From "The Next Generation" and "The X-Files", to "Farscape" and "Enterprise", sci-fi television series in the US have multiplied since the 1980s. Jan Johnson-Smith shows how, in line with national political upheavals, this vibrant and perplexing genre set about expanding the myth of the Western frontier into deep space. She looks at the "sense of wonder" or sublime that infuses much Frontier art and science fiction, and traces a possible historical precedent to the genre in the fabulous and heroic journeys of the Classical epic. She discusses narrative styles and their influences, from the overarching narrative of "Babylon 5" to the episodic formula of "The Outer Limits", considers how experimental series such as "Twin Peaks" challenge conventional structures, and how and why sci-fi television has adopted new technologies. She also explores the juxtaposition of arcane language and technological jargon in modern American sci-fi television, revealing the extraordinarily alien, yet curiously familiar arena it creates.
Review
'...a transcendental ride...'Media Education Journal, December 2005.
Review
"An original and significant study. American Science Fiction TV is the first thoroughgoing analysis of the genre. Johnson-Smith writes with both the authority of a scholar and the passion of a genre fan. The book is to be welcomed as an important contribution to TV studies." (James Chapman, author of Licence to Thrill: A Cultural History of the James Bond Films )
Description:
From "The Next Generation" and "The X-Files", to "Farscape" and "Enterprise", sci-fi television series in the US have multiplied since the 1980s. Jan Johnson-Smith shows how, in line with national political upheavals, this vibrant and perplexing genre set about expanding the myth of the Western frontier into deep space. She looks at the "sense of wonder" or sublime that infuses much Frontier art and science fiction, and traces a possible historical precedent to the genre in the fabulous and heroic journeys of the Classical epic. She discusses narrative styles and their influences, from the overarching narrative of "Babylon 5" to the episodic formula of "The Outer Limits", considers how experimental series such as "Twin Peaks" challenge conventional structures, and how and why sci-fi television has adopted new technologies. She also explores the juxtaposition of arcane language and technological jargon in modern American sci-fi television, revealing the extraordinarily alien, yet curiously familiar arena it creates.
Review
'...a transcendental ride...'Media Education Journal, December 2005.
Review
"An original and significant study. American Science Fiction TV is the first thoroughgoing analysis of the genre. Johnson-Smith writes with both the authority of a scholar and the passion of a genre fan. The book is to be welcomed as an important contribution to TV studies." (James Chapman, author of Licence to Thrill: A Cultural History of the James Bond Films )