Ben Bova's second installment in the Asteroid Wars series continues his trademark style, with caricatured characters in a classic Greek dramatic structure duking it out against a high-tech, Libertarian-influenced, future-history backdrop. Billionaire jerk and womanizer Martin Humphries stirs the pot again, overcoming attempts to oust him from the Selene moon base. His grip on Humphries Space Systems and its economic scheming remains as tight as ever, but he still desires two things: control of the asteroid belt's rich resources and, of course, possession of the ever-elusive Amanda What's-her-name at the expense of likeable alpha male number two, gruff prospector Lars Fuchs. ("One look at Amanda's innocent blue eyes and full-bosomed figure and any man would be wild to have her." We're left to guess as to whether the "wide-eyed," "lusciously curved" Amanda has any other qualities, desirable or otherwise.)
For Bova fans, Rock Rats has it all--cool technology, whip-fast action, and choreographed intrigue--and this installment certainly ups the ante in the series. As Bova gravely notes, "[T]he Belt became the region where prospectors and miners could make fortunes for themselves, or die in the effort. Many of them died. More than a few were killed." --Paul Hughes
From Publishers Weekly
Noted space expert Bova returns to his planetary future history (Moonrise, etc.) in a hard-charging continuation of the battle for the Asteroid Belt begun in The Precipice (2001). Positing an Earth on the brink of eco-catastrophe, a recently independent moon and a frontier filled with prospectors and claim-jumpers out among the asteroids, it is a story that at first appears to be very familiar. But mixed in with the high-tech optimism and libertarian good faith are the darker elements of an older dramatic tradition. Keeping his themes classical love, jealousy, greed Bova gives his tale energy and focus through a love triangle that evolves into a vendetta. Lars Fuchs finds that he and new wife Amanda can't escape from the attentions of Martin Humphries, his rival for both Amanda and the Belt's mineral wealth. Trying to establish a home on Ceres, Lars and Amanda, with their fellow prospectors and miners, are threatened by increasing attacks on their property and lives. Ultimately, Lars must duel Dorik Harbin, the gunslinger sent to kill all who refuse to sign contracts with Humphries Space Systems. As in Greek tragedy, from which the author openly draws, there's no happy ending, only deception, gory murder, exile and planned revenge. Archetypal rather than well-rounded, characters suffer more from their own fatal flaws, hubris chief among them, than from each other's actions. Ambitiously juggling elements of space opera, western and Sophoclean drama, Bova keeps the pages turning. Copyright 2002 Cahners Business Information, Inc.
Description:
Amazon.com Review
Ben Bova's second installment in the Asteroid Wars series continues his trademark style, with caricatured characters in a classic Greek dramatic structure duking it out against a high-tech, Libertarian-influenced, future-history backdrop. Billionaire jerk and womanizer Martin Humphries stirs the pot again, overcoming attempts to oust him from the Selene moon base. His grip on Humphries Space Systems and its economic scheming remains as tight as ever, but he still desires two things: control of the asteroid belt's rich resources and, of course, possession of the ever-elusive Amanda What's-her-name at the expense of likeable alpha male number two, gruff prospector Lars Fuchs. ("One look at Amanda's innocent blue eyes and full-bosomed figure and any man would be wild to have her." We're left to guess as to whether the "wide-eyed," "lusciously curved" Amanda has any other qualities, desirable or otherwise.)
For Bova fans, Rock Rats has it all--cool technology, whip-fast action, and choreographed intrigue--and this installment certainly ups the ante in the series. As Bova gravely notes, "[T]he Belt became the region where prospectors and miners could make fortunes for themselves, or die in the effort. Many of them died. More than a few were killed." --Paul Hughes
From Publishers Weekly
Noted space expert Bova returns to his planetary future history (Moonrise, etc.) in a hard-charging continuation of the battle for the Asteroid Belt begun in The Precipice (2001). Positing an Earth on the brink of eco-catastrophe, a recently independent moon and a frontier filled with prospectors and claim-jumpers out among the asteroids, it is a story that at first appears to be very familiar. But mixed in with the high-tech optimism and libertarian good faith are the darker elements of an older dramatic tradition. Keeping his themes classical love, jealousy, greed Bova gives his tale energy and focus through a love triangle that evolves into a vendetta. Lars Fuchs finds that he and new wife Amanda can't escape from the attentions of Martin Humphries, his rival for both Amanda and the Belt's mineral wealth. Trying to establish a home on Ceres, Lars and Amanda, with their fellow prospectors and miners, are threatened by increasing attacks on their property and lives. Ultimately, Lars must duel Dorik Harbin, the gunslinger sent to kill all who refuse to sign contracts with Humphries Space Systems. As in Greek tragedy, from which the author openly draws, there's no happy ending, only deception, gory murder, exile and planned revenge. Archetypal rather than well-rounded, characters suffer more from their own fatal flaws, hubris chief among them, than from each other's actions. Ambitiously juggling elements of space opera, western and Sophoclean drama, Bova keeps the pages turning.
Copyright 2002 Cahners Business Information, Inc.