J. G. Ballard - End-Game

After his trial they gave Constantin a villa, an allowance and an executioner. The villa was small and high-walled, and had obviously been used for the purpose before. The allowance was adequate to Constantin's needs - he was never permitted to go out and his meals were prepared for him by a police orderly. The executioner was his own. Most of the time they sat on the enclosed veranda overlooking the narrow stone garden, playing chess with a set of large well-worn pieces.

The executioner's name was Malek. Officially he was Constantin's supervisor, and responsible for maintaining the villa's tenuous contact with the outside world, now hidden from sight beyond the steep walls, and for taking the brief telephone call that came promptly at nine o'clock every morning. However, his real role was no secret between them. A powerful, doughy-faced man with an anonymous expression, Malek at first intensely irritated Constantin, who had been used to dealing with more subtle sets of responses. Malek followed him around the villa, never interfering - unless Constantin tried to bribe the orderly for a prohibited newspaper, when Malek merely gestured with a slight turn of one of his large hands, face registering no disapproval, but cutting off the attempt as irrevocably as a bulkhead - nor making any suggestions as to how Constantin should spend his time. Like a large bear, he sat motionlessly in the lounge in one of the faded armchairs, watching Constantin.

After a week Constantin tired of reading the old novels in the bottom shelf of the bookcase - somewhere among the grey well-thumbed pages he had hoped to find a message from one of his predecessors and invited Malek to play chess. The set of chipped mahogany pieces reposed on one of the empty shelves of the bookcase, the only item of decoration or recreational equipment in the villa. Apart from the books and the chess set the small six-roomed house was completely devoid of ornament. There were no curtains or picture rails, bedside tables or standard lamps, and the only electrical fittings were the lights recessed behind thick opaque bowls into the ceilings. Obviously the chess set and the row of novels had been provided deliberately, each representing one of the alternative pastimes available to the temporary tenants of the villa. Men of a phlegmatic or philosophical temperament, resigned to the inevitability of their fate, would choose to read the novels, sinking backwards into a self-anaesthetized trance as they waded through the turgid prose of those nineteenth-century romances.

On the other hand, men of a more volatile and extrovert disposition would obviously prefer to play chess, unable to resist the opportunity to exercise their Machiavellian talents for positional manoeuvre to the last. The games of chess would help to maintain their unconscious optimism and, more subtly, sublimate or divert any attempts at escape.

When Constantin suggested that they play chess Malek promptly agreed, and so they spent the next long month as the late summer turned to autumn. Constantin was glad he had chosen chess; the game brought him into immediate personal involvement with Malek, and like all condemned men he had soon developed a powerful emotional transference on to what effectively was the only person left in his life.

At present it was neither negative nor positive; but a relationship of acute dependence - already Malek's notional personality was becoming overlaid by the associations of all the anonymous but nonetheless potent figures of authority whom Constantin could remember since his earliest childhood: his own father, the priest at the seminary he had seen hanged after the revolution, the first senior commissars, the party secretaries at the ministry of foreign affairs and, ultimately, the members of the central committee themselves. Here, where the anonymous faces had crystallized into those of closely observed colleagues and rivals, the process seemed to come full circle, so that he himself was identified with those shadowy personas who had authorized his death and were now represented by Malek.

Constantin had also, of course, become dominated by another obsession, the need to know: when? In the weeks after the trial and sentence he had remained in a curiously euphoric state, too stunned to realize that the dimension of time still existed for him, he had already died a posteriori. But gradually the will to live, and his old determination and ruthlessness, which had served him so well for thirty years, reasserted themselves, and he realized that a small hope still remained to him. How long exactly in terms of time he could only guess, but if he could master Malek his survival became a real possibility.

The question remained: When?

Fortunately he could be completely frank with Malek. The first point he established immediately.

'Malek,' he asked on the tenth move one morning, when he had completed his development and was relaxing for a moment. 'Tell me, do you know - when?'

Malek looked up from the board, his large almost bovine eyes gazing blandly at Constantin. 'Yes, Mr Constantjn, I know when.' His voice was deep and functional, as expressionless as a weighing machine's.

***

Constantin sat back reflectively. Outside the glass panes of the veranda the rain fell steadily on the solitary fir tree which had maintained a precarious purchase among the stones under the wall. A few miles to the south-west of the villa were the outskirts of the small port, one of the dismal so-called 'coastal resorts' where junior ministry men and party hacks were sent for their bi-annual holidays. The weather, however, seemed peculiarly inclement, the sun never shining through the morose clouds, and for a moment, before he checked himself, Constantin felt glad to be within the comparative warmth of the villa.

'Let me get this straight,' he said to Malek. 'You don't merely know in a general sense - for example, after receiving an instruction from so-and-so - but you know specifically when?'

'Exactly.' Malek moved his queen out of the game. His chess was sound but without flair or a personal style, suggesting that he had improved merely by practice - most of his opponents, Constantin realized with sardonic amusement, would have been players of a high class.

'You know the day and the hour and the minute,' Constantin pressed. Malek nodded slowly, most of his attention upon the game, and Constantin rested his smooth sharp chin in one hand, watching his opponent. 'It could be within the next ten seconds, or again, it might not be for ten years?'

'As you say.' Malek gestured at the board. 'Your move.'

Constantin waved this aside. 'I know, but don't let's rush it. These games are played on many levels, Malek. People who talk about threedimensional chess obviously know nothing about the present form.' Occasionally he made these openings in the hope of loosening Malek's tongue, but conversation with him seemed to be impossible.

Abruptly he sat forward across the board, his eyes searching Malek's. 'You alone know the date, Malek, and as you have said, it might not be for ten years - or twenty. Do you think you can keep such a secret to yourself for so long?'

Malek made no attempt to answer this, and waited for Constantin to resume play. Now and then his eyes inspected the corners of the veranda, or glanced at the stone garden outside. From the kitchen came the occasional sounds of the orderly's boots scraping the floor as he lounged by the telephone on the deal table.

As he scrutinized the board Constantin wondered how he could provoke any response whatever from Malek; the man had shown no reaction at the mention of ten years, although the period was ludicrously far ahead. In all probability their real game would be a short one. The indeterminate date of the execution, which imbued the procedure with such a bizarre flavour, was not intended to add an element of torture or suspense to the condemned's last days, but simply to obscure and confuse the very fact of his exit. If a definite date were known in advance there might be a last-minute rally of sympathy, an attempt to review the sentence and perhaps apportion the blame elsewhere, and the unconscious if not conscious sense of complicity in the condemned man's crimes might well provoke an agonized reappraisal and, after the execution of the sentence, a submerged sense of guilt upon which opportunists and intriguers could play to advantage.

By means of the present system, however, all these dangers and unpleasant side-effects were obviated, the accused was removed from his place in the hierarchy when the opposition to him was at its zenith and conveniently handed over to the judiciary, and thence to one of the courts of star chamber whose proceedings were always held in camera and whose verdicts were never announced.

As far as his former colleagues were concerned, he had disappeared into the endless corridor world of the bureaucratic purgatories, his case permanently on file but never irrevocably closed. Above all, the fact of his guilt was never established and confirmed. As Constantin was aware, he himself had been convicted upon a technicality in the margins of the main indictment against him, a mere procedural device, like a bad twist in the plot of a story, designed solely to bring the investigation to a close. Although he knew the real nature of his crime, Constantin had never been formally notified of his guilt; in fact the court had gone out of its way to avoid preferring any serious charges against him whatever.

This ironic inversion of the classical Kafkaesque situation, by which, instead of admitting his guilt to a non-existent crime, he was forced to connive in a farce maintaining his innocence of offences he knew full well he had committed, was preserved in his present situation at the execution villa.

The psychological basis was more obscure but in some way far more threatening, the executioner beckoning his victim towards him with a beguiling smile, reassuring him that all was forgiven. Here he played upon, not those unconscious feelings of anxiety and guilt, but that innate conviction of individual survival, that obsessive preoccupation with personal immortality which is merely a disguised form of the universal fear of the image of one's own death. It was this assurance that all was well, and the absence of any charges of guilt or responsibility, which had made so orderly the queues into the gas chambers.

At present the paradoxical face of this diabolical device was worn by Malek, his lumpy amorphous features and neutral but ambiguous attitude making him seem less a separate personality than the personification of the apparat of the state. Perhaps the sardonic title of 'supervisor' was nearer the truth than had seemed at first sight, and that Malek's role was simply to officiate, or at the most serve as moderator, at a trial by ordeal in which Constantin was his own accused, prosecutor and judge.

However, he reflected as he examined the board, aware of Malek's bulky presence across the pieces, this would imply that they had completely misjudged his own personality, with its buoyancy and almost gallic verve and panache. He, of all people, would be the last to take his own life in an orgy of self-confessed guilt. Not for him the neurotic suicide so loved of the Slav. As long as there were a way out he would cheerfully shoulder any burden of guilt, tolerant of his own weaknesses, ready to shrug them off with a quip. This insouciance had always been his strongest ally.

His eyes searched the board, roving down the open files of the queens and bishops, as if the answer to the pressing enigma were to be found in these polished corridors.

When? His own estimate was two months. Almost certainly, (and he had no fear here that he was rationalizing) it would not be within the next two or three days, nor even the next fortnight. Haste was always unseemly, quite apart from violating the whole purpose of the exercise. Two months would see him safely into limbo, and be sufficiently long for the suspense to break him down and reveal any secret allies, sufficiently brief to fit his particular crime.

Two months? Not as long as he might have wished. As he translated his queen's bishop into play Constantin began to map out his strategy for defeating Malek. The first task, obviously, was to discover when Malek was to carry out the execution, partly to give him peace of mind, but also to allow him to adjust the context of his escape. A physical leap to freedom over the wall would be pointless. Contacts had to be established, pressure brought to bear at various sensitive points in the hierarchy, paving the way for a reconsideration of his case. All this would take time.

His thoughts were interrupted by the sharp movement of Malek's left hand across the board, followed by a guttural grunt. Surprised by the speed and economy with which Malek had moved his piece as much by the fact that he himself was in check, Constantin sat forward and examined his position with more care. He glanced with grudging respect at Malek, who had sat back as impassively as ever, the knight he had deftly taken on the edge of the table in front of him. His eyes watched Constantin with their usual untroubled calm, like those of an immensely patient governess, his great shoulders hidden within the bulky suiting. But for a moment, when he had leaned across the board, Constantin had seen the powerful extension and flexion of his shoulder musculature.

Don't look so smug, my dear Malek, Constantin said to himself with a wry smile. At least I know now that you are left-handed. Malek had taken the knight with one hand, hooking the piece between the thick knuckles of his ring and centre fingers, and then substituting his queen with a smart tap, a movement not easily performed in the centre of the crowded board. Useful though the confirmation was - Constantin had noticed Malek apparently trying to conceal his left-handedness during their meals and when opening and closing the windows - he found this sinistral aspect of Malek's personality curiously disturbing, an indication that there would be nothing predictable about his opponent, or the ensuing struggle of wits between them. Even Malek's apparent lack of sharp intelligence was belied by the astuteness of his last move.

Constantin was playing white, and had chosen the Queen's Gambit, END-GAME assuming that the fluid situation invariably resulting from the opening would be to his advantage and allow him to get on with the more serious task of planning his escape. But Malek had avoided any possible errors, steadily consolidating his position, and had even managed to launch a counter-gambit, offering a knight-to-bishop exchange which would soon undermine Constantin's position if he accepted.

'A good move, Malek,' he commented. 'But perhaps a little risky in the long run.' Declining the exchange, he lamely blocked the checking queen with a pawn.

Malek stared stolidly at the board, his heavy policeman's face, with its almost square frame from one jaw angle to the other, betraying no sign of thought. His approach, Constantin reflected as he watched his opponent, would be that of the pragmatist, judging always by immediate capability rather than by any concealed intentions. As if confirming this diagnosis, Malek simply returned his queen to her former square, unwilling or unable to exploit the advantage he had gained and satisfied by the captured piece.

Bored by the lower key on to which the game had descended, and the prospect of similar games ahead, Constantin castled his king to safety. For some reason, obviously irrational, he assumed that Malek would not kill him in the middle, of a game, particularly if he, Malek, were winning. He recognized that this was an unconscious reason for wanting to play chess in the first place, and had no doubt motivated the many others who had also sat with Malek on the veranda, listening to the late summer rain. Suppressing a sudden pang of fear, Constantin examined Malek's powerful hands protruding from his cuffs like two joints of meat. If Malek wanted to, he could probably kill Constantin with his bare hands.

That raised a second question, almost as fascinating as the first.

'Malek, another point.' Constantin sat back, searching in his pockets for imaginary cigarettes (none were allowed him). 'Forgive my curiosity, but I am an interested party, as it were - , He flashed Malek his brightest smile, a characteristically incisive thrust modulated by ironic self-deprecation which had been so successful with his secretaries and at ministry receptions, but the assay at humour failed to move Malek. 'Tell me, do you know.., how?' Searching for some euphemism, he repeated: 'Do you know how you are going to..?' and then gave up the attempt, cursing Malek to himself for lacking the social grace to rescue him from his awkwardness.

Malek's chin rose slightly, a minimal nod. He showed no signs of being bored or irritated by Constantin's laboured catechism, or of having noticed his embarrassment.

'What is it, then?' Constantin pressed, recovering himself. 'Pistol, pill or-' with a harsh laugh he pointed through the window '- do you set up a guillotine in the rain? I'd like to know.'

Malek looked down at the chess-board, his features more glutinous and dough-like than ever. Flatly, he said: 'It has been decided.'

Constantin snorted. 'What on earth does that mean?' he snapped belligerently. 'Is it painless?'

For once Malek smiled, a thin sneer of amusement hung fleetingly around his mouth. 'Have you ever killed anything, Mr Constantin?' he asked quietly. 'Yourself, personally, I mean.'

'Touch,' Constantin granted. He laughed deliberately, trying to dispel the tension. 'A perfect reply.' To himself he said: I mustn't let curiosity get the upper hand, the man was laughing at me.

'Of course,' he went on, 'death is always painful. I merely wondered whether, in the legal sense of the term, it would be humane. But I can see that you are a professional, Malek, and the question answers itself. A great relief, believe me. There are so many sadists about, perverts and the like - ' again he watched carefully to see if the implied sneer provoked Malek '- that one can't be too grateful for a clean curtain fall. It's good to know. I can devote these last days to putting my affairs in order and coming to terms with the world. If only I knew how long there was left I could make my preparations accordingly. One can't be forever saying one's last prayers. You see my point?'

Colourlessly, Malek said: 'The Prosecutor-General advised you to make your final arrangements immediately after the trial.'

'But what does that mean?' Constantin asked, pitching his voice a calculated octave higher. 'I'm a human being, not a book-keeper's ledger that can be totted up and left to await the auditor's pleasure. I wonder if you realize, Malek, the courage this situation demands from me? It's easy for you to sit there - '

Abruptly Malek stood up, sending a shiver of terror through Constantin. With a glance at the sealed windows, he moved around the chess table towards the lounge. 'We will postpone the game,' he said. Nodding to Constantin, he went off towards the kitchen where the orderly was preparing lunch.

Constantin listened to his shoes squeaking faintly across the unpolished floor, then irritably cleared the pieces off the board and sat back with the black king in his hand. At least he had provoked Malek into leaving him. Thinking this over, he wondered whether to throw caution to the winds and begin to make life intolerable for Malek - it would be easy to pursue him around the villa, arguing hysterically and badgering him with neurotic questions. Sooner or later Malek would snap back, and might give away something of his intentions. Alternatively, Constantin could try to freeze him out, treating him with contempt as the hired killer he was, refusing to share a room or his meals with him and insisting on his rights as a former member of the central committee. The method might well be successful. Almost certainly Malek was telling the truth when he said he knew the exact day and minute of Constantin's execution. The order would have been given to him and he would have no discretion to advance or delay the date to suit himself. Malek would be reluctant to report Constantin for difficult behaviour - the reflection on himself was too obvious and his present post was not one from which he could graciously retire - and in addition not even the Police-President would be able to vary the execution date now that it had been set without convening several meetings. There was then the danger of reopening Constantin's case. He was not without his allies, or at least those who were prepared to use him for their own advantage.

But despite these considerations, the whole business of play-acting lacked appeal for Constantin. His approach was more serpentine. Besides, if he provoked Malek, uncertainties were introduced, of which there were already far too many.

He noticed the supervisor enter the lounge and sit down quietly in one of the grey armchairs, his face, half-hidden in the shadows, turned towards Constantin. He seemed indifferent to the normal pressures of boredom and fatigue (luckily for himself, Constantin reflected - an impatient man would have pulled the trigger on the morning of the second day), and content to sit about in the armchairs, watching Constantin as the grey rain fell outside and the damp leaves gathered against the walls. The difficulties of establishing a relationship with Malek - and some sort of relationship was essential before Constantin could begin to think of escape - seemed insuperable, only the games of chess offering an opportunity.

Placing the black king on his own king's square, Constantin called out: 'Malek, I'm ready for another game, if you are.'

Malek pushed himself out of the chair with his long arms, and then took his place across the board. For a moment he scrutinized Constantin with a level glance, as if ascertaining that there would be no further outbursts of temper, and then began to set up the white pieces, apparently prepared to ignore the fact that Constantin had cleared the previous game before its completion.

He opened with a stolid Ruy Lopez, an over-analysed and uninteresting attack, but a dozen moves later, when they broke off for lunch, he had already forced Constantin to castle on the Queen's side and had established a powerful position in the centre.

As they took their lunch together at the card table behind the sofa in the lounge, Constantin reflected upon this curious element which had been introduced into his relationship with Malek. While trying to check any tendency to magnify an insignificant triviality into a major symbol, he realized that Malek's proficiency at chess, and his ability to produce powerful combinations out of pedestrian openings, was symptomatic of his concealed power over Constantin.

The drab villa in the thin autumn rain, the faded furniture and unimaginative food they were now mechanically consuming, the whole grey limbo with its slender telephone connection with the outside world were, like his chess, exact extensions of Malek's personality, yet permeated with secret passages and doors. The unexpected thrived in such an ambience. At any moment, as he shaved, the mirror might retract to reveal the flaming Malek started to ask him for the salt and Constantin almost choked to death.

The ironic humour of this near-fatality reminded Constantin that almost half of his two-month sentence had elapsed. But his crude attempts to obtain a pencil from the orderly and later, failing this, to mark the letters in a page torn from one of the novels were intercepted by Malek, and he realized that short of defeating the two policemen in singlehanded combat he had no means of escaping his ever more imminent fate.

Latterly he had noticed that Malek's movements and general activity around the villa seemed to have quickened. He still sat for long periods in the armchair, observing Constantin, but his formerly impassive presence was graced by gestures and inclinations of the head that seemed to reflect a heightened cerebral activity, as if he were preparing himself for some long-awaited denouement. Even the heavy musculature of his face seemed to have relaxed and grown sleeker, his sharp mobile eyes, like those of an experienced senior inspector of police, roving constantly about the rooms.

Despite his efforts, however, Constantin was unable to galvanize himself into any defensive action. He could see clearly that Malek and himself had entered a new phase in their relationship, and that at any moment their outwardly formal and polite behaviour would degenerate into a gasping ugly violence, but he was nonetheless immobilized by his own state of terror. The days passed in a blur of uneaten meals and abandoned chess games, their very identity blotting out any sense of time or progression, the watching figure of Malek always before him.

Every morning, when he woke after two or three hours of sleep to find his consciousness still intact, a discovery almost painful in its relief and poignancy, he would be immediately aware of Malek standing in the next room, then waiting discreetly in the hallway as Constantin shaved in the bathroom (also without its door) following him downstairs to breakfast, his careful reflective tread like that of a hangman descending from his gallows.

After breakfast Constantin would challenge Malek to a game of chess, but after a few moves would begin to play wildly, throwing pieces forwards to be decimated by Malek. At times the supervisor would glance curiously at Constantin, as if wondering whether his charge had lost his reason, and then continue to play his careful exact game, invariably winning or drawing. Dimly Constantin perceived that by losing to Malek he had also surrendered to him psychologically, but the games had now become simply a means of passing the unending days.

Six weeks after they had first begun to play chess, Constantin more by luck than skill succeeded in an extravagant pawn gambit and forced Malek to sacrifice both his centre and any possibility of castling. Roused from his state of numb anxiety by the temporary victory, Constantin sat forward over the board, irritably waving away the orderly who announced from the door of the lounge that he would serve lunch.

'Tell him to wait, Malek. I mustn't lose my concentration at this point, I've very nearly won the game.'

'Well...' Malek glanced at his watch, then over his shoulder at the orderly, who, however, had turned on his heel and returned to the kitchen. He started to stand up. 'It can wait. He's bringing the - , 'No!' Constantin snapped. 'Just give me five minutes, Malek. Damn it, one adjourns on a move, not halfway through it.'

'Very well.' Malek hesitated, after a further glance at his watch. He climbed to his feet. 'I will tell him.'

Constantin concentrated on the board, ignoring the supervisor's retreating figure, the scent of victory clearing his mind. But thirty seconds later he sat up with a start, his heart almost seizing inside his chest.

Malek had gone upstairs! Constantin distinctly remembered him saying he would tell the orderly to delay lunch, but instead he had walked straight up to his bedroom. Not only was it extremely unusual for Constantin to be left unobserved when the orderly was otherwise occupied, but the latter had still not brought in their first luncheon course.

Steadying the table, Constantin stood up, his eyes searching the open doorways in front and behind him. Almost certainly the orderly's announcement of lunch was a signal, and Malek had found a convenient pretext for going upstairs to prepare his execution weapon.

Faced at last by the nemesis he had so long dreaded, Constantin listened for the sounds of Malek's feet descending the staircase. A profound silence enclosed the villa, broken only by the fall of one of the chess pieces to the tiled floor. Outside the sun shone intermittently in the garden, illuminating the broken flagstones of the ornamental pathway and the bare face of the walls. A few stunted weeds flowered among the rubble, their pale colours blanched by the sunlight, and Constantin was suddenly filled by an overwhelming need to escape into the open air for the few last moments before he died. The east wall, lit by the sun's rays, was marked by a faint series of horizontal grooves, the remnants perhaps of a fire escape ladder, and the slender possibility of using these as hand-holds made the enclosed garden, a perfect killing ground, preferable to the frantic claustrophobic nexus of the villa.

Above him, Malek's measured tread moved across the ceiling to the head of the staircase. He paused there and then began to descend the stairs, his steps chosen with a precise and careful rhythm.

Helplessly, Constantin searched the veranda for something that would serve as a weapon. The french windows on to the garden were locked, and a slotted pinion outside secured the left-hand member of the pair to the edge of the sill. If this were raised there was a chance that the windows could be forced outwards.

Scattering the chess pieces onto the floor with a sweep of his hand, Constantin seized the board and folded it together, then stepped over to the window and drove the heavy wooden box through the bottom pane. The report of the bursting glass echoed like a gun shot through the villa. Kneeling down, he pushed his hand through the aperture and tried to lift the pinion, jerking it up and down in its rusty socket. When it failed to clear the sill he forced his head through the broken window and began to heave against it helplessly with his thin shoulders, the fragments of broken glass falling on to his neck.

Behind him a chair was kicked back, and he felt two powerful hands seize his shoulders and pull him away from the window. He struck out hysterically with the chess box, and then was flung head-first to the tiled floor.

His convalescence from this episode was to last most of the following week. For the first three days he remained in bed, recovering his physical identity, waiting for the sprained muscles of his hands and shoulders to repair themselves. When he felt sufficiently strong to leave his bed he went down to the lounge and sat at one end of the sofa, his back to the windows and the thin autumn light.

Malek still remained in attendance, and the orderly prepared his meals as before. Neither of them made any comment upon Constantin's outburst of hysteria, or indeed betrayed any signs that it had taken place, but Constantin realized that he had crossed an important rubicon. His whole relationship with Malek had experienced a profound change. The fear of his own imminent death, and the tantalizing mystery of its precise date which had so obsessed him, had been replaced by a calm acceptance that the judicial processes inaugurated by his trial would take their course and that Malek and the orderly were merely the local agents of this distant apparat. In a sense his sentence and present tenuous existence at the villa were a microcosm of life itself, with its inherent but unfeared uncertainties, its inevitable quietus to be made on a date never known in advance. Seeing his role at the villa in this light Constantin no longer felt afraid at the prospect of his own extinction, fully aware that a change in the political wind could win him a free pardon.

In addition, he realized that Malek, far from being his executioner, a purely formal role, was in fact an intermediary between himself and the hierarchy, and in an important sense a potential ally of Constantin's. As he reformed his defence against the indictment preferred against him at the trial - he knew he had been far too willing to accept the fait accompli of his own guilt - he calculated the various ways in which Malek would be able to assist him. There was no doubt in his mind that he had misjudged Malek. With his sharp intelligence and commanding presence, the supervisor was very far from being a hatchet-faced killer - this original impression had been the result of some cloudiness in Constantin's perceptions, an unfortunate myopia which had cost him two precious months in his task of arranging a re-trial.

Comfortably swathed in his dressing gown, he sat at the card-table in the lounge (they had abandoned the veranda with the colder weather, and a patch of brown paper over the window reminded him of that first circle of purgatory) concentrating on the game of chess. Malek sat opposite him, hands clasped on one knee, his thumbs occasionally circling as he pondered a move. Although no less reticent than he had ever been, his manner seemed to indicate that he understood and confirmed Constantin's reappraisal of the situation. He still followed Constantin around the villa, but his attentions were noticeably more perfunctory, as if he realized that Constantin would not try again to escape.

From the start, Constantin was completely frank with Malek.

'I am convinced, Malek, that the Prosecutor-General was misdirected by the Justice Department, and that the whole basis of the trial was a false one. All but one of the indictments were never formally presented, so I had no opportunity to defend myself. You understand that, Malek? The selection of the capital penalty for one count was purely arbitrary.'

Malek nodded, moving a piece. 'So you have explained, Mr Constantin. I am afraid I do not have a legalistic turn of mind.'

'There's no need for you to,' Constantin assured him. 'The point is obvious. I hope it may be possible to appeal against the court's decision and ask for a re-trial.' Constantin gestured with a piece. 'I criticize myself for accepting the indictments so readily. In effect I made no attempt to defend myself. If only I had done so I am convinced I should have been found innocent.'

Malek murmured non-committally, and gestured towards the board. Constantin resumed play. Most of the games he consistently lost to Malek, but this no longer troubled him and, if anything, only served to reinforce the bonds between them.

Constantin had decided not to ask the supervisor to inform the justice Department of his request for a re-trial until he had convinced Malek that his case left substantial room for doubt. A premature application would meet with an automatic negative from Malek, whatever his private sympathies. Conversely, once Malek was firmly on his side he would be prepared to risk his reputation with his seniors, and indeed his championing of Constantin's cause would be convincing proof in itself of the latter's innocence.

As Constantin soon found from his one-sided discussions with Malek, arguing over the legal technicalities of the trial, with their infinitely subtle nuances and implications, was an unprofitable method of enlisting Malek's support and he realized that he would have to do so by sheer impress of personality, by his manner, bearing and general conduct, and above all by his confidence of his innocence in the face of the penalty which might at any moment be imposed upon him. Curiously, this latter pose was not as difficult to maintain as might have been expected; Constantin already felt a surge of conviction in his eventual escape from the villa. Sooner or later Malek would recognize the authenticity of this inner confidence.

To begin with, however, the supervisor remained his usual phlegmatic self. Constantin talked away at him from morning to evening, every third word affirming the probability of his being found 'innocent', but Malek merely nodded with a faint smile and continued to play his errorless chess.

'Malek, I don't want you to think that I challenge the competence of the court to try the charges against me, or that I hold it in disrespect,' he said to the supervisor as they played their usual morning board some two weeks after the incident on the veranda. 'Far from it. But the court must make its decisions within the context of the evidence presented by the prosecutor. And even then, the greatest imponderable remains - the role of the accused. In my case I was, to all intents, not present at the trial, so my innocence is established by force majeure. Don't you agree, Malek?'

Malek's eyes searched the pieces on the board, his lips pursing thinly. 'I'm afraid this is above my head, Mr Constantin. Naturally I accept the authority of the court without question.'

'But so do I, Malek. I've made that plain. The real question is simply whether the verdict was justified in the light of the new circumstances I am describing.'

Malek shrugged, apparently more interested in the end-game before them. 'I recommend you to accept the verdict, Mr Constantin. For your peace of mind, you understand.'

Constantin looked away with a gesture of impatience. 'I don't agree, Malek. Besides, a great deal is at stake.' He glanced up at the windows which were drumming in the cold autumn wind. The casements were slightly loose, and the air lanced around them. The villa was poorly heated, only the single radiator in the lounge warming the three rooms downstairs. Already Constantin dreaded the winter. His hands and feet were perpetually cold and he could find no means of warming them.

'Malek, is there any chance of obtaining another heater?' he asked. 'It's none too warm in here. I have a feeling it's going to be a particularly cold winter.'

Malek looked up from the board, his bland grey eyes regarding Constantin with a flicker of curiosity, as if this last remark were one of the few he had heard from Constantin's lips which contained any overtones whatever.

'It is cold,' he agreed at last. 'I will see if I can borrow a heater. This villa is closed for most of the year.'

Constantin pestered him for news of the heater during the following week - partly because the success of his request would have symbolized Malek's first concession to him - but it failed to materialize. After one palpably lame excuse Malek merely ignored his further reminders. Outside, in the garden, the leaves whirled about the stones in a vortex of chilling air, and overhead the low clouds raced seaward. The two men in the lounge hunched over their chess-board by the radiator, hands buried in their pockets between moves.

Perhaps it was this darkening weather which made Constantin impatient of Malek's slowness in seeing the point of his argument, and he made his first suggestions that Malek should transmit a formal request for a re-trial to his superiors at the Department of Justice.

'You speak to someone on the telephone every morning, Malek,' he pointed out when Malek demurred. 'There's no difficulty involved. If you're afraid of compromising yourself - though I would have thought that a small price to pay in view of what is at stake - the orderly can pass on a message.'

'It's not feasible, Mr Constantin.' Malek seemed at last to be tiring of the subject. 'I suggest that you - '

'Malek!' Constantin stood up and paced around the lounge. 'Don't you realize that you must? You're literally my only means of contact, if you refuse I'm absolutely powerless, there's no hope of getting a reprieve!'

'The trial has already taken place, Mr Constantin,' Malek pointed out patiently.

'It was a mis-trial! Don't you understand, Malek, I accepted that I was guilty when in fact I was completely innocent!'

Malek looked up from the board, his eyebrows lifting. 'Completely innocent, Mr Constantin?'

Constantin snapped his fingers. 'Well, virtually innocent. At least in terms of the indictment and trial.'

'But that is merely a technical difference, Mr Constantin. The Department of justice is concerned with absolutes.'

'Quite right, Malek. I agree entirely.' Constantin nodded approvingly at the supervisor and privately noted his quizzical expression, the first time Malek had displayed a taste for irony.

He was to notice this fresh leit-motiv recurringly during the next days; whenever he raised the subject of his request for a retrial Malek would counter with one of his deceptively naive queries, trying to establish some minor tangential point, almost as if he were leading Constantin on to a fuller admission. At first Constantin assumed that the supervisor was fishing for information about other members of the hierarchy which he wished to use for his own purposes, but the few titbits he offered were ignored by Malek, and it dawned upon him that Malek was genuinely interested in establishing the sincerity of Constantin's conviction of his own innocence.

He showed no signs, however, of being prepared to contact his superiors at the Department of Justice, and Constantin's impatience continued to mount. He now used their morning and afternoon chess sessions as an opportunity to hold forth at length on the subject of the shortcomings of the judicial system, using his own case as an illustration, and hammered away at the theme of his innocence, even hinting that Malek might find himself held responsible if by any mischance he was not granted a reprieve.

'The position I find myself in is really most extraordinary,' he told Malek almost exactly two months after his arrival at the villa. 'Everyone else is satisfied with the court's verdict, and yet I alone know that I am innocent. I feel very like someone who is about to be buried alive.'

Malek managed a thin smile across the chess pieces. 'Of course, Mr Constantin, it is possible to convince oneself of anything, given a sufficient incentive.'

'But Malek, I assure you,' Constantin insisted, ignoring the board and concentrating his whole attention upon the supervisor, 'this is no death-cell repentance. Believe me, I know. I have examined the entire case from a thousand perspectives, questioned every possible motive. There is no doubt in my mind. I may once have been prepared to accept the possibility of my guilt but I realize now that I was entirely mistaken - experience encouragcs us to take too great a responsibility for ourselves, when we fall short of our ideals we become critical of ourselves and ready to assume that we are at fault. How dangerous that can be, Malek, I now know. Only the truly innocent man can really understand the meaning of guilt.'

Constantin stopped and sat back, a slight weariness overtaking him in the cold room. Malek was nodding slowly, a thin and not altogether unsympathetic smile on his lips as if he understood everything Constantin had said. Then he moved a piece, and with a murmured 'excuse me' left his seat and went out of the room.

Drawing the lapels of the dressing gown around his chest, Constantin studied the board with a desultory eye. He noticed that Malek's move appeared to be the first bad one he had made in all their games together, but he felt too tired to make the most of his opportunity. His brief speech to Malek, confirming all he believed, now left nothing more to be said. From now on whatever happened was up to Malek.

'Mr Constantin.'

He turned in his chair and, to his surprise, saw the supervisor standing in the doorway, wearing his long grey overcoat.

'Malek - ?' For a moment Constantin felt his heart gallop, and then controlled himself. 'Malek, you've agreed at last, you're going to take me to the Department?'

Malek shook his head, his eyes staring sombrely at Constantin. 'Not exactly. I thought we might look at the garden, Mr Constantin. A breath of fresh air, it will do you good.'

'Of course, Malek, it's kind of you.' Constantin rose a little unsteadily to his feet, and tightened the cord of his dressing gown. 'Pardon my wild hopes.' He tried to smile at Malek, but the supervisor stood by the door, hands in his overcoat pockets, his eyes lowered fractionally from Constantin's face.

They went out on to the veranda towards the french windows. Outside the cold morning air whirled in frantic circles around the small stone yard, the leaves spiralling upwards into the dark sky. To Constantin there seemed little point in going out into the garden, but Malek stood behind him, one hand on the latch.

'Malek.' Something made him turn and face the supervisor. 'You do understand what I mean, when I say I am absolutely innocent. I know that.'

'Of course, Mr Constantin.' The supervisor's face was relaxed and almost genial. 'I understand. When you know you are innocent, then you are guilty.'

His hand opened the veranda door on to the whirling leaves.