From Publishers Weekly

Starred Review. In this delightful SF thriller, the long-anticipated sequel to the critically acclaimed Jumper (1992), Gould puts a fresh spin on the classic plot device of human teleportation. Once a teen struggling to escape an abusive father, Davy Rice is now a covert operative for the National Security Agency and happily married to Oklahoma psychologist Millie Harrison-Rice. Enter sudden marital discord over starting a family, and Davy, eager to avoid the issue, jumps from their remote West Texas hideaway to a meeting in Washington, D.C., only to be snatched by an evil organization intent upon forcing "the asset" to work for them. The baffled Millie keeps waiting for her husband to return, until she discovers that she, too, can teleport through space. While Davy spends much of the book a defiant prisoner, Millie learns the joy of jumping. In her effort to rescue her husband, she goes to ground and hides her dangerous new ability from the NSA and Davy's captors. The author's savvy decision to have the couple share this unique ability gives the sequel a rush of new energy, creating dazzling future possibilities for the duo. Though Gould continues to exuberantly press the boundaries of scientific credibility, his gift for placing ordinary people in extraordinary situations against a backdrop of international concerns makes this fast-paced adventure sizzle. At the end, the inevitable question arises: will the next jumper do it in diapers?
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From Booklist

Gould takes up Davy, the teenage hero of Jumper (1992), about as many years later in his life as this readable sequel follows its predecessor. Davy is in trouble because of leaks from the secret governmental organization that employs him. Someone has figured out how to abduct, imprison, and brainwash a teleporter, and that teleporter, as Jumper readers might expect, is Davy. Davy's wife has learned to jump (i.e., teleport), too, though, and in the same way that he learned it, when her life was threatened. She is searching for him, of course, but isn't sure whom she can trust, either inside or outside the agency. In fact, she isn't even really sure where to start looking for him. Gould's style is rather pedestrian, though no more so than one would allow from a second-book author. Despite stylistic lapses, this is a near-future thriller with quite-respectable page-turning impetus. Frieda Murray
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