From Publishers Weekly

The cold northern islands of St. Hauda's Land are home to strange creatures and intertwining human secrets in Shaw's earnest, magic-tinged debut. Ida Maclaird returns to the archipelago to find a cure for the condition her last visit brought her—she is slowly turning into glass. The landscape is at once beautiful and ominous, and its residents mistrustful, but she grows close to Midas Crook, a young man who, despite his intention to spend his life alone, falls in love with Ida and becomes desperate to save her. Their quest leads them to Henry Fuwa, a hermit biologist devoted to preserving the moth-winged bull, a species of insect-sized winged bovines; to Carl Mausen, a friend of Ida's family whose devotion to her mother makes him both ally and enemy; and finally to Emiliana Stallows, who claims to have once cured a girl with Ida's affliction. Each of these characters' histories intertwine, though their motivations surrounding Ida are muddled by their loyalties. Both love story and dirge, Shaw's novel flows gracefully and is wonderfully dreamlike, with the danger of the islands matched by the characters' dark pasts. (Jan.)
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Review

"Fantastically imagined.... The hybrid form of the book—fairy tale, myth, psychological realism and fantasy—impresses. But Shaw’s most delightful offerings are the vivid details he provides to make the magical real.... As Ida turns to glass, Midas must continue his own transformation, from hardened to human. The end of the book, saturated with color and emotion, is risky and brave like the message it imparts. Only a heart of glass would be unmoved."—Robin Romm, New York Times Book Review

"Ali Shaw has created a memorable addition to [the] fabulist pantheon in his gorgeous first novel, The Girl with Glass Feet.... Over the course of this eerie, bewitching novel, the mixture of love and grief and the imminence of death become as memorable as Ida’s mysterious, dreadful transformation and Midas’s more achingly human one ... Shaw acknowledges the influence of writers like Andersen, Kafka and Borges (Shaw's menagerie of perfectly detailed, marvelous creatures could have stepped from the pages of "The Book of Imaginary Beings"). But it’s Andersen’s melancholy tales, steeped in loss and a brooding sense of fatedness, that shimmer around the edges of The Girl with Glass Feet. Every character in this novel yearns for a love that seems just out of reach: Midas's unhappy parents; Henry Fuwa; Carl Maulsen, who loved Ida's mother; Emiliana, the island woman who might have a cure for Ida's illness; Ida herself—all of them are bound by threads of betrayal and desire and hope, until Fate cuts those threads, calmly and without remorse."—Elizabeth Hand, Washington Post

"The Girl with Glass Feet is a love story, not just about two people falling in love, but also about love itself: its power, its limits, and its consequences.... Although Shaw’s novel is set in the present, everything’s turned askew, resulting in a world that is at once banal—the car won’t start; the coffee’s getting cold—and fantastical—glass feet; glass hearts. Shaw makes the crucial decision to leave the human emotions and relationships in the realm of the believable, while embedding them in terrain that is ever so slightly surreal. Somehow it’s never implausible. Shaw is at his best when describing the fantastical world he’s created. His language manages to be poetic and economical.... The look, the sound, and the scent of St. Hauda’s Land stay with you after turning the last page of this beautiful novel."—Buzzy Jackson, The Boston Globe

"Ali Shaw’s engrossing and moving debut novel ... is a story of a strange land and its strange inhabitants, but at heart it’s a sincere but unsentimental love story.... The joy that Ida and Midas share, after Midas takes those first risky steps toward love, is so beautifully captured that their happiness beats back the drear and shadows.... The dreamy atmosphere curls around you until you see, hear and smell the moors and bogs.... The ending bridges the gap between fairy tales old and new."—Lisa McLendon, Wichita Eagle

"Ali Shaw shows immense promise with his deft use of language, which sings in a book that is at its heart filled with sadness. The soft light on the island plays coyly with the thick vegetation, casting glorious shadows and producing a riot of images all ably captured by Midas’ camera and Shaw’s prose."—Vikram Johri, The Chicago Sun-Times

"Ali Shaw has a gift for storytelling and an obvious love of language. His descriptions are poetic and original.... The Girl With Glass Feet is a work of great imagination and talent. Mr. Shaw never tells us what causes the glassification, but that leaves the reader open to decide whether the tale is merely a modern fairy tale, or whether turning into glass is in itself a metaphor for a larger, human condition that creates change bringing moments of pain and pleasure."—Corinna Lothar, The Washington Times

"The cold northern islands of St. Hauda’s Land are home to strange creatures and intertwining human secrets in Shaw’s earnest, magic-tinged debut.... Both love story and dirge, Shaw’s novel flows gracefully and is wonderfully dreamlike, with the danger of the islands matched by the characters’ dark pasts."—Publishers Weekly

"Ali Shaw offers the rare delight of a world freshly and richly imagined.... The story is soothingly spellbinding, pulling the reader with steady delicacy into the hearts and minds of its characters amid the enthralling murmur of the fantastical."—Ariel Berg, The San Francisco Book Review