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### From Publishers Weekly Signature*Reviewed by* Greg BearCaryatids, in Greek architecture, are stone women who support massive buildings. The Caryatids of Bruce Sterling's shimmering new novel—Vera, Radmila and Sonja—support the weight of a near-future world. They are the last of seven clone sisters created by a mother accused of Balkan war crimes, now exiled in orbit. We're 50-some years into the future, and the planet is split into an international, symbiotic competition between the hypernetworked Acquis, who train distressed, abandoned children into tight-knit cadres of activists, and the Dispensation, more sedate, mannered and cosmo-business in its orientation.Vera works with an Acquis team remediating the Croatian island of Mljet, laid waste by toxic dumping and the rising waters of global warming. The Acquis technology is extreme but humanly adapted: the users wear bonewear (amplified skeletal suits that allow tremendous feats of speed and strength) and spex (laser-equipped eyeshades that hook their wearers into a postencyclopedic wonderworld of information. In a beautifully realized and Huxleyan Los Angeles, Radmila has fit too snugly into a Dispensation Family, but California is being squeezed between a geological devil and the surging deep blue sea. The Family sees these changes in terms of economic potential, and they track real estate values by the second: Norwalk is glamorous; beach property is cheap.Sonja, dotted with the shrapnel of her own self-destructive past, performs medical and social work in the middle of a constantly rebirthing China. Due to female infanticide, there are far more men than women in China—the reverse of Russia, where men die young—and Sonja hooks up with a Gobi jihadist who indulges both her sexual appetites and her political ambitions. Sterling's language is kaleidoscopic. We swim into a chapter, and his ideas and language flash and dance like sunlight off the Adriatic, then coalesce in a moment of plot; the effect is unsettling, but suited to the world he reveals spark by hammered spark. Dispersed around the world, the sisters mirror Earth's difficulties: traumatized by their origin, they hate each other. Their solutions may be Earth's solutions as well. In John Brunner's 1968 masterpiece, *Stand on Zanzibar*, excerpts from fictional author Chad C. Mulligan's The Hipcrime Vocab provide sharp, street-smart and world-wise commentary on the culture of 2010. Bruce Sterling is the closest we've come to Mulligan in the actual 21st century. His international perspective is rare in science fiction, which often suffers from Amerocentric bias. A new novel from Sterling is a guarantee of something wild and tasty, and *The Caryatids* amply fulfills that promise.* (Mar.)**Greg Bear's latest science fiction novel,* City at the End of Time*, was published by Del Rey in August.* Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. ### From Bookmarks Magazine Books of Big Ideas often polarize reviewers, and Bruce Sterling's latest novel is no exception. Either the best SF book of this or any other year (Cory Doctorow) or "a mess of a book about the mess of the world" (John Clute), *The Caryatids*, at the very least, illustrates Sterling's ability to raise voices (in praise or protest) 30 years after he laid the groundwork for the cyberpunk movement, without which contemporary SF would be a much rockier -- and much less diverse -- landscape. Sterling's complex, controversial vision of our future invites comparison to Neal Stephenson (*Cryptonomicon*, *Snow Crash*) and William Gibson (*Neuromancer*). Love him or hate him, Bruce Sterling always has something important to say, and *The Caryatids* is worth a look.Copyright 2009 Bookmarks Publishing LLC

From Publishers Weekly

Signature_Reviewed by_ Greg BearCaryatids, in Greek architecture, are stone women who support massive buildings. The Caryatids of Bruce Sterling's shimmering new novel—Vera, Radmila and Sonja—support the weight of a near-future world. They are the last of seven clone sisters created by a mother accused of Balkan war crimes, now exiled in orbit. We're 50-some years into the future, and the planet is split into an international, symbiotic competition between the hypernetworked Acquis, who train distressed, abandoned children into tight-knit cadres of activists, and the Dispensation, more sedate, mannered and cosmo-business in its orientation.Vera works with an Acquis team remediating the Croatian island of Mljet, laid waste by toxic dumping and the rising waters of global warming. The Acquis technology is extreme but humanly adapted: the users wear bonewear (amplified skeletal suits that allow tremendous feats of speed and strength) and spex (laser-equipped eyeshades that hook their wearers into a postencyclopedic wonderworld of information. In a beautifully realized and Huxleyan Los Angeles, Radmila has fit too snugly into a Dispensation Family, but California is being squeezed between a geological devil and the surging deep blue sea. The Family sees these changes in terms of economic potential, and they track real estate values by the second: Norwalk is glamorous; beach property is cheap.Sonja, dotted with the shrapnel of her own self-destructive past, performs medical and social work in the middle of a constantly rebirthing China. Due to female infanticide, there are far more men than women in China—the reverse of Russia, where men die young—and Sonja hooks up with a Gobi jihadist who indulges both her sexual appetites and her political ambitions. Sterling's language is kaleidoscopic. We swim into a chapter, and his ideas and language flash and dance like sunlight off the Adriatic, then coalesce in a moment of plot; the effect is unsettling, but suited to the world he reveals spark by hammered spark. Dispersed around the world, the sisters mirror Earth's difficulties: traumatized by their origin, they hate each other. Their solutions may be Earth's solutions as well. In John Brunner's 1968 masterpiece, Stand on Zanzibar, excerpts from fictional author Chad C. Mulligan's The Hipcrime Vocab provide sharp, street-smart and world-wise commentary on the culture of 2010. Bruce Sterling is the closest we've come to Mulligan in the actual 21st century. His international perspective is rare in science fiction, which often suffers from Amerocentric bias. A new novel from Sterling is a guarantee of something wild and tasty, and The Caryatids amply fulfills that promise._ (Mar.)__Greg Bear's latest science fiction novel,_ City at the End of Time_, was published by Del Rey in August._
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

Books of Big Ideas often polarize reviewers, and Bruce Sterling's latest novel is no exception. Either the best SF book of this or any other year (Cory Doctorow) or "a mess of a book about the mess of the world" (John Clute), The Caryatids, at the very least, illustrates Sterling's ability to raise voices (in praise or protest) 30 years after he laid the groundwork for the cyberpunk movement, without which contemporary SF would be a much rockier -- and much less diverse -- landscape. Sterling's complex, controversial vision of our future invites comparison to Neal Stephenson (_Cryptonomicon_, Snow Crash) and William Gibson (_Neuromancer_). Love him or hate him, Bruce Sterling always has something important to say, and The Caryatids is worth a look.Copyright 2009 Bookmarks Publishing LLC