The Manual of Detection

Jedediah Berry

Language: English

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Publisher: Penguin Books (US)

Published: Feb 2, 2009

Description:

"This debut novel weaves the kind of mannered fantasy that might result if Wes Anderson were to adapt Kafka." --The New Yorker

Reminiscent of imaginative fiction from Jorge Luis Borges to Jasper Fforde yet dazzlingly original, The Manual of Detection marks the debut of a prodigious young talent. Charles Unwin toils as a clerk at a huge, imperious detective agency located in an unnamed city always slick with rain. When Travis Sivart, the agency's most illustrious detective, is murdered, Unwin is suddenly promoted and must embark on an utterly bizarre quest for the missing investigator that leads him into the darkest corners of his soaking, somnolent city. What ensues is a noir fantasy of exquisite craftsmanship, as taut as it is mind- blowing, that draws readers into a dream world that will change what they think about how they think.

From Publishers Weekly

Set in an unnamed city, Berry's ambitious debut reverberates with echoes of Kafka and Paul Auster. Charles Unwin, a clerk who's toiled for years for the Pinkerton-like Agency, has meticulously catalogued the legendary cases of sleuth Travis Sivart. When Sivart disappears, Unwin, who's inexplicably promoted to the rank of detective, goes in search of him. While exploring the upper reaches of the Agency's labyrinthine headquarters, the paper pusher stumbles on a corpse. Aided by a narcoleptic assistant, he enters a surreal landscape where all the alarm clocks have been stolen. In the course of his inquiries, Unwin is shattered to realize that some of Sivart's greatest triumphs were empty ones, that his hero didn't always come up with the correct solution. Even if the intriguing conceit doesn't fully work, this cerebral novel, with its sly winks at traditional whodunits and inspired portrait of the bureaucratic and paranoid Agency, will appeal to mystery readers and nongenre fans alike. (Feb.)
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From Bookmarks Magazine

The comparisons used by critics in describing The Manual of Detection—Borges! Chesterton! Bradbury! Kafka! Lynch! Gilliam!—may seem overblown. But this list of literary (and cinematic) heavy hitters may not be hyperbolic praise so much as the only means available to explain how a book that initially seems to be a private eye novel can also be a work of absurdist art, “a surreal transmogrification of a genre” (Wall Street Journal). The critics might not have been able to categorize it, but they were also unable to put it down. However, as more than one reviewer pointed out, this may not be the best book for those who like their gumshoes straight, no chaser.
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