
they kept clear as far as possible of the main roads, avoiding those places,
such as Brentwood, where they knew that policemen were stationed during the
night. Well, they drove along those back lanes that run between Ongar and Romford, and the must
have thought themselves pretty safe. That is, until a police constable saw them
approaching, and signalled them to stop by waving his
torch. They didn't stop. The policeman - his name was Gutteridge
- did what any conscientious copper would do: he blew his whistle, and he must
have been gratified when Browne, the driver, pulled the car over to the side of
the road and waited for him to come up to
them. As Gutteridge took out his
notebook,
Browne
shot him dead.
"Perhaps we're getting inured these days
to crimes of violence, but sixty years ago the killing of a policeman was
rightly thought to be a particularly horrible offence. And this crime had an
especially gruesome flavour to it. As the policeman lay dead or dying on the road, Browne got out of the car and
shot him at close range through both eyes.
"The usual theory, which I see no reason
to dispute, is that Browne believed in the old superstition that the eyes of a
murdered man retain the picture of the last thing he saw before he died. Or it
may just have been indulgence in a known antipathy to the law. Whatever the
cause, the result was the same, and for myself I believe that it accounts for
what you saw. It's my belief that P.C. Gutteridge -
or a part of him - is still occasionally doing his duty on that lonely country
road."
"How awful!",Alison
exclaimed. She was clearly and understandably fascinated. "But where did
you learn all this? And where can I find out about it?"
"Ah, well ... If you want to know how
Kennedy and Browne were tracked down, arrested and convicted - it was largely
through the new science of bullet identification - then there are several books
you can turn to. Perhaps the easiest to get hold of is Colin Wilson and Pat
Pitman's Encyclopaedia of Murder. Try
your local library."
"That poor
man," she said.
"To mean no harm, and yet
to terrify people just by your appearance
..." We considered the
thought for a moment, and then Alison
asked hesitantly, "Should I-do you
think that perhaps I ought to have spoken to him? Would it have helped at all?"
George shook his head wearily and rubbed a
finger across his bushy eyebrows. "I think not," he said. "You
see, if I'm right-and we know so little of these things, after all - then the
policeman himself wasn't there, not in any real sense. What you saw, because
you chanced to be in the right place at the right time - and perhaps because
you're sensitive to these things - was no more than a fragment of personality,
a residuum. You might call it a
visible manifestation of shock. I'm sorry, but I can't put it more clearly than
that. At all events, I'm pretty certain that P.C. Gutteridge
himself has gone to wherever he was bound for, and has left nothing more than a
reflection in a glass."
A last question occurred to me: "Alison,
did you happen to notice the name of the road where your car broke down?"
"No," she said. "I'm sorry,
but I didn't see any signposts at all. Oh! Wait: there was something
.. Yes, of course. When Richard phoned the A.A. that nice doctor had to
tell him where their man should come to attend to the car. It was -" Her
hand flew up to her mouth as she realised the final
macabre touch. "I remember now.
It was Murthering Lane."
In the year 1908, Granville
Pike, the newspaper reporter, announced his intention of conducting a detective
investigation into the most macabre and horrifying of unsolved murder
cases of recent years. It was only twenty years since an unknown person-male or
female - had brutally slaughtered at least five East London prostitutes. During
the course of the murderer's career, several people - police officers, members
of the press and others-received taunting letters from a person who claimed to
be the harlot-killer, and who signed himself "Jack the Ripper". The
element of black and bloody humour in the letters
caught the public imagination as much as the murders themselves,
and the name passed into popular folklore, along with Sweeney Todd,
Spring-heeled Jack and others.
The letter-writer was never traced, and the
killer was never caught - they may indeed have been the same person, but no-one
now can say for certain.
Granville Pike was faced with two important
facts. The files of the Metropolitan and the City of London Police Forces were
not open to members of the public or the press - a point against him. In his favour, however, many participants in the original hunt for
the murderer would still be alive, and he thought it possible that he might
coax from one of them - a member of the vigilante committee, perhaps, or even a
police officer - some fact of importance that had previously been missed.
Accordingly, he inserted a note in his newspaper, the Morning Chronicle,
in which he asked for anyone who might have information to offer about the
crimes, or the circumstances in which they were committed, to contact him.
On October 10th, nearly two weeks afterwards,
Granville Pike was knocked down by a removal van in Oxford Street. He died
instantaneously, and so he never saw the only reply of real interest to his
request.
The various letters that
arrived after his death were stowed away in a dispatch-box and left in the
attic of his house in Holloway, where a year or so ago I found them. The one
letter which I reproduce here struck me as being of extraordinary importance.
It tells a strange and rather gruesome tale, which may be true, or may be a macabre
hoax. It fits in neatly, as far as I can ascertain, with the reported facts of
the Whitechapel murders, but I have been unable, for
example, to trace any aristocrat of the period who might be "Lord Nigel de
Lacy". The reader must make up his own mind as to the authenticity of the
account.
"Mr Pike,
"Sir,
"I
reply to your advertisement requiring information about the Whitechapel
murders of 1888. You will be interested in what I have to say, because I am one
of the few who can truthfully claim to have met the murderer,
and that on the night of one of his crimes. We had quite a conversation, in
fact, though it was mostly on his side.
I will tell you how it came about.
"Early in the morning of September the
thirtieth, I was returning to my home in Whitechapel
from an urgent and unfortunately protracted operation in the City. I was not a
registered medical man, and the operation I speak of was of a certain illegal
nature; you will forgive me if I do not go into details. At the corner of Mansell Street and Alie Street,
not far from the goods station, I had my head down against the wind, and in
turning the corner I bumped sharply into a young man who appeared to be in as
much of a hurry as I was. It is quite understandable, for Whitechapel
then was no place for anyone to be alone at night, even a man.
"But this young man was carrying a small
parcel hurriedly wrapped in newspaper, and as we collided, the parcel flew out
of his hand and burst open on the cobbles, and two or three knives or similar
objects were scattered on the ground. I muttered some word of apology, and bent
down to pick them and the paper up. The young man seemed
too startled or
perhaps too winded
to pick them
up himself. There were
three knives altogether, of different
sizes; two of them glittered in
the lamplight,
but the
other had a curious dark stain on the blade
which I soon discovered to be blood. I
held this blade against
the light
to examine
it better,
and was
immediately surprised, though I
should not have been, to
feel a strong if unsteady hand
grasp the collar of my
coat and pull me upright. The implications of the
bloodstain were not lost on
me, as my assailant saw.
"His voice
was as
strong and as unsteady as
his hand,
though a deal more cultured. It
was evident
that he had been drinking.
'Alright,' he said.
'You know who I am
now.'
"I nodded
dumbly, and he took the
knives and their paper wrapping out of my hand.
Two of
the knives
he stuffed
into the pocket of his black
cutaway coat, but he held
the bloodstained
blade against my chest.
Then he let go of
my collar,
and turned
me around to face him. 'Would
you like
to hear
about it?1 he asked. 'You might as
well, before I kill you.
I can't
very well let you live, after
all. God knows, I've just
committed one murder to keep
someone quiet. I
shan't hesitate at another.'
"With the
knife at my chest, he
impelled me before him along
Alie Street
a little,
and into
a darkened
passage between two houses, out of
the feeble
glow of the street lamp.
He swayed
a little, but the knife remained
before me, its point just
above my third rib. I could
smell alcohol on his breath
- spirits,
I thought. Probably
whiskey, and lots
of it.
"'So you
are the
murderer,' I said at last. 'The harlot killer. 1
"He nodded,
and grinned.
I smelt
his foul
breath again. 'You're as drunk as
a lord,
too.'
"To my
surprise, he roared with laughter,
almost choking. 'That's good!' he said. 'Drunk as
a lord!
I like
that. You see, little man, it
happens that I am a
lord. You wouldn't think so
to look at me now, eh?'
"He certainly
did not
look like the usual peer
of the
realm, although he was
what you might call respectably
dressed. He wore a black diagonal
coat, as I have
said,
with dark trousers, a collar and tie - something of a rarity in Whitechapel at night - and a small, round peaked cap, like
a sailor's. He stood perhaps five and a half feet tall, and had dark hair and a
small dark moustache. I have since checked certain sources of reference, and
found that he was twenty-nine years old at that time.
"He screwed his face into a sudden
sneer, and breathed whiskey all over me. 'I shall feel
very put out,' he said, 'if you tell me you don't recognise me, for my face has been in the newspapers before
now.' He gave the knife a sharp dig against my rib, so that I gasped with pain.
"'Do you know me?'
"I shook my head. I doubt
I could have spoken at that moment.
"'Well, well. It hardly matters, but I
think I shall relieve your ignorance a little before I push this knife into its
proper sheath.' He twisted the point slightly against my rib, causing me to
bite my tongue in my efforts not to cry aloud. He grunted a little; I think he
was pleased at the pain he was causing me. 'My brother,' he said, 'is the Duke of Lindsey.'
"That did surprise me.
'Then, you ..!' I began.
"The man I call Nigel de Lacy - that was
not his name, but if your reference files are as accurate as they tell me, you
will know whom I mean - this man, I say, was indeed a member of a very noble
family. His own reputation, though, was that of a rakehell; he was the black
sheep of the family, as they say. There was talk that the last Duke, his
father, had been persuaded only by the pressing obligation to avoid a scandal
from excluding Nigel de Lacy altogether from his will. Since the old Duke's
death, however, and the succession of his elder son to the title, Lord Nigel
appeared to have reformed his ways, or so rumour had
it.
"'What are you doing in Whitechapel, then?' I ventured.
"He snorted. 'Ha!
Call it social work! I have been ridding the streets of whores. Of a certain whore, anyway. They called her Liz, Long Liz. I
think her real name was Stride. She was Swedish, anyway, but her English was
better than I thought.
"'Some friends and I came down to Whitechapel about a year ago - before the old man died -
and got roaring drunk. We were out for
some cheap fun in the slums, and we went into a pit called the Angel and
Crown, where we had no trouble in picking up a couple of whores. I spent
the night with Long Liz in a filthy lodging-house in Flower and Dean Street.
When I woke up in the morning, my mouth felt as if someone had stuffed it with
cotton, and there was this common prostitute lying snoring beside me, with one
arm around my neck. She was ugly and scrawny, and she must have been forty-five
years old.
"'Being sober again, I detested her, and
detested myself for having touched her. As I arose and dressed, she awoke, and
said, "You'll come again, Nigel."
"'God! She wanted me to go there again! The thought
sickened me. But what was worse was that she had called me by my name. If I'd
told her my name while I lay with her that drunken night, what else had I told
her? Hastily, I grabbed my coat, dropped a couple of coins onto the bed, and
left the room.
"'For weeks I avoided all thought of
going into the East End again, but eventually, for a certain reason, I had to
go there, and of course Liz saw me. News moves fast in that kind of society,
and I hadn't been there long before she came up to me and said, "Hello,
Nigel," - she emphasised the name - "I
thought you'd be back, dear. I've got a deal to put through with you."
'"I told her not to be stupid, of
course, and said that I'd give her a sovereign if she would go away, but she
just laughed. "It'll be more than a
sovereign," she said.
"'There was something in the way she
said it that rattled me. I told her that I'd call a policeman if she didn't
stop pestering me, but she grasped my arm, and whispered into my ear a very
good reason why I should do no such thing. Lord, but I was a fool! that night I'd got drunk and lain with her, I'd been more
than indiscreet. The things that I'd said to Long Liz that night that I
shouldn't have said - well never you mind what they were. I'm telling you quite
enough as it is. Suffice it that the whore's object was blackmail.
'"Well, I told her that I wasn't a rich
man, which was true, thought it took a while for the truth of it to sink into
her stupid head. Eventually, we struck a bargain. She wanted a lump sum then
and there, of course, and I didn't want to pay her anything, but as it was, we
compromised. My lamented father was in the final stage of his illness at the
time, and I knew that I was safe for a considerable sum in his will. I told her
that I'd pay her a sovereign each week until the old man died, and when the
will was proved I'd settle a lump sum on her of three thousand. I say settle on
her; what I mean is that I would hand over the money in cash. That was the arrangement.
'"I had no intention of keeping to the deal, of course. Even at
that time, a pound a week was no great loss to my pocket, but I was damned if
I'd give the whore three thousand of 'em, whatever
she knew about me. I gave her four sovereigns then and there to show my good
faith, and went back to my cab, while she watched, with a grin on her ugly
face.
"'Obviously, I had to get rid of her
somehow. The East End is a ripe area for murder, and I suppose I could have
sneaked into Whitechapel at any time and killed her,
but even in the East End, people notice when dead bodies are found. Of course,
I could have hired a couple of roughs to do the work for me, and maybe dump the
body in the river, but you'll appreciate that I didn't want any more people in
this business than necessary. Reluctantly, I decided on the absolute minimum
for murder - myself and Long Liz. I let the matter rest at that for a while.
'"And then, some three months ago, my
father died, and brother Teddy succeeded to the title.
Liz Stride got to hear of it, of course, and immediately started to pester me
for what she called her money. I told her that she would have to wait
until the will was proved, and that there might be some complications. She
accepted the delay with a very bad grace, and warned me of what would happen if
the delay were too long. It was evident that things
were coming to a head, and that the head would have to be lanced.
"'Now I suppose you're waiting for me to
tell you how and why I came to dispose of those other damned streetwalkers -
what were their names? Tabram, Nicholls,
and ... urn - Chapman. Well,
it happens that I did once meet Polly Nicholls when I came over to Whitechapel to see Lizzie Stride, but it's a fact that I
didn't kill her, nor the others. I've no idea who did
kill them, and I don't much care, but he's done me a good turn by it. When the
report of Nicholls' death appeared in the 'papers, it was evident that she'd
died by the same hand that despatched Tabram, and the rather delightfully gruesome way that she'd
been cut about gave me an idea.
"'If I could lure Lizzie Stride into a
dark alley, then it would be easy enough to slash her throat and her body in
much the same way that Tabram and Nicholls had been
slashed. Why should anyone suspect that poor Lord Nigel had anything to do with
it, when Long Liz had so obviously become a victim of the harlot-killer? When
Annie Chapman died the week afterwards, that settled the matter.
"'There were arrangements to make, of
course. You can't just leap into this sort of thing, and besides, I thought I'd
best leave a brief interval after Chapman's death. At all events, I contacted
Long Liz, and told her that I'd meet her this Sunday at midnight-that's to say,
yesterday, and more than two hours ago. I said that we'd finally settle things
now that the will had gone through. I said further that I admired her good
business sense, and had no hard feelings against her for taking advantage of my
indiscretion. I had to steel myself to do it, but I told her that I'd like to
give her an hour's pleasure, to show that I held no grudge. She agreed, of
course - it's remarkable how people are attracted by a title, and besides, d'you know, I think she really quite liked me, in a way.
'"Well, when last night came - I mean,
yesterday evening - I dressed myself in these old clothes, and carefully
wrapped up this parcel. You know what's in it, and you know what the knives
were for, but for Lizzie Stride that parcel held one thousand pounds in used
Bank of England notes. As I say, I got everything ready, and slipped quietly
out of my apartment and away from Hanover Square. I pulled the peak of my cap
down over my eyes, and walked along Oxford Street towards the City. You'll appreciate that I didn't want to
take a cab. Cabbies tend to be sharp-eyed, and I didn't want to be recognised.
"'That, of course, is why I'm shortly
going to push this carving-knife into your heart.
"'When I got to the City, though, I felt
I needed to boost my nerve. There was a good hour and a half to spare before
midnight, when I was to meet Liz by a pub in Back Church Lane, and I decided to
have a drink before I went on. I walked into the public bar of the George in St
Mary Axe, and ordered a double whiskey. I downed that at the bar, and ordered
another. Then I sat down at a corner table. I kept the newspaper parcel on my
knee the while, as if it were really as precious as I had told Long Liz. It was
certainly important, though I admit that I nearly let it fall under the table
once or twice, as the two double whiskeys became - five, was it? Or six? I really can't remember, and it's not important. The
fact is that when I arrived in Back Church Lane a bit after twelve, and met
Lizzie, I was almost as tight as on the night that started all this damned
trouble.
"'She was standing by a lamp-post, a
little way from the pub door, and when she saw me, a toothy smile cracked
across her face. "Have you got it?" she
asked. I tapped the parcel under my arm, and told her I'd got a thousand for
her. I'd bring the rest later. Meanwhile, there were things to talk about, I said.
Her grin widened at that, and she put her scraggy arm around my shoulder.
"Give me the money later," she said.
"'For forty minutes or so, we wandered
about those little streets off the Commercial Road. God knows what I found to
say to her or how I managed to say it, because all the time the effect of the
drink was wearing off, and I was becoming more cautious. More importantly, I
was keeping my eyes open for some nice quiet alley where I could take her and
open the parcel. I remember that at one time she laughed, and called me a silly
boy; I hated her for that. And then she kissed me! We'd wandered into Berner Street by this time, and I could see a man standing
at the door of one of the houses; otherwise I think I would have driven my fist
into her damned smiling face. As it was, I had to play along. After all, it would soon be over. I
remember, though, that she had some sort of fern pinned to her dress, and that
the pin scratched me as she pulled me close to her. I just gripped the parcel
more tightly, and clenched my teeth.
"'At one point, a peeler passed us, and
in spite of the drink I started to shiver. She mistook the meaning of it,
though, and said that I was foolish to come out without a long coat. She
herself didn't feel the cold much. "Well," I said, "you'll be
able to get yourself as many warm coats as you like soon. Not tonight,
though." And as I said it, a man passed by, and gazed at us with no
particular interest.
"'She nodded, and said, "No. Not
tonight. But some other night."
"'We walked on a bit, past the board
school, and up towards the Commercial Road. There was a fair bit of noise
coming from one of the houses, and I asked Liz what on earth was going on
there. "Oh, it's their regular knees-up," she said. "International Workers' Educational Club. They have a
debate and a beano every Saturday."
"'Then I got an idea. You see, I'd been
looking out for somewhere quiet to take Liz and put the knife in, but if she'd
started to scream in a quiet place then everybody would have heard it. Now, the
noise coming from this Workers' Club would drown anything but the loudest
scream - and I didn't intend to let Lizzie scream loudly.
"'At the side of the
house was a double gate, open, and apparently giving onto a yard behind the
building.
Lizzie pronounced her own death sentence then. "Come on," she said.
"It's nice and private at the back there. I want to see what you've got in
that parcel." I caught a greedy look in her eyes as she said it (did I
mention that her eyes were small and bloodshot?), and I decided that it really
was time that she saw what was in the parcel.
'"I took a quick look up and down the
street and couldn't see anyone coming, so I grabbed Liz by the arm and pulled
her in through the gates. It was
private in there, all right; pretty well pitch dark. I suppose there was just
enough light for me to see what I was doing. Well, I went over to the wall on
the right, away from the house, holding Liz firmly by the arm. I made sure that
she was between me and the wall, so that she couldn't run away.
"'My Lord, but she was keen to have that
parcel open! Couldn't keep her eyes off it while I unwrapped
it, but her expression soon changed when she saw the knives. "The
money!" she said. "The money ...?" And she almost choked. I told
her that she couldn't really expect me to submit to blackmail from a damned
whore. No, I said, I'd pay her just as she deserved.
"'I think she wanted to scream, but she
couldn't. She just made a sort of gurgling noise in her throat. I stopped that
pretty quick, though. I grabbed the neck of her dress
in my right fist and clutched the carving-knife - this knife in my left.
I'd never put a blade through human flesh before; it's tougher than you'd
think. Still, I slashed her skinny throat in two strokes, one from the right
and one from the left. I think the second one went through to the bone. At any
rate, I had to step back pretty smartly to avoid getting blood all over me.
"'I was still holding the neck of her
dress in my fist as I stepped back. Her body slumped to the ground, with the
head hanging backwards where the throat was cut. The dress tore along the
front, of course - it was shoddy material, and couldn't take the strain. Before
I realised what was happening, there was a tear
nearly down to her navel, exposing her thin breast. Ugh! It was unattractive in
life; dead, and with blood coursing down it, it was repulsive! I itched to perform some crude surgery on that scrawny body.
Until then, it had just been something that was necessary, to make it plain
that this was another of the Whitechapel murders, but
now ... I realised that I actually wanted to
mutilate her ugly body. Can you understand that? She'd caused me so much
trouble, simply by being her ugly self. It was her damned whore's body that got
me into this scrape in the first place, and now I could destroy that body
utterly. Ha! D'you know, I don't suppose that a
little slashing and cutting about could have made that scrawny flesh any more
unattractive.
"'I knelt down beside
her, and I actually had the knife poised over her stomach when I heard a new
sound over the noise from the concert. Even when I've had a few jars, you know,
my ears are better than most people's, and I knew well enough what this sound
was. A pony and trap, coming into Berner
Street from the top. Now, we'd walked pretty well the length of the
street, Liz and I, and I guessed that if that trap wasn't going down to the
railway yard at the bottom then there was only one place it'd be likely to go
at that hour of night.
"'I picked up the newspaper, and wrapped
it hastily around the knives. Then I moved pretty quickly, and stood behind the
gate-and not too soon, either. I'd just got into position there when the trap
arrived at the gate. I think that the driver wanted to go straight through, but
the pony shied and refused to go on. Perhaps it smelt the blood; I don't know.
Anyway, the driver got down from the trap, with his whip in his hand, and moved
forward cautiously. He must have been pretty frightened - it was very dark in
the yard, remember - but he can't have been more frightened that I was.
'"I stood behind that gate and shivered,
while I watched that driver walk slowly into the yard and start poking about
with his whip. If I'd been a religious man, I'd have prayed; as it was, I just
hoped that he wouldn't find me before he found Long Liz!
'"Well, he didn't. He'd only been a
half-minute or so poking about with his stick - though it seemed an age - when
he found the body. I don't think he could see it properly, even then. He bent
over it and lit a lucifer. It took a couple of
seconds for things to sink into his head, and then he shouted, "Murder!
Murder!" and rushed to the back door of the house.
'"That gave me the chance I needed. I
slipped out from behind the gate, and left the yard just as quickly as I could.
I didn't run, mind you! I didn't want to attract attention. I was sweating
pretty much - with nerves, not exertion - so I thought I'd better make myself
scarce for a bit before I took to the streets again. I found a quiet passageway,
and sat for a few minutes to cool down; then I just started wandering. I went
into a pub in Fieldgate Street, and had another whiskey, which I drank
pretty quickly, and then I thought I'd better start making my way home. I was
coming around the corner down there, when I bumped into you, and dropped my
little parcel.
"'And now you know how I came to be the Whitechapel butcher for a night. I'm glad I've told you,
because I feel I've been rather clever about it all. It's a pity that you won't
be able to tell anyone else, but that wouldn't be safe, eh? One can't leave
loose ends lying around for the police to pick up.'
"Now, it would be
quite untrue to say that I was not afraid, Mr Pike. I
was very frightened indeed, and so might any man be who was cornered by a
bloody-handed murderer. Still, I kept a clear head. I had not been drinking, as
Lord Nigel had - you can't perform a delicate operation if you're drunk - and I
had an advantage over him there. I decided that my best course was to throw him
off balance, to annoy him.
"'Well, if you're going to kill me,' I
said, 'hadn't you better get on with it?
I haven't got all night, you know.'
"He drew back his lips in a grin, and
his teeth gleamed - they were very white and well cared-for. He didn't say
anything, but I think he actually appreciated the jest. I watched his eyes, as
they suddenly dropped from my face to the knife in his hand - the knife with
the bloody blade. Slowly, he drew the weapon a couple of inches away from my
chest, ready to plunge it in. That was a mistake. His reactions may have been
quick, but mine were quicker. He was drunk, remember, and I was not.
"Before he could push the knife-blade
forward, I kicked him sharply in the groin.
"Not the action of a
sportsman, of course, but then a sportsman is not usually fighting for his
life.
"Lord Nigel de Lacy gave a short, agonised cry. His eyes bulged, and he staggered back. He
dropped the knife, and clutched at his groin. I could see that he was trying to
retain his balance, but he couldn't do it; he bent double and collapsed onto
the cobbles, his whole body jerking at the pain.
"In
an almost leisurely manner,
I stooped to pick up the knife from the ground. With some
contempt, I kicked his lordship's hands away from his body, and then suddenly
thrust the knife-blade into his stomach. Again and again I plunged the blade
into his flesh, until I was quite sure that he was dead.
"Then I felt in his pocket for the other
two knives and their newspaper wrapping. These I stuffed into my own coat
pocket. I took his wallet, too, thinking it might be
useful. Then I gave Lord Nigel a final kick, by way of farewell, and went on my
way.
"I make no apologies for what I did, Mr Pike. After all, it was his life or mine, and justice in
Whitechapel can be brutal, as I think you will know.
Besides, like God, I object to my name being taken in vain. Lord Nigel de Lacy
as the Whitechapel murderer indeed!
"Wouldn't any man have done the same? "Yours truly, "Jack the Ripper."
Wrabsey Nr Maldon Essex 13th Nov. 1832
to Mr Salter, Wyvern.
Cousin,
You have asked
me about
the coming
of a
stranger to this town, of whose
visit rumour only has reached you.
One, as
you have
heard, claiming kinship with
us of
the Blood.
Be sure,
then that
none save Those who guard us may
know the
full truth,
but that
I, Their servant, can tell as
much as
any man.
From me
you shall
learn what befell.
It was upon
the second
Saturday of last month that
the man
came to Wrabsey. His appearance should
have been
instantly noted, for strangers are few
and unwelcome,
as you
will appreciate,
in this small town, whose days of
market and fair are long
vanished. Nevertheless, he was
not remarked,
it seems,
until he presented himself within my
office in Fish Street and
asked to have word with
me. I saw a person of
middling height, slim but stooping
slightly, plainly dressed, and
with dark
hair receding
somewhat from a scalp whose greyish pallor matched that of
his face
and hands.
His age,
I suppose, was about
thirty, but there was such
a set
of wrinkles
upon his face, and
his pale
eyes bulged
so hugely,
that I
could not be sure. In short,
you see,
he had
about him that look which
distinguishes us from the
common rank of man.
His greeting was
fair, but brief. "Mr Martyr," said he, "I know that you are the
leader of the people in
this town."
I replied, somewhat wary, that to
see the
leader he should enquire for Amos Luckin, the
Deputy, at the Moot Hall.
"I know of the Deputy," he
said,
"and am persuaded
that you, and
not he, are
the
man I seek. Let me make myself known. My name is
Walter Garlick, and I have come here from Gate's
Quay, on the rocky coast of Dorset. My
home, if not my
family, must be known to you."
The name of Gate's Quay was of course,
familiar to me, as it is to you, cousin. "Then you come in the
service," said I, "of Those whom we
serve?" I spoke with caution, for one does not carelessly utter the names
of power, but my mind was set easy - in part,
at least - by the instant assurance that Mr Garlick was a
faithful adherent of C---------------------- . He had, he claimed, a mind to
settle
here in Wrabsey, and so
forge stronger links of friendship between two enclaves indissolubly bound by
ties of blood and allegiance.
For the moment nothing further could
profitably be said on so important a matter. I resolved to call as quickly as
might be a meeting extraordinary of the Elect, and meanwhile to show all
courtesy to this unbidden guest. Over a glass of good port wine, I commended to him the facilities of the Dolphin Inn, under the
ownership of my good friend Silas Choate, while he sought for a proper dwelling
in the town. "And I myself," said I, "may be of service to you
there, for my small practice has mainly to do with property. A man must live in
this world, you know, even while preparing himself for
that other that we know of. There is a house but recently empty upon Murrell
Hill belonging to Thomas Warden, who is of high rank in the Elect. Surely he
would be glad to see it occupied by a kinsman such as you."
After some further talk of this nature, I
asked him how matters stood in his native town - for you know, cousin, that I
am of an enquiring mind, and hold that we who are so encompassed upon all sides
by mere humanity do need to keep aware of the doings of our brethren, that we
may better serve our Masters. To my questions he answered in straight but
general terms, telling me nothing that I did not already know, but revealing a knowledge of Gate's Quay that certainly seemed authentic.
It was a pleasant conversation, though necessarily guarded upon one side at
least, for Walter Garlick, whatever else he might be,
was an intelligent man and educated. At last, bidding my clerk to oversee the
office until I should return, I
conducted Mr Garlick out
into Fish Street and thence by way of Salt Street and Church Lane to The Hythe, where stands the Dolphin. As we passed St
Mary's church, he looked with an appraising eye and remarked, "It seems in
good repair, friends."
"To be sure,"
said I, "for there are still in Wrabsey many of
the common sort of humanity who cling to their fathers' faith."
"As we to ours," said he, "and
with solid reason. But do you not find dissension between the men who attend
upon Christ and the Chosen who swell the congregation of Dagon?"
"There has long been unease," I
admitted, "but you may find this country somewhat different from your own.
These marshlands, bare and bleak, that sever us from the rest of Essex, breed
men to suit them. In this land that is not quite land, nor yet quite sea, the people are accustomed to uncover the secrets of both.
They are, you may say, amphibious. Wrabsey is in
England, but it is no more of England than is Gate's Quay, or Wyvern, or that
place of wonders where our fathers dwell. No, the church is under the cure of
the Vicar of Tolleshunt D'Arcy, but those who attend
know enough to keep their beliefs to themselves. They know that we, and not he,
are their kin. Will it surprise you to learn that some of them - one a warden -
are faithful servants of the Council of the Elect?"
Surprised he was, none the less. "It is
not so in Gate's Quay J Spies, are
they?" .
"It would be wrong to call them so. They
are but men. Men who know which way this world tends, and suspect to whom it
truly belongs. It is not from within that danger comes, but from without ...
Ah! But here is The Hythe, and yonder the inn. Good
day to you, friend. You shall be summoned as soon as may be to meet us formally
and, I trust, to be admitted to the mysteries of the town."
Things are not done hastily
among us, who have a sacred end in view. None the less, upon the very next evening,
the Sunday, the Inner Council of the Elect was gathered within the great Hall
of Dagon, upon Murrell Hill,
ready to receive
and appraise the newcomer. If I name names, it is so that
you, cousin, may appreciate the utter trust which I repose in you, as a
blood-kinsman of like rank within the Chosen. Present, then, were the senior
members, as yet untranslated, of the senior families
of Wrabsey - those who, between them, two centuries
ago, had brought destiny from the East and from the Sea. Aye, destiny and glory
and fear! In full, the Council numbers twelve, but the Inner Conclave only
four, viz. Silas Choate, Enoch Warden, Rahab Martyr
and myself, Israel Martyr, as Principal! On so solemn an occasion, naturally,
we were garbed in the panoply of office bequeathed us by our fathers beneath
the waters - such robes as would make the recognised
Deputy of the town sweat with envy and fear.
While Walter Garlick
sat in the antechamber, we four deliberated upon his fate. I had not spoken
idly in asserting that danger might be expected from without our ranks, and
what was he, if not an outsider? Still, his claim was to ties of blood and
allegiance (allegiance to the Great Ones that we know of), and truly he had
that look about him that spoke of such. Nothing must be done in such haste that
we would regret it, though to be sure there remained one final test or
protection that should make all plain. We in our mortal state may be fallible,
but our fathers who have undergone translation and who dwell in that other
world (to
which, C------------- grant, you and I are bound) are far from such. On
their powers we may rely utterly.
At length it was decided to take the man Garlick, to appearances at least, upon his own word, and
Silas Choate was dispatched to the anteroom to bring him before the Council.
This I must say in his favour:
upon entering from the severe blankness of the anteroom into the gorgeousness
of the great hall he showed not the smallest sign of surprise. Even our own
younger Brethren have been known to exclaim in wonder at first seeing the
barbarous magnificence of the mural hangings (predominantly green, purple and gold)
which everywhere catch the eye, telling to those who have the knowledge and the
intelligence of the wonders of that sub-aquarian
world whence our fathers came to glorify mere mankind, and of that other,
nearer realm where they now serve, awaiting the return of the great Dagon and
his greater masters. And if Walter Garlick did not
blink at this (but with such eyes, after all, he could not blink) , how much
more telling that he gave no start at seeing the four judges (for such we
surely were) who sat before him! Our garments of green and gold, woven with
fantastic designs, our diadems, whose richness the King of England himself
could not but envy - these alone must have bewildered mere humanity. But what
could mere man think when confronted with our own selves? Silas Choate and I
have still some years - even decades - to go, but Enoch Warden is fast
approaching the Change, and so must appear most monstrous to men, while Rahab Martyr (representing the cadet branch of that same
ineffable family of which I am head) was so perilously close that she could not
long bear to be away from the salt water. There was little left in her of the
corruptible flesh of humankind, and even in this haven she was then rarely to
be seen abroad in the daylight hours.
No sign of surprise showed upon the face of
our postulant (if so I may call him), but only, if Silas interpreted correctly,
the slightest expression of satisfaction. Here was one who had in part achieved
his goal. Very good, then. Let us know see whether he
were fit to achieve it fully.
Yourself being a fully professed adherent of Dagon to
the Third Degree will be aware of such questions as we thought it good to put. Had this Garlick subscribed to the first
Oath, and could he repeat that Oath in full? He could, but so can many
who are not of the Blood. Satisfactorily, too, he repeated the second Oath, but
what of that? The supreme test would be the third and greatest Oath, and this
test, also, he passed.
Supreme, did I say? In some places that would
be so: in Gate's Quay, perhaps, and even in Wyvern. But here in Wrabsey we have yet a further ordeal, and of a very
different kind, a kind that should not be revealed to the postulant
immediately, for it occurred to us four (Rahab
uttering thought in those indescribable tones that have already replaced mere
human speech in her) that within three weeks, upon the last day of October,
would be celebrated one of
the two great
Festivals of the Order,
and that this occasion, no other,
should prove the making or breaking of Walter Garlick.
In the meanwhile, we thought it well to tell
him something of the history of our People in this place, and of their
practices. From him, too, we might learn of how things were done in Gate's
Quay. Similarities there must be, for our greatness all derives from a common
blood and a common revelation, but for the rest we have also humankindness in our veins and are prone to fallibility and
change.
We discoursed, therefore, of that great
voyage of Jabez Martyr (my own
great-great-grandfather) to the Indies and beyond, where he encountered those
strange dwellers upon unknown isles and in unknown seas, whose form was not as
the form of men and whose worship was not as the worship of men. Of how Jabez and his fellows (Ambrose Choate and Marcus Warden
among them) embraced wholeheartedly the wealth of gold and of fish that the
strangers offered, and with them the new faith (new but aeon-old)
that was demanded in return. Of how, in 1629, the ship Sea-Unicorn
returned to Wrabsey, with but half her crew on board,
and that half having taken wives from those lands beyond the Indies. Of the
treasure brought as dowry by those wives, and of the Charter of Regulation that
Jabez had drawn up upon the instruction of his own
wife, the Charter which for two centuries, in despite of the Deputy and his
officers, has truly been the pattern for life in this town.
"On the thirty-first of the month,
friend Walter," said I, "on that eve that the Christians call Hallowmass, the Chosen of Wrabsey
will meet in full. Supplications will be made and sacrifices offered. Doubtless
you have attended such gatherings in your own native place, and as a full
member of the Order of Dagon. Here, we shall be pleased to welcome you as such.
Until that time, you may come and go freely as you will, provided only that you
stay within the town. You have our full permission to converse with the People
of the Blood, but do bear in mind that they may not wish to converse with you
until they know you fully. You may also converse with those townsfolk who are
not of our kind, but you will, of course, refrain from speaking of matters which
do not pertain to said. "Stand here at the portal
with me and tell me
what you see within."
Still his
features showed no emotion other
than calm self-assurance as he
gazed steadily through the doorway
into the chamber. Instead, it was
I who
felt an insidious unease as
I heard
his pronouncement: "Why, Master, I see nought but darkness. No-darkness and water! Master -
" (he
turned his face to me
for a
moment, and at last
there was true expression there, of joy and
wonder) " - this
is indeed
a great
mystery! For surely within this
room, within this hall,
situate as it is upon
a hill,
is the sea!"
I trust
that my own face betrayed
nothing, though my heart within me was heavy, as
I said,
"Very good, brother. Now, do
you remain here while we enter
the chamber,
and then
you shall
join us, no man forcing you."
"Oh, willingly!"
said he. And at that
my heart
sank further, for it seemed, to
his own
loss and ours,
that he was in all
things sincere. But the
Charter must not be transgressed,
and the
farce must be played out. Together,
then, Silas Choate, Enoch Warden,
Zillah Martyr and I
entered, as we had done
many times before, a room which
we knew
and saw
to be
a plain,
square, unfurnished chamber. It
measures fifteen feet in each
direction, the walls and ceiling being quite bare, and
the floor
set with
marble squares of green and gold,
in a pattern that
will be known to you.
Having reached
the farther
wall, we turned, and I
said, not loudly, "Brother
Walter, you may enter now."
Each of
us bore
a lantern,
and the
light fell full upon him,
yet his expression was that of a
man in
darkness. He peered
this way and that, and called
out with
some attempt at his former
confidence, "Master, I can
scarce hear you!"
Again, I summoned him,
but more
loudly. His own reply sounded
very loud to my
ears: "Enter, Master? Oh, yes,
I shall
enter. But oh! this
is a
terror and a wonder! In
the name
of our
fathers, if only I could see
you!"
My heart
a stone
in my
body, I watched him, plainly
gathering his courage and then taking
a bold
step into the room. Then
I saw
happen what I suppose
my father
must have seen all those
years ago,
Robert Lovewell
looked at each of us in turn over his glass of John Jameson. He glanced
thoughtfully for a moment at the whiskey itself, and then asked diffidently,
"Did you ever see Carl Dreyer's film Vampyr?"
George Cobbett drew his
heavy grey eyebrows down in a momentary scowl, but merely said
,"No."
"I've seen it," I said. "It
was at the Scala in Bloomsbury. The print seemed to
have been cobbled together from bits of three or more originals, because the
soundtrack was variously in English, French and what I took to be German - or
possibly Danish. The quality was very poor, but for all that, it was a
wonderfully strange and powerful film. But surely you haven't encountered a
vampire?"
"Good Lord, no!
Nothing so exotic, I assure you. No, all I meant was ... Well, I'll tell you
all about it in good time. Meanwhile, I'd like you to consider a remark that
Dreyer made about his film. 'Imagine,' he said, 'that we are sitting in an
ordinary room. Suddenly we are told that there is a corpse behind the door. In
an instant, the room we are sitting in is completely altered: everything in it
has taken on another look: the light, the atmosphere have
changed, and the objects are as we conceive them.'"
"'As we conceive them,'" George
repeated. "Well, that's an interesting way of putting it. But look here,
young Lovewell, I thought you were an artist, not an
expert on the European cinema."
Robert took a sip of his whiskey. "I'm a
professional painter," he said, "as you well know. Whether I'm as
much of an artist as Dreyer is another matter, but my line of work does have some
bearing on the story, as otherwise I shouldn't have gone to stay at
Abbots." He glared briefly at the old man. "Don't sidetrack me
again, George, or you won't hear the story at all. Ha! Very
well . . .
words exactly. After the Sheriff's men had read
the formal deed of arrest, she said, "Before God and His angels, I do
swear my innocence." You can imagine what a queer feeling it gave me to
read that simple statement in the cramped blackletter
print! All this was minutely recorded, because something quite unexpected
followed. The brazen words of the witch aroused such an excess of anger in the
good Master Thomas that before he could be restrained he had drawn his
long-bladed knife and attempted to slash at her face. She threw up her right
hand, saving her eyes, but receiving a savage wound nonetheless. In short, one
of her fingers was wholly severed, and the hand badly cut. At this, she cried
aloud and swooned. The constables had
to carry her from the house.
The trial was held at Chelmsford on the
twenty-seventh of June, and Janet Fisher found herself only one of three women
arraigned before Lord Brian Darcy. The others were simple, ignorant souls, and
their cases were speedily despatched. It isn't
surprising that more attention was paid to the young, intelligent and
attractive mistress of Abbotts Farm. I wonder now if she was at all aware of
Darcy's reputation. If so, she must have known already that she was lost. He'd
been the presiding judge in at least two previous witchcraft trials and had
proved himself to be quite without mercy.
I read the whole report very thoroughly,
though it told me nothing that I hadn't anticipated. The several villagers who
gave evidence were plainly overawed by the situation, and in one or two cases
words were actually put into their mouths by the prosecution in a way that
quite sickened me. Nearly all mentioned the part played by Master Rosemary in
building up suspicion against the accused, and yet none of them was questioned
on this point. Every insinuation appeared to be accepted as fact. Dame Alice
didn't testify, and her son's evidence was kept to a
minimum. No mention at all was made of the fact that he was the sole heir to
the estate of Abbotts.
The verdict was inevitable - guilty. The
sentence was death by hanging. It was carried out the following day in the open
space in front
of the
Sessions House, where
Tindal Square is
now. The old courthouse was
replaced, as you know, in 1789 by John Johnson's Shire Hall, and the whole
place is so changed that when I walked around there after leaving the Record
Office I could gain no impressions from it at all.
That was the end of Janet Fisher, branded as
a witch and hanged without compassion. But it wasn't the end of the affair,
because about fifteen years later Alice Rosemary died of a stroke. Her son
Thomas must have had a spark of independent humanity in him after all, because
the day after her funeral he went to the Sheriff's office and confessed to the
whole sordid plot. He said that he was troubled by the thought of eternal
ignominy attaching to the memory of an innocent woman. Maybe he really did love
her a little, or had at least managed to persuade himself that he did. His
confession was duly noted, and a copy of it survives in the County Archives,
but no action was taken. Can you beat it? Nothing was done, and Thomas Rosemary
went back to Winstock and his family. He died,
according to the parish register, in March of 1611 .
Well, that's the story behind the reality of
my vision, but of course I already knew that it was so, and details of the
story had combined to explain my own part in it. I knew what to do with the
severed finger, and now I knew why.
Oh, I must tell you what
the account said on that point, because it clarified matters wonderfully. There
was just a brief, casual statement in the report of Janet Fisher's arrest.
Thomas Rosemary, in his savage attack on her, had managed to cut off one of the
fingers of her right hand - and as I knew, because I had seen, it was the
forefinger. Now, in the confusion following all this, when the poor child had
collapsed, nobody had given any thought to the severed finger, and when one of
the constables looked for it later it was not to be found. The assumption was
that some servant, still faithful, or some ghoul among the bystanders had
pocketed it as a gruesome memento. It was a reasonable notion, but quite wrong,
as you can see. Quite
wrong.
I am certain, positive,
that it had been waiting for me. Somewhere - or nowhere - it had been
waiting for me.
George was busily filling
his pipe. Without looking up he asked - although we both knew the answer -
"What did you do with it?"
Robert spread out his strong hands. "Just what I'd promised I'd do. I sealed the box that
I'd put it in, and that night I took it along to Winstock
churchyard. I found a quiet corner where it wouldn't be disturbed, and I buried
it." He looked sharply at us, as if daring us to dispute the Tightness of
the action. "I took along a copy of The Book of Common Prayer that
I'd bought at Clarke's in Chelmsford, and I read over the burial service. She
wouldn't have had a Christian burial, you see."
I toyed with my glass for a moment, and as
George didn't seem inclined to speak I asked the obvious question: "Why? I
mean, it was a nice gesture, and a good one - perhaps I'd have done the same -
but why this insistence on it? You speak as if you were paying off a
debt."
"I'm sorry, but I thought you knew. 'Paying off a debt' is about right. Ah, well ... I've not
been able to trace the family all the way back, but it's a pretty distinctive
name, and there's no doubt at all in my own mind. You see, my mother's maiden
name was Rosemary."
"Tell me of this latest journey,"
I said.
My host
waved his left hand towards
the decanter.
Very well. Pour us both another
whisky, if you will, and
I'll tell you about the journey
and about
this. He stretched towards me
his right
hand, or rather what
remained of it. The fingers
were entirely gone, and only a
stump was left of the
thumb, yet the wounds were
already so thoroughly healed that it might
always have been the mere lump
of flesh
that I saw now. After
taking a sip from his
glass, my host gestured
towards the many shelves of
books that surrounded us in the
study. What do you know
of Ishtaol?" he continued.
The name strikes
only the most muffled chord,
and yet
... I
considered for a
moment then: "Wasn't there something
about Mordecai Howard, thirty
or so
years ago? Of course! Howard
had the notion of a long-lost
city somewhere in the far East to which he gave
the name
of Ishtaol. But surely
Howard was mad?"
"Agreed. At
the end,
Mordecai Howard was certifiably insane, and the world held
that his search for the
hidden city was a mere
result of his madness.
So I
thought at one time, but
now I
know that the reverse was true:
the quest
was the
cause of the madness. I am utterly certain now
that Mordecai Howard achieved precisely
what he claimed to
have achieved - he found,
and lost
again, Ishtaol,
the Dreaming
City. My uncle, you know,
was Howard's
mentor, Philip Wendigee, and
from him I inherited all
Howard's papers. Believe me,
I made
a more
thorough and sceptical investigation of the whole case
than even Wendigee
himself before I became convinced of
the truth
of it.
After reading Howard's notes, I then
went on to study in
depth all the sources upon
which his claim was based -
scientific report, legend, folklore, the elder texts. There was more,
too: works of which he
was apparently
ignorant. Yes, he must
have been unaware of them,
or he
would never have gone about things
as he
did.
"The fullest and
clearest account is in old
Geoffrey de Lacy's
De Potentiae Deorum Antiquorum, though since only Morley's revision now
exists one can't be sure how much is original and how much interpolation. At
all events, de Lacy claims to have made what he terms a pilgrimage from Arabia
through India to the wastes of the Gobi in search of the Dreaming City. It must
have been a journey of almost incomprehensible difficulty and danger, yet the
old man not only accomplished it but brought something back with him, something
aeon-old and of quite incalculable value. I don't
know whether Mordecai Howard misunderstood this reference or whether he simply
ignored it. The latter, probably, for his interest was mainly archaeological.
Nevertheless, it was the thought of de Lacy's prize
that inspired my own journey.
"Oh, the hours - the days and weeks -
that I spent in reading those books! All this, I may say, after many months
spent in gaining access to them for some are quite fabulously rare. I was
obliged to travel great distances before I could even begin the research for my
principal journey. What shall I say of the books themselves? Some of the titles
may be familiar to you. There are hints of the matter in the Cultes des Goules,
in De Vermis Mysteriis
and even the occasional allusion in the Necronomicon,
confirming a brief reference made by old de Lacy. At the end of it all, I was
torn between the desire to mount a full-scale expedition immediately and the
wish to dismiss it all as unwholesome, morbid lunacy. What I actually did was
to seclude myself for a full two weeks and consider the whole matter carefully.
By the end of that time, it was clear to me that there was at least a majority
of truth in it all, but that such a - treasure-hunt, shall I call it? - would
need all my courage and knowledge that could only be gained through much
further research.
"Ishtaol
exists. Be in no doubt about that. Over the millennia, ruined and devastated,
it has survived. But it is guarded, and guarded by the very thing that I must
seek. The city is almost unbelievably old - prehuman,
certainly, if one may believe such unreliable texts as the Liber
Ivonis. Yet its guardian is older still.
"This is not a time for a theological
debate. I shall mention only
that the gods
of our own
people - and
I go back
to the
Norsemen, the Celts, the Greeks and Romans - are
all, to a major extent, anthropomorphic. But as you dig more deeply, you will
find that it was not so in the days of the vanished past. The beings worshipped
then were not merely unhuman but literally unearthly.
Most of mankind is only now beginning to recognise
this as a possibility, but I tell you that it is fact, and that I have seen one
of these ancient gods, one of these dei antiqui." "You mean - ?"
"I mean Ishtaol.
For the god or demon that guards the city is also known as Ishtaol.
It was worshipped and propitiated by the original denizens, the unknown
creatures that built the place, and later by the first human beings who dwelt
there. In time, however, over many thousands of years, a lassitude came upon
the god, incomprehensible to its human votaries, and an appearance of death. I
put it like that, because I am quite certain that Ishtaol
did not die, but merely entered a phase in its all-but-eternal life that could
be compared to sleep. A prosaic, but not, I think, inapt comparison, for this
sleep gave rise to dreams. And as the god dreamed, so did the inhabitants of
the city, and being merely human their minds could not cope with the dreams of
a god. Those who did not go mad deserted the place and went to live among the
other peoples of that then-flourishing region.
"As the ages passed, so the abandoned
city lost its reality in the world of men. It became known as Sath'gon Thargn,
which means no more than "the Dreaming City", and passed into legend
before becoming almost entirely forgotten. That fertile area of east central
Asia was in time lost to men, save for the nomadic Mongolians. For millennia
now it has been Gobi or Shamo, the
Sandy Desert. But Ishtaol survives, and the dreams of
its god have complete sway.
"I studied, far more deeply than poor
Howard did, the ways of finding the city and the means of protecting myself
while therefor as his case shows too clearly no
unprepared man is proof against the devastating delirious impact of the dreams
of Ishtaol. From intimations made by Alhazred and by Ludwig Prinn, and
from fuller directions left by Geoffrey de Lacy, I eventually assembled a
psychic armoury of both incantations and physical
objects that I believed would protect me from the worst harm."
"One
moment! You
speak of 'ways' of finding the city. Howard's way seems to have been
straightforward enough, and he found the place, or so you imply ..."
"Howard was lucky - though do bear in
mind that luck may be good or bad. I mean just what I say when I refer to
'ways'. There are aspects of Ishtaol that Howard did
not know, or did not understand. You must realise
that the millennial dreams of a god have had a far deeper and more devastating
effect upon the city than poor Howard imagined. It cannot, I think be explained
in terms of our present-day science, but you may take it as fact that Ishtaol no longer exists entirely in our world. It has
gradually slid, or been pushed, into a crack - a fissure - between our world
and others. Howard, I say, was lucky. He saw the ruined city, and there it was.
But not every man may see Ishtaol, and not every man
may find it where it is seen. Understand: I do not speak of mirages, which are
a property of the desert. This elusiveness is a property of the city itself, or
of its god. Hence the absolute need for my intense research. I learned much
from de Lacy, more from Alhazred, and most -
surprisingly - from the mage Eibon, who claimed to
have encountered such things himself, in lands long vanished.
"Mordecal
Howard went on a scientific expedition. His way, as you rightly observed, was
straightforward, but it was not my way. I went on a pilgrimage, and I went
along, though at no time until I was within twenty miles of the place where I
knew Ishtaol to be found did I eschew the assistance
of native guides. My preparations had been long, exhaustive and often tedious,
but they proved invaluable. Unlike Howard, I emerged alive and sane-without my
right hand, to be sure, but with a treasure such as Howard could not have
conceived.
"What shall I say of the city? Imagine
vast, dreary, windblown wastes of sand stretching to the horizon and seemingly
endlessly on. That desert is relieved only by the almost completely buried
shapes of huge blocks of a whitish stone which even the passing of ages has not
rendered entirely smooth. The keen
eye sees at
once that they
are artificial, and a closer scrutiny reveals almost obliterated
incisions and bas-reliefs, some bearing a vague
resemblance to the Babylonian, while others seem totally alien. It must be hard
for you to comprehend - as it was for me - the immense, almost incalculable age
of those great megaliths. I should have been totally prepared, but as I gazed
upon that scene of total desolation, the stone gleaming silver in the
moonlight, I felt such awe as I thought I could never experience and live.
"Even with the example of Geoffrey de Lacy to follow, I found it
difficult to relate this apparently random debris to what I knew of the city of
Ishtaol, and many were the hours and days that I
spent in clearing that infernal sand from the stones, searching for some sign,
some indication that would direct me to the very heart of the city, to the
sunken temple wherein dwelt Ishtaol himself. A
formula from Dee's Necronomicon proved of
great help then, for if used in conjunction with the burning of certain substances
it would cause things long vanished to reveal themselves.
Only small things, mind, and only for a second, and I dared not use it more
than three times, for the power it consumed came from within me. Still, in the
end it was sufficient. I located the immense block, still recognisably
incised with the device of a single non-human eye, which covered the entrance
to the sunken home of the god. I found that its balance still held true, and
that it could be opened with little more than the touch of a hand - and I
opened it.
"I had expected the air thus uncovered
to be stale, even noxious. It was not. To my ungovernable surprise it was
sweet, with something of the acid sweetness of citrus. What was the cause of
this I could not tell, and nor do I know now. I merely state it as fact. Being
warned by something that de Lacy said, I did not immediately venture into the
great chasm which opened before me. Instead, I first, with more strength than I
believed possible, manhandled the nearest great slab of stone towards the door,
so that it might serve as a kind of prop. It was not to hold the trap fully
open, but merely to stop it from closing. That would be sufficient, for unless
it was completely closed, it could not lock. Don't ask me to explain the lock,
because all I can tell you is that although a man might open the trap from the outside, he could not always do so from within.
I had no wish to take more chances than necessary. Next I ensured that a number
of small packets, containing items which I believed would afford me some
measure of protection, were in place about my person, and that the paper
bearing a certain incantation was ready to hand. Only then, clutching my
electric torch, did I descend the steps into the darkness.
"When I had taken my prize, I retreated
as fast as I possibly could, pursued by mental or psychical projections of such
appalling power that I truly believed my brain would split, and I would become
as mad as poor Howard. But my protection sufficed, and the only lasting harm I
suffered was purely physical - the loss of my hand. When I reached the top of
those many steps I was horrified to see that the great trapdoor had almost
completely crushed to dust my three-foot thick slab of stone. If I had delayed
but another minute ...
"You will wish, of course, to see what
it was that I sought with such determination. The prize that
cost me my right hand. You will find it in the wall-safe behind you,
wrapped in a cloth. Here are the keys."
Inside the safe I saw only a spherical object, about the size of a basketball, which I duly brought back to my host's desk. The cloth,
which I had supposed would be of rich silk or something fitting for a great
treasure, proved to be a simple bag or sack, made apparently from a
blanket. The object was surprisingly heavy for its size. My mind turned to
happy thoughts of solid gold, and I handled the thing with gingerly care.
"Oh, don't worry if you should drop
it!" my host exclaimed. "The cloth isn't intended to protect the
thing. On the contrary, it's to protect us. Yes, you may well look surprised.
The fact is that it isn't safe to look at the thing for more than a few minutes
at a time. The drain on one's spiritual resources is too great. The battery
needs time to recharge. Well, don't just stand there! Take it out of the bag. I
assure you that you are quite safe for the short time that I shall allow
you."
Wondering, I did as I was bid. The object was
indeed a perfectly regular sphere,
not, as I had suspected, of gold or any other metal, but apparently of
glass, like a clairvoyant's crystal ball. My disappointment must have shown in
my expression, for my host remarked, "It isn't glass, you know. Didn't I
tell you that it was unbreakable? You can test it, if you like - no, don't drop
it on the floor! The thing is so heavy that it would probably go right through
the boards. Look, isn't that a diamond in your tie-pin? Very well then. Just try to scratch the thing with
it."
I tried, but to no effect at all. The
diamond, the hardest natural substance known, seemed merely to slide off that
strange sphere. Whether or not my host's story was true, the thing before me
was incontrovertibly alien to the prosaic world I knew. As I picked it up
again, something else about it impressed me. "Why," I said, "it's surely hollow!"
"Indeed it is. Hollow
and partially filled with a clear liquid. See how it swirls, as you move
the sphere. But look at it more closely. Concentrate on that liquid. Clear, I
said, and so it is, but not quite as colourless as it
first seemed, eh?"
It was true. What had appeared to be a clear,
viscous fluid, rather like pure alcohol, seemed now to be composed of
infinitely many different colours and shades of colours.
Not colours, merely, but shapes. As I gazed,
fascinated, I found that I was looking at a scene, apparently in the open air,
which was utterly unknown to me. It was almost as if the thing acted as a
camera obscura. The picture clarified, became solid:
the entrance to a walled town or citadel - though the style of building was not
one which I recognised, being composed of sinuous,
serpentine waves and curves, without a single straight line or angle visible
anywhere. Equally baffling was the material from which the structure was built.
Not wood, and not stone. It looked for all the world
like ivory - but surely that was impossible?
Now movement became apparent, as first one
human figure and then another and then many ran pell-mell through the archway,
scattering right and left in the most evident panic. Their movements and what I
could see of their copper-brown faces spoke of an overpowering fear, a fear
that somehow instantly communicated itself to me. What was the cause of this?
And - God help me!-should I be forced
to witness it?
Unable to
avert my gaze, I watched in growing terror as something
shapeless and black, wet and glistening, followed through the arch towards me,
with a quick and horrible ease. Still it came, pouring out, seemingly guided by
an unimaginable intelligence, and then the nature of it began to change, and I
thought I caught a glimpse of what might have been a face, utterly non-human,
far beyond the arch, but approaching and growing rapidly more huge ...
"That's enough!" My host snatched
the sphere from the desk and with a practised hand
swept it into the cloth bag. "I'm sorry. Perhaps I shouldn't have let you
-"
For a moment, his words meant nothing to me.
I felt utterly drained, and sight and sound were no more than unwelcome
impressions. Reality, somehow, was within that damnable crystal sphere. With
less difficulty than he had implied, my host opened the decanter, poured out a
good dose of whisky and pushed the glass towards me. "Here," he said.
"Drink this. It will help to restore the psychical balance.
"I had forgotten how bad it can be the
first time," he continued. "Eventually, with preparation, you become
just a little used to it. Never wholly, of course, for we're only human after
all, and though I've seen worse things than that in the sphere, it isn't all
bad, by any means. Alien, yes. Nearly always alien, but not always bad."
"But what is it?" I
demanded. "What have I
seen?"
"The dream of a god," he answered
soberly. "And man cannot safely share for long in the dreams of a,god."
"And this - this
thing? You
haven't yet told me quite what it is. Nor" - I turned my gaze to the lump
of flesh at the end of his right arm - "have you told me how that
happened."
"True, true. Well, I did tell you of my conviction that
the god Ishtaol had not died, but had merely entered
a different phase of its inconceivable life-cycle. I believe that during this
period, which may last for countless millennia yet, its metabolism has slowed
to such an extent that merely to move a fraction of an inch may take hundreds
of years. Imagine a living mountain. Picture to yourself how slowly it must
live, compared to even the trees that grow upon it,
and you will
have some notion of
my meaning.
"Physically, then, unless I planned some
such act as was actually in my mind, I knew that I was quite safe in facing Ishtaol. Spiritual and mental danger were
another matter, but I had prepared myself against that. It is difficult to
describe the god to you. It looks like smoothly carven stone, in the amorphous
form of a mere lump of dough, resting upon the tessellated floor of its temple.
Howard, in his journal, describes a monstrous effigy of the god, but it is my
belief that no effigies were ever made, and that he saw, but failed to recognise, nothing less than Ishtaol
itself. As I found it, it must have measured some thirty feet across and twenty
feet high, in a roughly cone-shaped mound.
"The slick smoothness
of its surface made it very difficult to climb to the top, but I did achieve
it, and found, as I had expected, no fewer than fifteen globular bulges
clustered upon its summit, and two hollows to show where such bulges had been.
These, I take it, were left when de Lacy and before him Alhazred
took their prizes. Like them, I took mine. I had to use a very special knife
indeed, and even so the fluid that spread from the cut actually burned off the
fingers of my hand, so that I was close to fainting with the pain. But I had
what I sought, and I emerged as you see me.
"It cost me the use of my right hand,
but I think it was worthwhile. I did not seek wealth, nor do I want power. It
is knowledge that fascinates me, and any man so desperate for knowledge may do
as I did. Fourteen remain for those who go properly prepared.
"As you can bear witness, strange things
may be seen in the eyes of Ishtaol."
ROGER JOHNSON.
A
■üEjes-iEoiss jB*j3mPTens& idaibīk PURLICATION.