PALADIN OF THE LOST HOUR 
by HARLAN ELLISON 
"Paladin of the Lost Hour" copyright 1985, 1986 by the KilimanjaroCorporation. 
THIS WAS AN OLD MAN. Not an incredibly old man; obsolete, spavined; not as worn as theswaybacked 
stone steps ascending the Pyramid of the Sun to an ancient temple; not yet arelic. But even so, a 
very old man, this old man perched on an antique shooting stick, itshandles open to form a seat, its spike 
thrust at an angle into the soft ground and trimmedgrass of the cemetery. Gray, thin rain misted down at 
almost the same, angle as that atwhich the spike pierced the ground. The winter-barren trees lay flat and 
black against analuminum sky, unmoving in the chill wind. An old man sitting at the foot of a grave 
moundwhose headstone had tilted slightly when the earth had settled; sitting in the rain andspeaking to 
someone below. 
"They tore it down, Minna. 
"I tell you, they must have bought off a councilman. 
"Came in with bulldozers at six o'clock in the morning, and you know that's notlegal. There's a Municipal 
Code. Supposed to hold off till at least seven on weekdays,eight on the weekend; but there they were at 
six, even before six, barely lightfor godsakes. Thought they'd sneak in and do it before the neighborhood 
got wind of it andcall the landmarks committee. Sneaks: they come on holidays, can you imagine! 
"But I was out there waiting for them, and I told them, 'You can't do it, that'sCode number 91.03002, 
subsection E,' and they lied and saidthey had special permission, so I said to the big muckymuck in 
charge, 'Let's see yourwaiver permit,'and he said the Code didn't apply in this case because it was 
supposed tobe only for grading, and since they were demolishing and not grading, they could 
startwhenever they felt like it. So I told him I'd call the police, then, because it came underthe heading of 
Disturbing the Peace, and he said . . . well, I know you hate that kind oflanguage, old girl, so I won't tell 
you what he said, but you can imagine. 
"So I called the police, and gave them my name, and of course they didn't getthere till almost quarter 
after seven (which is what makes me think they bought off acouncilman), and by then those 'dozers had 
leveled most of it. Doesn't take long, you knowthat. 
"And I don't suppose it's as great a loss as, maybe, say, the Great Library ofAlexandria, but it was the last 
of the authentic Deco design drive-ins, and the carhopsstill served you on roller skates, and it was a 
landmark, and just about the only placeleft in the city where you could still get a decent grilled cheese 
sandwich pressed veryflat on the grill by one of those weights they used to use, made with real cheese 
and notthat rancid plastic they cut into squares and call it 'cheese food.' 

"Gone, old dear, gone and mourned. And I understand they plan to put up anotherone of those mini-malls 
on the site, just ten blocks away from one that's already there,and you know what's going to happen: this 
new one will drain off the traffic from theolder one, and then that one will fall the way they all do when 
the next one gets built,you'd think they'd see some history in it; but no, they never learn, And you should 
haveseen the crowd by seven-thirty. All ages, even some of those kids painted like aborigines,with torn 
leather clothing. Even they came to protest. Terrible language, but at leastthey were concerned. And 
nothing could stop it. They just whammed it, and down it went. 
"I do so miss you today, Minna. No more good grilled cheese." Said the veryold man to the ground. And 
now he was crying softly, and now the wind rose, and the mistrain stippled his overcoat. 
Nearby, yet at a distance, Billy Kinetta stared down at another grave. He could see theold man over there 
off to his left, but he took no further notice. The wind whipped thevent of his trenchcoat. His collar was 
up but rain trickled down his neck. This was ayounger man, not yet thirty-five. Unlike the old man, Billy 
Kinetta neither cried norspoke to memories of someone who had once listened. He might have been a 
geomancer, sosilently did he stand, eyes toward the ground. 
One of these men was black; the other was white. 
# # # # 
Beyond the high, spiked-iron fence surrounding the cemetery two boys crouched, staringthrough the 
bars, through the rain; at the men absorbed by grave matters, by matters ofgraves. These were not really 
boys. They were legally young men. One was nineteen, theother two months beyond twenty. Both were 
legally old enough to vote, to drink alcoholicbeverages, to drive a car. Neither would reach the age of 
Billy Kinetta. 
One of them said, "Let's take the old man." 
The other responded, "You think the guy in the trenchcoat'll get in the way?" 
The first one smiled; and a mean little laugh. "I sure as shit hope so." Hewore, on his right hand, a leather 
carnaby glove with the fingers cut off, small roundmetal studs in a pattern along the line of his knuckles. 
He made a fist, flexed, did itagain. 
They went under the spiked fence at a point where erosion had created a shallow gully."Sonofabitch!" 
one of them said, as he slid through on his stomach. It wasmuddy. The front of his sateen roadie jacket 
was filthy. "Sonofabitch!" He wasspeaking in general of the fence, the sliding under, the muddy ground, 
the universe intotal. And the old man, who would now really get the crap kicked out of him formaking 
this fine sateen roadie jacket filthy. 
They sneaked up on him from the left, as far from the young guy in the trenchcoat asthey could. The first 

one kicked out the shooting stick with a short, sharp, downwardmovement he had learned in his tae kwon 
do class. It was called the yup-chagi.The old man went over backward. 
Then they were on him, the one with the filthy sonofabitch sateen roadie jacketpunching at the old man's 
neck and the side of his face as he dragged him around by thecollar of the overcoat. The other one began 
ransacking the coat pockets, ripping thefabric to get his hand inside. 
The old man commenced to scream. "Protect me! You've got to protect me . . .it'snecessary to protect 
me!" 
The one pillaging pockets froze momentarily. What the hell kind of thing is that forthis old fucker to be 
saying? Who the hell does he think'll protect him? Is he asking usto protect him? I'll protect you, 
scumbag! I'll kick in your fuckin' lung! "Shut'imup!" he whispered urgently to his friend. "Stick a fist in 
his mouth!" Thenhis hand, wedged in an inside jacket pocket, closed over something. He tried to get 
hishand loose, but the jacket and coat and the old man's body had wound around his wrist."C'mon loose, 
motherfuckah!" he said to the very old man, who was stillscreaming for protection. The other young man 
was making huffing sounds, as dark as mud,as he slapped at the rain-soaked hair of his victim. "I can't . . 
. he's all twisted'round . . . getcher hand outta there so's I can . . . " Screaming, the old man haddoubled 
under, locking their hands on his person. 
And then the pillager's fist came loose, and he was clutching for an instant a gorgeouspocket watch. 
What used to be called a turnip watch. 
The dial face was cloisonné, exquisite beyond the telling. 
The case was of silver, so bright it seemed blue. 
The hands, cast as arrows of time, were gold. They formed a shallow V at preciselyeleven o'clock. This 
was happening at 3:45 in the afternoon, with rain and wind. 
The timepiece made no sound, no sound at all. 
Then: there was space all around the watch, and in that space in the palm of the hand,there was heat. 
Intense heat for just a moment, just long enough for the hand to open. 
The watch glided out of the boy's palm and levitated. 
"Help me! You must protect me!" 
Billy Kinetta heard the shrieking, but did not see the pocket watch floating in the airabove the astonished 

young man. It was silver, and it was end-on toward him, and the rainwas silver and slanting; and he did 
not see the watch hanging free in the air, even whenthe furious young man disentangled himself and 
leaped for it. Billy did not see the watchrise just so much, out of reach of the mugger. 
Billy Kinetta saw two boys, two young men of ratpack age, beating someone much older;and he went for 
them. Pow, like that! 
Thrashing his legs, the old man twisted around -- over, under -- as the boy holding himby the collar tried 
to land a punch to put him away. Who would have thought the old man tohave had so much battle in 
him? 
A flapping shape, screaming something unintelligible, hit the center of the group atfull speed. The 
carnaby-gloved hand reaching for the watch grasped at empty air onemoment, and the next was buried 
under its owner as the boy was struck a crackback blockthat threw him face first into the soggy ground. 
He tried to rise, but something stompedhim at the base of his spine; something kicked him twice in the 
kidneys; something rolledover him like a flash flood. 
Twisting, twisting, the very old man put his thumb in the right eye of the boyclutching his collar. 
The great trenchcoated maelstrom that was Billy Kinetta whirled into the boy as he letloose of the old 
man on the ground and, howling, slapped a palm against his stinging eye.Billy locked his fingers and 
delivered a roundhouse wallop that sent the boy reelingbackward to fall over Minna's tilted headstone. 
Billy's back was to the old man. He did not see the miraculous pocket watch smoothlydescend through 
rain that did not touch it, to hover in front of the old man. He did notsee the old man reach up, did not see 
the timepiece snuggle into an arthritic hand, didnot see the old man return the turnip to an inside jacket 
pocket. 
Wind, rain and Billy Kinetta pummeled two young men of a legal age that made themaccountable for 
their actions. There was no thought of the knife stuck down in one boot,no chance to reach it, no moment 
when the wild thing let them rise. So they crawled. Theyscrabbled across the muddy ground, the slippery 
grass, over graves and out of his reach.They ran; falling, rising, falling again; away, without looking 
back. 
Billy Kinetta, breathing heavily, knees trembling, turned to help the old man to hisfeet; and found him 
standing, brushing dirt from his overcoat, snorting in anger andmumbling to himself. 
"Are you all right?" 
For a moment the old man's recitation of annoyance continued, then he snapped his chindown sharply as 
if marking end to the situation, and looked at his cavalry to the rescue."That was very good, young fella. 
Considerable style you've got there." 

Billy Kinetta stared at him wide-eyed. "Are you sure you're okay?" He reachedover and flicked several 
blades of wet grass from the shoulder of the old man's overcoat. 
"I'm fine. I'm fine but I'm wet and I'm cranky. Let's go somewhere and have a nicecup of Earl Grey." 
There had been a look on Billy Kinetta's face as he stood with lowered eyes, staring atthe grave he had 
come to visit. The emergency had removed that look. Now it returned. 
"No, thanks. If you're okay, I've got to do some things." 
The old man felt himself all over, meticulously, as he replied, "I'm onlysuperficially bruised. Now if I 
were an old woman, instead of a spunky old man, same agethough, I'd have lost considerable of the 
calcium in my bones, and those two would havedone me some mischief. Did you know that women lose 
a considerable part of their calciumwhen they reach my age? I read a report." Then he paused, and said 
shyly, "Comeon, why don't you and I sit and chew the fat over a nice cup of tea?" 
Billy shook his head with bemusement, smiling despite himself. "You're somethingelse, Dad. I don't even 
know you." 
"I like that." 
"What: that I don't know you?" 
"No, that you called me 'Dad' and not 'Pop.' I hate 'Pop.' Always makesme think the wise-apple wants to 
snap off my cap with a bottle opener. Now Dadhas a ring of respect to it. I like that right down to the 
ground. Yes, I believe weshould find someplace warm and quiet to sit and get to know each other. After 
all, yousaved my life. And you know what that means in the Orient." 
Billy was smiling continuously now. "In the first place, I doubt very much I savedyour life. Your wallet, 
maybe. And in the second place, I don't even know your name; whatwould we have to talk about?" 
"Gaspar," he said, extending his hand. "That's a first name. Gaspar.Know what it means?" 
Billy shook his head. 
"See, already we have something to talk about." 
So Billy, still smiling, began walking Gaspar out of the cemetery. "Where do youlive? I'll take you 
home." 

They were on the street, approaching Billy Kinetta's 1979 Cutlass. "Where I liveis too far for now. I'm 
beginning to feel a bit peaky. I'd like to lie down for a minute.We can just go on over to your place, if 
that doesn't bother you. For a few minutes. A cupof tea. Is that all right?" 
He was standing beside the Cutlass, looking at Billy with an old man's expectant smile,waiting for him to 
unlock the door and hold it for him till he'd placed hisstill-calcium-rich but nonetheless old bones in the 
passenger seat. Billy stared at him,trying to figure out what was at risk if he unlocked that door. Then he 
snorted a tinylaugh, unlocked the door, held it for Gaspar as he seated himself, slammed it and 
wentaround to unlock the other side and get in. Gaspar reached across and thumbed up the doorlock 
knob. And they drove off together in the rain. 
Through all of this the timepiece made no sound, no sound at all. 
# # # # 
Like Gaspar, Billy Kinetta was alone in the world. 
His three-room apartment was the vacuum in which he existed. It was furnished, but ifone stepped out 
into the hallway and, for all the money in all the numbered accounts inall the banks in Switzerland, one 
was asked to describe those furnishings, one would comeaway no richer than before. The apartment was 
charisma poor. It was a place to come whenall other possibilities had been expended. Nothing green, 
nothing alive, existed in thoseboxes. No eyes looked back from the walls. Neither warmth nor chill 
marked those spaces.It was a place to wait. 
Gaspar leaned his closed shooting stick, now a walking stick with handles, against thebookcase. He 
studied the titles of the paperbacks stacked haphazardly on the shelves. 
From the kitchenette came the sound of water running into a metal pan. Then tin on castiron. Then the 
hiss of gas and the flaring of a match as it was struck; and the pop of thegas being lit. 
"Many years ago," Gaspar said, taking out a copy of Moravia's TheAdolescents and thumbing it as he 
spoke, "I had a library of books, oh,thousands of books -- never could bear to toss one out, not even the 
bad ones -- and whenfolks would come to the house to visit they'd look around at all the nooks and 
cranniesstuffed with books; and if they were the sort of folks who don't snuggle with books,they'd always 
ask the same dumb question." He waited a moment for a response and whennone was forthcoming (the 
sound of china cups on sink tile), he said, "Guess what thequestion was." 
From the kitchen, without much interest: "No idea." 
"They'd always ask it with the kind of voice people use in the presence of largesculptures in museums. 
They'd ask me, 'Have you read all these books?'" He waitedagain, but Billy Kinetta was not playing the 
game. "Well, young fella, after a whilethe same dumb question gets asked a million times, you get sorta 

snappish about it. And itcame to annoy me more than a little bit. Till I finally figured out the right 
answer. 
"And you know what that answer was? Go ahead, take a guess." Billy appearedin the kitchenette 
doorway. 
"I suppose you told them you'd read a lot of them but not all of them." 
Gaspar waved the guess away with a flapping hand. "Now what good would that havedone? They 
wouldn't know they'd asked a dumb question, but I didn't want to insult them,either. So when they'd ask 
if I'd read all those books, I'd say, 'Hell, no. Who wants alibrary full of books you've already read?'" 
Billy laughed despite himself. He scratched at his hair with idle pleasure, and shookhis head at the old 
man's verve. "Gaspar, you are a wild old man. You retired?"The old man walked carefully to the most 
comfortable chair in the room, an overstuffedThirties-style lounger that had been reupholstered many 
times before Billy Kinetta hadpurchased it at the American Cancer Society Thrift Shop. He sank into it 
with a sigh."No sir, I am not by any means retired. Still very active." 
"Doing what, if I'm not prying?" 
"Doing ombudsman." 
"You mean, like a consumer advocate? Like Ralph Nader?" 
"Exactly. I watch out for things. I listen, I pay some attention; and if I do itright, sometimes I can even 
make a little difference. Yes, like Mr. Nader. A very fineman." 
"And you were at the cemetery to see a relative?" 
Gaspar's face settled into an expression of loss. "My dear old girl. My wife,Minna. She's been gone, well, 
it was twenty years in January. " He sat silentlystaring inward for a while, then: "She was everything to 
me. The nice part was that Iknew how important we were to each other; we discussed, well, just 
everything. Imiss that the most, telling her what's going on. 
"I go to see her every other day. 
"I used to go every day. But. It. Hurt. Too much." 
They had tea. Gaspar sipped and said it was very nice, but had Billy ever tried EarlGrey? Billy said he 
didn't know what that was, and Gaspar said he would bring him a tin,that it was splendid. And they 
chatted. Finally, Gaspar asked, "And who were youvisiting?" 

Billy pressed his lips together. "Just a friend." And would say no more. Thenhe sighed and said, "Well, 
listen, I have to go to work. 
"Oh? What do you do?" 
The answer came slowly. As if Billy Kinetta wanted to be able to say that he was incomputers, or owned 
his own business, or held a position of import. "I'm nightmanager at a 7-Eleven." 
"I'll bet you meet some fascinating people coming in late for milk or one of thoseslushies," Gaspar said 
gently. He seemed to understand. 
Billy smiled. He took the kindness as it was intended. "Yeah, the cream of highsociety, That is, when 
they're not threatening to shoot me through the head if I don'topen the safe." 
"Let me ask you a favor," Gaspar said. "I'd like a little sanctuary, ifyou think it's all right. just a little rest. 
I could lie down on the sofa for a bit.Would that be all right? You trust me to stay here while you're gone, 
young fella?" 
Billy hesitated only a moment. The very old man seemed okay, not a crazy, certainly nota thief. And 
what was there to steal? Some tea that wasn't even Earl Grey? 
"Sure. That'll be okay. But I won't be coming back till two A.M. So just close thedoor behind you when 
you go; it'll lock automatically. " 
They shook hands, Billy shrugged into his still-wet trenchcoat, and he went to thedoor. He paused to look 
back at Gaspar sitting in the lengthening shadows as evening cameon. "It was nice getting to know you, 
Gaspar." 
"You can make that a mutual pleasure, Billy. You're a nice young fella." 
And Billy went to work, alone as always. 
# # # # 
When he came home at two, prepared to open a can of Hormel chili, he found the tableset for dinner, 
with the scent of an elegant beef stew enriching the apartment. There werenew potatoes and stirfried 
carrots and zucchini that had been lightly battered to delicatecrispness. And cupcakes. White cake with 
chocolate frosting. From a bakery. 
And in that way, as gently as that, Gaspar insinuated himself into Billy Kinetta'sapartment and his life. 

As they sat with tea and cupcakes, Billy said, "You don't have anyplace to go, doyou?" 
The old man smiled and made one of those deprecating movements of the head. "Well,I'm not the sort of 
fella who can bear to be homeless, but at the moment I'm whatvaudevillians used to call 'at liberty.'" 
"If you want to stay on a time, that would be okay," Billy said. "It'snot very roomy here, but we seem to 
get on all right." 
"That's strongly kind of you, Billy. Yes, I'd like to be your roommate for awhile. Won't be too long, 
though. My doctor tells me I'm not long for this world." Hepaused, looked into the teacup, and said 
softly, "I have to confess . . . I'm alittle frightened. To go. Having someone to talk to would be a great 
comfort." 
And Billy said, without preparation, "I was visiting the grave of a man who was inmy rifle company in 
Vietnam. I go there sometimes." But there was such pain in hiswords that Gaspar did not press him for 
details. 
So the hours passed, as they will with or without permission, and when Gaspar askedBilly if they could 
watch television, to catch an early newscast, and Billy tuned in theold set just in time to pick up dire 
reports of another aborted disarmament talk, andBilly shook his head and observed that it wasn't only 
Gaspar who was frightened ofsomething like death, Gaspar chuckled, patted Billy on the knee and said, 
withunassailable assurance, "Take my word for it, Billy . . . it isn't going to happen.No nuclear holocaust. 
Trust me, when I tell you this: it'll never happen. Never, never,not ever." 
Billy smiled wanly. "And why not? What makes you so sure . . . got somespecial inside information?" 
And Gaspar pulled out the magnificent timepiece, which Billy was seeing for the firsttime, and he said, 
"It's not going to happen because it's only eleven o'clock." 
Billy stared at the watch, which read 11:00 precisely. He consulted his wristwatch."Hate to tell you this, 
but your watch has stopped. It's almost five-thirty." 
Gaspar smiled his own certain smile. "No, it's eleven." 
And they made up the sofa for the very old man, who placed his pocket change and hisfountain pen and 
the sumptuous turnip watch on the now-silent television set, and theywent to sleep. 
# # # # 
One day Billy went off while Gaspar was washing the lunch dishes, and when he cameback, he had a 
large paper bag from Toys "R" Us. 

Gaspar came out of the kitchenette rubbing a plate with a souvenir dish towel fromNiagara Falls, New 
York. He stared at Billy and the bag. "What's in the bag?"Billy inclined his head, and indicated the very 
old man should join him in the middle ofthe room. Then he sat down crosslegged on the floor, and 
dumped the contents of the bag.Gaspar stared with startlement, and sat down beside him. 
So for two hours they played with tiny cars that turned into robots when the sectionswere unfolded. 
Gaspar was excellent at figuring out all the permutations of the Transformers,Starriors and CoBots. He 
played well. 
And they went for a walk. "I'll treat you to a matinee," Gaspar said."But no films with Karen Black, 
Sandy Dennis or Meryl Streep. They're always crying.Their noses are always red. I can't stand that." 
They started to cross the avenue. Stopped at the light was this year's CadillacBrougham, vanity license 
plates, ten coats of acrylic lacquer and two coats of clear (witha little retarder in the final "color coat" for 
a slow dry) of a magenta hue sorich that it approximated the shade of light shining through a decanter 
filled withChateau Lafite Rothschild 1945. 
The man driving the Cadillac had no neck. His head sat thumped down hard on theshoulders. He stared 
straight ahead, took one last deep pull on the cigar, and threw itout the window. The still-smoking butt 
landed directly in front of Gaspar as he passed thecar. The old man stopped, stared down at this coprolitic 
metaphor, and then stared at thedriver. The eyes behind the wheel, the eyes of a macaquc, did not waver 
from thestoplight's red circle. just outside the window, someone was looking in, but the eyes ofthe rhesus 
were on the red circle. 
A line of cars stopped behind the Brougham. 
Gaspar continued to stare at the man in the Cadillac for a moment, and then, withcreaking difficulty, he 
bent and picked up the smoldering butt of stogie. 
The old man walked the two steps to the car -- as Billy watched in confusion -- thrusthis face forward till 
it was mere inches from the driver's profile, and said with extremesweetness, "I think you dropped this in 
our living room." 
And as the glazed simian eyes turned to stare directly into the pedestrian's face,nearly nose to nose, 
Gaspar casually flipped the butt with its red glowing tip, into theback seat of the Cadillac, where it began 
to burn a hole in the fine Corinthian leather. 
Three things happened simultaneously: 
The driver let out a howl, tried to see the butt in his rearview mirror, could not getthe angle, tried to look 

over his shoulder into the back seat but without a neck could notperform that feat of agility, put the car 
into neutral, opened his door and stormed intothe street trying to grab Gaspar. "You fuckin' bastid, 
whaddaya think you're doin'tuh my car you asshole bastid, I'll kill ya . . . " 
Billy's hair stood on end as he saw what Gaspar was doing; he rushed back the shortdistance in the 
crosswalk to grab the old man; Gaspar would not be dragged away, stoodsmiling with unconcealed 
pleasure at the mad bull rampaging and screaming of thehysterical driver. Billy yanked as hard as he 
could and Gaspar began to move away, aroundthe front of the Cadillac, toward the far curb. Still grinning 
with octogeneric charm. 
The light changed. 
These three things happened in the space of five seconds, abetted by the impatienthonking of the cars 
behind the Brougham; as the light turned green. 
Screaming, dragging, honking, as the driver found he could not do three things at once:he could not go 
after Gaspar while the traffic was clanging at him; could not let go ofthe car door to crawl into the back 
seat from which now came the stench of charringleather that could not be rectified by an inexpensive 
Tijuana tuck-'n-roll; could not savehis back seat and at the same time stave off the hostility of a dozen 
drivers cursing andhonking. He trembled there, torn three ways, doing nothing. 
Billy dragged Gaspar. 
Out of the crosswalk. Out of the street. Onto the curb. Up the side street. Into thealley. Through a 
backyard. To the next street from the avenue. 
Puffing with the exertion, Billy stopped at last, five houses up the street. Gaspar wasstill grinning, 
chuckling softly with unconcealed pleasure at his puckish ways. Billyturned on him with wild 
gesticulations and babble. 
"You're nuts!" 
"How about that?" the old man said, giving Billy an affectionate poke in thebicep. 
"Nuts! Looney! That guy would've torn off your head! What the hell's wrong withyou, old man? Are you 
out of your boots?" 
"I'm not crazy. I'm responsible." 
"Responsible!?! Responsible, fer chrissakes? For what? For all the buttsevery yotz throws into the 
street?" 

The old man nodded. "For butts, and trash, and pollution, and toxic waste dumpingin the dead of night; 
for bushes, and cactus, and the baobab tree; for pippin apples andeven lima beans, which I despise. You 
show me someone who'll eat lima beans without beingat gunpoint, I'll show you a pervert!" 
Billy was screaming. "What the hell are you talking about?" 
"I'm also responsible for dogs and cats and guppies and cockroaches and thePresident of the United 
States and Jonas Salk and your mother and the entire chorus lineat the Sands Hotel in Las Vegas. Also 
their choreographer." 
"Who do you think you are? God?" 
"Don't be sacrilegious. I'm too old to wash your mouth out with laundry soap. Ofcourse I'm not God. I'm 
just an old man. But I'm responsible." 
Gaspar started to walk away, toward the corner and the avenue and a resumption of theirroute. Billy 
stood where the old man's words had pinned him. 
"Come on, young fella," Gaspar said, walking backward to speak to him,"we'll miss the beginning of the 
movie. I hate that." 
# # # # 
Billy had finished eating, and they were sitting in the dimness of the apartment, onlythe lamp in the 
corner lit. The old man had gone to the County Art Museum and had boughtinexpensive prints -- Max 
Ernst, Gerome, Richard Dadd, a subtle Feininger -- which he hadmounted in Insta-Frames, They sat in 
silence for a time, relaxing; then murmuringtrivialities in a pleasant undertone. 
Finally, Gaspar said, "I've been thinking a lot about my dying. I like what WoodyAllen said." 
Billy slid to a more comfortable position in the lounger. "What was that?" 
"He said: I don't mind dying, I just don't want to be there when it happens." 
Billy snickered. 
"I feel something like that, Billy. I'm not afraid to go, but I don't want toleave Minna entirely. The times I 
spend with her, talking to her, well, it gives me thefeeling we're still in touch. When I go, that's the end of 
Minna. She'll be well and trulydead. We never had any children, almost everyone who knew us is gone, 
no relatives. And wenever did anything important that anyone would put in a record book, so that's the 
end ofus. For me, I don't mind; but I wish there was someone who knew about Minna . . .she was 

aremarkable person." 
So Billy said, "Tell me. I'll remember for you." 
# # # # 
Memories in no particular order. Some as strong as ropes that could pull the oceanashore. Some that 
shimmered and swayed in the faintest breeze like spiderwebs. The entireperson, all the little movements, 
that dimple that appeared when she was amused atsomething foolish he had said. Their youth together, 
their love, the procession of theirdays toward middle age. The small cheers and the pain of dreams never 
realized. So muchabout him, as he spoke of her. His voice soft and warm and filled with a longing so 
deepand true that he had to stop frequently because the words broke and would not come outtill he had 
thought away some of the passion. He thought of her and was glad. He hadgathered her together, all her 
dowry of love and taking care of him, her clothes and theway she wore them, her favorite knickknacks, a 
few clever remarks: and he packed it all upand delivered it to a new repository. 
The very old man gave Minna to Billy Kinetta for safekeeping. 
# # # # 
Dawn had come. The light filtering in through the blinds was saffron. "Thank you,Dad," Billy said. He 
could not name the feeling that had taken him hours earlier. Buthe said this: "I've never had to be 
responsible for anything, or anyone, in my wholelife. I never belonged to anybody . . . I don't know why. 
It didn't bother me, because Ididn't know any other way to be." 
Then his position changed, there in the lounger. He sat up in a way that Gaspar thoughtwas important. As 
if Billy were about to open the secret box buried at his center. AndBilly spoke so softly the old man had 
to strain to hear him. 
"I didn't even know him. 
"We were defending the airfield at Danang. Did I tell you we were 1st Battalion,9th Marines? Charlie 
was massing for a big push out of Quang Ngai province, south of us.Looked as if they were going to try 
to take the provincial capital. My rifle company wasassigned to protect the perimeter. They kept sending 
in patrols to bite us. Every day we'dlose some poor bastard who scratched his head when he shouldn't of. 
It was June, late inJune, cold and a lot of rain. The foxholes were hip-deep in water. 
"Flares first. Our howitzers started firing. Then the sky was full of tracers, andI started to turn toward the 
bushes when I heard something coming, and these twomain-force regulars in dark blue uniforms came 
toward me. I could see them so clearly.Long black hair. All crouched over. And they started firing. And 
that goddam carbineseized up, wouldn't fire; and I pulled out the banana clip, tried to slap in another, 
butthey saw me and just turned a couple of AK-47's on me . . . God, I remember everythingslowed down 

. . . I looked at those things, seven-point-six-two-millimeter assault riflesthey were . . . I got crazy for a 
second, tried to figure out in my own mind if they wereRussian-made, or Chinese, or Czech, or North 
Korean. And it was so bright from the flaresI could see them starting to squeeze off the rounds, and then 
from out of nowhere thislance corporal jumped out at them and yelled somedamnthing like, 'Hey, you 
VC fucks, lookahere!' except it wasn't that . . . I never could recall what he said actually . . . andthey 
turned to brace him . . . and they opened him up like a baggie full of blood . . .and he was all over me, 
and the bushes, and oh god there was pieces of him floating on thewater I was standing in . . . " 
Billy was heaving breath with impossible weight. His hands moved in the air before hisface without 
pattern or goal. He kept looking into far corners of the dawn-lit room as ifspecial facts might present 
themselves to fill out the reasons behind what he was saying. 
"Aw, geezus, he was floating on the water. . . aw, Christ, he got inmy boots!" Then a wail of pain so loud 
it blotted out the sound of trafficbeyond the apartment; and he began to moan, but not cry; and the 
moaning kept on; andGaspar came from the sofa and held him and said such words as it's all right, 
butthey might not have been those words, or any words. 
And pressed against the old man's shoulder, Billy Kinetta ran on only half sane:"He wasn't my friend, I 
never knew him, I'd never talked to him, but I'd seen him, hewas just this guy, and there wasn't any 
reason to do that, he didn't know whether I was agood guy or a shit or anything, so why did he do that? 
He didn't need to do that. Theywouldn't of seen him. He was dead before I killed them. He was gone 
already. I never gotto say thank you or thank you or . . . anything! 
"Now he's in that grave, so I came here to live, so I can go there, but I try andtry to say thank you, and 
he's dead, and he can't hear me, he can't hear anything, he'sjust down there, down in the ground, and I 
can't say thank you . . . oh, geezus, geezus,why don't he hear me, I just want to say thanks . . . " 
Billy Kinetta wanted to assume the responsibility for saying thanks, but that waspossible only on a night 
that would never come again; and this was the day. 
Gaspar took him to the bedroom and put him down to sleep in exactly the same way onewould soothe an 
old, sick dog. 
Then he went to his sofa, and because it was the only thing he could imagine saying, hemurmured, "He'll 
be all right, Minna. Really he will." 
# # # # 
When Billy left for the 7-Eleven the next evening, Gaspar was gone. It was an alternateday, and that 
meant he was out at the cemetery. Billy fretted that he shouldn't be therealone, but the old man had a way 
of taking care of himself. Billy was not smiling as hethought of his friend, and the word friend echoed as 
he realized that, yes, thiswas his friend, truly and really his friend. He wondered how old Gaspar was, 

and how soonBilly Kinetta would be once again what he had always been: alone. 
When he returned to the apartment at two-thirty, Gaspar was asleep, cocooned in hisblanket on the sofa. 
Billy went in and tried to sleep, but hours later, when sleep wouldnot come, when thoughts of murky 
water and calcium night light on dark foliage kept himstaring at the bedroom ceiling, he came out of the 
room for a drink of water. He wanderedaround the living room, not wanting to be by himself even if the 
only companionship inthis sleepless night was breathing heavily, himself in sleep. 
He stared out the window. Clouds lay in chiffon strips across the sky. The squealing oftires from the 
street. 
Sighing, idle in his movement around the room, he saw the old man's pocket watch lyingon the coffee 
table beside the sofa. He walked to the table. If the watch was stillstopped at eleven o'clock, perhaps he 
would borrow it and have it repaired. It would be anice thing to do for Gaspar. He loved that beautiful 
timepiece. 
Billy bent to pick it up. 
The watch, stopped at the V of eleven precisely, levitated at an angle, floating awayfrom him. 
Billy Kinetta felt a shiver travel down his back to burrow in at the base of his spine.He reached for the 
watch hanging in air before him. It floated away just enough that hisfingers massaged empty space. He 
tried to catch it. The watch eluded him, lazily turningaway like an opponent who knows he is in no 
danger of being struck from behind. 
Then Billy realized Gaspar was awake. Turned away from the sofa, nonetheless he knewthe old man was 
observing him. And the blissful floating watch. 
He looked at Gaspar. 
They did not speak for a long time. 
Then: "I'm going back to sleep," Billy said. Quietly. 
"I think you have some questions," Gaspar replied. 
"Questions? No, of course not, Dad. Why in the world would I have questions? I'mstill asleep." But that 
was not the truth, because he had not been asleep that night. 
"Do you know what 'Gaspar' means? Do you remember the three wise men of the Bible,the Magi?" 

"I don't want any frankincense and myrrh. I'm going back to bed. I'm going now.You see, I'm going right 
now." 
"'Gaspar' means master of the treasure, keeper of the secrets, paladin of thepalace." Billy was staring at 
him, not walking into the bedroom; just staring at him.As the elegant timepiece floated to the old man, 
who extended his hand palm-up to receiveit. The watch nestled in his hand, unmoving, and it made no 
sound, no sound at all. 
"You go back to bed. But will you go out to the cemetery with me tomorrow? It'simportant." 
"Why?" 
"Because I believe I'll be dying tomorrow." 
# # # # 
It was a nice day, cool and clear. Not at all a day for dying, but neither had beenmany such days in 
Southeast Asia, and death had not been deterred. 
They stood at Minna's gravesite, and Gaspar opened his shooting stick to form a seat,and he thrust the 
spike into the ground, and he settled onto it, and sighed, and said toBilly Kinetta, "I'm growing cold as 
that stone." 
"Do you want my jacket?" 
"No. I'm cold inside." He looked around at the sky, at the grass, at the rowsof markers. "I've been 
responsible, for all of this, and more." 
"You've said that before." 
"Young fella, are you by any chance familiar, in your reading, with an old novelby James Hilton called 
Lost Horizon? Perhaps you saw the movie. It was awonderful movie, actually much better than the book. 
Mr. Capra's greatest achievement. Ahuman testament. Ronald Colman was superb. Do you know the 
story?" 
"Yes." 
"Do you remember the High Lama, played by Sam Jaffe? His name was FatherPerrault?" 
"Yes." 

"Do you remember how he passed on the caretakership of that magical hidden world,Shangri-La, to 
Ronald Colman?" 
"Yes, I remember that. " Billy paused. "Then he died. He was very old,and he died." 
Gaspar smiled up at Billy. "Very good, Billy. I knew you were a good boy. So now,if you remember all 
that, may I tell you a story? It's not a very long story." 
Billy nodded, smiling at his friend. 
"In 1582 Pope Gregory XIII decreed that the civilized world would no longerobserve the Julian calendar. 
October 4th, 1582 was followed, the next day, by October15th. Eleven days vanished from the world. 
One hundred and seventy days later, the BritishParliament followed suit, and September 2nd, 1752 was 
followed, the next day, by September14th. Why did he do that, the Pope?" 
Billy was bewildered by the conversation. "Because he was bringing it into synchwith the real world. 
The solstices and equinoxes. When to plant, when to harvest." 
Gaspar waggled a finger at him with pleasure. "Excellent, young fella. And you'recorrect when you say 
Gregory abolished the Julian calendar because its error of one day inevery one hundred and twenty-eight 
years had moved the vernal equinox to March 11th.That's what the history books say. It's what every 
history book says. But whatif?" 
"What if what? I don't know what you're talking about." 
"What if: Pope Gregory had the knowledge revealed to him that he must readjusttime in the minds of 
men? What if: the excess time in 1582. was eleven days and one hour?What if: he accounted for those 
eleven days, vanished those eleven days, but that one hourslipped free, was left loose to bounce through 
eternity? A very special hour . . .an hourthat must never be used . . . an hour that must never toll. What 
if?" 
Billy spread his hands. "What if, what if, what if! It's all just philosophy. Itdoesn't mean anything. Hours 
aren't real, time isn't something that you can bottle up. Sowhat if there is an hour out there somewhere 
that . . . " 
And he stopped. 
He grew tense, and leaned down to the old man. "The watch. Your watch. It doesn'twork. It's stopped." 
Gaspar nodded. "At eleven o'clock. My watch works; it keeps very special time, forone very special 
hour." 

Billy touched Gaspar's shoulder. Carefully he asked, "Who are you, Dad?" 
The old man did not smile as he said, "Gaspar. Keeper. Paladin. Guardian." 
"Father Perrault was hundreds of years old." 
Gaspar shook his head with a wistful expression on his old face. "I'm eighty-sixyears old, Billy. You 
asked me if I thought I was God. Not God, not Father Perrault, notan immortal, just an old man who will 
die too soon. Are you Ronald Colman?" 
Billy nervously touched his lower lip with a finger. He looked at Gaspar as long as hecould, then turned 
away. He walked off a few paces, stared at the barren trees. It seemedsuddenly much chillier here in this 
place of entombed remembrances. From a distance hesaid, "But it's only ... what? A chronological 
convenience. Like daylight savingtime; Spring forward, Fall back. We don't actually lose an hour; we get 
it back." 
Gaspar stared at Minna's grave. "At the end of April I lost an hour. If I die now,I'll die an hour short in 
my life. I'll have been cheated out of one hour I want,Billy." He swayed toward all he had left of Minna. 
"One last hour I could havewith my old girl. That's what I'm afraid of, Billy. I have that hour in my 
possession. I'mafraid I'll use it, god help me, I want so much to use it." 
Billy came to him. Tense, and chilled, he said "Why must that hour nevertoll?" 
Gaspar drew a deep breath and tore his eyes away from the grave. His gaze locked withBilly's. And he 
told him. 
The years, all the days and hours, exist. As solid and as real as mountains and oceansand men and 
women and the baobab tree. Look, he said, at the lines in my face and denythat time is real. Consider 
these dead weeds that were once alive and try to believe it'sall just vapor or the mutual agreement of 
Popes and Caesars and young men like you. 
"The lost hour must never come, Billy, for in that hour it all ends. The light,the wind, the stars, this 
magnificent open place we call the universe. It all ends, and inits place -- waiting, always waiting -- is 
eternal darkness. No new beginnings, no worldwithout end, just the infinite emptiness." 
And he opened his hand, which had been lying in his lap, and there, in his palm, restedthe watch, making 
no sound at all, and stopped dead at eleven o'clock. "Should itstrike twelve, Billy, eternal night falls; 
from which there is no recall." 
There he sat, this very old man, just a perfectly normal old man. The most recent inthe endless chain of 
keepers of the lost hour, descended in possession from Caesar andPope Gregory XIII, down through the 

centuries of men and women who had served ascaretakers of the excellent timepiece. And now he was 
dying, and now he wanted to cling tolife as every man and woman clings to life no matter how awful or 
painful or empty, evenif it is for one more hour. The suicide, failing from the bridge, at the final 
instant,tries to fly, tries to climb back up the sky. This weary old man, who only wanted to stayone brief 
hour more with Minna. Who was afraid that his love would cost the universe. 
He looked at Billy, and he extended his hand with the watch waiting for its nextpaladin. So softly Billy 
could barely hear him, knowing that he was denying himself whathe most wanted at this last place in his 
life, he whispered, "If I die withoutpassing it on . . . it will begin to tick." 
"Not me," Billy said. "Why did you pick me? I'm no one special. I'm notsomeone like you. I run an allnight 
service mart. There's nothing special about me theway there is about you! I'm not Ronald Colman! 
I don't want to be responsible, I've neverbeen responsible!" 
Gaspar smiled gently. "You've been responsible for me." 
Billy's rage vanished. He looked wounded. 
"Look at us, Billy. Look at what color you are; and look at what color I am. Youtook me in as a friend. I 
think of you as worthy, Billy. Worthy." 
They remained there that way, in silence, as the wind rose. And finally, in a timelesstime, Billy nodded. 
Then the young man said, "You won't be losing Minna, Dad. Now you'll go to theplace where she's been 
waiting for you, just as she was when you first met her. There's aplace where we find everything we've 
ever lost through the years." 
"That's good, Billy, that you tell me that. I'd like to believe it, too. But I'm apragmatist. I believe what 
exists . . . like rain and Minna's grave and the hours thatpass that we can't see, but they are. I'm afraid, 
Billy. I'm afraid this will bethe last time I can speak to her. So I ask a favor. As payment, in return for my 
lifespent protecting the watch. 
"I ask for one minute of the hour, Billy. One minute to call her back, so we canstand face-to-face and I 
can touch her and say goodbye. You'll be the new protector ofthis watch, Billy, so I ask you please, just 
let me steal one minute." 
Billy could not speak. The look on Gaspar's face was without horizon, empty as tundra,bottomless. The 
child left alone in darkness; the pain of eternal waiting. He knew hecould never deny this old man, no 
matter what he asked, and in the silence he heard avoice say: "No!" And it was his own. 
He had spoken without conscious volition. Strong and determined, and without theslightest room for 
reversal. If a part of his heart had been swayed by compassion, thatpart had been instantly overridden. 

No. A final, unshakable no. 
For an instant Gaspar looked crestfallen. His eyes clouded with tears; and Billy feltsomething twist and 
break within himself at the sight. He knew he had hurt the old man.Quickly, but softly, he said urgently, 
"You know that would be wrong, Dad. We mustn't. . . " 
Gaspar said nothing. Then he reached out with his free hand and took Billy's. It was anaffectionate touch. 
"That was the last test, young fella. Oh, you know I've beentesting you, don't you? This important item 
couldn't go to just anyone. 
"And you passed the test, my friend: my last, best friend. When I said I couldbring her back from where 
she's gone, here in this place we've both come to so often, totalk to someone lost to us, I knew you would 
understand that anyone could bebrought back in that stolen minute. I knew you wouldn't use it for 
yourself, no matter howmuch you wanted it; but I wasn't sure that as much as you like me, it might not 
sway you.But you wouldn't even give it to me, Billy." 
He smiled up at him, his eyes now clear and steady. 
"I'm content, Billy. You needn't have worried. Minna and I don't need that minute.But if you're to carry 
on for me, I think you do need it. You're in pain, and that's nogood for someone who carries this watch. 
You've got to heal, Billy. 
"So I give you something you would never take for yourself. I give you agoing-away present . . ." 
And he started the watch, whose ticking was as loud and as clear as a baby's firstsound; and the sweepsecond 
hand began to move away from eleven o'clock. 
Then the wind rose, and the sky seemed to cloud over, and it grew colder, with aremarkable silver-blue 
mist that rolled across the cemetery; and though he did not see itemerge from that grave at a distance far 
to the right, Billy Kinetta saw a shape movetoward him. A soldier in the uniform of a day past, and his 
rank was Lance Corporal. Hecame toward Billy Kinetta, and Billy went to meet him as Gaspar watched. 
They stood together and Billy spoke to him. And the man whose name Billy had neverknown when he 
was alive, answered. And then he faded, as the seconds ticked away. Faded,and faded, and was gone. 
And the silver-blue mist rolled through them, and past them, andwas gone; and the soldier was gone. 
Billy stood alone. 
When he turned back to look across the grounds to his friend, he saw that Gaspar hadfallen from the 
shooting stick. He lay on the ground. Billy rushed to him, and fell to hisknees and lifted him onto his lap. 
Gaspar was still. 

"Oh, god, Dad, you should have heard what he said. Oh, geez, he let me go. He letme go so I didn't even 
have to say I was sorry. He told me he didn't even see mein that foxhole. He never knew he'd saved my 
life. I said thank you and he said no, thank you,that he hadn't died for nothing. Oh, please, Dad, please 
don't be dead yet. I want to tellyou . . . " 
And, as it sometimes happens, rarely but wonderfully, sometimes they come back for amoment, for an 
instant before they go, the old man, the very old man, opened his eyes,just before going on his way, and 
he looked through the dimming light at his friend, andhe said, "May I remember you to my old girl, 
Billy?" 
And his eyes closed again, after only a moment; and his caretakership was at an end; ashis hand opened 
and the most excellent timepiece, now stopped again at one minute pasteleven, floated from his palm and 
waited till Billy Kinetta extended his hand; and then itfloated down and lay there silently, making no 
sound, no sound at all. Safe. Protected. 
There in the place where all lost things returned, the young man sat on the coldground, rocking the body 
of his friend. And he was in no hurry to leave. There was time. 
# # # # 
Like a wind crying endlessly through the universe, Timecarries away the names and the deeds of 
conquerors and commoners alike. Andall that we were, all that remains, is in the memories of those who 
caredwe came this way for a brief moment. 
A blessing of the 18th Egyptian Dynasty: 
God be between you and harm in 
all the empty places you walk. 

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