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### Amazon.com Review Her first book since *Memnoch the Devil*, Anne Rice takes us now into the world of Isaiah and Jeremiah, and the destruction of Solomon's temple, to tell the story of Azriel, Servant of the Bones. He is ghost, genji, demon, angel--pure spirit made visible. He pours his heart out to us as he journeys from an ancient Babylon of royal plottings and religious upheavals to the Europe of the Black Death and to the modern world. There he finds himself, amidst the towers of Manhattan, in confrontation with his own human origins and the dark forces that have sought to condemn him to a life of evil and destruction. ### From Publishers Weekly Neither a vampire nor a witch nor a mummy, but a genie provides the focus of Rice's latest (after Memnoch the Devil). The queen of high-decadent gothic deviates from her formula of interlacing spirituality and carnality here: only in the novel's latter pages do lusty sensuousness and brisk pacing leaven a series of cerebral metaphysical struggles. This unusual approach arises from the central dilemma of the story. "Servant of the Bones" Azriel is a "genii" who, until his emergence in 1995 New York, is only a shell filled with spirit, not a corporeal presence ripe for Rice's usual dark eroticism. In the novel's first half, Azriel tells his tale: born a Hebrew in Babylon at the time of Cyrus, he is sacrificed in order to free his people, his body boiled down to golden bones. He then is cursed by a necromancer to be bound to the bones. Over the millennia, he is a spirit at the beck and call of a series of "Masters" who possess his casket. When Azriel calls himself into human form in the present day, he encounters plastic, airplanes?and the Temple of the Mind, a cult of computer-created creed that threatens to kill two-thirds of the earth's population. Azriel's emergence as a sensual being and the suspense generated by the Temple's Last Days project will help readers to forget the book's initial 300 pages, in which they must track Azriel from swirling particles to thickening flesh. Yet Rice's impeccable research into science, history and Jewish scholarship will probably leave readers impressed and entertained. 1,000,000 first printing; BOMC and QPB main selections. Copyright 1996 Reed Business Information, Inc.

Amazon.com Review

Her first book since

From Publishers Weekly

Neither a vampire nor a witch nor a mummy, but a genie provides the focus of Rice's latest (after Memnoch the Devil). The queen of high-decadent gothic deviates from her formula of interlacing spirituality and carnality here: only in the novel's latter pages do lusty sensuousness and brisk pacing leaven a series of cerebral metaphysical struggles. This unusual approach arises from the central dilemma of the story. "Servant of the Bones" Azriel is a "genii" who, until his emergence in 1995 New York, is only a shell filled with spirit, not a corporeal presence ripe for Rice's usual dark eroticism. In the novel's first half, Azriel tells his tale: born a Hebrew in Babylon at the time of Cyrus, he is sacrificed in order to free his people, his body boiled down to golden bones. He then is cursed by a necromancer to be bound to the bones. Over the millennia, he is a spirit at the beck and call of a series of "Masters" who possess his casket. When Azriel calls himself into human form in the present day, he encounters plastic, airplanes?and the Temple of the Mind, a cult of computer-created creed that threatens to kill two-thirds of the earth's population. Azriel's emergence as a sensual being and the suspense generated by the Temple's Last Days project will help readers to forget the book's initial 300 pages, in which they must track Azriel from swirling particles to thickening flesh. Yet Rice's impeccable research into science, history and Jewish scholarship will probably leave readers impressed and entertained. 1,000,000 first printing; BOMC and QPB main selections.
Copyright 1996 Reed Business Information, Inc.

Amazon.com Review

Her first book since

From Publishers Weekly

Neither a vampire nor a witch nor a mummy, but a genie provides the focus of Rice's latest (after Memnoch the Devil). The queen of high-decadent gothic deviates from her formula of interlacing spirituality and carnality here: only in the novel's latter pages do lusty sensuousness and brisk pacing leaven a series of cerebral metaphysical struggles. This unusual approach arises from the central dilemma of the story. "Servant of the Bones" Azriel is a "genii" who, until his emergence in 1995 New York, is only a shell filled with spirit, not a corporeal presence ripe for Rice's usual dark eroticism. In the novel's first half, Azriel tells his tale: born a Hebrew in Babylon at the time of Cyrus, he is sacrificed in order to free his people, his body boiled down to golden bones. He then is cursed by a necromancer to be bound to the bones. Over the millennia, he is a spirit at the beck and call of a series of "Masters" who possess his casket. When Azriel calls himself into human form in the present day, he encounters plastic, airplanes?and the Temple of the Mind, a cult of computer-created creed that threatens to kill two-thirds of the earth's population. Azriel's emergence as a sensual being and the suspense generated by the Temple's Last Days project will help readers to forget the book's initial 300 pages, in which they must track Azriel from swirling particles to thickening flesh. Yet Rice's impeccable research into science, history and Jewish scholarship will probably leave readers impressed and entertained. 1,000,000 first printing; BOMC and QPB main selections.
Copyright 1996 Reed Business Information, Inc.