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The Man Who Stole the Moon

The Man Who Stole the Moon

Book 1 of Tales of the Flat Earth

Library - Science Fiction and Fantasy _isfdb best of year anthology honorable mention dozois years best novelette shortfiction

Publisher: Sovereign Media Co.

Published: Feb 2, 2001

Magazine: Realms of Fantasy, February 2001

Description:

Review: The Yellow Sign and Other Stories by Robert W. Chambers • review by Gahan Wilson
Review: Out of the Dark, Volume One: Origins by Robert W. Chambers • review by Gahan Wilson
Review: Out of the Dark, Volume Two: Diversions by Robert W. Chambers • review by Gahan Wilson
Review: The Lust Lizard of Melancholy Cove by Christopher Moore • review by Gahan Wilson
Review: In the Dark by Edith Nesbit • review by Gahan Wilson
Review: My Favorite Horror Story by Mike Baker and Martin H. Greenberg • review by Gahan Wilson
Review: The A'Rak by Michael Shea • review by Paul Di Filippo
Review: A Wizard in the Way by Christopher Stasheff • review by Paul Di Filippo
Review: Wheel of the Infinite by Martha Wells • review by Paul Di Filippo
6 • Compare and Contrast: The Grapes of Wrath vs. Dragonlance • [Editorial (Realms of Fantasy)] • essay by Shawna McCarthy
12 • Movies (Realms of Fantasy, February 2001) • [Movies (Realms of Fantasy)] • essay by Marty Baumann
24 • Folkroots (Realms of Fantasy, February 2001) • [Folkroots] • essay by Heinz Insu Fenkl
28 • The Trickster's Wife • shortstory by Richard Parks
28 • The Trickster's Wife • interior artwork by Mahendra Singh
32 • The Darbies • shortstory by Kate Riedel
32 • The Darbies • interior artwork by J. K. Potter
38 • The Man Who Stole the Moon • [Tales of the Flat Earth] • novelette by Tanith Lee
38 • The Man Who Stole the Moon • interior artwork by Carol Heyer
46 • Breaking Spells • shortstory by M. Shayne Bell
46 • Breaking Spells • interior artwork by John Picacio
50 • Night Sweats • shortstory by James Van Pelt
50 • Night Sweats • interior artwork by Michael Gibbs
60 • Gallery: Terese Nielsen: No Wimps No Way. • [Gallery (Realms of Fantasy)] • essay by Karen Haber